One of the biggest summer 2016 mysteries will be answered next weekend when the Ghostbusters reboot hits theaters. 32 years after the original became a smash hit (with a less beloved sequel that followed five years later), the Columbia Pictures property is a hopeful franchise yet again. This follows years (decades in fact) of rumors about the comedic paranormal team making a return to the big screen. A third go round with the original cast never materialized, so the series has undergone a makeover with Paul Feig taking over directorial duties and a female ghostbustin’ cast donning the iconic uniforms.
Like they did in 1984 – the Ghostbusters have a strong “Saturday Night Live” connection consisting of frequent host Melissa McCarthy and current and former cast members Kristin Wiig, Kate McKinnon, and Leslie Jones. Chris Hemsworth takes over secretarial duties in the part made famous by Annie Potts. OG ‘Busters Bill Murray, Dan Aykroyd, and Ernie Hudson (along with Sigourney Weaver and Potts) are said to cameo.
This is the fourth collaboration between Feig/McCarthy. They’re previous pics (Bridesmaids, Heat, Spy) have grossed $169M, $159M, and $110M, respectively. This is a whole new ball game that comes with a different set of expectations, however. For starters – the budget is a reported $154 million with a studio likely hoping for a domestic haul in the $200 million range.
That could be a challenge. The word of mouth for Ghostbusters has not been overwhelmingly positive and underwhelming trailers had a little something to do with it. The first trailer even earned headlines for being the most disliked trailer in YouTube’s history. Buzz aside, it’s been marketed relentlessly in recent weeks.
The release poses a whole bunch of questions that won’t be answered until its opening: will younger viewers turn out for a franchise that’s laid dormant for nearly 30 years? Will the negative trailer reaction greatly hinder its potential? If and when the Stay Puft Marshmallow Man returns, is it the same one from the original or his offspring?
Ghostbusters, even with the lengthy time passed between entries, is still a massive brand name and the name alone should get it to a $40 million opening. How much above that number seems to be the real question. I’ll predict that it falls just under $50M in the opening weekend. How it plays out in subsequent weekends will answer the question for the studio as to whether those grosses make them feel good.
Ghostbusters opening weekend prediction: $47.3 million
Melissa McCarthy’s first comedy of 2016 is her second most anticipated of the year as The Boss debuts next weekend. Directed by her hubby Ben Falcone (who also made 2014’s Tammy), his wife plays a member of the 1% guilty of insider trading trying to rehabilitate her image. Kristen Bell, Peter Dinklage, and Kathy Bates costar.
Since her breakout role in 2011’s Bridesmaids, McCarthy has been a force in the genre. 2013’s Identity Thief made $34 million out of the gate while that same year’s collaboration with Sandra Bullock, The Heat, earned $39 million. The aforementioned Tammy took in $21 million over the July 4th, 2014 three day weekend with a $33 million five-day haul. Last summer’s Spy opened to $29 million.
Her comedies have proven to be mostly critic proof (Tammy was met with derision) and that should apply here. However, I’m a little skeptical that this reaches the mid-high 30s heights of her largest openers and I’d be somewhat surprised if this one tops $25 million. That is not likely to be the case with July’s eagerly anticipated Ghostbusters reboot that McCarthy is featured in. For The Boss, low to mid 20s seems to be the strongest probability.
The Boss opening weekend prediction: $23.4 million
For the Academy Awards, 2011 will forever be known as the year when a French black and white silent film came out of nowhere to win three major categories, including Best Picture. That would be The Artist and it picked up momentum over its rivals, becoming one of the more unlikely recipients of the prize in some time.
During that year, the number of Picture nominees was nine and it beat out The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Midnight in Paris, Moneyball, The Tree of Life, and War Horse.
As for some others I may have considered, my favorite film of the year was Nicolas Winding Refn’s Drive. Another personal favorite: David Fincher’s The Girl with the Dragon Tattoo. Furthermore, the expanded list of nominees could have given the Academy a chance to nominate some of the better blockbusters that year: Rise of the Planet of the Apes or Mission: Impossible – Ghost Protocol for example.
The Artist‘s auteur Michel Hazanavicius would win Director over stellar competitors: Woody Allen (Midnight in Paris), Terrence Malick (The Tree of Life), Alexander Payne (The Descendants), and Martin Scorsese (Hugo). Again, Mr. Refn and Mr. Fincher would have made my cut.
The Artist love continued in Best Actor where Jean Dujardin took the prize over Demian Bichir (A Better Life), George Clooney (The Descendants), Gary Oldman in his first (??) nomination (Tinker Tailor Soldier Spy), and Brad Pitt (Moneyball).
I may have found room for Ryan Gosling’s silent but strong work in Drive or perhaps even Steve Carell in Crazy, Stupid, Love – in which he showed off real dramatic acting chops coupled with his comedic abilities for the first time.
Awards darling Meryl Streep took Best Actress for her portrayal of Margaret Thatcher (no relation) in The Iron Lady. Othern nominees: Glenn Close (Albert Nobbs), Viola Davis (The Help), Rooney Mara (The Girl with the Dragon Tattoo), and Michelle Williams (My Week with Marilyn).
The Academy’s penchant for ignoring comedy was shown here as Kristin Wiig should have merited consideration for her megahit Bridesmaids.
Beloved veteran Christopher Plummer won Supporting Actor for Beginners over Kenneth Branagh (My Week with Marilyn), Jonah Hill (Moneyball), Nick Nolte (Warrior), and Max Von Sydow (Extremely Loud and Incredibly Close).
Two others I may have made room for: Albert Brooks in Drive and especially the brilliant motion capture work of Andy Serkis in Rise of the Planet of the Apes.
Octavia Spencer was victorious in Supporting Actress for The Help over her costar Jessica Chastain, as well as Berenice Bejo (The Artist), Melissa McCarthy in the rare nod for comedy in Bridesmaids, and Janet McTeer (Albert Nobbs).
Two other comedic performances worthy of consideration: Rose Byrne in Bridesmaids and Jennifer Aniston’s scene stealing work in Horrible Bosses. I also would have found room for Shailene Woodley in The Descendants.
And that’s your Oscar history for 2011, folks! I’ll have 2012 up in the near future.
Four days before Oscar nominations are revealed, Hollywood will throw their annual party and awards ceremony known as the Golden Globes, put on by the Hollywood Foreign Press (whoever they are). The always entertaining Ricky Gervais is back to host and the show honors 2015’s best in movies and television. I won’t bother with the TV stuff (just because I haven’t followed it anywhere close to what I do with film). As you may know, the Globes divide the picture and lead actor races in two: Drama and Musical/Comedy. This has been a source of some controversy recently with titles like The Wolf of Wall Street and American Hustle being questionably placed into Comedy. The ante was upped this year when Ridley Scott’s The Martian made that category. It has laughs to be sure, but really?
I’ll go through each race and predict the winners (and potential runner-up) and will update the blog either Sunday evening or Monday with how I did:
Best Picture (Drama)
Nominees:
Carol
Mad Max: Fury Road
The Revenant
Room
Spotlight
Outlook: Early critical precursors have placed Spotlight in the position of soft front runner for the Oscars and here. In fact, one of its main competitors The Big Short is in the other category so that helps even more. Potential spoilers could be Carol or just maybe Mad Max, but Spotlight is the odds on favorite here.
Predicted Winner: Spotlight
Runner-Up: Carol
Best Picture (Musical/Comedy)
Nominees:
The Big Short
Joy
The Martian
Spy
Trainwreck
Outlook: Let’s dispense with the two outright comedies – Spy and Trainwreck – as they stand no real chance. Joy‘s mixed critical reaction probably leaves it out, too. So we’re down to The Big Short and The Martian. With the deserved controversy of having The Martian even here in the first place aside, Short seems to have the bigger momentum right now and it should edge out its main competitor.
Predicted Winner: The Big Short
Runner-Up: The Martian
Best Actor (Drama)
Nominees:
Bryan Cranston, Trumbo
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Will Smith, Concussion
Outlook: While he’s famously never won an Oscar, Leo did take a Globe two years ago (in Comedy) for Wolf of Wall Street. Look for his dramatic work here to be recognized and it would frankly be fairly surprising if he didn’t win. I’d say Fassbender or maybe Cranston pose the only real upset threats.
Predicted Winner: DiCaprio
Runner-Up: Fassbender
Best Actress (Drama)
Nominees:
Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Saoirise Ronan, Brooklyn
Alicia Vikander, The Danish Girl
Outlook: My inkling here is that Blanchett and Mara will pretty much cancel each other out for their work in Carol. Vikander is a double nominee this year, but appears to be a long shot in this race especially. Ronan is certainly a possibility, but Larson is the likely recipient for her lauded work.
Predicted Winner: Larson
Runner-Up: Ronan
Best Actor (Musical/Comedy)
Nominees:
Christian Bale, The Big Short
Steve Carell, The Big Short
Matt Damon, The Martian
Al Pacino, Danny Collins
Mark Ruffal0, Infinitely Polar Bear
Outlook: First things first – Pacino and Ruffalo have zero shot. Like the previously discussed race, I could see Bale and Carell canceling one another out and that leaves Mr. Damon.
Predicted Winner: Damon
Runner-Up: Bale
Best Actress (Musical/Comedy)
Nominees:
Jennifer Lawrence, Joy
Melissa McCarthy, Spy
Amy Schumer, Trainwreck
Maggie Smith, The Lady in the Van
Lily Tomlin, Grandma
Outlook: Schumer had her breakout role with Trainwreck and stands a chance, but this is probably Lawrence’s race to lose.
Predicted Winner: Lawrence
Runner-Up: Schumer
Best Supporting Actor
Nominees:
Paul Dano, Love and Mercy
Idris Elba, Beasts of No Nation
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
Outlook: This race is a little trickier and could be ripe for an upset (Elba or Shannon wouldn’t shock me). However, this probably comes down to Rylance (who’s picked up numerous critic precursor notices) and Stallone (for the sentimental vote). I’m going with sentimentality trumping all else.
Predicted Winner: Stallone
Runner-Up: Rylance
Best Supporting Actress
Nominees:
Jane Fonda, Youth
Jennifer Jason Leigh, The Hateful Eight
Helen Mirren, Trumbo
Alicia Vikander, Ex Machina
Kate Winslet, Steve Jobs
Outlook: Another race that could feature an upset (any one of these ladies are possible), but I’ll give the slight momentum to Leigh’s work.
Predicted Winner: Leigh
Runner-Up: Winslet
Best Director
Nominees:
Todd Haynes, Carol
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Outlook: Don’t see Haynes or Inarritu prevailing, so that leaves this question: will the HFPA go with the likely Best Drama Picture winner’s director (McCarthy) or the outstanding visual work from Miller or Scott. Miller has picked up a number of precursor awards, so I give him the edge over Scott and I ultimately believe he’ll eek out the victory here.
Predicted Winner: Miller
Runner-Up: McCarthy
As for the other categories – here are my picks
Best Screenplay
Predicted Winner: Spotlight
Runner-Up: The Big SHort
Best Score
Predicted Winner: The Hateful Eight
Runner-Up: Carol
Best Song
Predicted Winner: “See You Again” from Furious 7
Runner-Up: “Love Me Like You Do” from Fifty Shades of Grey
Best Animated Feature
Predicted Winner: Inside Out
Runner-Up: Anomalisa
Best Foreign Language Film
Predicted Winner: Son of Saul
Runner-Up: Mustang
And there you have it, folks! My Golden Globe predictions…
After her terrific breakout role in 2011’s Bridesmaids, the filmography of Melissa McCarthy has nagged at me in one significant way. While her character in Bridesmaids was hilariously rough around the edges, what stood out was her innate likability. It’s a trait that was lacking in varying degrees in all her follow up work – Identity Thief, The Heat, and Tammy.
This situation is rectified in Spy, which teams McCarthy up for the third time with director Paul Feig after Bridesmaids and The Heat (they’ll collabo again next summer in the Ghostbusters reboot). Spy finds McCarthy playing more to her strengths and it’s a welcome sight. Yet it doesn’t totally mask that this effort is a fairly generic 007 genre spoof where the laughs are hit or miss.
McCarthy is Susan Cooper, a CIA analyst whose job consists mostly of assisting debonair agent Bradley Fine (a game Jude Law) by talking in his earpiece and helping him out of international intrigue jams. She’s head over heels for her assigned agent as well, which leads to a humorous fancy dinner scene with him where she’s a bit out of her element. Circumstances soon lead to Susan becoming a field agent responsible for tracking Rayna (Rose Byrne), who’s in possession of a nuke. Our newly minted spy must also work with rough and tumble agent Ford (Jason Statham, showcasing real comedic chops) who is far worse at his profession than he believes. His anecdotes about previous missions provide some of the larger laughs, such as when he had to reattach his arm with his other arm.
Spy follows the playbook of Bond spoof to a tee – various exotic locations, big and complicated action sequences, etc… McCarthy’s character, who gets to don various disguises, gives the actress the most she’s had to work with in a bit. The pic fits the bill as a lazy afternoon couch viewing experience and not much more.
One problem is that Feig has learned one unenviable trait from former colleague Judd Apatow. His movies are about 20 minutes too long and Spy’s premise doesn’t deserve the padded two hour running time. There is filler mixed with genuinely solid set pieces. Flaws aside, it’s nice to see McCarthy shine in a manner she’s not been afforded since her Oscar nomination for her standout part four years ago. I hope her material continues to improve.
As the June box office session begins, we have three new pictures opening in the marketplace: the Melissa McCarthy action comedy Spy, horror sequel Insidious: Chapter 3 and the film version of HBO’s Entourage. You can read my individual prediction posts on each here:
As I see it, Spy (which has received rave reviews) should easily come out of the gate at #1. The battle for second could be fierce between Insidious and current champ San Andreas, which had a larger than anticipated premiere (more on that below). I expect the third Insidious to just make it to the #2 position. I have Entourage placing fourth with Pitch Perfect 2 rounding out the top five in its fourth weekend.
And with that, my top five predictions for the weekend:
1. Spy
Predicted Gross: $42.1 million
2. Insidious: Chapter 3
Predicted Gross: $26 million
3. San Andreas
Predicted Gross: $24.3 million (representing a drop of 55%)
4. Entourage
Predicted Gross: $11.2 million ($16.5 million predicted for its five-day gross)
5. Pitch Perfect 2
Predicted Gross: $8.4 million (representing a drop of 43%)
Box Office Results (May 29-31)
Dwayne Johnson’s disaster flick San Andreas had anything but a disastrous opening with a higher than expected $54.5 million, easily topping my $43.4M projection. The pic was pretty much critic proof and audiences responded with a solid A- Cinemascore grade to give its star yet another hit, not even two months after his participation in the massive Furious 7.
Holdovers dipped further from their Memorial Day grosses than I anticipated as Pitch Perfect 2 was second with $14.8 million (I said $18.5M). The high grossing sequel has amassed $147.5M so far.
The bad news continued for Brad Bird’s Tomorrowland, which has undeniably become one of the season’s early disappointments. It experienced a precipitous drop in its sophomore frame with $14.3 million for third place, below my generous $19.1M prediction. Its two week total is at $63M and it probably won’t reach the $100M mark.
Mad Max: Fury Road took fourth with $14.1 million, just below my $15M estimate for an impressive total three week tally of $116.4M. Avengers: Age of Ultron was fifth with $11.4 million and I incorrectly had it outside the top five. The Marvel superhero juggernaut has made $427.5M at press time.
Cameron Crowe’s critically panned Aloha was DOA for a sixth place debut with just $9.6 million, well under my $18.2M projection. Audiences weren’t impressed with what they saw either with a lackluster B- Cinemascore grade. You can read my review of it here:
Ever since Bridesmaids some four years ago, Melissa McCarthy has become a potent box office force and while her comedies have yielded financially pleasing returns, critics haven’t always been on her side – see last summer’s Tammy. This Friday’s Spy is a notable exception as it boasts a terrific 96% on Rotten Tomatoes. The action comedy pairs her yet again with her Bridesmaids and The Heat director Paul Feig. The supporting cast includes Jason Statham, Rose Byrne, Jude Law and Allison Janney.
McCarthy’s star power plus the critical love should lead to a very nice debut for Spy. As I see it, the question is whether or not it manages to top the $39 million earned by The Heat to create McCarthy’s largest domestic opening of all time. I am predicting it’ll just manage to get there and its solid word of mouth should continue its healthy run forward for the weeks to come.
In less than one month, the Summer 2015 Movie Season will be upon us! That means studios will be bringing out their big wannabe blockbusters with sequels, reboots, animated tales, comic book heroes, and a surprisingly robust group of potentially intriguing comedies.
Therefore, I am bringing you my personal 15 most anticipated summer movies for the year. Let me talk briefly about some pictures that didn’t quite make the cut. I left off animated fare such as Pixar’s Inside Out and Despicable Me spin-off Minions. Same goes for Pitch Perfect 2, Magic Mike XXL and the film version of HBO’s Entourage. And then there’s a film I figured would make the cut: Terminator: Genisys that marks Arnold Schwarzenegger’s return to his iconic role after 12 years. Why? Quite frankly, I wasn’t crazy about the trailer. Don’t get me wrong – I’m still highly curious to watch it.
I will be breaking up my list in three installments and we begin this evening with numbers 15-11. Subsequent posts covering the top ten will arrive Friday and Saturday.
Let’s get to it, shall we?
15. Spy
Release Date: June 5
Originally, I probably wouldn’t have figured Melissa McCarthy’s new comedy would make the cut. That’s until reviews from screenings at South by Southwest came out and they indicate this is the star’s best feature so far. It doesn’t hurt that Paul Feig, director of McCarthy’s Bridesmaids and The Heat is behind the camera. Jude Law, Rose Byrne, and Jason Statham co-star.
14. Masterminds
Release Date: August 14
From the director of Napoleon Dynamite comes this heist comedy with a killer cast: Zach Galifianakis, Kristin Wiig, Owen Wilson, and Jason Sudeikis. The trailer inspires hope.
13. Vacation
Release Date: July 31
Yes, they’re rebooting the Vacation franchise with Ed Helms and Leslie Mann as grown-up Rusty and Audrey and Chevy Chase and Beverly D’Angelo back as Clark and Ellen. Christina Applegate, Chris Hemsworth, and Charlie Day round out the cast. Here’s to hoping this is more like the original and Christmas Vacation than Vegas Vacation. No trailer has been released at press time.
12. Southpaw
Release Date: July 24
Jake Gyllenhall has been on a roll lately choosing his projects, including last year’s terrific Nightcrawler. This sports drama sees him playing a boxer with serious family issues. It also sees him heavily bulked up in a pic that could get awards attention, like 2010’s The Fighter. Antoine Fuqua directs (he made Training Day and The Equalizer) and Rachel McAdams and Forest Whitaker co-star.
11. Fantastic Four
Released Date: August 7
The first two installments of the famed Marvel comic books (the ones with Jessica Alba and Michael Chiklis) were decent size hits, however critics didn’t approve. This reboot comes from Chronicle director Josh Trank with a cast that includes Miles Teller, Kate Mara, and Michael B. Jordan and it will attempt to begin the franchise anew.
And that’s all for now! Numbers 10-6 coming at you tomorrow…
It’s a line stated in Theodore Melfi’s debut feature in St. Vincent and it applies to our central characters here. Bill Murray is Vincent MacKenna, a grumpy, gambling and alcoholic swilling curmudgeon who begrudgingly befriends his new neighbor boy Oliver (Jaeden Lieberher). The boy’s mother Maggie (Melissa McCarthy) is a recent divorcee who’s working hard to make ends meet and this allows Vincent to become Oliver’s unconventional babysitter. Soon enough Oliver is learning some things not being instructed by his kindly Catholic school instructor (Chris O’Dowd). He even meets Vincent’s “lady of the night” friend Daka (Naomi Watts), a pregnant hooker with a Russian heart of gold. Luckily young Oliver assumes she has a night job.
There is a lot more, however, to Vincent than his personality and demeanor suggest. He’s desperately trying to care of his Alzheimer’s ridden wife who resides in a care facility. Vincent is a war hero. The central and sweet concept of the film is simple: don’t judge a book by its cover. Also, embrace your flaws but try to do some good. At one point, Daka expresses to Vincent: “You always lose. You should be comfortable by now.”
Vincent and Maggie are both experiencing losing streaks. Yet they’re both trying. McCarthy breaks from her traditional persona and sass here. The role of Maggie is an understated one and she plays it well. This is more vulnerable and sensitive than we’re used to seeing her. She gets to shine in one scene where she confesses her problems to the faculty at Oliver’s school and McCarthy nails it. Naomi Watts takes what is mostly a cliched and familiar part and manages to turn it into a winning performance. Lieberher is key. We often see where a child actor can dampen proceedings with sub par acting. Not here. The kid is just fine.
St. Vincent is a formula movie for sure. We know where the screenplay is eventually headed. Subplots involving the school bully and a custody battle are by the numbers. Don’t worry though. St. Vincent is solid enough and gets better. While the aforementioned performers deserve some credit, let’s get real. Bill Murray is a national treasure. He’s an incredibly gifted actor comedically and dramatically. He gets to exhibit both qualities in large doses here. Director/writer Melfi fashions a template for Murray to play in that’s quite good. Murray makes it near great.
Four was the magic number today in movie news. Four as in this morning, the first trailer for the reboot of this summer’s The Fantastic Four was unveiled. You may recall when 20th Century Fox released two movies based on the iconic comic book in 2005 and 2007 with a cast that included Jessica Alba and Michael Chiklis. They did decent business at the box office but critics and fans mostly disapproved. The reboot’s cast includes Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell. Josh Trank, who burst upon the scene with his sleeper hit Chronicle, handles directing duties. The trailer certainly indicates a more serious tone than what we saw a decade ago. The picture is out August 7.
Four is also a significant number based on news we’ve been waiting to hear for some time. Ghostbusters is finally working its way back to the big screen with a highly comedically talented group of women being the ones who got the call. Paul Feig, maker of Bridesmaids and The Heat, directs and he’s enlisted previous collaborators Kristin Wiig and Melissa McCarthy as part of the quartet. Obviously this marks a Wiig-McCarthy reunion and Feig’s fourth pic with McCarthy (their third feature Spy is out this summer). The other two Busters are current SNL cast members: Kate McKinnon and Leslie Jones.
At one time it was thought that a traditional third pic in the franchise would eventually see the light of day. However it never materialized partly due to Bill Murray’s reported reluctance to return. By the time of Harold Ramis’s untimely passing year, director of the original two Ivan Reitman made it clear he had no interest in exploring a continuation. The new Ghostbusters is expected for release in summer 2016.
It will certainly be fascinating to watch how these two new rebooted foursomes resonate with moviegoers in the near future.
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