Tag: movies

Cocaine Bear Review

There’s a sequence in this movie where the title creature’s furry vengeance turns to chasing an ambulance. Entering full drug-addled beast mode while Depeche Mode blares on the 80s soundtrack, it represents the best about what something called Cocaine Bear can be. It is juicy and mindless violent fun and there’s enough other moments that approach that high point.

As we are informed in the beginning, this is inspired by true events. In 1985, smuggler Andrew C. Thornton II (Matthew Rhys) dumped a bunch of blow from a plane that crashed in a Northwest Georgia national forest. Thornton doesn’t survive the flight he’s on but his product is available for the snorting pleasure of a black bear. The computer generated animal (with decent special effects involved) turns highly aggressive when under the influence. This is bad news for the many characters who end up visiting the park. In fact, there’s probably too many characters vying for our attention.

Rhys’s The Americans costar Keri Russell is a single mom whose daughter (Brooklyn Prince) and friend (Christian Convery) ditch school for a day in the wilderness. Rhys and Russell’s The Americans costar Margo Martindale is the park ranger who’s sweet on her game warden colleague (Jesse Tyler Ferguson). A St. Louis cop (Isiah Whitlock Jr.) turns up to investigate Rhys’s demise. Then there’s his fellow smugglers Daveed (O’Shea Jackson Jr.) and Eddie (Alden Ehrenreich) who are tasked with finding the $14 million worth of merchandise. Eddie is the son of kingpin Syd (Ray Liotta, hamming it up gleefully in one of his final roles) and humorously mourning the loss of his wife through ballads by Jeffrey Osborne. There’s also a vacationing Nordic couple and a trio of forest dwelling thugs who have no clue what they’re in for.

That’s a lot of faces when we’re really present to watch the bear not feel her own (yes… it’s a girl!). Even at a speedy 95 minutes, a tad more attention span to some and jettisoning others might have elevated this. I would have enjoyed more screen time with Stache (Aaron Holliday), one of the wannabe ruffians, for example.

Elizabeth Banks directs and her third feature after Pitch Perfect 2 and Charlie’s Angels (the one no one talks about) is no whammy in the filmography. Due to the CG involved, no bears or cocaine were harmed in the production. It does generate a consistently amusing if disposable wild trip in the park.

*** (out of four)

Oscars: The Case of Michelle Williams in The Fabelmans

Playing a version of Steven Spielberg’s real mother, Michelle Williams is nominated for her fifth Oscar in The Fabelmans.

The Case for Michelle Williams:

From the moment this personal project of Spielberg’s was announced, Williams was correctly assumed to have an awards bait role. Precursor noms have materialized at Critics Choice and the Golden Globes. There could also be a feeling that she is overdue given that her track record is 0 for 4 on previous mentions.

The Case Against Michelle Williams:

Universal Pictures surprised everyone when they announced they were campaigning Williams in lead instead of supporting. I maintain that she would stand a considerably better shot at winning in the latter. Some wondered if the Academy might choose to put her up in supporting anyway. SAG and BAFTA left her off their ballots and there’s no significant victories to speak of. The general consensus and one I agree with is this is a two-person race between Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once).

Previous Nominations:

Brokeback Mountain (Supporting Actress, 2005); Blue Valentine (Actress, 2010); My Week with Marilyn (Actress; 2011); Manchester by the Sea (Supporting Actress; 2016)

The Verdict:

I believe the choice to slot Williams will universally be regarded as an unforced error. She seemed headed for 0 for 5.

My Case Of posts will continue with Paul Mescal in Aftersun!

If you didn’t catch my other write-ups on the contending Actresses, click here:

Oscars: The Case of Cate Blanchett in Tár
Oscars: The Case of Ana de Armas in Blonde
Oscars: The Case of Andrea Riseborough in To Leslie
Oscars: The Case of Michelle Yeoh in Everything Everywhere All at Once

Oscar Predictions: Creed III

Creed III enters the theatrical ring on March 3rd and some early reviews indicate it’s an improvement over its predecessor. Michael B. Jordan, returning in the title role, makes his directorial debut in the threequel that costars Tessa Thompson, Jonathan Majors, Wood Harris, Florian Munteanu, and Phylicia Rashad. One notable name not seen is Sylvester Stallone as the ninth feature in this cinematic universe is the first not to include Rocky.

In 1976, Rocky landed 10 Oscar nominations and won 3 including Picture and Director. In 1982, Rocky III nabbed an Original Song nod with “Eye of the Tiger” by Survivor. When Jordan’s character entered the mix in 2015, Stallone’s seventh appearance as Mr. Balboa was up for Supporting Actor (where he surprisingly lost to Mark Rylance from Bridge of Spies). Creed II (2018) received no nominations.

II also has a lower Rotten Tomatoes rating than part III. While the original Creed had 95%, the sequel was 83%. Based on nearly 60 reviews thus far, III is at 89%. Yet unlike the third franchise entry for Rocky, this doesn’t have an inspiring theme song about the optical determination of large striped cats. In other words, I’m not really sure where Creed III would enter the awards conversation despite the solid reactions. My Oscar Prediction posts will continue…

34th PGA Awards Winner Predictions

Ahead of Sunday evening’s Screen Actors Guild (SAG) Awards, it’s the producers turn on Saturday night. The 34th PGA Awards winner for their best in show has matched the Oscar Picture victor 70% of the time in the previous decade. The times they diverged were 2015 with PGA naming The Big Short instead of Spotlight, 2016 with La La Land over Moonlight, and 2019 when 1917 took the producer prize as opposed to Parasite. PGA also has animated and documentary competitions. I’m walking through them one by one with a winner and runner-up projection.

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Nominees:

Avatar: The Way of Water

The Banshees of Inisherin

Black Panther: Wakanda Forever

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Tár

Top Gun: Maverick

The Whale

There’s a 7 for 10 correlation with the PGA contenders and the BP hopefuls from the Academy. The former has Black Panther, Glass Onion, and The Whale up while the Oscars went with All Quiet on the Western Front, Triangle of Sadness, and Women Talking. The PGA is known for favoring blockbusters over some smaller pics from time to time. Previous examples that didn’t make the Academy’s cut include Bridesmaids, Skyfall, Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, and Crazy Rich Asians.

This helps explain why some prognosticators are favoring Maverick to take PGA’s highest award. Another explanation is that pundits are attempting to make the race more exciting than it actually is. I do believe Everything Everywhere All at Once is still most likely to emerge. Maverick does warrant runner-up status.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: Top Gun: Maverick

Outstanding Producer of Animated Theatrical Motion Pictures

Nominees:

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Minions: The Rise of Gru

Puss in Boots: The Last Wish

Turning Red

Guillermo del Toro’s Netflix rendering of the classic tale has cleaned up with precursors and there’s no reason to believe it won’t with PGA.

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Puss in Boots: The Last Wish

Outstanding Producer of Documentary Theatrical Motion Pictures

Nominees:

All That Breathes

Descendant

Fire of Love

Navalny

Nothing Compares

Retrograde

The Territory

I wrongly picked Fire of Love to win the BAFTA instead of Navalny. Have I learned my lesson? Nope! I’m doubling down and saying a Fire PGA victory will make the Oscar quintet more competitive.

Predicted Winner: Fire of Love

Runner-Up: Navalny

I’ll have a recap up Saturday evening or Sunday ahead of the SAG show. If you missed my SAG predictions, they can be accessed here:

29th SAG Awards Winner Predictions

Operation Fortune: Ruse de Guerre Box Office Prediction

Guy Ritchie and Jason Statham’s violently comedic cinematic partnership continues on March 3rd with Operation Fortune: Ruse de Guerre. The spy pic reunites the director and lead nearly two years after their fourth collaboration Wrath of Man. Costars include Aubrey Plaza, Josh Hartnett, Cary Elwes, Bugsy Malone, and Hugh Grant (who has appeared in Ritchie’s The Man from U.N.C.L.E. and The Gentlemen).

Fortune has not been paved with a smooth road to domestic release. It was first slated for stateside distribution in early 2022. However, the film’s depiction of Ukrainian baddies scuttled the premiere due to the nation’s conflict with Russia. Lionsgate picked up the rights and recently announced the early March output. It has already been out in numerous territories with $30 million in the bank. Reviews are so-so with 65% on Rotten Tomatoes.

This hasn’t had much time for a spirited marketing campaign. In May of 2021, Wrath of Man managed just over $8 million when theaters were deep in the midst of the pandemic. However, it debuted on nearly 3000 screens while Fortune is pegged for around 2000.

There’s also Creed III which should siphon away plenty of potential moviegoers. I believe the tale of Fortune‘s gross will be a mid single digits start.

Operation Fortune: Ruse de Guerre opening weekend prediction: $4 million

For my Creed III prediction, click here:

Creed III Box Office Prediction

For my Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village prediction, click here:

Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village Box Office Prediction

29th SAG Awards Winner Predictions

The 29th Screen Actors Guild Awards air this Sunday evening and they are often a reliable preview of what direction the Academy will go. In their races for Actress, Actor, and Supporting Actor – there has been an 8/10 correlation over the past decade for SAG/Oscar matches. With Supporting Actress – it is 9/10.

Let’s walk through each of the six categories with my predicted winner and a runner-up, shall we?

Outstanding Performance by a Cast in a Motion Picture

Nominees:

Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Women Talking

Since the SAGs began in 1995, only one winner (1996’s The Birdcage) wasn’t at least nominated for Best Picture at the Oscars. That rules out Babylon. I think (like some earlier precursors) this comes down to Everything v Banshees. I’m majorly tempted to say Banshees as the voters could see it as a way to honor the four thespians nominated in the individual races below. However, I’m giving a very slight edge to SAG doing the same for Michelle Yeoh, Jamie Lee Curtis, and others for Everything.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: The Banshees of Inisherin

Outstanding Performance by a Female Actor in a Leading Role

Nominees:

Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Michelle Yeoh (Everything Everywhere All at Once)

SAG could bestow Yeoh with the trophy, but Blanchett’s work may simply be undeniable at this juncture. If Banshees ends up taking Ensemble, I do think it increases Yeoh’s chances here.

Predicted Winner: Cate Blanchett, Tár

Runner-Up: Michelle Yeoh, Everything Everywhere All at Once

Outstanding Performance by a Male Actor in a Leading Role

Nominees:

Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Bill Nighy (Living), Adam Sandler (Hustle)

I feel like Farrell really needed that BAFTA last weekend and he didn’t emerge victorious. So it’s a two-person race between Butler and Fraser. And I’m struggling with this one. I could easily envision fellow actors crowning Fraser’s dramatic comeback that includes a Critics Choice award. Yet Butler has seen an impressive run that includes the Golden Globe and BAFTA. This is a coin flip, but I’ll say Butler has a little more momentum.

Predicted Winner: Austin Butler, Elvis

Runner-Up: Brendan Fraser, The Whale

Outstanding Performance by a Female Actor in a Supporting Role

Nominees:

Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)

A quintet that matches the Oscar five, Condon disrupted the possibility of Bassett sweeping when she took the BAFTA. They’re the two likeliest winners. I will say Curtis scoring an upset is feasible. I think the smart money is on Bassett with Condon as the runner-up.

Predicted Winner: Angela Bassett, Black Panther: Wakanda Forever

Runner-Up: Kerry Condon, The Banshees of Inisherin

Outstanding Performance by a Male Actor in a Supporting Role

Nominees:

Paul Dano (The Fabelmans), Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse)

BAFTA again had a trick up their sleeve when Keoghan surprised over Quan. I think SAG will follow the lead of the Globes and Critics Choice and bring the latter back to the stage.

Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once

Runner-Up: Barry Keoghan, The Banshees of Inisherin

Outstanding by a Stunt Ensemble in a Motion Picture

Nominees:

Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick, The Woman King

The only pic that I don’t think has a shot is Avatar because the original in 2009 didn’t even land a nom. 2018’s Black Panther won so Wakanda is certainly viable. Those pilots from Maverick did same amazing stuff though. They’re my pick.

Predicted Winner: Top Gun: Maverick

Runner-Up: Black Panther: Wakanda Forever

And there you have it! I’ll have a recap up Sunday evening with my thoughts on what happened compared to my predictions.

Creed III Box Office Prediction

Creed III looks to clobber Scott Lang (aka Ant-Man) and all other competitors when it debuts March 3rd. The sporty sequel finds star Michael B. Jordan handling directorial duties in his behind the camera debut. This is the first feature in the Rocky Cinematic Universe with no involvement from Sylvester Stallone. Jonathan Majors, currently playing the antagonist in Ant-Man and the Wasp: Quantumania, is Creed’s former childhood friend and latest opponent. Tessa Thompson, Wood Harris, Florian Munteanu, and Phylicia Rashad return to the franchise.

In 2015, Creed was a critical and commercial hit from Ryan Coogler. Over the Thanksgiving holiday, it took in just over $30 million from Friday to Sunday and nearly $43 million over the five-day start. The eventual domestic haul was $109 million. Three Turkey Days later came Creed II with Steven Caple Jr. directing and audiences were hungry for more. It topped its predecessor with $35 million for the three-day and $55 million when including Wednesday and Thursday.

Early word-of-mouth is sturdy for the third edition. Like parts I and II, this was originally slated for Thanksgiving last year before United Artists made a shift. Creed III could manage to score the highest three-day launch of the bunch and approach $40 million out of the gate. I will put it just under that for a three-day best franchise opening.

Creed III opening weekend prediction: $39.2 million

For my Operation Fortune: Rose de Guerre prediction, click here:

Operation Fortune: Ruse de Guerre Box Office Prediction

For my Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village prediction, click here:

Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village Box Office Prediction

Oscar Predictions: Golda

Well ahead of its scheduled late August debut stateside, Golda was unveiled this week at the Berlin Film Festival. From Guy Nativ (whose 2018 short film Skin won the Academy Award in that category), the biopic casts four-time nominee and one time winner Helen Mirren as Israeli Prime Minister Golda Meir. Costars include Camille Cottin, Ed Stoppard, and Liev Schreiber.

Mirren is, of course, no stranger to playing leaders of nations. For her work as Queen Elizabeth II in 2006’s The Queen, she was crowned Best Actress. The other nods are for Supporting Actress in 1995’s The Madness of King George and 2001’s Gosford Park and in lead for 2009’s The Last Station.

The handful of Golda reviews thus far are mixed and it holds just a 40% Rotten Tomatoes rating. That said, praise for Mirren is present. It is entirely possible that this is ignored altogether a few months down the road by awards voters.

Another potential path is one taken by 2021’s The Eyes of Tammy Faye. Despite its middling critical reaction, Chastain landed an Oscar nod and win. It also picked up a Makeup and Hairstyling victory. Golda is being heralded for its makeup work to make Mirren resemble the PM. Unlike Tammy, I don’t think this has a shot of winning either category. Nominations aren’t out of the question. My Oscar Prediction posts will continue…

February 24-26 Box Office Predictions

While Ant-Man and the Wasp: Quantumania should easily stay in the number one spot, Cocaine Bear looks for a strong #2 showing and Jesus Revolution hopes to rise above expectations. They are the newcomers this weekend and my detailed prediction posts on them can be found here:

Cocaine Bear Box Office Prediction
Jesus Revolution Box Office Prediction

Cocaine Bear has generated buzz since its trailer (and honestly the title reveal). It could blow past my low teens estimate, but I do believe the appeal might be somewhat limited.

Jesus Revolution, as other faith-based dramas have, could exceed my sub double digits projection. A third place showing seems likely. If it does surpass my prognosis and Cocaine comes in under mine, a battle for the runner-up position is feasible.

Quantumania opened in its expected range and crawled ahead of my estimate (more on that below). It also received a troubling Cinemascore grade of B (tying the lowest for the MCU with Eternals). That should mean a sophomore drop in the mid to high 60s (similar to Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder from last year) is coming.

Holiday holdovers Avatar: The Way of Water and Puss in Boots: The Last Wish should round out the top five. Here’s how I envision it:

1. Ant-Man and the Wasp: Quantumania

Predicted Gross: $34.2 million

2. Cocaine Bear

Predicted Gross: $14.3 million

3. Jesus Revolution

Predicted Gross: $8.7 million

4. Avatar: The Way of Water

Predicted Gross: $5.4 million

5. Puss in Boots: The Last Wish

Predicted Gross: $4.6 million

Box Office Results (February 17-20)

As anticipated, Ant-Man and the Wasp: Quantumania commanded the long President’s Day frame with $120.3 million from Friday to Monday. That’s ahead of my $109.1 million estimate. That easily makes for the best start to the three Ant pics (as was expected). Per above, the second weekend dip should be substanial.

Avatar: The Way of Water held in second with $8 million compared to my $6.1 million prediction. The mega-sequel has amassed $659 million domestically.

The sequel love continued with Puss in Boots: The Last Wish at $7 million in third, slashing past my $5.8 million take. Total is $167 million.

Magic Mike’s Last Dance dropped from 1st to 4th though it doubled its theater count from approximately 1500 to over 3000. It made $6.2 million (I said $5.5 million) for overall earnings of $18 million.

Knock at the Cabin was fifth and I incorrectly had it on the outside looking in. With $4.6 million, the three-week gross is $31 million.

Finally, 80 for Brady was sixth with $4.5 million compared to my $4.2 million guesstimate. The octogenarian comedy is up to $33 million.

And that does it for now, folks! In case you didn’t know, I’ve started a podcast where you can hear my box office and Oscar predictions and the link for it is below. Until next time…

https://podcasts.apple.com/us/podcast/movies-at-the-speed-of-speculation/id1668006585?i=1000601007142

Babylon Review

The silent days and boisterous evenings of Hollywood in the 1920s and 30s are meticulously depicted in Babylon. From the gourd of Damien Chazelle, this is his version of Boogie Nights in many respects. It focuses on one version of Tinseltown technology fading out in favor of another. In Paul Thomas Anderson’s masterpiece from a quarter century ago, it was X rated material shot on film being transitioned to video. Here it’s the silent era making way for talkies. The adult entertainment is on ample display at the swank and sweaty bashes that feature cocaine and elephants as party favors.

We meet the main principals at an L.A. happening in 1926. Manny Torres (Diego Calva) is an immigrant doing menial work for Kinoscope Studios. At the company’s debauched soirée, aspiring star Nellie LaRoy (Margot Robbie) literally crashes into his consciousness and a years long infatuation is born. Jack Conrad (Brad Pitt) is the already established screen hero whose shooting schedules seem to last longer than his marriages. Jazz trumpeter Sidney Palmer (Jovan Adepo) provides the soundtrack to the sin while cabaret songstress Lady Fay Zhu (Li Jun Li) supplies sultry vocals. Columnist Elinor St. John (Jean Smart) is around to gossip about it.

The night serves as the intro point for Manny and Nellie to mount separate meteoric rises in a shifting industry. She becomes a silent film sensation just as sound (courtesy of The Jazz Singer) is around the corner. Manny’s connection with Conrad opens doors to big jobs as the movie headliner’s career begins a downward slide. Palmer, meanwhile, becomes a popular if exploited attraction in a series of musicals.

For three hours plus, Babylon celebrates and denigrates the excesses of the era. Nellie’s substance fueled rocket ride and downfall is given bulky screen time while others get the short shrift (Jun Li’s Zhu being one example). There is impressive production design to spare where odious actions occur within the walls. Tobey Maguire’s cameo as a whacked out criminal at an underground function displays scenarios that might make Robbie’s and her costars from The Wolf of Wall Street blush.

Chazelle’s message is pretty straightforward when there isn’t vomit and defecate being spewed. As ugly as Hollywood is, the end result can be beautiful. This is evident in a couple of terrific sequences that show the joy and pain of moviemaking. In one we witness Conrad’s war-torn romance catch the light at the perfect time. In another we suffer along with Nellie as she acclimates herself to the noise being introduced to celluloid.

I wish the gifted provider of Whiplash and La La Land could’ve reigned himself in. The aforementioned segments show how special this would have been with a tighter focus. Unfortunately it’s not only septa being deviated from. While Robbie and Pitt both have shining moments, Chazelle’s screenplay never makes Manny a compelling central figure. Calva doesn’t have much to work with considering his blank slate of a character. There are many known faces that pop up in the crowded script including Olivia Wilde and Katherine Waterston as fleeting wives to Conrad. Lukas Haas is the sad sack friend to the frequent divorcee whose character is similar to William H. Macy’s in Boogie Nights. That picture and Babylon take place in different eras of Hollywood shifts. One is brilliant. The other is occasionally inspired and often maddening.

**1/2 (out of four)