Continuing on with the Top 25 Highest Grossing Actors of All Time, we’ve arrived at Day 2 covering the thespians making up numbers 20-16. If you missed part 1 featuring nos. 25-21, you can find that here:
Franchises: The Meet the Parents, Night at the Museum and Madagascar series
Highest Grossing Picture: Meet the Fockers – $279 million
Numbers of $100M+ Earners: 11. There’s Something About Mary, Meet the Parents, Dodgeball: A True Underdog Story, Meet the Fockers, Madagascar, Night at the Museum, Tropic Thunder, Madagascar: Escape 2 Africa, Night at the Museum: Battle of the Smithsonian, Little Fockers, Madagascar: Europe’s Most Wanted.
Lowest Grosser: If Lucy Fell – $2.4 million
19. Emma Watson
Career Earnings: $2.6 billion
Franchises: The Harry Potter series
Highest Grossing Picture: Harry Potter and the Deathly Hallows Part 2 – $381 million
Number of $100M+ Earners: 10. Harry Potter and the Sorcerer’s Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows Part 1, Harry Potter and the Deathly Hallows Part 2, This is the End, Noah.
Lowest Grosser: The Bling Ring – $5.8 million
18. Liam Neeson
Career Earnings: $2.7 billion
Franchises: The Star Wars, Dark Knight, and Taken series. Clash of the Titans/Wrath of the Titans.
Highest Grossing Picture: Star Wars Episode 1: The Phantom Menace – $474 million
Numbers of $100M+ Earners: 7. Star Wars Episode 1: The Phantom Menace, Batman Begins, Taken, Clash of the Titans, The Dark Knight Rises, Taken 2, The LEGO Movie.
Lowest Grosser: Lamb – $5,000
17. Matt Damon
Career Earnings: $2.7 billion
Franchises: The Bourne and Ocean’s series.
Highest Grossing Picture: The Bourne Ultimatum – $227 million
Numbers of $100M+ Earners: 10. Good Will Hunting, Saving Private Ryan, Ocean’s Eleven, The Bourne Identity, The Bourne Supremacy, Ocean’s Twelve, The Departed, Ocean’s Thirteen, The Bourne Ultimatum, True Grit.
Lowest Grosser: Margaret – $46,000
16. Will Smith
Career Earnings: $2.7 billion
Franchises: The Bad Boys and Men in Black series.
Highest Grossing Picture: Independence Day – $306 million
Numbers of $100M+ Earners: 12. Independence Day, Men in Black, Enemy of the State, Wild Wild West, Men in Black II, Bad Boys II, I, Robot, Shark Tale, Hitch, The Pursuit of Happyness, I Am Legend, Hancock, MIB 3.
Lowest Grosser: Where the Day Takes You – $390,000
As we’re moving deep into the 2014 Summer Movie Season – on this here blog I’ve been reflecting on what has come in the summers before us. Days ago, I wrote a post reflecting on the hits, notable pictures, and flops from 20 years ago in 1994. Today – we focus on the season from a decade ago with 2004’s summer entries.
We’ll start with the Top Ten, but what is notable is some of the comedies that weren’t on that list that spawned endless catchphrases and became massive cult classics:
Onto the Top Ten:
10. Dodgeball: A True Underdog Story
Domestic Gross: $114 million
Vince Vaughn and Ben Stiller teamed up for this well-received sports comedy which received 70% positive support on Rotten Tomatoes. While this was a solid hit, Vaughn’s biggest comedy would come one summer later with a certain pic costarring Owen Wilson.
9. Fahrenheit 9/11
Domestic Gross: $119 million
It’s not often you see a documentary in the top ten summer hits, but in the summer of 2004 the country was focused on an upcoming Presidential election between Bush and Kerry. Michael Moore’s examination of the Iraq War struck a chord with viewers and became the highest grossing documentary of all time.
8. Van Helsing
Domestic Gross: $120 million
Don’t let its #8 ranking fool you because Van Helsing starring Hugh Jackman was considered a major flop upon release. With a reported $160 million budget, it couldn’t recoup that stateside and a potential franchise for Jackman stalled immediately. Good thing he’s got another character he can go back to time and time again.
7. Troy
Domestic Gross: $133 million
Wolfgang Peterson’s Trojan War saga starring Brad Pitt, Orlando Bloom, and Eric Bana under performed a bit domestically (with its reported $175 million budget) but made it up overseas.
6. I, Robot
Domestic Gross: $144 million
While not reaching the heights of his previous summer hits Independence Day or Men in Black – Will Smith’s I, Robot did respectable business. Based on a short story by Isaac Asimov, it received mixed reviews from critics and a planned sequel never materialized.
5. The Bourne Supremacy
Domestic Gross: $176 million
Goodwill left over from the 2002 original The Bourne Identity propelled this Matt Damon sequel to gross over $50 million more than its predecessor. A third Bourne feature would follow three years later before Damon left the franchise and Jeremy Renner took over in 2012.
4. The Day After Tomorrow
Domestic Gross: $186 million
Roland Emmerich returned to doing what he does best (showing the world getting destroyed) and audiences rewarded him for it. Starring Dennis Quaid and Jake Gyllenhall, Tomorrow is the highest non-sequel on the list and it took in over half a billion worldwide.
3. Harry Potter and the Prisoner of Azkaban
Domestic Gross: $249 million
Alfonso Cuaron took over directing duties from Chris Columbus in this third franchise entry. While many (including myself) consider this the best of the series, it surprisingly has the lowest domestic gross of all eight Potter flicks.
2. Spider-Man 2
Domestic Gross: $373 million
Generally considered one of the best superhero movies of all time and the best of this particular franchise, Spider-Man 2 was a massive hit even though it couldn’t quite match the $403 million performance of the 2002 original.
1. Shrek 2
Domestic Gross: $441 million
DreamWorks Animation easily ruled the summer as the sequel featuring the vocal work of Mike Myers, Eddie Murphy, and Cameron Diaz took the top spot. Of the four Shrek entries, it is the biggest grosser and outshined its predecessor by nearly $180 million dollars.
Beyond the top ten, there are four particularly notable pictures which achieved major cult status:
14. Anchorman: The Legend of Ron Burgundy
It made a decent $85 million upon release, but as we all know, the Will Ferrell comedy has gone onto to becoming one of the most quoted flicks in memory. A 2013 sequel followed.
15. The Notebook
Based on the Nicholas Sparks novel, The Notebook caused audiences to fall in love with Ryan Gosling and Rachel McAdams and brought in $81 million.
27. Napoleon Dynamite
With a tiny $400,000 budget – the quirky comedy Napoleon Dynamite with Jon Heder came out of nowhere and posted a $44 million domestic gross. Like Anchorman, it became an endlessly quoted picture.
38. Harold and Kumar Go to White Castle
It made a meager $18 million upon release, but this stoner comedy became an instant cult classic and spawned two sequels.
And now we move to the flops of the summer:
21. The Stepford Wives
Frank Oz’s remake of the 1975 film cost $90 million to make and earned just $59 million. Critics weren’t impressed and audiences ignored the sci-fi comedy starring Nicole Kidman, Matthew Broderick, and Christopher Walken.
25. King Arthur
Training Day director Antoine Fuqua teamed up with Clive Owen and Keira Knightley for this retelling of the medieval legend. With a $120 million budget, Arthur tanked stateside with only $51 million.
29. Catwoman
Warner Bros. surely regrets spending $100 million on this critically lambasted Catwoman feature which starred Halle Berry and Sharon Stone. It earned only $40 million. The silver lining for the studio: one summer later, a certain Chris Nolan would reinvigorate their superhero fortunes with Batman Begins.
And that’s what was going on ten years at the multiplexes, my friends!
Rocky over Taxi Driver. Ordinary People over Raging Bull. Dances with Wolves over GoodFellas. These are all examples where, in hindsight, pictures directed by Martin Scorsese and the auteur himself probably should have received Oscars wins and not just nominations. In 2002, Scorsese’s Gangs of New York was seen as a Best Picture frontrunner until Chicago stole its thunder. The same held true two years later with The Aviator until Clint Eastwood’s Million Dollar Baby had a late surge and took the prize. By 2006, Scorsese was undoubtedly the most acclaimed director whose films had never won the gold statue. And neither had he.
This would finally come to an end with The Departed, his crime thriller that won Best Picture and this kicks off my 2006 Oscar History.
The other four nominees were Alejandro Gonzales Inarritu’s Babel, Clint Eastwood’s Letters from Iwo Jima, Jonathan Dayton and Valerie Feris’s Little Miss Sunshine, and Stephen Frears’s The Queen. The voters got it right. The Departed was the Best Picture of the year.
As for other pictures I would’ve considered: Alfonso Cuaron’s terrific Children of Men, Guillermo del Toro’s visual feast Pan’s Labyrinth, the Ryan Gosling drama Half Nelson, and Todd Field’s Little Children. And for an outside the box pic – why not Casino Royale, which brought the Bond franchise back in grand fashion and ranks as my 2nd all-time 007 pic after From Russia with Love?
Scorsese, as mentioned before, would win Director over Inarritu, Eastwood, Frears, and Paul Greengrass for United 93. Once again – my list would’ve found room for Cuaron and del Toro.
In the Best Actor race, Forest Whitaker expectedly won for his performance as Idi Amin in The Last King of Scotland. Other nominees: Leonardo DiCaprio for Blood Diamond (many thought he’d get nominated instead for Departed), Ryan Gosling for Half Nelson, Peter O’Toole for Venus (his final nomination), and Will Smith for The Pursuit of Happyness.
Once again, my ballot might’ve listed Daniel Craig for his electric take on James Bond. Others to consider: Clive Owen (Children of Men), Aaron Eckhart (Thank You for Smoking), or Matt Damon’s work in The Departed.
No surprise in the Best Actress race as Helen Mirren’s work as Queen Elizabeth II was honored in The Queen over Penelope Cruz (Volver), Judi Dench (Notes on a Scandal), Meryl Streep (The Devil Wears Prada), and Kate Winslet (Little Children).
That’s a strong Actress category, but I would’ve also had Natalie Portman’s fine performance in V for Vendetta included.
The only true surprise at the 2006 Oscars occurred in the Supporting Actor category where Eddie Murphy’s acclaimed work in Dreamgirls was expected to win. Instead the Academy honored Alan Arkin’s performance in Little Miss Sunshine. Other nominees: Jackie Earle Haley (Little Children), Djimon Hounsou (Blood Diamond), and Mark Wahlberg (The Departed).
Instead of Wahlberg, many believed it would be Jack Nicholson for Departed that received the nomination. I was cool with it – considering Nicholson had already won three times before and this marked Wahlberg’s first nod. Other names I would have possibly included: Steve Carell (Little Miss Sunshine), Stanley Tucci (The Devil Wears Prada), Michael Sheen (The Queen), and for his brilliant comedic work – John C. Reilly in Talladega Nights: The Ballad of Ricky Bobby.
Jennifer Hudson had the distinction of being the first “American Idol” contestant turned Oscar winner with her lauded role in Dreamgirls – winning out over Babel actresses Adriana Barraza and Rinko Kikuchi, young Abigail Breslin from Little Miss Sunshine, and Cate Blanchett in Notes on a Scandal.
My list would have absolutely included Shareeka Epps with her fabulous work in Half Nelson and probably Vera Farmiga in The Departed.
And that’s your 2006 Oscar history! I’ll be back soon with 2007 where another beloved director (s) would take home their first Oscar gold.
For much of 2013, George Clooney’s The Monuments Men was looked at as a potential Oscar contender and was scheduled to be released in December. Last fall it was pushed back to February and now it appears we may know why. Reviews have not been too kind and the film currently sits at only 36% on Rotten Tomatoes. Simply put, The Monuments Men was not going to be recognized by the Academy and Columbia Pictures probably realized it.
What impact will the negative critical reaction have? At one time, I might’ve thought Monuments could reach an opening gross similar to what Argo did ($19M) or even Captain Phillips ($25M). Now I’m skeptical. The World War II era picture focuses on people tasked with saving cultural artifacts before the Hitler regime destroys them. Clooney directs and stars and he’s brought in an impressive cast that includes Matt Damon, Bill Murray, Cate Blanchett, John Goodman, Jean Dujardin, Hugh Bonneville, and Bob Balaban. Where Monuments Men could score is with adult filmgoers looking for something to watch after they’ve seen the Oscar favorites.
Having said that, the unfavorable reaction so far doesn’t help. I believe this won’t reach past $20 million and that a debut in the mid to late teens is more probable.
The Monuments Men opening weekend prediction: $16.1 million
On this Day in Movie History – January 7 – the Coen brothers remake of True Grit would jump into the top spot at the box office in its third weekend. Budgeted at only $38 million, the Western (based on the 1969 John Wayne original) would end up grossing a fabulous $171 million domestically. Starring Jeff Bridges, Matt Damon, Josh Brolin, and newcomer Hailee Steinfeld, Grit would earn ten Oscar nominations including Picture, Director, Actor (Bridges), and Supporting Actress (Steinfeld), but would go home empty-handed. The Coen Bros, meanwhile, continue to make pictures that tend to garner Academy attention. Their latest is Inside Llewyn Davis.
The Coens comedy classic, 1987’s Raising Arizona, was only their second feature and it stars one of today’s birthday boys, Nicolas Cage. He turns 50 years old today. Delving into Cage’s filmography would take all day… pretty sure he’s appeared in about 487 movies over the past quarter century or so. To say the least, his catalog has been varied, interesting, and wildly inconsistent. Here’s a sampling: he won an Oscar for 1995’s Leaving Las Vegas and was nominated for 2002’s Adaptation. He’s starred in successful romantic comedies and dramas like Moonstruck alongside Cher, Honeymoon in Vegas, and City of Angels. He’s been a huge action star in hits like The Rock, Con Air, Face/Off, and the National Treasure franchise. There’s been critical favorites and cult flicks that run the gamut from Vampire’s Kiss to Wild at Heart to Red Rock West to Lord of War. He’s worked with his Uncle Francis Ford Coppola in Rumble Fish, The Cotton Club, and Peggy Sue Got Married. And he’s worked with Martin Scorsese (Bringing Out the Dead), Ridley Scott (Matchstick Men), and Oliver Stone (World Trade Center). He’s also been Ghost Rider in two moderately successful pics. And yet, there’s also been a bunch of junk: Bangkok Dangerous? Next? Season of the Witch? Snake Eyes? Drive Angry? And, of course, there’s his work in the so-bad-it’s-good remake of The Wicker Man where we all learned Cage’s aversion to “THE BEES”!!!!
Jeremy Renner is 43 today. He broke through in 2009’s The Hurt Locker, which won Best Picture and earned him a Best Actor nomination. The following year he received a Supporting Actor nod for Ben Affleck’s The Town. Since then, he’s immersed himself in successful franchises like the Mission: Impossible series, The Avengers, and as the new Jason Bourne. He can currently be seen in David O. Russell’s Oscar hopeful American Hustle.
As for Six Degrees of Separation between the birthday leading men:
Nicolas Cage in Kiss of Death with Samuel L. Jackson
Samuel L Jackson was in The Avengers with Jeremy Renner