Tag: Mary Poppins Returns

AFI Awards 2024: Reaction

Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?

2009: 5/10 match

2010: 9/10

2011: 7/9

2012: 8/9

2013: 7/9

2014: 6/8

2015: 6/8

2016: 7/9

2017: 7/9

2018: 5/8

2019: 7/9

2020: 6/8

2021: 8/10

2022: 7/10

2023: 8/10

There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.

Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Nickel Boys

A Real Pain

Sing Sing

Wicked

Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.

Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.

Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.

Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.

That said… we don’t expect this to be the Oscar top ten…

Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…

Keep an eye on this blog for all Oscar precursor chatter!

Oscars: The Case of Emily Blunt in Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Supporting Actress quintet and it starts with Emily Blunt in Oppenheimer. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Emily Blunt:

Despite an impressive filmography covering dramas, action/adventure pics, family fare, and horror hits – from Sicario and Edge of Tomorrow to A Quiet Place to Mary Poppins Returns and Jungle Cruise – Blunt has somehow never nabbed an Oscar nod until now for the BP frontrunner. That’s despite her six Golden Globes noms for feature films and four SAG mentions. There could be an overdue vibe occurring and Oppenheimer‘s coattails could be large. As the alcoholic wife of the title character, she’s landed recognition in key precursors like the Globes, SAG, BAFTA, and Critics Choice.

The Case Against Emily Blunt:

The Globes and Critics Choice have gone with Da’Vine Joy Randolph in The Holdovers and she is certainly the favorite. A SAG or BAFTA victory win may be needed to show any strength. Voters may honor her costars Cillian Murphy and Robert Downey Jr. in their races and that might feel like enough.

The Verdict:

For quite some time, I had Danielle Brooks (The Color Purple) as the runner-up to Randolph. I’d say the spot belongs to Blunt now. However, nothing has happened yet to show that Randolph is vulnerable.

My Case Of Posts will continue with Sterling K. Brown in American Fiction…

Oscar Predictions: The Little Mermaid

Disney’s The Little Mermaid surfaces in theaters over this Memorial weekend and it hopes to dominate the box office like the Beauty and the Beast and The Lion King live-action versions did. Rob Marshall, Oscar-winning director of Chicago who recently helmed Mary Poppins Returns, is behind the camera. Halle Bailey stars as Ariel with Melissa McCarthy, Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem among the supporting players.

The musical fantasy is, of course, a remake of 1989’s classic that won Oscars for Score and Original Song (“Under the Sea”). Another tune (“Kiss the Girl”) was also in contention. 34 years ago, Best Animated Feature didn’t exist at the Academy Awards. If it had, Mermaid almost certainly would’ve won (unless you think All Dogs Go to Heaven might have managed a shocking upset).

Could this Mermaid swim into contention for the 96th ceremony? Over the past decade, several efforts in this sub-genre have been nominated in different races. 2015’s Cinderella was up for its Costume Design. 2016’s The Jungle Book won Visual Effects. The following year it was Beauty and the Beast mentioned in Costume Design and Production Design. The Lion King in 2019 received a Visual Effects nod and 2021’s Cruella won Costume Design and contended in Makeup and Hairstyling.

Reviews for Mermaid are mixed with a 69% Rotten Tomatoes score. That’s better than The Lion King (52%) for example but nowhere near Jungle Book (94%). Some of the criticism is for its visual look and I’m skeptical it places among the final five. I’m also not feeling the love in the other aforementioned categories.

Original Song could be the saving grace. There are three new ditties in the remake with Bailey performing the ballad “For the First Time”. I would think it would be the track that the Mouse Factory campaigns for.

A lot of critics are praising Bailey herself. I highly doubt she is a possibility for Best Actress at the Oscars. However, a nom in Musical/Comedy at the Golden Globes is doable depending on the competition in the next few months. My Oscar Prediction posts will continue…

The Little Mermaid Box Office Prediction

Back in 1989, Disney’s animated underwater musical fantasy The Little Mermaid helped usher in a new golden era for the studio. Over the past few years, the Mouse Factory has made a habit out of releasing live-action renderings of those classics. This includes the pics that immediately followed Mermaid in Beauty and the Beast, Aladdin, and The Lion King.

It’s Ariel’s turn this Memorial Day weekend with Halle Bailey in the title role. Melissa McCarthy is Ursula and other supporting players include Jonah Hauer-King, Daveed Diggs, Awkwafina, Jacob Tremblay, Noma Dumezweni, and Javier Bardem. Rob Marshall, Oscar winning maker of Chicago as well as Mary Poppins Returns, directs.

Disney has mostly seen boffo results with this subgenre. This include four premieres over nine figures: 2016’s The Jungle Book ($103M), 2017’s Beauty and the Beast ($174M) and Aladdin ($116M) and The Lion King ($191M) from 2019. For Aladdin, that number represents the four-day Memorial weekend haul. Mermaid looks to swim in a similar financial pool as that effort. Anything below $100M would be a letdown.

I figure Mermaid will easily accomplish that goal. The original is beloved enough that the grown-ups who saw it 30 plus years ago should eagerly take their young ones. I’ll say the extended Friday to Monday gross may get beyond $130M.

The Little Mermaid opening weekend prediction: $132.1 million (Friday to Monday estimate)

For my About My Father prediction, click here:

About My Father Box Office Prediction

For my The Machine prediction, click here:

The Machine Box Office Prediction

For my Kandahar prediction, click here:

Kandahar Box Office Prediction

AFI Recap: Yes on Nope and Nope on Babylon

The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.

The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:

Avatar: The Way of Water

Elvis

Everything Everywhere All at Once

The Fabelmans

Nope

She Said

Tár

Top Gun: Maverick

The Woman King

Women Talking

It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.

I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).

Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.

In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.

If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.

In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.

What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.

If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.

I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:

2022 Golden Globe Nomination Predictions

Updated Oscar predictions will be on the blog Tuesday!

AFI Top Ten Predictions 2022

The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.

Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.

So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.

It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out, Star Wars: The Force Awakens, and Straight Outta Compton.

Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.

We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.

I’ll have a recap up tomorrow with commentary and how I did!

AFI Top Predictions

Avatar: The Way of Water

Babylon

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Guillermo del Toro’s Pinocchio

Top Gun: Maverick

The Woman King

Women Talking

2020 AFI Top 10 Films Predictions

The American Film Institute will announce their top 10 pictures of the year tomorrow and it’s usually a safe predictor of half or more of the films that will land Best Picture nods at the Oscars. Over the past five years, the magic number has been 7 of the AFI selections getting Oscar love in the big race. That holds true for 2016, 2017, and 2019. In 2015 – it was 6. In 2018- it was 5.

So where do we stand this year? My overall estimates keep the estimated AFI number at 7 for my current Best Picture hopefuls (which could and probably will change). It is worth noting that for the previous two years, there’s a bit of an asterisk. Being that it’s the American Film Institute, foreign selections are ineligible. Due to this, surefire Oscar contenders Roma and Parasite didn’t qualify. This would apply in 2020 to The Father which is a British production.

As for the matches, they are as follows: Ma Rainey’s Black Bottom, Mank, Minari, News of the World, Nomadland, One Night in Miami, and The Trial of the Chicago 7.

Now for the differences. AFI has shown a Disney love recently that the Academy did not share. AFI nominated Inside Out, Zootopia, and Mary Poppins Returns over the last five years with Oscar not following suit. Therefore I’m saying Pixar’s Soul makes the AFI cut.

The other two are critical favorites that (at press time) I have just missing Oscar’s cut: Promising Young Woman and Sound of Metal. This means the three pics I have getting Oscar’s attention and not from AFI are Da 5 Bloods, The Father, and Judas and the Black Messiah.

What else could surprise? I would not be shocked to see Borat Subsequent Moviefilm make AFI’s list. If they don’t choose that comedy, there’s a lesser chance that Palm Springs could show up. AFI has also selected some blockbusters that Oscar ignored as of late. Examples include Knives Out, A Quiet Place, Wonder Woman, and Star Wars: The Force Awakens. However, due to COVID in 2020, there’s just not a huge list of those types of contenders. Could Tenet sneak in? Doubtful.

Others that could be sleepers are First Cow, Pieces of a Woman, Malcolm & Marie, and Hillbilly Elegy, but here’s my take on what AFI does tomorrow:

AFI TOP TEN LIST PREDICTIONS

Ma Rainey’s Black Bottom

Mank

Minari

News of the World

Nomadland

One Night in Miami

Promising Young Woman

Soul

Sound of Metal

The Trial of the Chicago 7

Oscar Watch: Wild Mountain Thyme

Despite a number of critically praised lead and supporting roles, Emily Blunt has yet to break through with Oscar voters. That certainly makes her one of the most high profile actresses yet to get a nomination. Other awards shows and critics groups (including SAG and the Globes) have feted her in pics including The Devil Wears Prada, The Young Victoria, Salmon Fishing in the Yemen, Edge of Tomorrow, Sicario, Into the Woods, The Girl on the Train, A Quiet Place, and Mary Poppins Returns.

Her time probably isn’t far off, but it doesn’t sound as if she’ll get there with Wild Mountain Thyme. The romcom set in Ireland is slated for release this weekend. It comes from director John Patrick Shanley (adapting his own play) and he was on the radar screen of the Academy over three decades ago with Moonstruck, in which he won Best Original Screenplay. Costars here include Jamie Dornan, Jon Hamm, and Christopher Walken.

The reviews out today are on the negative side and it currently sports just a 33% Rotten Tomatoes score. Simply put, any Oscar attention is highly unlikely to materialize. On the other hand, the Hollywood Foreign Press has nominated Blunt six times. If distributor Bleecker Street mounts a spirited campaign for her in the Musical/Comedy category, I wouldn’t count her out for inclusion. The Academy is a totally different story. My Oscar Watch posts will continue…

AFI Sharpens The Oscar Focus

The AFI Film Awards came out with their 2019 honors today and they do things a little differently. This particular group names their favorite 10 pictures of the year without naming a winner. And their top films are the only category they bother with.

Today those ten movies were as follows: 1917, The Farewell, The Irishman, Jojo Rabbit, Joker, Knives Out, Little Women, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. 

So what’s to learn when it comes to Oscar pontificating? Let’s start with comparing this list to yesterday’s announcement of the National Board of Review’s 10 honored titles… eleven actually because their winner was The Irishman. The NBR’s different titles were Dolemite Is My Name, Ford v Ferrari, Uncut Gems, and Waves. Not on NBR’s list from AFI:  The Farewell and Little Women. 

Shared AFI/NBR pics: The Irishman, 1917, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. If you think getting Picture mentions in both guarantees Oscar love, 2018 proved otherwise. Five films did just that last year and didn’t land Best Pictures nods: Eighth Grade, First Reformed, If Beale Street Could Talk, Mary Poppins Returns, and A Quiet Place.

Confused? Welcome to the world of awards speculation. As I see it currently, there are only two shared 2019 AFI/NBR features that could miss out on the big race: Knives Out and Richard Jewell. I’ll also take this opportunity to note that Parasite (which is looking decent for Best Pic attention) is ineligible for AFI since it’s a foreign film.

As for Best Pic hopefuls that landed no love from these groups, we have A Beautiful Day in the Neighborhood (I believe its chances are fading quickly) and Bombshell (not as convinced that it cannot rebound). It could get the 2018 Vice slot, which was ignored by AFI/NBR. There’s also Rocketman, which can hang on to the thought that it could be this year’s Bohemian Rhapsody.

When you look at the AFI list’s history over the past half decade, it is a fairly reliable barometer on certain directions the Academy will take. Last year, five out of the eventual eight nominees were on their list and that’s the lowest percentage. In 2016 and 2017, it was 7 for 9. In 2014 and 2015, it was 6 for 8. So you can pretty much bank on at least half of AFI’s list and probably a bit more landing Oscar nominations.

I’ll leave you with this: while Knives Out is certainly one of the most obvious candidates for something that could miss a Picture nod, I like its chances better than I ever have before. This could be a case of perfect timing as it just opened, had a much bigger debut than expected, and audiences and critics are singing its praises. I wouldn’t count it out. In fact, I suspect when I update my estimates on Monday – it will rank higher than ever before and enter my top 15 possibilities. That will knock a candidate out and Mister Rogers could be the unfortunate victim.

2018 FINAL Oscar Winner Predictions

We’ve had months of predictions and endless speculation on this blog about the 2018 Oscars and now it’s come to this. On Sunday, the 91st edition of the Academy Awards will air with your host…

As you’ve likely read, there actually is no emcee for this year’s ceremony. I’m not here to write about that. I’m here to make my final picks for the winners! Let’s break down each race one by one, shall we? And, of course, I’ll have a piece up Sunday night with my thoughts on how it all went down.

Best Picture

Nominees: Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, Roma, A Star Is Born, Vice

Analysis: First things first. It’s extremely rare that the winner here doesn’t have its director nominated. Therefore, two films that might have served as the biggest competition to Roma could now be seen as longer shots: A Star Is Born and Green Book. You could correctly point out that Argo achieved a victory just six years ago without Ben Affleck getting an individual nod. However, it had been 23 years prior to that (Driving Miss Daisy) when it had occurred previously. BlacKkKlansman and The Favourite are upset possibilities, but the smart money is on Alfonso Cuaron’s Netflix Mexican drama and it would mark the streaming service’s first win in the big race.

Predicted Winner: Roma

Best Director

Nominees: Alfonso Cuaron (Roma), Yorgos Lanthimos (The Favourite), Spike Lee (BlacKkKlansman), Adam McKay (Vice), Pawel Pawlikowski (Cold War)

Analysis: I feel even more confident that Cuaron will take the gold here, even if Roma somehow comes up short in Picture. He’s run the table on precursors, including the DGA prize. It would be his second win in five years, after winning for 2013’s Gravity.

Predicted Winner: Cuaron

Best Actor

Nominees: Christian Bale (Vice), Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity’s Gate), Rami Malek (Bohemian Rhapsody), Viggo Mortensen (Green Book)

Analysis: This is a tough one as Malek and Bale have split a number of precursors. With the SAG Awards, I deemed it a coin flip and picked Malek. I was right. At the Golden Globes, they both won due to category splits. I won’t be surprised to see either win, but my 50/50 feeling going with Malek worked before

Predicted Winner: Malek

Best Actress

Nominees: Yalitza Aparicio (Roma), Glenn Close (The Wife), Olivia Colman (The Favourite), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)

Analysis: Aparicio and McCarthy should be honored to be nominated. Colman and Gaga are threats, but Close has fared best in previous ceremonies and there’s the fact that she’s a highly respected performer who’s yet to win despite multiple nods.

Predicted Winner: Close

Best Supporting Actor

Nominees: Mahershala Ali (Green Book), Adam Driver (BlacKkKlansman), Sam Elliot (A Star Is Born), Richard E. Grant (Can You Ever Forgive Me?), Sam Rockwell (Vice)

Analysis: This category features the last two Oscar winners as Ali won in 2016 for Moonlight and Rockwell took it last year for Three Billboards Outside Ebbing, Missouri. They have far different chances to become two-time victors. Ali is the front-runner. Supporting Actor has seen upsets, but Ali looks strong.

Predicted Winner: Ali

Best Supporting Actress

Nominees: Amy Adams (Vice), Marina de Tavira (Roma), Regina King (If Beale Street Could Talk), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

Analysis: Even though King didn’t get a SAG nod, they bestowed their award to Emily Blunt for A Quiet Place and she’s not even nominated. An Adams name call is feasible since she’s never won, but King will probably be crowned Sunday evening.

Predicted Winner: King

Best Adapted Screenplay

Nominees: The Ballad of Buster Scruggs, BlacKkKlansman, Can You Ever Forgive Me?, If Beale Street Could Talk, A Star Is Born

Analysis: Star could perhaps shine here, but this really feels like the race where voters will recognize BlacKkKlansman. 

Predicted Winner: BlacKkKlansman

Best Original Screenplay

Nominees: The Favourite, First Reformed, Green Book, Roma, Vice

Analysis: This one is legitimately difficult and I think you can make a case for all of them. Roma is a distinct possibility as the Picture favorite and Green Book could make a showing. Yet my slight favorite here is The Favourite.

Predicted Winner: The Favourite

Best Foreign Language Film

Nominees: Capernaum, Cold War, Never Look Away, Roma, Shoplifters

Analysis: This could be interesting. As revealed above, Roma is my Picture pick. So it’s automatic that it wins here right? Not so fast. Cold War could get the consolation prize and I feel that’s even more possible since it nabbed a surprise nod for director Pawel Pawlikowski. I’m tempted to pick it, but I’ll say Roma manages the double win. However, if you wish to get creative in your office pool, this could be the race to do it.

Predicted Winner: Roma

Best Animated Feature Film

Nominees: Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet, Spider–Man: Into the Spider–Verse

Analysis: Pixar has dominated this field for years. In most years, it would be risky to bet against them – therefore Incredibles 2. This might be the year to do it as Spider–Man arrived late in the year, swung the momentum, and swept the precursors.

Predicted Winner: Spider–Man: Into the Spider–Verse

Best Documentary Feature

Nominees: Free Solo, Hale County This Morning, This Evening, Minding the Gap, Of Fathers and Sons, RBG

Analysis: One of the biggest shockers when nominations came out was the omission of Mr. Rogers doc Won’t You Be My Neighbor?. I likely would’ve picked it to win had it been nominated. Now I believe this is between Solo and RBG. Reverence for the latter could swing it that way, but I’ll give a small edge to Solo.

Predicted Winner: Free Solo

Best Film Editing

Nominees: BlacKkKlansman, Bohemian Rhapsody, The Favourite, Green Book, Vice

Analysis: Bohemian Rhapsody won the significant precursor for its branch and The Favourite or BlacKkKlansman could factor in as well. My gut says Vice may get this one, however.

Predicted Winner: Vice

Best Cinematography

Nominees: Cold War, The Favourite, Never Look Away, Roma, A Star Is Born

Analysis: Major love for the foreign pics here and Cold War has a shot. This is probably Roma’s race to lose though.

Predicted Winner: Roma

Best Production Design

Nominees: Black Panther, The Favourite, First Man, Mary Poppins Returns, Roma

Analysis: This one comes down to Panther and Favourite in my view and I’ll give the latter an ever so slight edge,

Predicted Winner: The Favourite

Best Costume Design

Nominees: The Ballad of Buster Scruggs, Black Panther, The Favourite, Mary Poppins Returns, Mary Queen of Scots

Analysis: Like Production Design, Panther and Favourite are the favorites. The best bet could be The Favourite, but Panther has to win something right?

Predicted Winner: Black Panther

Best Makeup and Hairstyling

Nominees: Border, Mary Queen of Scots, Vice

Analysis: A Border win isn’t out of the question, but Vice is the likely recipient here.

Predicted Winner: Vice

Best Sound Editing

Nominees: Black Panther, Bohemian Rhapsody, First Man, A Quiet Place, Roma

Analysis: First Man and Panther could get this, but that Wembley Stadium sequence could cause Rhapsody to achieve gold status.

Predicted Winner: Bohemian Rhapsody

Best Sound Mixing

Nominees: Black Panther, Bohemian Rhapsody, First Man, Roma, A Star Is Born

Analysis: Even though Star didn’t get in the other Sound race, Mixing seems like where it could be picked. I wouldn’t count out First Man, but I’ll guess Star wins here.

Predicted Winner: A Star Is Born

Best Visual Effects

Nominees: Avengers: Infinity War, Christopher Robin, First Man, Ready Player One, Solo: A Star Wars Story

Analysis: It was a bit surprising that Black Panther missed the cut here. Its MCU counterpart Infinity is possible, but I’ll say this is the sole victory for First Man.

Predicted Winner: First Man

Best Original Score

Nominees: Black Panther, BlacKkKlansman, If Beale Street Could Talk, Isle of Dogs, Mary Poppins Returns

Analysis: Another chance for Panther lies here, but I’m going with a coin flip between BlacKkKlansman and Beale Street.

Predicted Winner: If Beale Street Could Talk

Best Original Song

Nominees: “All the Stars” from Black Panther, “I’ll Fight” from RBG, “The Place Where Lost Things Go” from Mary Poppins Returns, “Shallow” from A Star Is Born, “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs

Analysis: My last race is the easiest. “Shallow” is the massive favorite here.

Predicted Winner: “Shallow” from A Star Is Born

And there you have it. Enjoy the show Sunday night!