As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actor and that’s Robert Downey Jr. in Oppenheimer. Let’s get to it!
It could be considered the capper for one of the most remarkable comeback stories in Hollywood history. In the mid 90s, Downey Jr.’s career appeared over due to drug abuse and legal woes. By 2008, he was starting run as star of the biggest franchise of all time with the MCU and multiple appearances as Tony Stark in the Iron Man and Avengers series. His role as the scheming AEC Chairman Lewis Strauss in Christopher Nolan’s epic biopic has swept the season thus far at the Globes, Critics Choice, and BAFTA. SAG is likely to follow suit next weekend. This could be seen as a career achievement prize and his peers are probably eager to give it to him (similar to Jamie Lee Curtis last year in Everything Everywhere All at Once).
The Case Against Robert Downey Jr.:
Frankly, it’s difficult to come up with one. Maybe the voters will look at Supporting Actor as a place to honor Barbie and give it to Ryan Gosling. The same logic could apply to Mark Ruffalo in Poor Things or Robert De Niro in Killers of the Flower Moon.
The Verdict:
At this point, anything other than a Downey Jr. victory would be a significant upset.
My Case Of posts will continue with the direction of Christopher Nolan in Oppenheimer…
My look at trends and performers who had an impactful cinematic 2023 arrives at Bradley Cooper. If you missed my previous three write-ups, you can access them here:
Five years after his directorial debut A Star Is Born landed multiple Oscar nominations, Cooper’s sophomore behind the camera project premiered on Netflix this month. Starring as legendary composer Leonard Bernstein, the multi-hyphenate also produces and co-wrote the script. He even took years to learn how to conduct an orchestra. The reward could be Cooper winning a Best Actor Academy Award after four previous performing nods. It’s fair to say there is no hangover for his second at bat.
Cooper’s voiceover work as Rocket in Guardians of the Galaxy Vol. 3 is also noteworthy. His character was the emotional center of the MCU blockbuster (a success in a year where comic book movies struggled).
Add in a humorous cameo from Dungeons & Dragons: Honor Among Thieves and 2023 was when Cooper’s conduct was well-regarded by critics and crowds alike. My Year Of posts will continue…
The Thanksgiving box office gives us two high-profile releases mixed with the leftovers as Disney’s Wish and Ridley Scott’s Napoleon come out Wednesday. You can peruse my detailed prediction posts on the newcomers here:
The Mouse House certainly wishes that Wish was getting better reviews and word-of-mouth. That said, the studio should have no trouble nabbing the top spot over the holiday frame. I’ve got the three-day in the low 30s and five-day in the mid 40s.
Napoleon with Joaquin Phoenix as the military leader is also generating so-so buzz. It is a viable option for adults looking a Turkey Day frame trip to the multiplex. A high teens Friday to Sunday might leave it in fourth position with a five-day approaching $30 milion.
After a premiere in the lower end of its anticipated range, The Hunger Games: The Ballad of Songbirds & Snakes may ease 50-55% in its sophomore outing. That might mean a drop to third as Trolls Band Together should see a more meager slide (20-25%) in its second weekend and stay in the runner-up spot.
Eli Roth’s slasher Thanksgiving could capitalize on its name and have a smaller than normal decline for its genre. If it eases 40% or so, it should round out the high five as The Marvels might not make the top quintet (more on its poor performance below).
Here’s how I see it shaking out:
1. Wish
Predicted Gross: $32.2 million (Friday to Sunday); $46.4 million
2. Trolls Band Together
Predicted Gross: $22.6 million
3. The Hunger Games: The Ballad of Songbirds & Snakes
Predicted Gross: $2o.3 million
4. Napoleon
Predicted Gross: $18.2 million (Friday to Sunday); $28.5 million
5. Thanksgiving
Predicted Gross: $6.5 million
Box Office Results (November 17-19)
The Hunger Games: The Ballad of Songbirds & Snakes, as expected, ruled the charts like its predecessors. Yet it came in considerably below the four entries it prequels. While parts I-IV from 2012-15 all opened to more than $100 million, Ballad managed $44.6 million (a touch under my $48.3 million projection). It’s not a disaster considering the reported $100 million budget, but it’s definitely not a shining victory.
Trolls Band Together opened in second with a solid $30 million, surpassing my $26.7 million take. The DreamWorks Animated threequel should hold up well during the holiday season.
Thanksgiving cut a $10.3 million gross for third place as the fake trailer turned feature came in just behind my $11.4 million forecast. Not too shabby as the budget is listed at $12.6 million.
The Marvels fell from first to fourth with a disastrous second weekend after a disastrous first. The MCU bomb (first time you’ve ever heard it) plummeted 78% to $10.1 million. I was more kind at $15.6 million. With $64 million in the bank after 10 days, it’s questionable whether Captain Marvel and her friends even reach $100 million domestically.
Five Nights at Freddy’s rounded out the top five with $3.5 million (I said $4.5 million) to brings its four-week total to $132 million.
Finally, Taika Waititi’s oft-delayed sports dramedy Next Goal Wins couldn’t find an audience. It was 8th with $2.5 million compared to my $3.8 million prediction.
And that does it for now, folks! Have a great Thanksgiving!
A quartet of new titles enter the pre-Thanksgiving frame marketplace with prequel The Hunger Games: The Ballad of Songbirds & Snakes expected to lead the way and DreamWorks Animation’s threequel Trolls Band Together in the runner-up spot. We also have Eli Roth’s slasher flick Thanksgiving and Taika Waititi’s sports dramedy Next Goal Wins out. You can peruse my detailed prediction posts on them here:
All four Hunger Games titles (released from 2012-15) debuted to over $100 million, but that streak is sure to end with Songbirds. It may only fly to around $50 million and I’ve got it achieving just a smidge under that.
Barring a significant Hunger underperformance, Trolls should settle for #2 in the mid 20s as it hopes to leg out impressively in future holiday weekends.
The Marvels experienced a historically low start for an MCU offering (more on that below). With a weak B Cinemascore grade, it could be headed for a catastrophic fall in the mid 60s or more in its sophomore frame (similar to The Flash this summer). That’s not the comparison it wanted and it likely means a third place showing.
I’ll say Thanksgiving carves up a little over $10 million and that would put it in fourth. The news is bleaker for the frequently delayed Next Goal Wins as it failed to generate awards buzz on the fest circuit and seems to have little heat attached to it. I’m putting it in sixth behind Five Nights at Freddy’s in weekend #4.
Here’s how I see it shaking out:
1. The Hunger Games: The Ballad of Songbirds & Snakes
Predicted Gross: $48.3 million
2. Trolls Band Together
Predicted Gross: $26.7 million
3. The Marvels
Predicted Gross: $15.6 million
4. Thanksgiving
Predicted Gross: $11.4 million
5. Five Nights at Freddy’s
Predicted Gross: $4.5 million
6. Next Goal Wins
Predicted Gross: $3.8 million
Box Office Results (November 10-12)
It was indeed the worst of times for the Marvel Cinematic Universe as The Marvels had the lowest debut of all 33 franchise entries dating back to the summer of 2008. Captain Marvel and team made off with a mere $46.1 million, right on pace with my $46.3 million (my projection kept dwindling in the week leading up to its premiere). That’s the worst MCU kickoff by a pretty wide margin as the previous record was held by 2008’s The Incredible Hulk at $55 million. A series that once seemed indestructible is no longer as comic book movies have had a tough 2023 in multiplexes. As mentioned, the B Cinemascore indicates crowds aren’t digging the product.
Five Nights at Freddy’s, after two weeks atop the charts, was second with $8.9 million (a bit ahead of my $7.4 million take). The three-week tally is up to $127 million.
Taylor Swift: The Eras Tour was third with $6 million as took a heftier drop (over 50%) that I figured in its fifth weekend. The record setting concert pic total is $172 million.
In a surprising development, Priscilla was fourth in its sophomore go-round. The biopic increased its theater count and fell only 5% to $4.7 million for $12 million overall. I incorrectly had it outside the top five.
Killers of the Flower Moon was fifth with $4.5 million in weekend four. My guess? $4.5 million for $59 million in the bank.
The Holdovers expanded to nearly 800 screens and the Oscar hopeful made $3.2 million for sixth (I said $3 million).
Finally, faith-based musical Journey to Bethlehem got off to a rougher journey than I forecasted. It was seventh with $2.4 million and I thought it would double that figure with $4.8 million.
Marking the 33rd entry in the Marvel Cinematic Universe, The Marvels is out Friday amid mixed buzz and lower than normal box office projections. The review embargo that lifted today may explain why.
Nia DaCosta’s sci-fi adventure with Brie Larson reprising her Captain Marvel role currently sports a 58% Rotten Tomatoes score. That ranks 31st out of the 33 pics ahead of only Ant-Man and the Wasp: Quantumania and Eternals.
To be fair, some critics are calling it a fun if rather slight and forgettable superhero tale. Yet the most negative reviews are calling it one of the worst MCU flicks.
Visual Effects is the most prominent race where these movies get Academy attention. 13 of the previous 32 have. None have won. Unfortunately for The Marvels, even that aspect is being criticized. Lucky for the MCU, Guardians of the Galaxy Vol. 3 will probably nab a spot in the eventual quintet like its two predecessors did. My Oscar Prediction posts will continue…
Blogger’s Update II (11/08): I am lowering my The Marvels prediction from $62.3 million to $46.3 million and that gives it the lowest MCU premiere ever.
**Blogger’s Update (11/07): It turns out Taylor Swift: The Eras Tour is indeed staying in theaters and I’m putting it in second with an anticipated drop in the mid 30s
The Marvel Cinematic Universe should have no trouble hitting #1 again with The Marvels, but the premiere is expected to be well on the low end of the now 33 pics in the franchise. We also have the faith-based musical Journey to Bethlehem and the wide expansion of Oscar hopeful The Holdovers out. You can peruse my detailed prediction posts on the trio here:
As of now, I have The Marvels having the third lowest MCU opening in its decade and a half run. It could possibly have the smallest of them all if it debuts below the $55 million that The Incredible Hulk (the second feature of the bunch) started with in 2008. **Keep an eye on this post through Thursday to see if my projection dwindles.
Five Nights at Freddy’s, after two weeks atop the charts, should slide to second. Its sophomore frame saw a gigantic plummet (more on that below). The third weekend shouldn’t be as dramatic a fall, but the 60-65% range is certainly possible.
Taylor Swift: The Eras Tour, per a previous announcement, is allegedly finished with its box office run after amassing $166 million domestically and easily setting concert pic records. That’s why you won’t find it in my projected five. If that dynamic changes, I’d place it in third or probably even second.
The 3-5 spots, therefore, should be a mix of Killers of the Flower Moon, Journey to Bethlehem, and The Holdovers and you could make decent arguments for the order. I’ve got it close.
Here’s how I see it shaking out:
1. The Marvels
Predicted Gross: $46.3 million
2. Taylor Swift: The Eras Tour
Predicted Gross: $8.8 million
3. Five Nights at Freddy’s
Predicted Gross: $7.4 million
4. Journey to Bethlehem
Predicted Gross: $4.8 million
5. Killers of the Flower Moon
Predicted Gross: $4.5 million
6. The Holdovers
Predicted Gross: $3 million
Box Office Results (November 3-5)
November began with a whimper with the worst frame of 2023 thus far. As you may recall, this was the weekend Dune: Part Two was supposed to come out before its pushback to spring 2024.
That left Five Nights at Freddy’s in first place despite a gargantuan 76% drop to $19 million. I was more generous at $27.6 million. Even with its clearly front loaded business, the PG-13 horror flick (which is also available on Peacock) has delivered $113 million in its first ten days of release.
With scant competition in the marketplace, Taylor Swift: The Eras Tour eased just 12% for second place with $13.5 million. That remarkable hold placed it well above my $8.3 million take. As mentioned, it has finished (?) its run at $166 million as streamers mount a bidding war for the rights.
Killers of the Flower Moon also held better than I figured for third in its third weekend with $6.8 million. I went with $5.8 million. The Oscar contender has taken in $52 million.
Priscilla performed respectably in fourth with $5 million, besting my $3.9 million call. The biopic had a similar per theater average to Ms. Swift’s fourth frame gross. The performance represents earnings at the top end of its anticipated range.
I incorrectly didn’t make a call for Radical, the well-reviewed dramedy with Eugenio Derbez. It rounded out the top five with $2.6 million on just over 400 screens. That gave it the highest average of any movie in the top ten.
My #5 pick was After Death at $3.2 million. Yet it was all the way down in 8th (behind The Exorcist: Believer and PAW Patrol: The Mighty Movie) with $2 million after its 60% slide.
Finally, I had the Meg Ryan rom com What Happens Later (a phrase not used in many years) making $1.7 million. It came in slightly below that at $1.5 million for ninth position.
Blogger’s Update (11/08): I am lowering my The Marvels prediction from $62.3 million to $46.3 million and that gives it the lowest MCU premiere ever.
After a series of delays dating back to summer 2022, the MCU’s 33rd adventure arrives November 10th with The Marvels. Nia DaCosta, best known for her 2021 Candyman remake, directs. Captain Marvel Brie Larson leads a cast that includes Teyonah Parris, Iman Vellani, Zawe Ashton, Park Seo-joon, and Samuel L. Jackson.
Beginning with Spider-Man: No Way Home, we’ve seen a run of six MCU pics that opened to $100 million or over. It certainly helped that each one of them was a sequel in a well-established sub franchise including Guardians of the Galaxy, Thor, and Black Panther.
The nine digit premiere streak should end here and the debut may look more like a trilogy of titles from 2021. Black Widow started with $80 million in the summer of that year and Shang-Chi and the Legend of the Ten Rings did $75 million over the Friday to Sunday portion of its Labor Day weekend bow. Finally, Eternals managed $71 million in November.
Two years later, I’m not confident The Marvels even matches those grosses. Other than Captain Marvel and Jackson’s Nick Fury, the other characters are relatively unknown compared to various Avengers counterparts. There’s always the risk of superhero overload and we’ve seen our share of letdowns in the genre in 2023 (The Flash, Blue Beetle, Shazam! Fury of the Gods). Yes, those were all DCU, but the subpar earnings could apply here.
I’m projecting The Marvels will have the lowest MCU beginning since Ant-Man ($57 million) back in 2015. That would be a rather significant letdown for Marvel in their third feature from Phase Five and the third smallest opening overall of the 33 picture series.
The Marvels opening weekend prediction: $46.3 million
For my Journey to Bethlehem prediction, click here:
You could correctly call this Oscar Predictions post the calm before the festival storm as Venice kicks off this week with Telluride and Toronto right behind it. Yet a major development occurred last week as the sands of time are moving slower for Denis Villeneuve’s Dune: Part Two. The epic sequel was pushed back to the spring of 2024.
How big of an impact does that make for my forecasts? A heavy one as I had it achieving 11 nominations. In my previous projections on August 16th, that was second only to Oppenheimer‘s 12. I had it ranked 1st in Makeup and Hairstyling and Visual Effects, 2nd in Costume Design, Film Editing, Original Score, Production Design, and Sound, 3rd in Picture and Director, and 4th for Adapted Screenplay.
In fact, a victory for Dune in Visual Effects was probably the easiest race to call this early (its predecessor won too). Now it makes the VE contest quite interesting. Oppenheimer could take the prize and mark Christopher Nolan’s second win in a row in the category after 2020’s Tenet. It opens the door wider for The Creator from Gareth Edwards. And there’s now more of a shot for the MCU to nab its first statue in VE for Guardians of the Galaxy Vol. 3 in particular.
I plan to do my next update on Labor Day (September 4th). By that time, we will have reviews and buzz from Venice premieres including Ferrari, Maestro, Poor Things, Priscilla, and The Killer. We’ll also have the word out for whatever pics debut at Telluride (to be announced Thursday).
Right after that update on the 4th, the rest of the Venice titles and a slew of Toronto movies will be unveiled. They include The Holdovers, Rustin, Dumb Money, Next Goal Wins, Society of the Snow, Origin, Pain Hustlers,Nyad, Lee, American Fiction, The Burial, and Hit Man.
In other words… it’s about to get really interesting, folks! I’m also dropping some titles that I’m just not sure are actually releasing in 2023 like The Piano Lesson. Obviously, it will re-enter the dance if there’s confirmation on a release this year. Questions persist about other ones. Is Long Day’s Journey Into Night happening before December 31st? Is Shirley or Freud’s Last Session? Will other currently scheduled releases pull a Dune? The answer is likely affirmative.
With the Dune shift, Air moves back into my BP 10 and Bradley Cooper (Maestro) is in Director over Denis Villeneuve. In non-Dune related shifts, Sandra Huller is now #1 in Actress over The Color Purple‘s Fantasia Barrino. Charles Melton from May December hits my Supporting Actor five over Willem Dafoe (Poor Things).
You can read all the movement below and my next update with the Venice buzz arrives in a week!
Best Picture
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Oppenheimer (PR: 2) (E)
3. Past Lives (PR: 4) (+1)
4. The Color Purple (PR: 6) (+2)
5. Maestro (PR: 5) (E)
6. The Zone of Interest (PR: 7) (+1)
7. Anatomy of a Fall (PR: 8) (+1)
8. Barbie (PR: 10) (+2)
9. Poor Things (PR: 9) (E)
10. Air (PR: 12) (+2)
Other Possibilities:
11. Saltburn (PR: 11) (E)
12. The Holdovers (PR: 13) (+1)
13. Spider-Man: Across the Spider-Verse (PR: 15) (+2)
14. Napoleon (PR: 14) (E)
15. Ferrari (PR: 16) (+1)
16. The Killer (PR: 17) (+1)
17. May December (PR: 20) (+3)
18. Asteroid City (PR: 18) (E)
19. One Life (PR: 21) (+2)
20. Next Goal Wins (PR: 19) (-1)
21. Rustin (PR: 24) (+3)
22. The Nickel Boys (PR: 22) (E)
23. Dumb Money (PR: 25) (+2)
24. Origin (PR: Not Ranked)
25. The Book of Clarence (PR: Not Ranked)
Dropped Out:
Dune: Part Two
The Piano Lesson
Best Director
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Christopher Nolan, Oppenheimer (PR: 2) (E)
3. Celine Song, Past Lives (PR: 4) (+1)
4. Bradley Cooper, Maestro (PR: 7) (+3)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Greta Gerwig, Barbie (PR: 8) (+1)
8. Blitz Bazawule, The Color Purple (PR: 10) (+2)
9. Yorgos Lanthimos, Poor Things (PR: 9) (E)
10. Emerald Fennell, Saltburn (PR: 11) (+1)
11. Ridley Scott, Napoleon (PR: 12) (+1)
12. Alexander Payne, The Holdovers (PR: 13) (+1)
13. Michael Mann, Ferrari (PR: 15) (+2)
14. David Fincher, The Killer (PR: 14) (E)
15. Wes Anderson, Asteroid City (PR: Not Ranked)
Dropped Out:
Denis Villeneuve, Dune: Part Two
Best Actress
Predicted Nominees:
1. Sandra Hüller, Anatomy of a Fall (PR: 2) (+1)
2. Carey Mulligan, Maestro (PR: 4) (+2)
3. Greta Lee, Past Lives (PR: 3) (E)
4. Fantasia Barrino, The Color Purple (PR: 1) (-3)
5. Emma Stone, Poor Things (PR: 5) (E)
Other Possibilities:
6. Annette Bening, Nyad (PR: 8) (+2)
7. Margot Robbie, Barbie (PR: 6) (-1)
8. Natalie Portman, May December (PR: 7) (-1)
9. Kate Winslet, Lee (PR: 9) (E)
10. Jessica Lange, Long Day’s Journey Into Night (PR: 10) (E)
11. Caille Spaeny, Priscilla (PR: 11) (E)
12. Aunjanue Ellis, Origin (PR: Not Ranked)
13. Regina King, Shirley (PR: 12) (-1)
14. Teyana Taylor, A Thousand and One (PR: 15) (+1)
15. Saoirse Ronan, Foe (PR: 13) (-2)
Dropped Out:
Helen Mirren, Golda
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 3) (+1)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 4) (E)
5. Barry Keoghan, Saltburn (PR: 5) (E)
Other Possibilities:
6. Paul Giamatti, The Holdovers (PR: 6) (E)
7. Teo Yoo, Past Lives (PR: 8) (+1)
8. Anthony Hopkins, One Life (PR: 10) (+2)
9. Joaquin Phoenix, Napoleon (PR: 9) (E)
10. Kingsley Ben-Adir, Bob Marley: One Love (PR: 7) (-3)
11. Michael Fassbender, Next Goal Wins (PR: 11) (E)
12. Adam Driver, Ferrari (PR: 13) (+1)
13. Matt Damon, Air (PR: 12) (-1)
14. David Strathairn, A Little Prayer (PR: Not Ranked)
15. Koji Yakusho, Perfect Days (PR: 14) (-1)
Dropped Out:
Anthony Hopkins, Freud’s Last Session
Best Supporting Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 3) (E)
4. Emily Blunt, Oppenheimer (PR: 4) (E)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Da’Vine Joy Randolph, The Holdovers (PR: 6) (E)
7. Rosamund Pike, Saltburn (PR: 7) (E)
8. Julianne Moore, May December (PR: 8) (E)
9. Aunjanue Ellis, The Nickel Boys (PR: 9) (E)
10. Jodie Foster, Nyad (PR: 10) (E)
11. Helena Bonham-Carter, One Life (PR: 11) (E)
12. Penelope Cruz, Ferrari (PR: 14) (+2)
13. Claire Foy, All of Us Strangers (PR: Not Ranked)
14. Vanessa Kirby, Napoleon (PR: 12) (-2)
15. Niecy Nash-Betts, Origin (PR: Not Ranked)
Dropped Out:
Danielle Deadwyler, The Piano Lesson
Lashana Lynch, Bob Marley: One Love
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Robert De Niro, Killers of the Flower Moon (PR: 2) (E)
3. Ryan Gosling, Barbie (PR: 3) (E)
4. John Magaro, Past Lives (PR: 4) (E)
5. Charles Melton, May December (PR: 8) (+3)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 5) (-1)
7. Colman Domingo, The Color Purple (PR: 6) (-1)
8. Glenn Howerton, BlackBerry (PR: 9) (+1)
9. Dominic Sessa, The Holdovers (PR: 10) (+1)
10. Jesse Plemons, Killers of the Flower Moon (PR: 11) (+1)
11. Ben Affleck, Air (PR: 14) (+3)
12. Matt Bomer, Maestro (PR: 13) (+1)
13. Matt Damon, Oppenheimer (PR: 12) (-1)
14. Richard E. Grant, Saltburn (PR: Not Ranked)
15. Glynn Turman, Rustin (PR: Not Ranked)
Dropped Out:
Samuel L. Jackson, The Piano Lesson
Mark Ruffalo, Poor Things
Best Original Screenplay
Predicted Nominees:
1. Past Lives (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. Maestro (PR: 4) (+1)
4. Air (PR: 7) (+3)
5. Saltburn (PR: 3) (-2)
Other Possibilities:
6. The Holdovers (PR: 6) (E)
7. May December (PR: 5) (-2)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 9) (E)
10. Rustin (PR: 10) (E)
11. Napoleon (PR: 11) (E)
12. The Boy and the Heron (PR: 12) (E)
13. The Book of Clarence (PR: 13) (E)
14. The Iron Claw (PR: 14) (E)
15. A Thousand and One (PR: 15) (E)
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Oppenheimer (PR: 2) (E)
3. Barbie (PR: 3) (E)
4. Poor Things (PR: 6) (+2)
5. The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. The Color Purple (PR: 7) (+1)
7. Spider-Man: Across the Spider-Verse (PR: 10) (+2)
8. One Life (PR: 9) (+1)
9. BlackBerry (PR: 8) (-1)
10. Next Goal Wins (PR: 11) (+1)
11. Origin (PR: Not Ranked)
12. The Nickel Boys (PR: 12) (E)
13. Dumb Money (PR: 13) (E)
14. The Killer (PR: 15) (+1)
15. All of Us Strangers (PR: Not Ranked)
Dropped Out:
Dune: Part Two
The Piano Lesson
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. Anatomy of a Fall (PR: 2) (E)
3. About Dry Grasses (PR: 3) (E)
4. The Taste of Things (PR: 5) (+1)
5. Monster (PR: 4) (-1)
Other Possibilities:
6. Fallen Leaves (PR: 7) (+1)
7. The Boy and the Heron (PR: 6) (-1)
8. Perfect Days (PR: Not Ranked)
9. La Chimera (PR: 10) (+1)
10. Society of the Snow (PR: Not Ranked)
Dropped Out:
El Conde
The Delinquents
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
9. Ernest and Celestine: A Trip to Gibberitia (PR: 9) (E)
10. They Shot the Piano Player (PR: Not Ranked)
Dropped Out:
The Super Mario Bros. Movie
Best Documentary Feature
Predicted Nominees:
1. Beyond Utopia (PR: 1) (E)
2. Still: A Michael J. Fox Movie (PR: 2) (E)
3. 20 Days in Mariupol (PR: 3) (E)
4. Every Body (PR: 5) (+1)
5. The Eternal Memory (PR: 4) (-1)
Other Possibilities:
6. The Mother of All Lies (PR: 6) (E)
7. Orlando, A Political Biography (PR: Not Ranked)
8. Stamped from the Beginning (PR: 7) (-1)
9. Wild Life (PR: 9) (E)
10. The Deepest Breath (PR: 8) (-2)
Dropped Out:
Black Ice
Best Cinematography
Predicted Nominees:
1. Oppenheimer (PR: 2) (+1)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Poor Things (PR: 7) (+3)
5. Napoleon (PR: 5) (E)
Other Possibilities:
6. The Color Purple (PR: 8) (+2)
7. The Zone of Interest (PR: 6) (-1)
8. The Killer (PR: 9) (+1)
9. Ferrari (PR: 10) (+1)
10. Asteroid City (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Costume Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 3) (+1)
3. Napoleon (PR: 5) (+2)
4. The Color Purple (PR: 4) (E)
5. Chevalier (PR: 8) (+3)
Other Possibilities:
6. Killers of the Flower Moon (PR: 6) (E)
7. Asteroid City (PR: 7) (E)
8. Oppenheimer (PR: 9) (+1)
9. Priscilla (PR: 10) (+1)
10. Wonka (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Film Editing
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Air (PR: 5) (+1)
5. Past Lives (PR: 6) (+1)
Other Possibilities:
6. The Zone of Interest (PR: 9) (+3)
7. The Killer (PR: 8) (+1)
8. Anatomy of a Fall (PR: Not Ranked)
9. Ferrari (PR: 7) (-2)
10. The Color Purple (PR: 10) (E)
Dropped Out:
Dune: Part Two
Best Makeup and Hairstyling
Predicted Nominees:
1. Poor Things (PR: 2) (+1)
2. Guardians of the Galaxy Vol. 3 (PR: 3) (+1)
3. Maestro (PR: 4) (+1)
4. Barbie (PR: 6) (+2)
5. Killers of the Flower Moon (PR: 7) (+2)
Other Possibilities:
6. Golda (PR: 8) (+2)
7. Oppenheimer (PR: Not Ranked)
8. Priscilla (PR: 5) (-3)
9. The Color Purple (PR: Not Ranked
10. Beau is Afraid (PR: 9) (-1)
Dropped Out:
Dune: Part Two
Wonka
Best Original Score
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Elemental (PR: 4) (+1)
4. The Killer (PR: 9) (+5)
5. Past Lives (PR: 6) (+1)
Other Possibilities:
6. Spider-Man: Across the Spider-Verse (PR: 10) (+4)
7. The Zone of Interest (PR: 5) (-2)
8. Napoleon (PR: Not Ranked)
9. Asteroid City (PR: 8) (-1)
10. One Life (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Poor Things
Best Original Song
Predicted Nominees:
1. TBD from The Color Purple (PR: 1) (E)
2. “What Was I Made For?” from Barbie (PR: 2) (E)
3. “The Wish” from Wish (PR: 3) (E)
4. “I’m Just Ken” from Barbie (PR: 5) (+1)
5. “Road to Freedom” from Rustin (PR: Not Ranked)
Other Possibilities:
6. “Quiet Eyes” from Past Lives (PR: 4) (-2)
7. “Gonna Be You” from 80 for Brady (PR: 6) (-1)
8. “Dance the Night” from Barbie (PR: 7) (-1)
9. “Steal the Show” from Elemental (PR: 8) (-1)
10. “Joan Still” from Theater Camp (PR: 10) (E)
Dropped Out:
“Am I Dreaming?” from Spider-Man: Across the Spider-Verse
Best Production Design
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Poor Things (PR: 4) (+2)
3. Barbie (PR: 3) (E)
4. Oppenheimer (PR: 5) (+1)
5. Napoleon (PR: 7) (+2)
Other Possibilities
6. Asteroid City (PR: 6) (E)
7. The Color Purple (PR: 8) (+1)
8. Maestro (PR: 9) (+1)
9. The Zone of Interest (PR: 10) (+1)
10. Saltburn (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Napoleon (PR: 3) (+1)
3. Killers of the Flower Moon (PR: 7) (+4)
4. Spider-Man: Across the Spider-Verse (PR: 5) (+1)
5. The Color Purple (PR: 6) (+1)
Other Possibilities:
6. Ferrari (PR: 4) (-2)
7. Maestro (PR: 8) (+1)
8. The Zone of Interest (PR: Not Ranked)
9. The Killer (PR: 9) (E)
10. The Creator (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Barbie
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 2) (+1)
2. The Creator (PR: 4) (+2)
3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)
4. Rebel Moon (PR: Not Ranked)
5. Napoleon (PR: 5) (E)
Other Possibilities
6. Indiana Jones and the Dial of Destiny (PR: 6) (E)
7. Dungeons & Dragons: Honor Among Thieves (PR: 10) (+3)
8. Barbie (PR: Not Ranked)
9. Wonka (PR: 8) (-1)
10. The Little Mermaid (PR: Not Ranked)
Dropped Out:
Dune: Part Two
Killers of the Flower Moon
Blue Beetle
That means I’m predicting the following numbers of nominations for these pictures:
12 Nominations
Killers of the Flower Moon, Oppenheimer
8 Nominations
Barbie, Maestro
7 Nominations
The Color Purple, Past Lives, Poor Things
5 Nominations
Napoleon
4 Nominations
Air, Anatomy of a Fall, The Zone of Interest
2 Nominations
Elemental, Guardians of the Galaxy Vol. 3, Rustin, Saltburn, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Every Body, The Killer, May December,Monster, Nimona, Rebel Moon, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
We will see if it struggles at the box office (which is expected) or exceeds projections, but Blue Beetle is topping expectations with its reviews. The 14th pic in the DC Universe currently has the 4th best Rotten Tomatoes score (81%) behind Wonder Woman, Shazam!, and The Suicide Squad. Ángel Manuel Soto directs the origin story with Xolo Maridueña as the title hero.
The MCU has racked up plenty of Visual Effects nods (though no victories) in addition to a BP nod for Black Panther five years ago. The DCU’s awards exposure has been far more limited. 2016’s Suicide Squad (not the stronger reviewed 2021 reboot The Suicide Squad) won for Makeup and Hairstyling. And that, my friends, is the extent of the DCU Oscar mentions.
It is worth noting that Visual Effects this year looks kind of thin. The unseen Dune: Part Two is probably the easy frontrunner while the other four slots are up for grabs. Beetle is getting some praise for its visuals and it likely stands a better chance than earlier ’23 DCU titles Shazam! Fury of the Gods and The Flash. If it can make the shortlist, maybe it gets in. I wouldn’t bet on it, but it’s doable. My Oscar Prediction posts will continue…
Earlier this summer, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Beginning today… my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there were always five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in beginning in 2008. In fact, it’s because of that year’s biggest grosser not being included that may have prompted the Academy to expand again in the first place. We’ll get there in just a minute.
We do, of course, know five of the ten and that would be the ones that were nominated. Danny Boyle’s Slumdog Millionaire dominated the ceremony with ten nods and an impressive eight victories in Picture, Director, Adapted Screenplay, Cinematography, Film Editing, Original Score, Original Song, and Sound Mixing.
David Fincher’s The Curious Case of Benjamin Button received the most overall mentions with 13 and took home 3 (Art Direction, Makeup, Visual Effects).
Our other trio of contenders were Ron Howard’s Frost/Nixon (o for 5 in nominations), Gus Van Sant’s Milk (8 nods with Sean Penn winning Actor as well as an Original Screenplay statue), and Stephen Daldry’s The Reader (5 nominations with Kate Winslet taking Actress).
The 81st Academy Awards were a rare year when the five Picture hopefuls matched the five filmmakers nominated in Best Director. In other words, there are no clues there for additional BP pics for the purposes of this post.
Yet for the ones that could’ve made the dance in an expanded lineup, we do begin with 2008’s largest moneymaker and that’s Christopher Nolan’s The Dark Knight. It did manage to score 8 mentions with Heath Ledger winning a posthumous Supporting Actor prize (in addition to Sound Editing gold). The fact that it didn’t break into BP was heavily criticized online and elsewhere. If there had been 10 pics up, that almost certainly wouldn’t have been the case.
I would say the same for Pixar’s Wall-E. When it went to 10 movies in 2009 and 2010, the studio’s Up and Toy Story 3 were in. The robotic adventure was the victor in Animated Feature and was nominated in five more races in Original Screenplay, Original Score, Original Song, Sound Editing, and Sound Mixing. Like Knight, Wall-E is an easy pick.
For the 8th spot, I’m fairly confident in Doubt. John Patrick Shanley’s drama (based on his Pulitzer Prize winning play) saw four of its actors nominated and was up for Adapted Screenplay. That combo is enough to assume inclusion.
Then it gets complicated for the 9th and 10th slots and there’s a few possibilities to ponder. Darren Aronofsky’s The Wrestler saw Mickey Rourke and Marisa Tomei up, but a screenplay miss makes me skeptical. Clint Eastwood’s Changeling had three noms (including Angelina Jolie in Actress), but drew mixed reviews. Woody Allen’s Vicky Christina Barcelona, despite taking the Golden Globe in Musical/Comedy, was only nominated for Penelope Cruz’s supporting turn (for which she won). Martin McDonagh’s In Bruges and Mike Leigh’s Happy-Go-Lucky were both up for Original Screenplay and that race alone. There’s usually one or two screenplay nominees that are only up for that category. Iron Man was a gigantic hit which kicked off the MCU. I doubt the Academy would have honored two comic book adaptations. The Duchess won Costume Design and was nominated for its Art Direction. It also was greeted with a mixed critical response.
All of those titles, to one degree or another, are worthy of consideration for the last two spots. I’m going with an indie selection in Courtney Hunt’s Frozen River which was nominated for Actress (Melissa Leo) and Original Screenplay. Let’s call it 2008’s Winter’s Bone (which would make the 2010 BP ten).
Lastly, I’m naming Revolutionary Road from Sam Mendes. Despite it missing noms for stars Leonardo DiCaprio and Kate Winslet, it received a Golden Globe nod in Drama and three Academy mentions for Supporting Actor (Michael Shannon), Art Direction, and Costume Design. That might have been just enough for #10.
So there you have it! That means my 2008 Best Picture expanded to ten is:
