After a lengthy hiatus from starring roles, Channing Tatum is back in theaters with Dog on February 18th. He plays a U.S. army ranger tasked with bringing a military pooch to his handler’s funeral. The dramedy also marks Tatum’s debut behind the camera (he co-directs with Reid Carolin). Jane Adams, Kevin Nash, Q’Orianka Kilcher, Ethan Suplee, Emmy Raver-Lampman, and Bill Burr make up the supporting cast.
As mentioned, Tatum’s been on a bit of a hiatus lately. His last headlining role was all the way back in 2017 with Logan Lucky (he did turn up in Free Guy and will be seen next month alongside Sandra Bullock and Brad Pitt in The Lost City).
Looking at potential canine comps, A Dog’s Purpose back in 2017 took in $18 million out of the gate. A Dog’s Way Home made $11 million for its start two years later. One caveat – both were based on novels whereas this Dog is an original concept.
Arriving a year after its COVID delay, Dog will hope to attract a female crowd (thanks to Tatum) and those who just generally like the word “dog” in a film’s title. Over the four-day President’s Day frame, there’s a decent chance this could over perform and possibly get to $20 million (or it could flame out with $10 million). I’m thinking $12-$15 million is most likely.
Dog opening weekend prediction: $13.3 million (Friday to Monday estimate)
A popular series of PlayStation games comes to life when Uncharted opens on February 18th. The adventures tale from Zombieland and Venom director Ruben Fleischer features Tom Holland and Mark Wahlberg headlining. Costars include Sophia Ali, Tati Gabrielle, and Antonio Banderas.
Budgeted at a reported $120 million, this should pretty easily top the charts over the long President’s Day weekend. Per usual, it’s undergone a few release date changes in the pandemic era. This time around, the pushback may have helped.
Arriving just two months after Holland’s work as Spider-Man in No Way Home got the box office to unprecedented COVID time levels, audiences may wish to check out his latest potential blockbuster. It doesn’t hurt that gamers could show up too (thought it’s worth mentioning that video game adaptations have a troubled history at multiplexes).
The range for Uncharted is wide. A best case scenario for scenario could be in the $50 million range from Friday to Monday. The floor could be about half of that. I’ll say low to mid 30s is where this ends up.
Uncharted opening weekend prediction: $33.7 million (Friday to Monday estimate)
And at last… they’re out! After months of speculating on the blog (starting all the way back with my initial predictions in August), the Oscar nominations for the 94th Academy Awards were unveiled early this morning.
As always, there’s shocking omissions and surprising additions. There’s races that went as planned. And (for me at least) there’s always that one tricky category where I end up going 2/5. This year it was Documentary Feature which is notoriously tough to figure out. On the flip side, I projected 4 out of the 20 feature film competitions with 5/5 accuracy. All in all – I went 82 for 105 on the picks.
Some initial thoughts before I break it down race by race. The Power of the Dog was easily the winner of the morning with 12 nods (even more than anticipated). It led all nominees with Dune second (10).
Other movies that either met or exceeded expectations: Drive My Car, King Richard, and Nightmare Alley (which was the only somewhat surprising BP addition). For others, it was more of a mixed bag. Belfast garnered 7 mentions but came up short in key tech indicators like Cinematography and Editing. The same can be said for Licorice Pizza. Seven was also the number for West Side Story, but it missed screenplay. Being the Ricardos got 3 acting nods but no Picture or screenplay. And even Dune, with the 10 nods, somehow missed a director nomination for Denis Villeneuve.
Then there’s House of Gucci, which showed up only in Makeup and Hairstyling. No Jared Leto (I predicted he’d be left off), but no Lady Gaga in Actress was perhaps the shocker of the day.
Let’s get into it and I’ll offer my initial take on what/who could win (my final predictions will come shortly before the March 27th show).
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
How I Did: 9/10
Commentary: My one miss was Alley coming in over Being the Ricardos. Make no mistake. With its 12 mentions, The Power of the Dog is undoubtedly the frontrunner. Yes, the Twitterverse will offer alternate theories. Could Drive My Car‘s impressive haul give us our second foreign BP winner in three years? Could Belfast or West Side Story spoil? I doubt it.
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
How I Did: 4/5
Commentary: Hamaguchi getting in wasn’t unforeseen. If so, I figured he’d do so over Anderson, Branagh, or Spielberg and certainly not Villeneuve. That’s what happened. Campion made history today by becoming the first female nominee to get a second nomination. All signs point to her becoming the third (after Kathryn Bigelow and Chloe Zhao) to win.
Best Actress
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
How I Did: 4/5
Commentary: We now arrive at the biggest head scratcher of the major categories. Gaga’s aforementioned omission is truly unexpected (Cruz takes her slot). The precursors (BAFTA, Globes, SAG) have been all over the map and there’s no obvious favorite. I would say Cruz doesn’t stand much of a chance, but the other four do (it’s a lot like last year’s Actress derby). This is also the first time since 2005 where no Actress hopeful has their film in contention for Best Picture. Kidman’s Globe win could help and we’ll see what SAG does, but this is wide open.
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
How I Did: 5/5
Commentary: That’s more like it! Smith (especially after Richard‘s good morning) is out ahead though I could see Cumberbatch definitely threatening after Dog‘s very good morning. Fun tidbit: not since 1980 has the Best Actor race consisted entirely of previous nominees until today.
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
How I Did: 3/5
Commentary: This was the first race announced today and the jaws of prognosticators dropped immediately. Buckley and (especially) Dench were not anticipated by most. I didn’t even have either as my runner-up or second alternate. They displace Ruth Negga (Passing) and Dench’s costar Caitriona Balfe. While the lineup is different than we thought, the frontrunner (DeBose) remains the same with Dunst (getting her first nod) as a possible upset pick.
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
How I Did: 4/5
Commentary: Simmons in over Bradley Cooper in Licorice Pizza. Mr. Cooper has two movies contending for BP but no singling out to show for it. Smit-McPhee may be out in front but a Kotsur victory is feasible.
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
How I Did: 3/5
Commentary: Worst Person is the surprise. I didn’t predict Richard though its inclusion was expected. They’re in over Ricardos and Parallel Mothers (which was admittedly a bit of an upset pick from me). This should be between Belfast and Pizza and it may represent the best opportunity for either to grab a statue.
Tidbit: since 2001, there was at least one screenplay contender where it served as its only nomination. Until today.
Best Adapted Screenplay
Nominees:
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
How I Did: 5/5
Commentary: Let’s not overcomplicate it when we don’t need to. Power is far and away the leader in this pack.
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
How I Did: 5/5
Commentary: This went as planned. There are three Disney products in the group, but the other two (Flee, Mitchells) are potential roadblocks to Encanto winning. Yet betting against Disney usually isn’t wise in this one and Encanto will probably take it.
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
How I Did: 3/5
Commentary: I’m gonna go ahead and say Lunana is the first Oscar contender with Yak in its title without checking (correct me if wrong). It surprisingly gets in (along with far less surprising The Hand of God) over A Hero and Playground. This one’s simple: anything other than Car would be a massive upset.
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
How I Did: 2/5
Commentary: There’s that blasted 2 for 5 race! Ascension, Attica, and Fire are up over my selections of Faye Dayi, Procession, and The Rescue (its omission is stunning considering it was a contender to win).
Flee made history by becoming the first film to be nominated for Animated Feature, International Feature Film, and here. This race probably marks its best chance to win, but I wouldn’t sleep on Summer of Soul.
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
How I Did: 4/5
Commentary: Alley over Belfast. Get used to hearing this with the tech categories – Dune might be out in front. Dog could threaten.
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
How I Did: 4/5
Commentary: Cyrano‘s sole nod comes here. I had House of Gucci instead. Dune can’t win all the techs and Cruella could take this.
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
Tick, Tick… Boom!
How I Did: 3/5
Commentary: Richard and Boom! over Belfast and Licorice Pizza. The Belfast omission is particularly notable as BP victors nearly always are nominated here. This could be more Dune gold.
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
How I Did: 4/5
Commentary: Went with Suicide Squad over Coming 2 America. Despite its bad performance this morning, Gucci could win this. Or it might just go to Dune.
Best Original Score
Nominees:
Don’t Look Up
Dune
No Time to Die
Parallel Mothers
The Power of the Dog
How I Did: 4/5
Commentary: Went with The French Dispatch (which goose egged) over Mothers. As for the winner (get ready for it) – expect Dune or Dog.
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
How I Did: 4/5
Commentary: Maybe the surprise here shouldn’t be with “Somehow You Do” over “Just Look Up” from Don’t Look Up. After all, this marks Diane Warren’s 13th nomination and sixth in the last seven years. She’s never won and won’t this time.
“Be Alive” from Beyonce or “Oruguitas” could get it, but “No Time to Die” from Billie Eilish could be the third Bond theme in a row to be celebrated.
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
How I Did: 4/5
Commentary: Another category where I said French Dispatch and missed. Power gets in instead. While Dune is strong, I wouldn’t be startled to see this as the lone victory for Nightmare Alley.
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
How I Did: 5/5
Commentary: You should hear Dune‘s name called.
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
How I Did: 3/5
Commentary: Free Guy and Spidey over The Matrix Resurrections and Godzilla vs. Kong. As for the winner: See Best Sound.
Here’s the overall nominations break down:
12 Nominations
The Power of the Dog
10 Nominations
Dune
7 Nominations
Belfast, West Side Story
6 Nominations
King Richard
4 Nominations
Don’t Look Up, Drive My Car, Nightmare Alley
3 Nominations
Being the Ricardos, CODA, Encanto, Flee, Licorice Pizza, The Lost Daughter, No Time to Die, The Tragedy of Macbeth
2 Nominations
Cruella, The Eyes of Tammy Faye, Parallel Mothers, Tick, Tick… Boom!, The Worst Person in the World
1 Nomination
Ascension, Attica, Coming 2 America, Cyrano, Four Good Days, Free Guy, The Hand of God, House of Gucci, Luca, Lunana: A Yak in the Classroom, The Mitchells vs. the Machines, Raya and the Last Dragon, Shang-Chi and the Legend of the Ten Rings, Spencer, Spider-Man: No Way Home, Summer of Soul, Writing with Fire
Starting very shortly, you can peruse my Case Of posts in which I write individualized posts for all the contenders in Picture, Director, and the four acting races!
Tomorrow morning, Kenneth Branagh appears poised to land nominations for Best Picture, Director, and Original Screenplay for his passion project Belfast. Before he made that Oscar contender, he shot Death on the Nile. A follow-up to 2017’s Murder on the Orient Express, the pic has faced a turbulent journey to the big screen (it opens Friday).
Originally slated for October 2020, Nile experienced numerous COVID related delays. Then there was the matter of its costar Armie Hammer having a massive public relations fallout due to revelations about his personal life.
Four Oscars ago, I actually predicted Orient would receive a Costume Design nomination and it was certainly in the running for Production Design. It came up empty handed. The review embargo for Nile lapsed today and it currently stands at 71% on Rotten Tomatoes. That’s better than the 60% that its predecessor garnered and many critics are claiming that this is an improvement.
That said, I don’t envision any nods (even the aforementioned tech races) materializing for this. It will probably be long forgotten in voters minds a year from now. Branagh, on the glass full side, should be pleased with the forthcoming Belfast love. My Oscar Prediction posts will continue…
It’s been pretty easy to predict each weekend’s #1 film for a while – a lot of Spidey, a one-week interruption by Scream, and Johnny Knoxville and his pranksters in Jackass Forever. That gets a little more complicated this time around as three new pics enter the marketplace: Kenneth Branagh’s Murder on the Orient Express follow-up Death on the Nile, the Jennifer Lopez/Owen Wilson musical rom com Marry Me, and the latest Liam Neeson revenge saga Blacklight. You can peruse my detailed prediction posts on the trio right here:
Let’s start with Blacklight. Had this Neeson led tale (his granddaughter gets taken in it) come out in February a decade ago, we might be having a different conversation. However, grosses for these genre exercises with the actor have dwindled over the past couple of years (see Honest Thief and The Marksman). Therefore my $3.8 million estimate puts it at the tail end of the top five.
Then there’s Marry Me. It’s shrewdly placed during Valentine’s Day weekend where couples could be searching out something to view on date night. They will have the opportunity to do so with Marry Me in the theater and on Peacock and that could eat into the earnings. I have it barely topping double digits, but will admit that it could over perform and even snatch the #1 spot.
Jackass Forever is the fifth feature in the 20-year-old franchise and the fifth to open at #1. Looking over previous sophomore frame dips for earlier pics, I was surprised at their low drops. For 2002’s Jackass: The Movie, it was 44%. 2006’s Jackass: Number Two fell 49% while 2010’s Jackass 3D was the steepest at 57% (it was coming off a massive $50 million premiere). Spinoff Bad Grandpa in 2013 only had a 37% decline. I’ll say Forever loses about 50% That could be good enough for anywhere from the 1-3 slot depending on how Nile and Marry pan out. There could be a photo finish for that two spot.
Murder on the Orient Express tracked a solid $28 million haul just over four years ago. Yet it didn’t leg out particularly well and I question whether audiences are truly excited for another dose of Hercule Poirot and his many suspects. I suspect it should still make around half of what its predecessor took in. That would get it to #1, but we’re in a situation where we could have three genuine contenders for the top spot.
Spider-Man should stay in the top five with Moonfall potentially dropping out. The Roland Emmerich disaster tale managed just a C+ Cinemascore grade to go with its weak opening. A sophomore fall in the 60% range appears likely.
It’s also worth noting that there’s a certain game between the Bengals and Rams taking place Sunday. We usually don’t see three high-profile releases on Super Bowl weekend and it’s fair to assume grosses will take a hit on that date.
Here’s how I see it shaking out for your top 6:
1. Death on the Nile
Predicted Gross: $14.3 million
2. Jackass Forever
Predicted Gross: $11.3 million
3. Marry Me
Predicted Gross: $11.2 million
4. Spider-Man: No Way Home
Predicted Gross: $7.1 million
5. Blacklight
Predicted Gross: $3.8 million
6. Moonfall
Predicted Gross: $3.5 million
Box Office Results (February 4-6)
The Jackass franchise is five for five when it comes to opening #1 at the box office. Jackass Forever performed in line with estimates at $23.1 million, a touch ahead of my $21.8 million projection. It ranks fourth in terms of the quintet of debuts (just ahead of the original), but it’s certainly an impressive number given the circumstances.
As for Roland Emmerich’s disaster pic Moonfall… not so much. The big budget ($140 million) lunar saga cratered with only $9.8 million (I went higher with $12.8 million). As mentioned above, expect a precipitous drop in its sophomore frame.
Spider-Man: No Way Home was third with $9.5 million, swinging a bit above my $8.1 million take. The total has reached $748 million as it inches ever closer to 3rd domestically all-time (currently held by Avatar with $760 million).
Scream was fourth with $4.7 million (I said $4.4 million) and it’s scared up an overall tally of $68 million.
Sing 2 rounded out the top five with $4.2 million compared to my $3.6 million estimate. Total is $139 million.
Spider-Man’s neighborhood grows exponentially in No Way Home, our third iteration of Tom Holland’s web slinger adventures with Jon Watts back directing. Not all the visitors he encounters are of the friendly sort. As you may recall, the conclusion of predecessor Far From Home had the scheming Mysterio (Jake Gyllenhaal) reveal Peter Parker’s identity to the masses. That has serious repercussions as Peter/Spidey’s anonymity is gone and the Daily Bugle and others paint him as a bad guy.
It might be easier to erase that divulgence so Peter visits his old avenging buddy Doctor Strange (Benedict Cumberbatch) to cast a spell to accomplish that. It doesn’t go as planned and it opens to a portal to a multiverse of characters who knew of Spider-Man’s alter ego. THIS IS WHERE WE GO INTO SPOILERS SO CONSIDER YOURSELF WARNED.
Crashing into this trilogy are the antagonists from Spider-tales of old. As in the Tobey Maguire and Andrew Garfield entries that we witnessed from 2002-2014. The sinister company consists of the Green Goblin (Willem Dafoe), Doc Ock (Alfred Molina), Electro (Jamie Foxx), Lizard (Rhys Ifans), and Sandman (Thomas Haden Church).
With the great power of the Marvel Cinematic Universe comes a responsibility to tap into our nostalgic leanings and No Way Home does it in heavy doses. Seeing Dafoe’s maniacal Goblin and Molina’s Doc from the first two Maguire installments is a kick. As for the rest, they came from lesser pics (Maguire’s last and both Garfield excursions). That said, Foxx’s characterization is a lot more fun than what we saw in The Amazing Spider-Man 2.
My reviews of Homecoming and Far From Home concentrated on the best moments being the most grounded. Holland (the most effective Spidey in my view) and his interactions with love interest MJ (Zendaya), Aunt May (Marisa Tomei), and bestie Ned (Jacob Batalon) were highlights. That holds true here, but No Way Home is anything but grounded. The third go-round is bigger in every sense.
In many ways, it’s the most satisfying since Maguire’s original double feature. Is it gimmicky? Absolutely and there’s an overload of exposition to plow through in the first act. Yet it also reminds us how unique Spider-Man is in the realm of superheroes. It’s also a plus that the villains in this series are complicated ones (for the genre at least) whose motivations are varied and often understandable.
I could go even further down spoiler territory and it’s fair to say the most amazing moments are ones I won’t delve into. No Way Home does provide humorous retribution for one hero in particular (you’ll know when you see it). This is grand entertainment that occasionally approaches the scale of the wars and endgame of Spider-Man’s former team. He’s got a fresh troupe of buddies to collaborate with to save humanity in this trilogy capper. The teamwork provide multiple thrills.
In cartoons and comedies, we’ve grown accustomed to watching animals with human qualities and it doesn’t phase us one bit. Same goes for horror movies and it’s usually played for laughs or with cartoonish violence. That is surely not the vibe of Valdamir Johannson’s fable Lamb, which treats its baby sheep and real baby hybrid with total tonal sincerity. It’s not the first movie to do it (though not with that combo). It’s jarring nonetheless.
Maria (Noomi Rapace) and Ingvar (Hilmir Snaer Guonason) are remote farmers who tend to their flock amidst the scenic mountains of Iceland. Their rather mundane days are given a jolt when the couple deliver a creature with anthropoid qualities.
The blended family scenario provides immediate joy to the parents who suffered a previous tragedy in their conception attempts. A disconcerting aspect of the screenplay is how normally their situation is treated. That’s until Ingvar’s deadbeat brother Pétur (Bjorn Hlynur Haraldsson) drops in and his reaction mirrors the WTFery of the viewer.
While Maria and Ingvar stubbornly adhere to maintaining the new routine, Ada (and the dog) sense an outside presence lurking. Mom and Dad aren’t questioning how this mythical being came to be. The animal instincts of others are on alert.
A24 specializes in artsy horror flicks though I struggle to say Lamb is of that genre. It’s not scary. Eerie, including its picturesque though foreboding atmosphere, is a better word for it. This is prime example of either buying the concept or wanting to run for the hills. For a while, I was intrigued by its bizarre nature. Rapace’s committed performance (I’m tempted to say she really has the chops) helps.
When some of the mysteries are clarified in the third act, it felt a bit sudden and anticlimactic. The presentation is certainly unique but the overriding theme of grief is recognizable. That’s not to say there aren’t genuine surprises that occur. The shock value seems a little diluted after watching this sweater clad wooly oddity assisting with breakfast.
Benjamin Cleary’s Swan Song is told through the eyes of two characters in a near future setting. In years approaching, it seems that our contact lenses serve as cameras allowing remote bystanders to witness the interactions of others. This comes into play with a tale of clones and impending loss.
Cameron Turner (Mahershala Ali) is facing a quandary that’s slightly less believable than his disposable camcorders. Diagnosed with a terminal illness, he struggles with how to tell his wife Poppy (Ali’s Moonlight costar Naomie Harris in another fine performance). With a young child and another on the way, an alternative solution is presented. Kindly Dr. Scott (Glenn Close) can make an exact copy of him. Cameron would face his final days at a lush and remote medical facility. Poppy and the rest of the family would have no idea.
At Dr. Scott’s locale, he meets patient #2 Kate (Awkwafina). He would be third. Away from it, Cameron is introduced to her engineered doppelgänger. That interaction helps push him to the yes column. Yet when he meets the clone called Jack (also played by Ali, naturally) – doubts are cast.
Song features plenty of flashbacks showing Cameron’s existence in healthier days. This includes his meet cute with Poppy involving a candy bar. It gets more dramatic when his eventual spouse is dealt a devastating loss.
The new technology would prevent that from happening and Cleary’s screenplay mostly succeeds in navigating the sticky wicket ethical issues presented. A two-time Oscar winner given his first sole leading role, Ali is excellent. He has the assignment of playing two characters. They may be the same person, but they have different motivations at various times. That’s not an easy feat to pull off and Ali passes the test impressively with subtle grace.
Swan Song is indeed with a tearjerker that manages to earn them with much credit to its lead(s). Cleary is not overly clear about how this enterprise of Xeroxing yourself came to be. It actually works in the picture’s favor. I’m not sure those explorations could have been more revelatory from those we’ve seen in other sci-fi tales with similar themes. Instead we are presented with Cameron’s predicament in real time and with the understandable conflicts he undergoes as his decision clock winds down before our eyes.
Some 13 years after Taken kicked off a whole new action phase for its star, Liam Neeson is back in revenge mode with Blacklight (out February 11th). And this time… wait for it!… it’s his granddaughter who’s been snatched by nefarious criminals. Mark Williams, who worked with Neeson in Honest Thief, directs and the supporting cast includes Emmy Raver-Lampman, Taylor John Smith, and Aidan Quinn.
One look at the Blacklight trailer illuminates Neeson in his late career comfort zone. Post Taken, that’s resulted in moneymakers like Unknown, Non-Stop and, of course, the Taken sequels.
Lately, however, the grosses have slowed. Some of that might have been a result of releases that occurred in this COVID era. The aforementioned Thief in fall 2020 premiered to only $3.6 million. Last year, The Marksman took in $3.7 million over the four-day MLK frame. Pre pandemic, in 2019, Cold Pursuit started with $11 million (still far off from earlier efforts).
I don’t see a compelling why Blacklight would approach double digits (or even high single ones) and it won’t help that male viewers will be distracted by the Bengals vs. Rams on Sunday of its debut weekend. It might outdo Thief and The Marksman, but maybe not.
This is it! After months of speculation that began all the way back in a time known as August 2021, the guesswork grinds to a halt. It’s time for my FINAL Oscar predictions for the 94th Academy Awards. Nominations are out Tuesday (February 8th) with the big show airing March 27th.
I’ve penned thousands of words discussing the various feature film categories that will be revealed. The speculation ends today. For each race, I will give you my picks along with a runner-up and a second alternate. On Tuesday, I’ll have reaction up with my thoughts and, of course, how I did with the prognostications. I’m also giving you how I fared in the previous two years with each category.
So… pencils down. Let’s get to it!
Best Picture
2019 Performance: 9/9
2020 Performance: 7/9
***There are 10 fixed nominees now***
Predicted Nominees:
Being the Ricardos
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
The Power of the Dog
West Side Story
Runner-Up: Tick, Tick… Boom!
Second Alternate: The Tragedy of Macbeth
Best Director
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Steven Spielberg, West Side Story
Denis Villeneuve, Dune
Runner-Up: Ryusuke Hamaguchi, Drive My Car
Second Alternate: Sian Heder, CODA
Best Actress
2019 Performance: 5/5
2020 Performance: 5/5
Predicted Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
Runner-Up: Penelope Cruz, Parallel Mothers
Second Alternate: Alana Haim, Licorice Pizza
Best Actor
2019 Performance: 4/5
2020 Performance: 5/5
Predicted Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Runner-Up: Leonardo DiCaprio, Don’t Look Up
Second Alternate: Peter Dinklage, Cyrano
Best Supporting Actress
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Caitriona Balfe, Belfast
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
Ruth Negga, Passing
Runner-Up: Ann Dowd, Mass
Second Alternate: Cate Blanchett, Nightmare Alley
Best Supporting Actor
2019 Performance: 5/5
2020 Performance: 4/5
Predicted Nominees:
Bradley Cooper, Licorice Pizza
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
Kodi Smit-McPhee, The Power of the Dog
Runner-Up: Jared Leto, House of Gucci
Second Alternate: Ben Affleck, The Tender Bar
Best Original Screenplay
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Being the Ricardos
Belfast
Don’t Look Up
Licorice Pizza
Parallel Mothers
Runner-Up: King Richard
Second Alternate: C’Mon C’Mon
Best Adapted Screenplay
2019 Performance: 5/5
2020 Performance: 3/5
Predicted Nominees:
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
Runner-Up: West Side Story
Second Alternate: Passing
Best Animated Feature
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
Runner-Up: Belle
Second Alternate: Sing 2
Best International Feature Film
2019 Performance: 3/5
2020 Performance: 2/5
Predicted Nominees:
Drive My Car
Flee
A Hero
Playground
The Worst Person in the World
Runner-Up: The Hand of God
Second Alternate: Prayers for the Stolen
Best Documentary Feature
2019 Performance: 3/5
2020 Performance: 3/5
Predicted Nominees:
Faya Dayi
Flee
Procession
The Rescue
Summer of Soul
Runner-Up: The First Wave
Second Alternate: Ascension
Best Cinematography
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Belfast
Dune
The Power of the Dog
The Tragedy of Macbeth
West Side Story
Runner-Up: Nightmare Alley
Second Alternate: Licorice Pizza
Best Costume Design
2019 Performance: 3/5
2020 Performance: 4/5
Predicted Nominees:
Cruella
Dune
House of Gucci
Nightmare Alley
West Side Story
Runner-Up: Cyrano
Second Alternate: Licorice Pizza
Best Film Editing
2019 Performance: 4/5
2020 Performance: 4/5
Predicted Nominees:
Belfast
Don’t Look Up
Dune
Licorice Pizza
The Power of the Dog
Runner-Up: West Side Story
Second Alternate: King Richard
Best Makeup and Hairstyling
2019 Performance: 3/5
2020 Performance: 4/5
Predicted Nominees:
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
The Suicide Squad
Runner-Up: Coming 2 America
Second Alternate: Cyrano
Best Original Score
2019 Performance: 5/5
2020 Performance: 4/5
Predicted Nominees:
Don’t Look Up
Dune
Encanto
The French Dispatch
The Power of the Dog
Runner-Up: Parallel Mothers
Second Alternate: Spencer
Best Original Song
2019 Performance: 3/5
2020 Performance: 4/5
Predicted Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“Just Look Up” from Don’t Look Up
“No Time to Die” from No Time to Die
Runner-Up: “Here I Am” from Respect
Second Alternate: “Beyond the Shore” from CODA
Best Production Design
2019 Performance: 4/5
2020 Performance: 3/5
Predicted Nominees:
Dune
The French Dispatch
Nightmare Alley
The Tragedy of Macbeth
West Side Story
Runner-Up: Belfast
Second Alternate: Licorice Pizza
Best Sound
2020 Performance: 5/5
***Sound races were split into Editing and Mixing prior to 2020
Predicted Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
Runner-Up: A Quiet Place Part II
Second Alternate: Spider-Man: No Way Home
Best Visual Effects
2019 Performance: 5/5
2020 Performance: 3/5
Predicted Nominees:
Dune
Godzilla vs. Kong
The Matrix Resurrections
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Runner-Up: Spider-Man: No Way Home
Second Alternate: Ghostbusters: Afterlife
And this means my FINAL tally of total nominations for these films are as follows:
11 Nominations
Dune, The Power of the Dog
9 Nominations
Belfast
7 Nominations
West Side Story
5 Nominations
Don’t Look Up, Licorice Pizza
4 Nominations
Being the Ricardos, King Richard
3 Nominations
CODA, Drive My Car, Encanto, Flee, House of Gucci, No Time to Die, The Tragedy of Macbeth
2 Nominations
Cruella, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Nightmare Alley
1 Nomination
Faya Dayi, Godzilla vs. Kong, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Parallel Mothers, Passing, Playground, Procession, Raya and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spencer, The Suicide Squad, Summer of Soul, Tick, Tick… Boom!, The Worst Person in the World
Come Tuesday – visit the blog for reaction to the nominations!
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