Tag: movies

2023 Oscar Predictions: May 29th Edition

As the month of May closes out, we arrive at my post Cannes forecast for the 96th Academy Awards! There were heavy hitters premiering in the south of France and buzz to discuss for several of them.

One year ago, Triangle of Sadness took the Palme d’Or (the fest’s top prize) and it eventually became a Best Picture contender at the Oscars. Ruben Östlund, Triangle‘s director who served as this year’s jury president, was also nominated for his behind the camera work.. In 2023, Justine Triet’s Anatomy of a Fall won the biggest honor. The French courtroom drama established itself as a major factor in International Feature Film and it is feasible that it could nab a slot in the eventual BP ten.

Other films that solidified their statuses as Academy bait? We start with Martin Scorsese’s Killers of the Flower Moon. The three and a half hour epic maintains its #1 position in Picture, Director, Supporting Actress (Lily Gladstone), and Supporting Actor after many raves at Cannes. However, the Supporting Actor in first is Robert De Niro and not Jesse Plemons, who was perched there two weeks ago. Reviews indicate it’s De Niro who should have the better shot.

Let’s be clear. My rankings right now reflect who I believe will be nominated and not necessarily who I think will win (it’s simply too early for that). Killers looks to be in a fantastic position for multiples nods after its unveiling.

Jonathan Glazer’s The Zone of Interest is right behind Moon as far as significant chatter out of the festival. The Holocaust drama could contend in Pic and Director. So could lead actress Sandra Hüller. Yet she might have an even stronger chance for her performance in Anatomy of a Fall.

For May December from Todd Haynes, reviews were quite solid. Its best chances at inclusion could be for its trio of actors Natalie Portman, Julianne Moore, and Charles Melton. We’re still not sure if Portman and Moore will be co-campaigned for lead. For now I’m slotting the former in Actress and the latter in supporting.

Wes Anderson’s Asteroid City drew plaudits though mixed reaction elsewhere. I’m skeptical of its chances (though it could play in down-the-line races like Production Design and Score).

Then there’s the features that dropped out of contention. Pixar’s Elemental won’t be the first studio title to vie for BP since Toy Story 3. It might be lucky to get an Animated Feature mention after some lackluster reaction. Indiana Jones and the Dial of Destiny will not be a Top Gun: Maverick style hopeful for Oscars. And the fest’s opener Jeanne du Barry with Johnny Depp might get a Costume Design nod and that’s all.

In 2022, I made predictions for the 95th Academy Awards on this same day. It yielded 3 of the eventual 10 BP nominees with eventual winner Everything Everywhere All at Once, The Fabelmans, and Women Talking. Four others (Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick) were named in Other Possibilities. I wasn’t ready to anoint Triangle of Sadness despite its Cannes hardware. In Director – I correctly named the victorious Daniels for Everything Everywhere and Steven Spielberg for The Fabelmans. With Best Actress, I had Michelle Yeoh (Everything Everywhere) who would take the gold. Cate Blanchett (Tár) and Ana de Armas (Blonde) were Other Possibilities. I will note that I had Michelle Williams (The Fabelmans) listed in supporting and she was nominated in lead. For Actor, winner Brendan Fraser (The Whale) were correctly called with Austin Butler (Elvis) listed. Both Colin Farrell (The Banshees of Inisherin) and Paul Mescal (Aftersun) were Other Possibilities. None of the five contenders in Supporting Actress were rightly placed. I did have winner Jamie Lee Curtis (Everything Everywhere), her costar Stephanie Hsu, and Hong Chau (The Whale) in Other Possibilities. Finally, Ke Huy Quan (who took the statue) for Everything Everywhere was the only correctly tagged performer in Supporting Actor.

OK… deep breath. With all that context, let’s see where everything and everyone ranks…

Best Picture

Predicted Nominees:

1. Killers of the Flower Moon (Previous Ranking: 1) (Even)

2. The Color Purple (PR: 3) (+1)

3. Past Lives (PR: 2) (-1)

4. Dune: Part Two (PR: 4) (E)

5. Oppenheimer (PR: 5) (E)

6. Saltburn (PR: 7) (+1)

7. The Zone of Interest (PR: 15) (+8)

8. The Holdovers (PR: 8) (E)

9. Air (PR: 9) (E)

10. Poor Things (PR: 6) (-4)

Other Possibilities:

11. May December (PR: 10) (-1)

12. Maestro (PR: 11) (-1)

13. Anatomy of a Fall (PR: Not Ranked)

14. Challengers (PR: 14) (E)

15. Blitz (PR: 13) (-2)

16. Barbie (PR: 12) (-4)

17. Napoleon (PR: 18) (+1)

18. Rustin (PR: 20) (+2)

19. Flint Strong (PR: 17) (-2)

20. Bob Marley: One Love (PR: 16) (-4)

21. The Nickel Boys (PR: 21) (E)

22. The Book of Clarence (PR: 22) (E)

23. The Killer (PR: 19) (-4)

24. Asteroid City (PR: 25) (+1)

25. Ferrari (PR: 23) (-2)

Dropped Out:

Strangers

Best Director

Predicted Nominees:

1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)

2. Denis Villeneuve, Dune: Part Two (PR: 3) (+1)

3. Blitz Bazawule, The Color Purple (PR: 4) (+1)

4. Celine Song, Past Lives (PR: 2) (-2)

5. Jonathan Glazer, The Zone of Interest (PR: 14) (+9)

Other Possibilities:

6. Christopher Nolan, Oppenheimer (PR: 6) (E)

7. Emerald Fennell, Saltburn (PR: 7) (E)

8. Yorgos Lanthimos, Poor Things (PR: 5) (-3)

9. Justine Triet, Anatomy of a Fall (PR: Not Ranked)

10. Alexander Payne, The Holdovers (PR: 9) (-1)

11. Bradley Cooper, Maestro (PR: 13) (+2)

12. Ben Affleck, Air (PR: 11) (-1)

13. Ridley Scott, Napoleon (PR: 15) (+2)

14. Greta Gerwig, Barbie (PR: 10) (-4)

15. Steve McQueen, Blitz (PR: 12) (-3)

Dropped Out:

Todd Haynes, May December

Best Actress

Predicted Nominees:

1. Fantasia Barrino, The Color Purple (PR: 1) (E)

2. Greta Lee, Past Lives (PR: 2) (E)

3. Emma Stone, Poor Things (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: Not Ranked)

5. Natalie Portman, May December (PR: 5) (E)

Other Possibilities:

6. Jessica Lange, Long Day’s Journey Into Night (PR: 4) (-2)

7. Carey Mulligan, Maestro (PR: 7) (E)

8. Zendaya, Challengers (PR: 8) (E)

9. Margot Robbie, Barbie (PR: 6) (-3)

10. Saoirse Ronan, Blitz (PR: 9) (-1)

11. Kate Winslet, Lee (PR: 11) (E)

12. Annette Bening, Nyad (PR: 12) (E)

13. Sandra Hüller, The Zone of Interest (PR: 13) (E)

14. Ryan Destiny, Flint Strong (PR: 14) (E)

15. Jane Levy, A Little Prayer (PR: Not Ranked)

Dropped Out:

Regina King, Shirley

Amy Adams, Nightbitch

Best Actor

Predicted Nominees:

1. Colman Domingo, Rustin (PR: 1) (E)

2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)

3. Paul Giamatti, The Holdovers (PR: 4) (+1)

4. Barry Keoghan, Saltburn (PR: 3) (-1)

5. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (+3)

Other Possibilities:

6. Bradley Cooper, Maestro (PR: 5) (-1)

7. Teo Yoo, Past Lives (PR: 7) (E)

8. Cillian Murphy, Oppenheimer (PR: 6) (-2)

9. Anthony Hopkins, Freud’s Last Session (PR: 11) (+2)

10. Joaquin Phoenix, Napoleon (PR: 10) (E)

11. David Strathairn, A Little Prayer (PR: Not Ranked)

12. Matt Damon, Air (PR: 9) (-3)

13. Ed Harris, Long Day’s Journey Into Night (PR: 13) (E)

14. Mike Faist, Challengers (PR: 12) (-2)

15. John David Washington, The Piano Lesson (PR: 14) (-1)

Dropped Out:

Andrew Scott, Strangers

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Da’Vine Joy Randolph, The Holdovers (PR: 4) (E)

5. Julianne Moore, May December (PR: 6) (+1)

Other Possibilities:

6. Viola Davis, Air (PR: 5) (-1)

7. Rosamund Pike, Saltburn (PR: 7) (E)

8. Lashana Lynch, Bob Marley: One Love (PR: 9) (+1)

9. Audra McDonald, Rustin (PR: 8) (-1)

10. Halle Bailey, The Color Purple (PR: Not Ranked)

11. Aunjanue Ellis, The Nickel Boys (PR: 11) (E)

12. Tilda Swinton, The Killer (PR: 10) (-2)

13. Danielle Deadwyler, The Piano Lesson (PR: 13) (E)

14. Jodie Foster, Nyad (PR: 14) (E)

15. Vanessa Kirby, Napoleon (PR: Not Ranked)

Dropped Out:

Claire Foy, Strangers

Rebecca Ferguson, Dune: Part Two

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 4) (+3)

2. Willem Dafoe, Poor Things (PR: 2) (E)

3. Colman Domingo, The Color Purple (PR: 10) (+7)

4. Charles Melton, May December (PR: 8) (+4)

5. John Magaro, Past Lives (PR: 3) (-2)

Other Possibilties:

6. Samuel L. Jackson, The Piano Lesson (PR: 5) (-1)

7. Ryan Gosling, Barbie (PR: 6) (-1)

8. Richard E. Grant, Saltburn (PR: 11) (+3)

9. Ben Affleck, Air (PR: 7) (-2)

10. Jesse Plemons, Killers of the Flower Moon (PR: 1) (-9)

11. Brian Tyree Henry, Flint Strong (PR: 13) (+2)

12. Mark Ruffalo, Poor Things (PR: 9) (-3)

13. Corey Hawkins, The Color Purple (PR: Not Ranked)

14. Glynn Turman, Rustin (PR: 15) (+1)

15. Ben Foster, Long Day’s Journey Into Night (PR: 14) (-1)

Dropped Out:

Jeremy Strong, Maestro

Oscar Predictions: Elemental

At the 91st Academy Awards, Disney/Pixar (a frequent winner in the Best Animated Feature derby at the Oscars) had Incredibles 2 in contention. Yet it came up short to Spider-Man: Into the Spider-Verse. At last year’s ceremony, the studio’s Turning Red was never much of a threat to win and their summer release Lightyear received mixed reactions and didn’t make the cut. Similar elements could be in play for the 96th Oscars and Pixar’s 27th picture Elemental.

Out stateside on June 16, the computer-animated dramedy closed out the Cannes Film Festival. Buzz from France is fairly troubling. The Rotten Tomatoes meter, based on a handful of reviews, is 60%. Peter Sohn directs. He’s best known for 2015’s The Good Dinosaur, which underperformed at the box office and failed to register with the Academy. Voiceover artists include Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O’Hara, Joe Pera, and Matt Yang King.

This is Pixar’s one at bat for 2023 and prospects look iffy. We may have a frontrunner emerging with Spider-Man: Across the Spider-Verse opening this weekend. Look for my Oscar Predictions post on it shortly. Even if Elemental manages to make the quintet vying for gold, the chances of a victory look non-existent. If it doesn’t catch on at the box office like Lightyear (and that’s certainly possible), it could get left out altogether. My Oscar Prediction posts will continue…

Oscar Predictions: Perfect Days

It’s been nearly 40 years since Paris, Texas from Wim Wenders won the Palme d’Or at the Cannes Film Festival. In 1987, he took the Best Director prize at the fest for Wings of Desire. The German filmmaker is back in the south of France with his drama Perfect Days starring Koji Yakusho, Arisa Nakano, and Tokio Emoto.

There’s another honor that Wenders can add to his Cannes accomplishments. At the awards ceremony for their best in show today, Yakusho was named Best Actor for his work. Reviews in general have been laudatory and it stands at 100% on Rotten Tomatoes.

That said, I’m not sure the critical reaction is effusive enough for it to contend in anything beyond International Feature Film. Japan or German could choose to make it their submission. If they do, it’s got a shot but is far from guaranteed placement. My Oscar Prediction posts will continue…

The Boogeyman Box Office Prediction

20th Century Studios is hoping plenty of viewers will be creeped out by The Boogeyman on June 2nd. The PG-13 horror pic is based on a half century old short story by Stephen King with Rob Savage directing. Cast members include Sophie Thatcher (no relation that I’m aware of), Chris Messina, Vivien Lyra Blair, and David Dastmalchian.

Budgeted at just over $40 million, this was originally slated for a streaming premiere on Hulu. Encouraging test screenings changed the plan and now it’s being unveiled in approximately 3000 venues.

This genre has seen its share of successes as of late. There are two comps from 2022 that seem appropriate. The Black Phone was a summer release with some similar themes and based on a novel by King’s son Joe Hill. It started off with $23.6 million. Last fall’s Smile is similar in the sense that it was supposed to roll out on Paramount+ and the pattern was altered due to its positive audience scores. A $22.6 million debut was the result.

The Rotten Tomatoes score is 64%. While under the 83% of Phone and 79% from Smile, that’s just fine to keep the buzz decent. I can’t find a compelling reason why this wouldn’t hit the mid to high teens or low 20s as well.

The Boogeyman opening weekend prediction: $17.7 million

For my Spider-Man: Across the Spider-Verse prediction, click here:

Spider-Man: Across the Spider-Verse Box Office Prediction

Spider-Man: Across the Spider-Verse Box Office Prediction

Spider-Man: Across the Spider-Verse swings into multiplexes on June 2nd and hopes to start the month off on a high note. The animated sequel is the follow-up to 2018’s Into the Spider-Verse, which drew widespread critical acclaim resulting in a Best Animated Feature Oscar. It also grossed nearly $200 million domestically and $384 million worldwide.

There’s a trio of directors in Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson. Shameik Moore is back behind the mic as Miles/Spidey. Other performers voicing additional versions of the hero and other characters include Hailee Steinfeld (back as Spider-Woman), Brian Tyree Henry, Luna Lauren Velez, Jake Johnson, Jason Schwartzman, Issa Rae, Karan Soni, Daniel Kaluuya, Oscar Isaac, Greta Lee, Shea Whigham, and Andy Samberg.

Parts 2 and 3 of the franchise were assembled at the same time. Spider-Man: Beyond the Spider-Verse is slated for March 2024. In December 2018, part 1 started out with $35 million before legging out impressively to a $190 million stateside haul. Achieving a rare A+ Cinemascore rating, it stands to reason that audiences should be pumped for the sequel.

In the summer (as opposed to December), tentpoles are expected to post a gigantic opening immediately. Some forecasts have their projection as rosy as $120 million. That’s certainly possible, but I’ll temper expectations a bit and say $90-100 million is probably where this Verse starts.

Spider-Man: Across the Spider-Verse opening weekend prediction: $96.4 million

For my The Boogeyman prediction, click here:

The Boogeyman Box Office Prediction

Oscar Predictions: Anatomy of a Fall

Sandra Hüller, best known for 2016’s Toni Erdmann, is having quite a Cannes. The German actress first drew raves for Jonathan Glazer’s The Zone of Interest and now she’s receiving further praise for Anatomy of a Fall. Playing a writer on trial for the death of her husband, expect her name to pop in awards chatter for the next few months. Justine Triet directs with a supporting cast including Swann Arlaud, Milo Machado-Graner, Jehnny Beth, and Samuel Theis.

The Rotten Tomatoes meter stands at 100%. If France makes it their official selection for International Feature Film, look for it to contend. Its prospects could grow if it manages any trophies from the Cannes jury in a few days.

As for Hüller, she’ll draw competition from herself in Zone. While that feature may stand a better chance at a Best Picture nomination, the lead’s viability may be strongest with this one. My Oscar Prediction posts will continue…

Oscar Predictions: Asteroid City

Wes Anderson is no stranger to Cannes or Oscar nominations as Focus Features hopes the debut of Asteroid City at the former leads to the latter. A mix of comedy, drama, romance, and sci-fi, it features the auteur’s typical sprawling cast (many of whom have worked with him on multiple occasions). This includes (deep breath) Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Stephen Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, and Jeff Goldblum. Exhale.

Out stateside on June 23rd, City premiered in the south of France just like Anderson’s Moonrise Kingdom and The French Dispatch. Four of his last five works have generated the Academy’s attention. 2009’s Fantastic Mr. Fox was up for Animated Feature and Original Score (from frequent collaborator Alexandre Desplat). 2012’s Kingdom was in the Original Screenplay derby (with Anderson’s cowriter Roman Coppola). Two years later, The Grand Budapest Hotel was the massive awards breakthrough with nine Oscar nods and four victories in Costume Design, Makeup and Hairstyling, Original Score, and Production Design. It is Anderson’s sole BP nominee. 2018’s Isle of Dogs nabbed Animated Feature and Score mentions. In 2021, I had The French Dispatch predicted for Score and Production Design. It was surprisingly blanked on the morning of nominations.

Critics indicate this is an Anderson effort through and through and most reviews are of the thumbs up variety. The Rotten Tomatoes score is 84%. Like Dispatch and pics before it, Score (by Desplat of course) and Production Design are possibilities. So is the screenplay from Anderson and Coppola. Yet the overseas reaction is not to the level of Hotel and City could come up short like Dispatch did. A Best Picture nod probably won’t occur though perhaps the Golden Globes could slot it in Motion Picture (Musical/Comedy).

Finally, despite the sheer volume of familiar faces appearing in his filmography, no actors have received recognition in one of Anderson’s pics from the Academy. Bill Murray in Rushmore and Gene Hackman in The Royal Tenenbaums likely came close. I do not anticipate that streak being broken here. My Oscar Prediction posts will continue…

May 26-29 Box Office Predictions

Blogger’s Note (05/24): I am revising my Kandahar prediction from $7.9 million to $4.2 million

Disney is hoping for a memorable holiday weekend as The Little Mermaid surfaces over the long frame. We have three other newcomers with Gerard Butler’s action thriller Kandahar, the father/son comedy About My Father with standup comic Sebastian Maniscalco and icon Robert De Niro, and the father/son comedy The Machine featuring standup comic Bert Kreischer and icon Mark Hamill. My detailed prediction posts on the quartet of newcomers can be accessed here:

The Little Mermaid Box Office Prediction
Kandahar Box Office Prediction
About My Father Box Office Prediction
The Machine Box Office Prediction

There’s no doubt that Mermaid will bubble up to the #1 spot. The mystery is the number. While I don’t think it reaches the heights of other Mouse Factory live-action remakes like Beauty and the Beast and The Lion King, I do think it exceed the 2019 Memorial Day take of Aladdin. That said – there’s a wide range of possibility and my estimate is admittedly on the higher end compared to some others.

The real battle might be for the runner-up position. Fast X came in below its predecessor F9 (more on that below). It also received the same so-so B+ Cinemascore grade. A drop to the mid or high 20s could put it slightly behind the fourth weekend of Guardians of the Galaxy Vol. 3, which held impressively in the second and third outings. I’m going to give Star-Lord and company the slight edge over Vin Diesel and his cinematic family.

Butler has shown the ability to get his action flicks past $10 million and into the teens, but I’m not seeing much buzz for Kandahar. I’ll say it just reaches fourth place over The Super Mario Bros. Movie.

As you can tell from the descriptions, About My Father and The Machine have a lot in common. Both are tests for their leading men Maniscalco and Kreischer in their first headlining roles. Comedies have struggled at multiplexes lately and I believe these will. I think Father has a bit more broad appeal and I’ll give it sixth with The Machine trailing behind.

And with that, here’s how I envision the Friday to Monday Memorial weekend:

1. The Little Mermaid

Predicted Gross: $132.1 million

2. Guardians of the Galaxy Vol. 3

Predicted Gross: $26 million

3. Fast X

Predicted Gross: $25.4 million

4. The Super Mario Bros. Movie

Predicted Gross: $7.6 million

5. About My Father

Predicted Gross: $6.2 million

6. Kandahar

Predicted Gross: $4.2 million

7. The Machine

Predicted Gross: $3.7 million

Box Office Results (May 19-21)

Fast X continued the diminishing returns of the franchise though its dip wasn’t too far off from F9. The tenth pic in the 22-year-old series made $67 million (F9 did $70M) and that’s right in line with my $67.8 million prediction. As mentioned, I look for a hefty fall coming up. Luckily for Universal, the overseas grosses are solid (they need to be considering the reported $340 million sticker price).

Guardians of the Galaxy Vol. 3 was second after two weeks on top with $32.4 million, on pace my with $33.5 million take. The three-week total is $266 million and, per above, I think it could stay parked in the runner-up position over the holiday.

The Super Mario Bros. Movie made $9.6 million for third compared to my $8.3 million forecast. The remarkable seven-week earnings are $549 million.

Book Club: The Next Chapter, after a poor debut, tumbled 55% in fourth with $3 million (I said $3.2 million). The rom com sequel has made a mere $13 million in ten days.

Finally, Evil Dead Rise was fifth with $2.4 million. My projection? $2.4 million! The horror pic has amassed $64 million in five weeks.

And that does it for now, folks! Catch my podcast… or Toddcast as I call it… by searching Movies at the Speed of Speculation on your favorite streaming platform. Until next time…

Oscar Predictions: Firebrand

Alicia Vikander won a Supporting Actress trophy for 2015’s The Danish Girl and she looks for her first lead nod as Catherine Parr, the sixth spouse of Jude Law’s Henry VIII in Firebrand. The period drama comes from Brazilian filmmaker Karim Aïnouz with a supporting cast including Sam Riley, Eddie Marsan, Simon Russell Beale, and Erin Doherty.

Buzz coming from its screening at Cannes is of the mixed variety and that’s evidenced by the 50% Rotten Tomatoes score. Even the recommendatory write-ups aren’t exactly glowing. Law is getting the best ink. However, his third nod (after 1999’s The Talented Mr. Ripley in supporting and 2003’s Cold Mountain in lead) is highly unlikely to come to fruition as well as any hope for Vikander. I suppose a Costume Design nod could occur, but Firebrand should be put out of contention by the time nominations are out. My Oscar Prediction posts will continue…

Oscar Predictions: The Little Mermaid

Disney’s The Little Mermaid surfaces in theaters over this Memorial weekend and it hopes to dominate the box office like the Beauty and the Beast and The Lion King live-action versions did. Rob Marshall, Oscar-winning director of Chicago who recently helmed Mary Poppins Returns, is behind the camera. Halle Bailey stars as Ariel with Melissa McCarthy, Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem among the supporting players.

The musical fantasy is, of course, a remake of 1989’s classic that won Oscars for Score and Original Song (“Under the Sea”). Another tune (“Kiss the Girl”) was also in contention. 34 years ago, Best Animated Feature didn’t exist at the Academy Awards. If it had, Mermaid almost certainly would’ve won (unless you think All Dogs Go to Heaven might have managed a shocking upset).

Could this Mermaid swim into contention for the 96th ceremony? Over the past decade, several efforts in this sub-genre have been nominated in different races. 2015’s Cinderella was up for its Costume Design. 2016’s The Jungle Book won Visual Effects. The following year it was Beauty and the Beast mentioned in Costume Design and Production Design. The Lion King in 2019 received a Visual Effects nod and 2021’s Cruella won Costume Design and contended in Makeup and Hairstyling.

Reviews for Mermaid are mixed with a 69% Rotten Tomatoes score. That’s better than The Lion King (52%) for example but nowhere near Jungle Book (94%). Some of the criticism is for its visual look and I’m skeptical it places among the final five. I’m also not feeling the love in the other aforementioned categories.

Original Song could be the saving grace. There are three new ditties in the remake with Bailey performing the ballad “For the First Time”. I would think it would be the track that the Mouse Factory campaigns for.

A lot of critics are praising Bailey herself. I highly doubt she is a possibility for Best Actress at the Oscars. However, a nom in Musical/Comedy at the Golden Globes is doable depending on the competition in the next few months. My Oscar Prediction posts will continue…