Blogger’s Update (12/24): On the eve of its Christmas premiere, I’m bumping my A Complete Unknown from $13.1 million to $16.3 million from Friday to Sunday and from $24.4 million to $31.1 million from Wednesday to Sunday
Searchlight Pictures hope audiences seek A Complete Unknown when it debuts on Christmas Day. James Mangold, no stranger to the musical biopic genre with 2005’s Johnny and June Cash centered Walk the Line, directs. Timothée Chalamet is the legendary Bob Dylan with a supporting cast including Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook (as Johnny Cash), and Scoot McNairy.
Chalamet, coming off the one-two punch of Wonka and Dune: Part Two, has been visible promoting this and even went on College GameDay to hawk the holiday release. Reviews are sturdy enough with 78% on Rotten Tomatoes and a 72 Metacritic. Its lead, who does his own singing, is generating Best Actor buzz and he is a threat to win (it could nab a Best Picture slot too).
Unknown could succeed in bringing in an older audience interested in the subject matter and some youngsters interested in Chalamet. With Christmas falling on Wednesday, I think this reaches low double digits or low teens from Friday to Sunday and mid 20s for the five-day.
A Complete Unknown opening weekend prediction: $16.3 million (Friday to Sunday); $31.1 million (Wednesday to Sunday)
A boatload of Oscar precursor nominations have rolled in since I last forecasted my predictions on December 1st from the Golden Globes to Critics Choice to AFI and the National Board of Review. As is usually the case, it causes certain performers and pictures to be much more assured in their position of getting in the Academy mix. Yet it can also muddy up the waters for others. A Real Pain missing Critics Choice was a surprising snub. Sing Sing performed poorly at the Globes. Blitz and Gladiator II are all but out of the Best Picture equation. I could go on and on but let’s focus on what’s changed in my projections for the major races since the dawn of December.
While my BP lineup remains the same, I came darn close to putting A Complete Unknown in over either Sing Sing or A Real Pain. It has a strong shot after getting Globe and Critics Choice nods in the big dance. I also flirted with putting Conclave at #1, but have The Brutalist still in first in a wider open field than normal in mid-December. The most significant climber is The Substance from 10th to 7th.
For the first time this year after multiple posts beginning in the spring, Denis Villeneuve (Dune: Part Two) is not listed in my director five. Jacques Audiard jumps back in for Emilia Pérez. I feel pretty good about my top 7 making the cut in the race. Obviously that’s problematic since only five can.
Despite no recognition from the Globes, Marianne Jean-Baptiste (Hard Truths) vaults into my Actress quintet though I was reluctant to drop Cynthia Erivo (Wicked).
While my Best Actor five is intact, Timothée Chalamet’s performance as Bob Dylan in A Complete Unknown rises from 4th to 2nd. He has emerged as a genuine challenger for the gold (along with Ralph Fiennes in Conclave) to Adrien Brody in The Brutalist. Another development: after unexpectedly landing Globe and CCA noms, Hugh Grant (Heretic) is in Other Possibilities for the first time.
While my Supporting Actress field remains the same, I’m putting Yura Borisov (Anora) in Supporting Actor to the detriment of Conclave‘s Stanley Tucci, who missed CCA and the Globes.
Best Picture
Predicted Nominees:
1. The Brutalist (Previous Ranking: 1) (Even)
2. Conclave (PR: 3) (+1)
3. Anora (PR: 3) (-1)
4. Emilia Pérez (PR: 5) (+1)
5. Dune: Part Two (PR: 4) (-1)
6. Wicked (PR: 6) (E)
7. The Substance (PR: 10) (+3)
8. Nickel Boys (PR: 9) (+1)
9. Sing Sing (PR: 7) (-2)
10. A Real Pain (PR: 8) (-2)
Other Possibilities:
11. A Complete Unknown (PR: 15) (+4)
12. The Seed of the Sacred Fig (PR: 11) (-1)
13. September 5 (PR: Not Ranked)
14. All We Imagine as Light (PR: Not Ranked)
15. Nosferatu (PR: 14) (-1)
Dropped Out:
Blitz
Gladiator II
Best Director
Predicted Nominees:
1. Brady Corbet, The Brutalist (PR: 1) (E)
2. Sean Baker, Anora (PR: 2) (E)
3. Edward Berger, Conclave (PR: 4) (+1)
4. Jacques Audiard, Emilie Pérez (PR: 6) (+2)
5. Coralie Fargeat, The Substance (PR: 5) (E)
Other Possibilities:
6. Denis Villeneuve, Dune: Part Two (PR: 3) (-3)
7. RaMell Ross, Nickel Boys (PR: 7) (E)
8. Jon M. Chu, Wicked (PR: 9) (+1)
9. Payal Kapadia, All We Imagine as Light (PR: Not Ranked)
10. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 8) (-2)
Dropped Out:
Greg Kwedar, Sing Sing
Best Actress
Predicted Nominees:
1. Mikey Madison, Anora (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Karla Sofia Gascón, Emilia Pérez (PR: 3) (E)
4. Demi Moore, The Substance (PR: 4) (E)
5. Marianne Jean-Baptiste, Hard Truths (PR: 7) (+2)
Other Possibilities:
6. Cynthia Erivo, Wicked (PR: 5) (-1)
7. Nicole Kidman, Babygirl (PR: 9) (+2)
8. Amy Adams, Nightbitch (PR: 8) (E)
9. Fernanda Torres, I’m Still Here (PR: Not Ranked)
10. Kate Winslet, Lee (PR: 10) (E)
Dropped Out:
Saoirse Ronan, The Outrun
Best Actor
Predicted Nominees:
1. Adrien Brody, The Brutalist (PR: 1) (E)
2. Timothée Chalamet, A Complete Unknown (PR: 4) (+2)
3. Ralph Fiennes, Conclave (PR: 2) (-1)
4. Colman Domingo, Sing Sing (PR: 3) (-1)
5. Daniel Craig, Queer (PR: 5) (E)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 9) (+3)
7. Jesse Eisenberg, A Real Pain (PR: 6) (-1)
8. Hugh Grant, Heretic (PR: Not Ranked)
9. Sebastian Stan, A Different Man (PR: 7) (-2)
10. Glen Powell, Hit Man (PR: 8) (-2)
Dropped Out:
Kingsley Ben-Adir, Bob Marley: One Love
Best Supporting Actress
Predicted Nominees:
1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)
2. Ariana Grande, Wicked (PR: 2) (E)
3. Felicity Jones, The Brutalist (PR: 3) (E)
4. Danielle Deadwyler, The Piano Lesson (PR: 4) (E)
5. Isabella Rosselini, Conclave (PR: 5) (E)
Other Possibilities:
6. Aunjanue Ellis-Taylor, Nickel Boys (PR: 6) (E)
7. Margaret Qualley, The Substance (PR: 8) (+1)
8. Selena Gomez, Emilia Pérez (PR: 9) (+1)
9. Saoirse Ronan, Blitz (PR: 7) (-2)
10. Monica Barbaro, A Complete Unknown (PR: Not Ranked)
Dropped Out:
Joan Chen, Dídi
Best Supporting Actor
Predicted Nominees:
1. Kieran Culkin, A Real Pain (PR: 1) (E)
2. Guy Pearce, The Brutalist (PR: 2) (E)
3. Clarence Maclin, Sing Sing (PR: 3) (E)
4. Yura Borisov, Anora (PR: 6) (+2)
5. Denzel Washington, Gladiator II (PR: 4) (-1)
Other Possibilities:
6. Edward Norton, A Complete Unknown (PR: 9) (+3)
7. Jeremy Strong, The Apprentice (PR: 7) (E)
8. Stanley Tucci, Conclave (PR: 5) (-3)
9. Adam Pearson, A Different Man (PR: 8) (-1)
10. Brian Tyree Henry, The Fire Inside (PR: Not Ranked)
Dropped Out:
Jonathan Bailey, Wicked
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. The Brutalist (PR: 2) (E)
3. A Real Pain (PR: 3) (E)
4. The Substance (PR: 4) (E)
5. The Seed of the Sacred Fig (PR: 5) (E)
Other Possibilities:
6. September 5 (PR: 8) (+2)
7. Hard Truths (PR: 7) (E)
8. All We Imagine as Light (PR: Not Ranked)
9. Saturday Night (PR: 6) (-3)
10. Challengers (PR: 9) (-1)
Dropped Out:
His Three Daughters
Best Adapted Screenplay
Predicted Nominees:
1. Conclave (PR: 1) (E)
2. Nickel Boys (PR: 3) (+1)
3. Sing Sing (PR: 2) (-1)
4. Emilia Pérez (PR: 7) (+3)
5. Dune: Part Two (PR: 4) (-1)
Other Possibilities:
6. The Room Next Door (PR: 5) (-1)
7. Wicked (PR: Not Ranked)
8. I’m Still Here (PR: 8) (E)
9. A Complete Unknown (PR: Not Ranked)
10. Hit Man (PR: 6) (-4)
Dropped Out:
The Piano Lesson
Queer
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. The Seed of the Sacred Fig (PR: 2) (E)
3. I’m Still Here (PR: 3) (E)
4. The Girl with the Needle (PR: 4) (E)
5. Vermiglio (PR: 5) (E)
Other Possibilities:
6. Kneecap (PR: 6) (E)
7. Flow (PR: Not Ranked)
8. Dahomey (PR: 9) (+1)
9. Universal Language (PR: 8) (-1)
10. How to Make Millions Before Grandma Dies (PR: 7) (-3)
Dropped Out:
Armand
Best Animated Feature
Predicted Nominees:
1. The Wild Robot (PR: 1) (E)
2. Flow (PR: 4) (+2)
3. Inside Out 2 (PR: 2) (-1)
4. Memoir of a Snail (PR: 3) (-1)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 5) (E)
Other Possibilites:
6. Chicken for Linda! (PR: 9) (+3)
7. Moana 2 (PR: 8) (+1)
8. Piece by Piece (PR: 6) (-2)
9. Transformers One (PR: 7) (-2)
10. Spellbound (PR: Not Ranked)
Dropped Out:
The Lord of the Rings: The War of the Rohirrim
Best Documentary Feature
Predicted Nominees:
1. No Other Land (PR: 1) (E)
2. Daughters (PR: 6) (+4)
3. Will & Harper (PR: 3) (E)
4. Sugarcane (PR: 4) (E)
5. Dahomey (PR: 8) (+3)
Other Possibilities:
6. Black Box Diaries (PR: 2) (-4)
7. Union (PR: 5) (-2)
8. Soundtrack to a Coup d’Etat (PR: 7) (-1)
9. Super/Man: The Christopher Reeve Story (PR: Not Ranked)
10. The Remarkable Life of Ibelin (PR: 9) (-1)
Dropped Out:
A New Kind of Wilderness
Best Cinematography
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Nickel Boys (PR: 5) (+2)
4. Nosferatu (PR: 3) (-1)
5. The Girl with the Needle (PR: Not Ranked)
Other Possibilities:
6. Conclave (PR: 4) (-2)
7. Emilia Pérez (PR: 7) (E)
8. Maria (PR: 6) (-2)
9. Challengers (PR: 9) (E)
10. Wicked (PR: Not Ranked)
Dropped Out:
Anora
Blitz
Best Costume Design
Predicted Nominees:
1. Wicked (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Nosferatu (PR: 4) (+1)
4. Maria (PR: 5) (+1)
5. Gladiator II (PR: 3) (-2)
Other Possibilities:
6. Beetlejuice Beetlejuice (PR: 6) (E)
7. A Complete Unknown (PR: Not Ranked)
8. Conclave (PR: 10) (+2)
9. The Brutalist (PR: 8) (-1)
10. Blitz (PR: 7) (-3)
Dropped Out:
Furiosa: A Mad Max Saga
Best Film Editing
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Anora (PR: 3) (+1)
3. Conclave (PR: 6) (+3)
4. Dune: Part Two (PR: 2) (-2)
5. The Substance (PR: 5) (E)
Other Possibilities:
6. September 5 (PR: Not Ranked)
7. Emilia Pérez (PR: 4) (-3)
8. Challengers (PR: 8) (E)
9. Nickel Boys (PR: 7) (-2)
10. Wicked (PR: Not Ranked)
Dropped Out:
Sing Sing
Saturday Night
Best Makeup and Hairstyling
Predicted Nominees:
1. The Substance (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Wicked (PR: 3) (E)
4. A Different Man (PR: 5) (+1)
5. Nosferatu (PR: 4) (-1)
Other Possibilities:
6. Maria (PR: 6) (E)
7. Beetlejuice Beetlejuice (PR: 7) (E)
8. Sasquatch Sunset (PR: 8) (E)
9. Furiosa: A Mad Max Saga (PR: 9) (E)
10. Emilia Pérez (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. The Brutalist (PR: 1) (E)
2. Conclave (PR: 4) (+2)
3. Challengers (PR: 7) (+4)
4. The Wild Robot (PR: 3) (-1)
5. Emilia Pérez (PR: 6) (+1)
Other Possibilities:
6. Sing Sing (PR: 5) (-1)
7. Nosferatu (PR: Not Ranked)
8. The Room Next Door (PR: Not Ranked)
9. Nickel Boys (PR: 9) (E)
10. Wicked (PR: Not Ranked)
Dropped Out:
Dune: Part Two – deemed ineligible
Saturday Night
Blitz
Best Original Song
Predicted Nominees:
1. “El Mal” from Emilia Pérez (PR: 1) (E)
2. “Mi Camino” from Emilia Pérez (PR: 2) (E)
3. “Kiss the Sky” from The Wild Robot (PR: 4) (+1)
4. “The Journey” from The Six Triple Eight (PR: 3) (-1)
5. “Forbidden Road” from Better Man (PR: 7) (+2)
Other Possibilties:
6. “Beautiful That Way” from The Last Showgirl (PR: Not Ranked)
7. “Harper and Will Go West” from Will & Harper (PR: 6) (-1)
8. “Compress/Repress” from Challengers (PR: 10) (+2)
9. “Like a Bird” from Sing Sing (PR: 5) (-4)
10. “Better Way to Live” from Kneecap (PR: 9) (-1)
Dropped Out:
“Piece by Piece” from Piece by Piece
Best Production Design
Predicted Nominees:
1. Wicked (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Nosferatu (PR: 4) (+1)
4. Gladiator II (PR: 3) (-1)
5. The Brutalist (PR: 5) (E)
Other Possibilities:
6. The Substance (PR: Not Ranked)
7. Conclave (PR: 8) (+1)
8. Blitz (PR: 6) (-2)
9. Maria (PR: 7) (-2)
10. A Complete Unknown (PR: Not Ranked)
Dropped Out:
Furiosa: A Mad Max Saga
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Wicked (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. The Brutalist (PR: Not Ranked)
5. A Complete Unknown (PR: 9) (+4)
Other Possibilities:
6. Emilia Pérez (PR: 3) (-3)
7. Blitz (PR: 5) (-2)
8. Nosferatu (PR: 6) (-2)
9. Furiosa: A Mad Max Saga (PR: Not Ranked)
10. The Substance (PR: 8) (-2)
Dropped Out:
Twisters
Conclave
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Wicked (PR: 3) (E)
4. Better Man (PR: 6) (+2)
5. Twisters (PR: 5) (E)
Other Possibilities:
6. Gladiator II (PR: 4) (-2)
7. The Substance (PR: Not Ranked)
8. Mufasa: The Lion King (PR: 7) (-1)
9. Deadpool & Wolverine (PR: 8) (-1)
10. Furiosa: A Mad Max Saga (PR: 9) (-1)
Dropped Out:
Nosferatu
And that works out to these movies generating these numbers of nominations:
11 Nominations
The Brutalist
9 Nominations
Dune: Part Two, Emilia Pérez
7 Nominations
Conclave, Wicked
6 Nominations
Anora, The Substance
4 Nominations
Gladiator II, Nosferatu, Sing Sing
3 Nominations
Nickel Boys, A Real Pain, The Wild Robot
2 Nominations
Better Man, A Complete Unknown, The Girl with the Needle, Maria, The Seed of the Sacred Fig
1 Nomination
Challengers, Dahomey, Daughters, A Different Man, Flow, Hard Truths, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, No Other Land, The Piano Lesson, Queer, The Six Triple Eight, Sugarcane, Twisters, Vermiglio, Wallace & Gromit: Vengeance Most Fowl, Will & Harper
James Mangold’s Bob Dylan biopic A Complete Unknown is picking up the kind of precursor recognition that may lead to a Best Picture nomination. Whether it ultimately makes the cut is, well, a complete unknown. The Fox Searchlight release is out Christmas Day with Timothée Chalamet as the legendary singer and Edward Norton, Elle Fanning, Monica Barbaro, Boyd Holbrook, and Scoot McNairy providing support.
The review embargo is lifted with 74% on Rotten Tomatoes and 70 on Metacritic. It is fair to say critical reaction is more mixed than plenty of other contenders. Yet praise for Chalamet’s work is consistent and he appears poised for his second Academy nod after being up in Supporting Actor for 2017’s Call Me by Your Name. This time he’ll be playing in lead and he’s a threat to win. As for the rest of the cast, Norton (as Pete Seeger) just landed a Golden Globe nod. His inclusion at the Oscars is possible, but not a slam dunk like the headliner. Fanning and Barbaro are both generating complimentary notices, but Supporting Actress may be too crowded.
Down the line nods like Costume Design, Production Design, and (especially) Sound are achievable though I wouldn’t be surprised to see none of those ultimately materialize. The biggest question mark is indeed Picture. I don’t see Director and Adapted Screenplay happening. Unknown has made the AFI and NBR top tens and got a Best Motion Picture (Drama) slot at the Globes where they honor six hopefuls.
Mangold’s Walk the Line from 2005 (his biopic about Johnny Cash) received a handful of nods. Reese Witherspoon took home the Actress statue as June Carter Cash while Joaquin Phoenix was nominated for Actor. It contended in Film Editing, Costume Design, and Sound. I see a range of possibilities for Complete. One is Chalamet being nominated (a given) and that’s it. Under that scenario, a win could be trickier. He could also be in the mix with perhaps just Sound or another tech race or two. A best case scenario would be Unknown grabbing the ninth or tenth BP spot along with a combo of the aforementioned. It that happens, it’ll be an honor for it to be nominated in the biggest race while Chalamet goes for the victory. My Oscar Prediction posts will continue…
The past few days for awards prognosticators like me have been eventful as the Venice and Toronto Film Festival have unveiled their lineups. Many of the expected 2024 heavy hitters have confirmed their premieres up north and across the ocean. That includes Conclave, The Piano Lesson, Queer, Joker: Folie à Deux, Maria, Nightbitch, The End, Hard Truths, and The Room Next Door to name a few. The NY Festival features Nickel Boys as its debut screening while Blitz will play London.
None of that information is particularly surprising. There was a rather unexpected development today courtesy of Fox Searchlight. The studio premiered the first look at their Bob Dylan biopic A Complete Unknown and announced a release date of December. Directed by James Mangold, Timothée Chalamet stars as the legendary folk singer and the Dune/Wonka actor does his own crooning that you can hear in the trailer.
So will the picture be a golden ticket for Oscar attention? The December drop would indicate that Fox thinks so. Mangold is no stranger to this genre as he made 2005’s Walk the Line with Joaquin Phoenix as Johnny Cash. He was nominated for Best Actor while Reese Witherspoon won Actress as June Carter Cash. Chalamet has been killing it lately at the box office, but his sole Academy nom was for 2017’s Call Me by Your Name (losing to Gary Oldman for Darkest Hour). This is obviously a high profile turn and he joins an Actor competition that is quite unclear. Only one thing seems certain(ish) and that’s Colman Domingo making the final five for the acclaimed Sing Sing. Since I started my forecasts in May, there’s been two other performers I’ve had slotted in the quintet: Ralph Fiennes (Conclave) and Daniel Craig (Queer). We’ll know soon enough if they are legit contenders. The other two spots have fluctuated between hopefuls like Sebastian Stan (for either The Apprentice or A Different Man), John David Washington (The Piano Lesson), and Glen Powell (Hit Man). And we can’t discount Mr. Phoenix for his second stint as Joker.
I do suspect that Chalamet will materialize in my top 5 for recognition when I update my predictions in the coming days. Where else could Unknown get in? Well, there’s Best Picture and Mangold’s direction. Walk the Line missed the cut for BP nearly 20 years ago. If there were 10 nominees back then like there is now, it probably would’ve gotten in. Mangold is a well-respected filmmaker with varied works including Cop Land, Girl, Interrupted, Logan, and Ford v Ferrari. While his co-scripting of Logan gave him an Adapted Screenplay nomination, he’s never received a directing mention.
Walk the Line did nab three other noms for Costume Design, Film Editing, and Sound Mixing. All three of those (though Sound is now just Sound since it combined Sound Mixing and Sound Editing) could be Unknown inclusions. Adapted Screenplay is also a possibility.
As for the rest of the cast, we simply don’t know if Edward Norton as Pete Seeger, Elle Fanning as Sylvie Russo, or Monica Barbaro as Joan Baez are substantial enough for supporting recognitions. I would anticipate at least Fanning being listed as a possibility in my next update.
Fox Searchlight also has Nightbitch and A Real Pain as awards bait releases. The former is mostly being discussed for Amy Adams and an Actress nod (where I currently have her ranked #1). The latter is seen as a vehicle for a Kieran Culkin Supporting Actor try (where I have him ranked fourth). Both could be in the BP mix. However, on paper, A Complete Unknown might be Fox’s most electrifying prospect. This is, of course, a complete unknown until it screens. We do now that it’ll be in this cycle.
Sun drenched SoCal nostalgia permeates every land, air, and beach surface of Top Gun: Maverick and it’s a pleasure to bask in the glow. Many a franchise lately has attempted to tap into our sentimentality and many have failed. 36 years after the original, Maverick elevates what preceded it while making us misty about those very events from the mid 80s. Perhaps most thrilling is watching a movie star firmly in control of what’s made him a headliner for five decades.
Captain Pete Mitchell aka Maverick (Tom Cruise) has refused upward promotion in the Navy while spending the bulk of his working hours skyward as a test pilot. The romance that took his breath away with Kelly McGillis is seemingly long dormant. His friendship with Iceman (Val Kilmer), now a decorated Admiral, saves his tail after a work mishap. Instead of washing out, he’s sent back to San Diego as a TOPGUN teacher. Against the wishes of a Vice Admiral who goes by Cyclone (Jon Hamm), Maverick is tasked with instructing a new generation of pilots.
Their mission (and they’re forced to accept it) is to destroy an unnamed enemy nation’s uranium enrichment plant. It is (ahem) a potentially impossible mission and Maverick’s tutelage is complicated by one of the students. Rooster (Miles Teller) is the son of the late Goose (Anthony Edwards) from the original. You may recall that he perished in the arms of the leading man and therefore eliminated his ability to talk to anyone except for metaphorically.
While the dynamic between the teacher and his pupil is the pic’s emotional through line, there’s subplots aplenty. This includes Maverick’s courtship of Penny (Jennifer Connelly), who checks the boxes of being an ex-flame, single mother, and bar owner where standards from the 1960s can be drunkenly belted out. We also get a truly emotional sequence with Cruise and Kilmer made more touching by the latter’s real world health challenges. And, of course, there’s a whole new crop of pilots. Most memorable, by far, is the cocky Hangman (Glen Powell). You’ll leave the theater convinced Powell is going to become a major headliner himself.
Then there’s the fact that technology has soared by leaps and bounds since the first one. To put it simply – the aerial battles in the third act are awesome and I would suggest an IMAX venue to take it in. As mentioned, many fan service attempts in recent times have been serviceable at best or less. Top Gun: Maverick, with its megawatt star, is more than that. It earns its stripes.
***And a final update for Top Gun: Maverick as my prediction rises again to $113.4 million for the three-day and $138 million for the four-day. That it gives it the #2 all-time Memorial Day for both frames.
***Blogger’s Update (05/25): Significantly up-ticking my estimate once again. Now projecting a three-day of $103.7M (good for second biggest Memorial Day Friday to Sunday) and $124.4M for the four-day (third largest all-time). Sky is increasing the limit…
**Blogger’s Update (05/24): Estimate updated from a three and four-day projection, respectively, of $75.6M and $98.8M to $86.6M and $104.9M. That now gives Maverick the #7 largest Memorial Day weekend three-day and #6 four-day
It could be a record breaking memorable weekend for Tom Cruise as Top Gun: Maverick finally lands in theaters. The long gestating sequel arrives 36 years after the original made Cruise a superstar. The wait was only supposed to be 33-34 years, but production delays and COVID postponements altered the plan.
Joseph Kosinki, who previously directed the lead in 2013’s Oblivion, directs. Costars include Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Ed Harris, Monica Barbaro, and Val Kilmer reprising his role as Iceman. Critics have certainly indicated this is worth the wait. Budgeted at a reported $150 million, reviews are impressive with a 97% Rotten Tomatoes score. There’s even Oscar buzz as it will surely be a contender in Sound and Song (with Lady Gaga crooning “Hold My Hand”).
Paramount is hopeful that Maverick will take the breath and money away from moviegoers over the Memorial Day frame. The loud buzz generated by critics should make this soar even higher than previously anticipated.
In doing so, we could see Tom cruise to a personal best opening. Somewhat surprisingly, his all-time largest opening is War of the Worlds at $64 million for the traditional Friday to Sunday period. Mission: Impossible – Fallout (the last flick to feature Cruise four years ago) is close behind at $61 million.
Maverick will, of course, have a four-day tally. That’s familiar territory for Cruise as the first three Mission: Impossible tales premiered over Memorial Day with the second one doing $70 million from Friday to Monday. However, it opened on the Wednesday before to bring its gross to $91 million.
First things first. I do believe Tom’s latest sequel will achieve his highest three day take ever. I also suspect there will be some projections for Maverick that will be too high. A four-day take of over $100 million is absolutely doable (and my prediction could rise in the coming days), but I’m skeptical. That’s uncharted territory for Mr. Cruise. A Friday to Sunday haul in the mid 70s seems likelier. If that happens, it should achieve mid 90s for the whole frame. That would give it the ninth best Memorial 3 day start – in between Solo: A Star Wars Story ($84 million) and The Lost World: Jurassic Park ($72 million). It would rise a spot to 8th for the four-day between the same two features at $103 million and $90 million, respectively. And that would be a memorable start indeed.
Top Gun: Maverick opening weekend prediction: $113.4 million (Friday to Sunday); $138 million (Friday to Monday)
Top Gun: Maverick was supposed to arrive a mere 34 years after its iconic predecessor. Due to numerous COVID delays, it now hits theaters on May 27th and some 36 years behind the original. By nearly all accounts, Tom Cruise and the filmmakers have landed the plane.
Ahead of its Cannes premiere, the review embargo has lapsed for Maverick and the Rotten Tomatoes score is a sizzling 96%. Nearly all critics are calling it an improvement over the ’86 blockbuster and it could be in line to give Cruise his largest opening and overall hit of his career (my box office prediction will arrive next week).
Three and a half decades back, part one caught the attention of Academy voters in four categories. The Berlin theme “Take My Breath Away” won Best Song and Gun nabbed nods for Film Editing, Sound, and Sound Effects Editing. All those races are in play again in one form or another.
Best Sound has been condensed to one category and it’s a near lock that the sequel will play there. Film Editing, Cinematography, and Visual Effects are also possibilities. Then there’s the sound of Lady Gaga’s voice. The superstar contributed the track “Hold My Hand” and it could be hard to beat. Ms. Gaga is poised for her third Song nomination behind 2015’s “Til It Happens to You” from The Hunting Ground and “Shallow” from A Star Is Born (which won). She also shares Score credit with Hans Zimmer (who just won a trophy for Dune) and Harold Faltermeyer (best known for his Beverly Hills Cop tune “Axel F”).
Let’s assume Sound and Song are gimmes. With the aforementioned others, we could be looking at a handful of mentions. Will the Academy go beyond the tech derbies? It looks like Maverick will be a gigantic earner and crowdpleaser. I have no doubt there will be a push from Paramount for Best Picture recognition and Cruise in Best Actor. If so, it would be his fourth acting nod. There were two in lead for 1989’s Born on the Fourth of July and 1996’s Jerry Maguire and a supporting mention for 1999’s Magnolia. He’s never made a victorious trip to the podium.
I’m skeptical about it playing in the major leagues, but wins in Sound and Song are doable. My Oscar Prediction posts will continue…
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