This coming weekend should be very lucky for a songstress you may have heard of named Taylor Swift. Her cinematic airing of The Eras Tour is out on approximately 4000 screens as it looks to dominate the box office. You can peruse my detailed prediction post on it here:
The power of Swift has propelled the concert doc to hefty pre sales totaling over $100 million worldwide. I’m projecting the domestic take will fall just shy of $140 million. That would give it the third best premiere of 2023 behind only Barbie and The Super Mario Bros. Movie.
No other studio dared to open anything against Taylor and her army of Swifties. In fact, The Exorcist Believer moved up its release date to this past weekend. It had a so-so start (more on that below). With a meh C Cinemascore grade, I look for it to fall in the low to mid 60s in its sophomore frame.
The rest of the top five will be filled with holdovers likely dropping in the low to high 40s. Everything should slide a spot with PAW Patrol: The Mighty Movie, Sax X, and The Creator populating 3-5 in their third weekends.
Here’s how I think it’ll play out:
1. Taylor Swift: The Eras Tour
Predicted Gross: $139.6 million
2. The Exorcist: Believer
Predicted Gross: $9.7 million
3. PAW Patrol: The Mighty Movie
Predicted Gross: $6.6 million
4. Saw X
Predicted Gross: $4.1 million
5. The Creator
Predicted Gross: $3.5 million
Box Office Results (October 6-8)
David Gordon Green’s take on another iconic horror franchise couldn’t come close to his Halloween numbers as The Exorcist: Believer fell slightly short of expectations. The poorly reviewed direct sequel to the 1973 classic scared up $26.4 million compared to my $31.9 million prediction. That’s not terrible, but Universal reportedly ponied up $400 million for the rights to the series with two sequels planned. A mid 20s beginning (coupled with that unimpressive Cinemascore grade) could spell trouble ahead.
PAW Patrol: The Mighty Movie was second with $11.3 million, a bit under my $12.8 million forecast. The animated sequel has grossed a sturdy $38 million in ten days of release.
Saw X had an understandable 57% decline for third with $7.8 million (I was close with $8.3 million). Jigsaw and company’s tenth go-round has $32 million in the bank thus far.
The Creator was fourth with $6.2 million (I said $5.9 million) for a disappointing $25 million in its first two weeks.
I incorrectly didn’t project numbers for The Blind and A Haunting in Venice. They were 5th and 6th respectively with $3.2 million and $2.6 million. The Blind has made $10 million in two weeks while Venice is at $35 million after four frames.
The error was placing The Nun II in fifth. It was seventh with $2.6 million. My prediction? $2.6 million! This horror sequel has achieved $81 million.
20 Days in Mariupol is a potential double threat at the 96th Academy Awards in the International Feature Film and Documentary Feature derbies. Ukrainian war correspondent Mstyslav Chernov details the immediate aftermath of the Russian invasion. It premiered at Sundance and won the Audience prize for World Cinema Documentary Competition.
Reviews were uniformly strong with a 100% Rotten Tomatoes rating. Ukraine submitted Mariupol as their pick for International Feature Film. I wouldn’t completely discount the possibility that it gets in. I suspect it has a better shot in Documentary Feature where I had it ranked behind only Beyond Utopia in my update from a week ago. My Oscar Prediction posts will continue…
At the 94th Academy Awards honoring the pictures of 2021, Lunana: A Yak in the Classroom was a surprise nominee in the International Feature Film race. It became Bhutan’s first contender in the race as it marked the debut of filmmaker Pawo Choyning Dorji.
His follow-up is The Monk and the Gun and it’s been on the fest circuit including Telluride and Toronto. The culture clash dramedy is all thumbs up at 100% on Rotten Tomatoes based on 8 reviews.
Predictably, the Bhutanese pickers have selected it as the hopeful for awards consideration. I’m not sure the reviews are quite strong enough that it makes the quintet, but its inclusion would be less out of the blue than Dorji’s predecessor this time around. My Oscar Prediction posts will continue…
Germany has picked The Teachers’ Lounge as its hopeful for Best International Feature Film as they try to keep their impressive track record running in this 21st century. The dramatic thriller from Ilker Çatak premiered earlier this year at the Berlin Film Festival and has continued playing the festival circuit. Leonie Benesch stars in a role earning acclaim and the pic itself stands at 100% on Rotten Tomatoes based on 25 reviews.
As mentioned, the submitting nation has seen its share of successes in recent years. Just last year, All Quiet on the Western Front won the IFF derby. Others victors this century are Nowhere in Africa (2002) and The Lives of Others (2006). Six others selections have made the contending quintet.
At this early juncture, England’s The Zone of Interest and France’s The Taste of Things are probably the frontrunners for the statue. Then there’s three spots available for a host of feasible nominees. Lounge is certainly one of them and I wouldn’t underestimate it. My Oscar Prediction posts will continue…
Earlier this year, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in. I’ve already covered 2007 and 2008 and you can peruse my posts on them here:
We begin with the obvious. There’s a quintet of titles that would’ve made the dance because they already did. Martin Scorsese’s The Departed was the first title from the legendary filmmaker to win BP and he also won his only statue for direction. It additionally took home Adapted Screenplay and Film Editing and nabbed Mark Wahlberg a Supporting Actor nod.
The other four contenders were Babel from Alejandro Gonzalez Inarritu, picking up 7 nominations with its sole victory in Original Score. Clint Eastwood’s Letters from Iwo Jima got in for BP, Director, Original Screenplay, and won for Sound Editing. Little Miss Sunshine had two trophies for Supporting Actor (Alan Arkin) and Original Screenplay. Helen Mirren’s podium trip in Actress for Stephen Frears’s The Queen was the only win in its six mentions.
So what else? Bill Condon’s Dreamgirls managed to underperform on nominations morning and still lead with 8 overall nods. Jennifer Hudson took Supporting Actress and it was honored for its Sound Mixing. Despite it not garnering BP, Director, or a screenplay mention, I think it gets in with an expanded ten.
Same goes for Blood Diamond which went 0 for 5 but scored key noms in Actor (Leonardo DiCaprio), Supporting Actor (Djimon Hounsou), and Film Editing.
Todd Field’s Little Children got BP love at Critics Choice and the Globes with Oscar nods for Actress (Kate Winslet), Supporting Actor (Jackie Earle Haley), and Adapted Screenplay. The acclaim probably puts it in.
Paul Greengrass made the final five for his direction of United 93, which also had a Film Editing mention. It makes my cut as well.
As for the 10th slot, options abound. Al Gore’s environmental documentary An Inconvenient Truth was a box office success (especially for the genre) and went 2/2 in its nominations in Documentary Feature and Original Song. I almost picked it to make the ten. Notes on a Scandal received four mentions for its leads Cate Blanchett and Judi Dench and its adapted screenplay and score. You could easily put it in the mix and I wouldn’t argue. Children of Men from Alfonso Cuaron received three noms in Adapted Screenplay, Cinematography, and Film Editing. Clint Eastwood had another WWII epic with Flags of Our Fathers which was up in both sound races. And Borat was a buzzy phenomenon which received an Adapted Screenplay nomination.
Yet I’m going with Pan’s Labyrinth as my final selection. Even though it lost the Foreign Language Film race to Germany’s The Lives of Others, Guillermo del Toro’s creation was up in six races and won three – Art Direction, Cinematography, and Makeup.
Taylor Swift has proven over and again that she’s money in the bank when it comes to album and tour sales, merchandise, and even viewership for NFL games. The singer is about to enter her box office queen era when Taylor Swift: The Eras Tour hits theaters on October 13th. The concert film struck a distribution deal with AMC and Cinemark and the Friday the 13th (Taylor’s lucky number) drop date caused studios to shift their release patterns. For example, The Exorcist: Believer moved up a week to avoid direct confrontation.
Presales are already robust. It earned $37 million on the first day of tickets being available online. That means that in one day, it surpassed the best opening weekend for a concert pic ever. The record was held by Hannah Montana and Miley Cyrus: The Beth of Both Worlds Concert at $31 million, followed by Justin Bieber: Never Say Never with $29 million, and then This Is It with Michael Jackson at $23 million.
It goes without saying that the Swifties will cause this to shatter every previous best of mark for the concert genre. Just how high is the only real question. Swift’s previous filmography is littered with financial disappointments like Cats and Amsterdam. However, she wasn’t the focal point of either and her star has continued to rise.
The price of admission will be elevated at nearly $20 a pop for adults and that will push the earnings up. Some initial projections have this in the $100-120 million range out of the gate. I’ll admit that it’s a little murky as to how much this could bring in. This may not come as a shocker, but my gut says overestimating is smarter than underestimating when it comes to this show’s central figure. I’ll go above the forecast and give it the third best domestic frame of 2023 behind Barbie and The Super Mario Bros. Movie.
Taylor Swift: The Eras Tour opening weekend prediction: $139.6 million
Four years after their collaboration The Assistant attracted plenty of critical acclaim, director Kitty Green and Julia Garner reunite for the Aussie outback set thriller The Royal Hotel (out Friday in limited fashion). Jessica Henwick, Toby Wallace, and Hugo Weaving also star in the Neon production that premiered at Telluride.
Hotel scored with critics on the fest circuit and the Rotten Tomatoes is 95% (just above the 93% achieved by The Assistant). Inspired by a 2016 documentary, it’s unlikely this will attract the attention of awards voters just as Green’s predecessor couldn’t despite the positive ink. My Oscar Prediction posts will continue…
The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.
Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).
I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.
For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.
The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.
In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.
Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.
My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.
Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Color Purple (PR: 6) (+1)
6. Past Lives (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. The Holdovers (PR: 7) (-1)
9. Anatomy of a Fall (PR: 9) (E)
10. The Zone of Interest (PR: 11) (+1)
Other Possibilities:
11. American Fiction (PR: 10) (-1)
12. Air (PR: 12) (E)
13. Napoleon (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Origin (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Celine Song, Past Lives (PR: 5) (-2)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 7) (-2)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 7) (+2)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 5) (-2)
8. Cailee Spaeny, Priscilla (PR: 9) (+1)
9. Annette Bening, Nyad (PR: 8) (-1)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 5) (+3)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Joaquin Phoenix, Napoleon (PR: 9) (+1)
9. Barry Keoghan, Saltburn (PR: 10) (+1)
10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)
Dropped Out:
Teo Yoo, Past Lives
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 6) (E)
7. Julianne Moore, May December (PR: 7) (E)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rosamund Pike, Saltburn (PR: 8) (-1)
10. America Ferrera, Barbie (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Mark Ruffalo, Poor Things (PR: 3) (E)
4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)
5. Charles Melton, May December (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Colman Domingo, The Color Purple (PR: 8) (+1)
8. John Magaro, Past Lives (PR: 5) (-3)
9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Dropped Out:
Sterling K. Brown, American Fiction
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Past Lives (PR: 2) (E)
3. The Holdovers (PR: 3) (E)
4. Anatomy of a Fall (PR: 4 ) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. All of Us Strangers (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 8) (+2)
7. Hit Man (PR: 6) (-1)
8. The Color Purple (PR: 7) (-1)
9. Origin (PR: 9) (E)
10. Spider-Man: Across the Spider-Verse (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. About Dry Grasses (PR: 5) (-1)
5. Fallen Leaves (PR: 4) (+1)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. The Peasants (PR: Not Ranked)
8. The Settlers (PR: Not Ranked)
9. The Delinquents (PR: 8) (-1)
10. The Promised Land (PR: 9) (-1)
Dropped Out:
The Teachers’ Lounge
Io capitano
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“High Life” from Flora and Son
Best Production Design
Predicted Nominees:
1. Barbie (PR: 3) (+2)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Oppenheimer (PR: 4) (E)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. The Color Purple (PR: 5) (-1)
7. Napoleon (PR: 7) (E)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: Not Ranked)
10. Saltburn (PR: 10) (E)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Ferrari (PR: 3) (+1)
3. Napoleon (PR: 4) (+1)
4. The Color Purple (PR: 2) (-2)
5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. The Creator (PR: Not Ranked)
8. Barbie (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Maestro (PR: 7) (-3)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. Rebel Moon (PR: 5) (E)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)
7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)
8. Poor Things (PR: 4) (-4)
9. Barbie (PR: 10) (+1)
10. Killers of the Flower Moon (PR: 8) (-2)
That means I’m projecting these movies will garner these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
10 Nominations
Poor Things
9 Nominations
Barbie
6 Nominations
The Color Purple, Maestro
5 Nominations
Past Lives
4 Nominations
The Holdovers, The Zone of Interest
3 Nominations
Anatomy of a Fall
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
Universal Pictures hopes to scare up big business in the first full weekend of October with The Exorcist: Believer. It’s the only new release coming out after a handful of pics were out this past frame. You can peruse my detailed prediction post on it here:
David Gordon Green’s direct sequel to the 1973 horror classic (with Ellen Burstyn returning to her Oscar nominated role) looks to be a financial success like the filmmaker’s recent Halloween trilogy. I’m thinking it might accomplish that goal and my forecast is at the higher end of its anticipated range at over $30 million.
All holdovers seem destined to slide a spot. PAW Patrol: The Mighty Movie had a better than anticipated start (more on that below) and the sophomore dip should be the smallest of last weekend’s newcomers. Falls for Saw X and The Creator should be heftier with The Nun II rounding out the top five in its fifth outing.
Here’s how I see it playing out:
1. The Exorcist: Believer
Predicted Gross: $31.9 million
2. PAW Patrol: The Mighty Movie
Predicted Gross: $12.8 million
3. Saw X
Predicted Gross: $8.3 million
4. The Creator
Predicted Gross: $5.9 million
5. The Nun II
Predicted Gross: $2.6 million
Box Office Results (September 29-October 1)
PAW Patrol: The Mighty Movie eclipsed the earnings of its 2021 predecessor (which opened during the COVID challenges) and was easily the top dog of the weekend with $22.7 million. That’s ahead of my $16.3 million call as the animated sequel based on the Nickelodeon series brought in family audiences.
Saw X, which surprisingly received the best reviews of the nearly 20-year-old franchise, was second and slightly beat projections with $18.3 million. I went lower with $15.7 million. That’s an improvement over previous entries Jigsaw (2017) and Spiral (2021) while a far cry from the $30M+ that earlier editions managed.
I was off base in saying sci-fi thriller The Creator from Gareth Edwards would capture the #1 position. With a third place premiere at $14 million, it fell short of my $17.9 million take. Look for it to fade quickly as its overseas grosses were also underwhelming.
The Nun II, after three weeks in 1st, was fourth with $4.7 million. My prediction? $4.7 million! The four-week tally is a sturdy $76 million.
I failed to see that The Blind might be in the top 5. Recounting the early days of Duck Dynasty star Phil Robertson, the Fathom Events feature did manage the 5 spot with $4.3 million and $5.1 million since its Thursday bow.
The final wide release was Dumb Money as it expanded nationwide and disappeared in seventh with $3.3 million (I said $5.5 million). The overall three-week gross is a weak $7 million.
There’s an impressive array of Oscar players involved with Foe, the sci-fi thriller that premiered at the New York Film Festival over the weekend. It’s out next weekend via Amazon Studios. Garth Davis directed the 2016 drama Lion, which scored six nominations including Best Picture. Saoirse Ronan is a four-time acting hopeful (supporting for Atonement and lead for Brooklyn, Lady Bird, and Little Women). Costar Paul Mescal made the Best Actor quintet last year for Aftersun.
Yet the Big Apple fest resulted in non-fruitful buzz for Foe. With 10 reviews up, the Rotten Tomatoes score is a troubling 10% (yes, that’s one fresh). Despite the pedigree, do not expect this to find any friends in the voting branch of the Academy. My Oscar Prediction posts will continue…
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