No, I’m not rethinking my 2022 decision to forego an Oscar Predictions post on the Liam Neeson action flick Memory. This is the write-up for the same monikered Michel Franco drama that premiered at the Venice Film Festival. The somber drama is led by Jessica Chastain (2021’s Actress winner for The Eyes of Tammy Faye) and Peter Sarsgard with a supporting cast including Merritt Wever, Jessica Harper, Elsie Fisher, and Josh Charles.
The Rotten Tomatoes meter stands at 88% with critics particularly complimenting the performances of the two leads. The Italian fest jury took notice as Sarsgard received the Best Actor award.
Assuming this makes the domestic release calendar by year’s end (release date is still TBD), its distributor MUBI has their work cut for them to break Chastain and Sarsgard into the lead conversations. Some critics prize attention could help and I’m taking a wait and see attitude with Memory‘s prospects. My Oscar Prediction posts will continue…
The 80th Venice Film Festival has signed off and the Grand Jury’s verdict has honored what’s expected to be a major awards player. From 2017-2020, the four films that took the Golden Lion (the fest’s top prize) went onto receive Best Picture nominations at the Oscars: The Shape of Water (which won), Roma, Joker, and Nomadland (another victor). 2021 French pic Happening and 2022’s documentary All the Beauty and the Bloodshed bucked the trend.
Yet I would suspect the correlation between Lion and BP nominee returns in 2023 as Yorgos Lanthimos’s Poor Things is the Lion recipient. Based on reaction from Italy, Things established itself as a major contender across many categories and this assists in cementing that. Expect to read lots about this movie in my prediction posts in the weeks and months ahead.
Venice likes to spread the wealth around. Poor Things didn’t take the directing or screenplay categories or name Emma Stone as Best Actress. Instead that statue went to Cailee Spaeny as Elvis’s young bride Priscilla in Sofia Coppola’s biopic. This does nothing but help Spaeney’s chances in what appears to be an already crowded Actress derby.
Peter Sarsgard is your Best Actor for Michael Franco’s Memory (he and Jessica Chastain are drawing raves for their work). Its distributor would need to mount a shrewd campaign for Academy voters to take notice.
The fest’s runner-up trophy (the Grand Jury Prize) went to Ryusuke Hamaguchi’s Evil Does Not Exist. Japan recently opted to select Perfect Days from Wim Wenders as their International Feature Film hopeful. Best Screenplay went to El Conde from Pablo Larrain, which will likely be Chile’s best best for IFF inclusion.
Poor Things was the odds on favorite for the Lion as Venice rolled along. Look for it to roar as the season continues.
Blogger’s Update (08/23): I’m downgrading my prediction from $3.2M to $2.4M
Liam Neeson’s string of action thrillers continues with Retribution this weekend as he attempts to reverse some recent box office bad luck. Predators director Nimrod Antal is behind the camera with a supporting cast including Noma Dumezweni, Lilly Aspell, Jack Champion, Embeth Davidtz, and Matthew Modine.
The Neeson shoot-em-ups this decade haven’t come close to matching Taken, its sequels, and other hits that followed shortly thereafter. Yet their opening grosses have been remarkably consistent. 2020’s Honest Thief made off with $3.6 million for its start. In 2021, The Marksman hit $3.1 million. In 2022, Blacklight took in $3.5 million while the same year’s Memory made $3.1 million.
I haven’t seen a screen count for this Roadside Attractions effort and that could alter my projection. However, I don’t see any reason why this would make considerably more or less than the aforementioned genre exercises. Perhaps National Cinema Day on Sunday (with ticket prices at $4) will help, but I wouldn’t count on it.
Retribution opening weekend prediction: $2.4 million
The summer box office season officially kicks off in the manner it has many times lately… with an expected Marvel Cinematic Universe juggernaut. Doctor Strange in the Multiverse of Madness looks to accomplish some records after previous franchise entry Spider-Man: No Way Home set plenty of its own. You can peruse my detailed prediction post on Benedict Cumberbatch’s return as the mystical doc here:
My estimate would give Multiverse the 7th largest domestic premiere of all time and the highest ever for the month of May (topping The Avengers). It would be #4 in terms of MCU entries – behind Avengers: Endgame, No Way Home, and Avengers: Infinity War.
No other film is daring to open against this and family friendly entries The Bad Guys (after two weeks on top) and Sonic the Hedgehog 2 should slide a spot. Everything Everywhere All at Once is holding extremely well from week to week and it could rise to fourth over Fantastic Beasts: The Secrets of Dumbledore.
Here’s how I think the top 5 will look:
1. Doctor Strange in the Multiverse of Madness
Predicted Gross: $208.5 million
2. The Bad Guys
Predicted Gross: $10 million
3. Sonic the Hedgehog 2
Predicted Gross: $7.1 million
4. Everything Everywhere All at Once
Predicted Gross: $4.4 million
5. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $4.3 million
Box Office Results (April 29-May 1)
Before Marvel begins its domination, it was a pretty quiet weekend with The Bad Guys repeating in first. The DreamWorks Animation effort made $16.2 million, topping my $14.4 million projection for $44 million in 10 days.
Most holdovers managed to slightly exceed my expectations. Sonic the Hedgehog 2 stayed in second at $11.5 million compared to my $10.8 million call. Total is $161 million.
Fantastic Beasts: The Secrets of Dumbledore continued its ho-hum run in third with $8.3 million, just above my $7.7 million take. The three-week tally is a disappointing $79 million.
The Northman was fourth in its sophomore outing with $6.3 million. I went with $5.6 million and it’s at $22 million.
Everything Everywhere All at Once actually had a 2% increase with $5.5 million to round out the top five (I said $4.2 million). The A24 Oscar hopeful has made an impressive $35 million.
The Unbearable Weight of Massive Talent was sixth with $3.8 million (I predicted $3.5 million) for $13 million in two weeks.
Finally, Liam Neeson’s streak of low grosses stayed intact as Memory opened in 8th with $3.1 million. That’s in line with his recent (non) earners and just below my $3.3 million projection.
Before Doctor Strange and his Marvel friends dominate the box office next weekend, it should be an unmemorable one as April closes out. The only new release is Liam Neeson’s action thriller Memory and you can peruse my detailed prediction post on it here:
My meager $3.3 million estimate for Memory (in line with recent Neeson pics) could leave it outside the top five with the family friendly holdovers maintaining the 1-2-3 positions.
The Bad Guys got off to a terrific start (more on that below) and it should easily maintain first position with a drop potentially in the 45-50% range. Sonic the Hedgehog 2 and Fantastic Beasts: The Secrets of Dumbledore should follow and the 4-5 spots may again be held by The Northman and The Incredible Weight of Massive Talent. Depending on how far Talent falls, it may find itself in a battle for 5th with Memory. However, we also have Everything Everywhere All at Once and it could nab the 5 spot with another meager decline.
And with that, ny take on the weekend’s top 7:
1. The Bad Guys
Predicted Gross: $14.4 million
2. Sonic the Hedgehog 2
Predicted Gross: $10.8 million
3. Fantastic Beasts: The Secrets of Dumbledore
Predicted Gross: $7.7 million
4. The Northman
Predicted Gross: $5.6 million
5. Everything Everywhere All at Once
Predicted Gross: $4.2 million
6. The Unbearable Weight of Massive Talent
Predicted Gross: $3.5 million
7. Memory
Predicted Gross: $3.3 million
Box Office Results (April 22-24)
DreamWorks Animation had an even bigger than anticipated hit on their hands as The Bad Guys did good business at $23.9 million, easily surpassing my $16.7 million projection. As mentioned, it should have little trouble stealing a second weekend at #1 before the Doctor arrives in May.
Sonic the Hedgehog 2 held in second with $15.6 million, right in line with my $15.5 million call. The blockbuster sequel has amassed $146 million in its three weeks of release.
The news got worse for Fantastic Beasts: The Secrets of Dumbledore. It fell from first to third with a steep 67% sophomore drop at $14 million. I was a tad higher at $15.1 million. In what should be the franchise’s last installment (it’s hard to justify fourth and fifth chapters as originally planned), the two-week tally is a mere $67 million. Reaching $100 million domestically is a stretch.
The Viking action drama The Northman slightly exceeded most prognosticators with $12.2 million in fourth. The Robert Eggers directed tale sailed ahead of my $10.3 million prediction. Problem is – its budget is reportedly a massive $90 million.
Nicolas Cage’s meta comedy The Unbearable Weight of Massive Talent opened in fifth with a muted $7.1 million, not quite matching my $7.9 million estimate. Despite glowing reviews, it couldn’t quite branch out beyond cinephiles who attended.
Can Memory reverse the string of forgettable Liam Neeson pics we’ve seen lately or will it fall in line with his recent underwhelming performers? Slated for April 29th, this casts him as an assassin dealing with cognitive lapses. Martin Campbell (who kicked off the Brosnan and Craig 007 eras with Goldeneye and Casino Royale) directs. He most recently helmed the lackluster The Protege with Maggie Q and Michael Keaton. Costars include Guy Pearce (who starred in the acclaimed Memento which covered similar themes) and Monica Bellucci.
It’s been nearly a decade and a half since Neeson resurged his career with Taken. This second life as an action star resulted in some hits, but there’s been more misses recently. The Marksman and Blacklight took in $3.7 and $3.5 million, respectively, in the COVID era. I see no reason why Memory wouldn’t suffer a similar fate and the gross may even dip a bit.
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