Tag: Marvel Comics

Avengers: Infinity War Box Office Prediction

It may feel like winter in many parts of the country even though it’s spring, but next weekend is essentially the start of the summer box office in 2018 when Avengers: Infinity War invades theaters. This is the 19th picture in the Marvel Cinematic Universe that began a decade ago with 2008’s Iron Man and the third installment of the Avengers franchise that kicked off in 2012 (an untitled fourth installment is out next summer).

After 10 years of these superheroes populating our screens in one form or another, Infinity War is the picture that brings them all together. That means we have the Avengers we’re used to seeing together: Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner). They’ve got a whole lot of company this time around, including Black Panther (Chadwick Boseman), Spider-Man (Tom Holland), Doctor Strange (Benedict Cumberbatch), Ant-Man (Paul Rudd), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackie), Loki (Tom Hiddleston), Bucky (Sebastian Stan), and the whole Guardians of the Galaxy gang (Chris Pratt, Zoe Saldana, Dave Bautista, and the vocal work of Bradley Cooper and Vin Diesel). Josh Brolin is main villain Thanos. Other actors from the MCU returning include Gwyneth Paltrow, Idris Elba, Paul Bettany, Letitia Wright, Danai Gurira, Benicio del Toro, Cobie Smulders, Angela Bassett, Tessa Thompson, and Jon Favreau. Brothers Anthony and Joe Russo (who directed 2016’s Captain America: Civil War) are behind the camera. Whew…

The gathering of the entire MCU is one impressive selling point and there’s been developments that have even increased the anticipation for Infinity‘s release. Last summer’s Spider-Man: Homecoming was well-received, as were Guardians and Thor sequels. Yet perhaps more than anything else, this February’s Black Panther turned into a phenomenon – becoming the third highest grossing domestic earner of all time.

Projections have steadily increased in the past few weeks. It is not outside the realm of possibility that Infinity War could have the largest stateside opening of all time. In order to do so, it would need to surpass the $247 million achieved by 2015’s Star Wars: The Force Awakens. To accomplish the 2nd biggest debut, it would need to exceed the $220 million of last year’s Star Wars: The Last Jedi. It will almost certainly achieve the record for an MCU premiere, which is currently held by the original Avengers at $207 million.

I believe this will pass Jedi and rather easily. Getting to the Awakens number is doable, but I’ll project it falls a bit under that milestone.

Avengers: Infinity War opening weekend prediction: $240.2 million

 

Black Panther Movie Review

Ryan Coogler’s Black Panther is certainly part of the massive Marvel Cinematic Universe. It shares some common themes with its predecessors, most notably the Thor franchise with its gorgeous landscapes and dramatic family dynamics. The story of the title character is picked up after his debut in 2016’s Captain America: Civil War.

In other ways, Panther does have the feel of a truly stand-alone experience. The other beings in the MCU are largely ignored. Some of the faults of the MCU features aren’t here. That includes the common and deserved quibbling of weak villains. Quite the opposite here and come to think of it – that’s another thing it shares with the Asgardian God and the baddies (especially Loki) he’s battled. Panther is, of course, also noteworthy for its nearly all African-American cast and setting on the fictional African country of Wakanda.

We’ve seen a whole bunch of superhero origin stories over the past few years. Black Panther is easily one of the most satisfying. It excites you about the character’s inclusion in his larger Avengers world while also priming you for further more self-contained adventures. We’re introduced to some memorable supporting players that often outshine the lead. And just as director Coogler reinvigorated the Rocky series with Creed, he puts a unique stamp on this franchise.

Chadwick Boseman is Black Panther/T’Challa. As you may recall, his father was assassinated in Civil War. That development causes T’Challa to become the king. His nation of Wakanda (besides being a triumph of production design) stands alone due to its abundance of vibranium, a precious alien metal. This substance allows Wakanda to have extremely advanced technology and much of it is overseen by T’Challa’s teenage sister Shuri (Letitia Wright). She is essentially the Q to Boseman’s 007 and Wright is an absolute scene stealer in the part.

The presence of vibranium offers T’Challa the powers to be Black Panther. It also offers a conundrum: keep the vibranium local to his land as his forefathers have or use it to do good worldwide. The flip side is it could do lots of bad everywhere. That’s what Killmonger (Michael B. Jordan) would prefer. He lives over in the U.S. where he works alongside arms dealer Klaue (Andy Serkis, having a ball outside of his normal motion capture suit). They want the substance to wreak havoc and Killmonger travels overseas to do so. And the battle begins.

Black Panther is graced with a large cast of recognizable faces. Lupita Nyong’o is T’Challa’s ex who’s also an international spy for Wakanda. Martin Freeman is a CIA agent unexpectedly thrust into this exotic world. Angela Bassett is the Queen and Forest Whitaker plays one of T’Challa’s mentors. Daniel Kaluuya, who made a splash last year with Get Out, is Panther’s best friend who grows suspicious of his leadership abilities.

That’s a lot of cast to keep up with, but the film manages it rather effortlessly. Boseman is a sturdy anchor, but you may be chatting more about Wright and Jordan after the first credits and mid credits and final credits roll. Jordan’s Killmonger, when his full motivations are revealed, turns out to be one of the strongest comic book villains we’ve seen in some time. He’s not just a tyrant seeking earthly destruction (though he is). There’s a worthwhile back story he’s granted and it ratchets the action up a notch.

Coogler’s Panther is filled with impressive performances and most of the action sequences deliver. Most importantly, its storyline doesn’t feel cookie cutter at all. This is one of the most original MCU tales in many ways while still keeping to the age-old themes created by Stan Lee and Jack Kirby decades ago. Fresh with familiarity mixed in proves to be an enticing recipe here.

***1/2 (out of four)

Black Panther Box Office Prediction

Blogger’s Note Part II (02/15): For the second time today, my Panther prediction is going up. Now at $193.8M

Blogger’s Note (02/15): On the eve of its premiere, I am revising my Panther estimate up by $10 million – from $168.8M to $178.8M

Marvel Studios is back in business next Friday and it’s likely to be a massive cause of celebration for the studio when Black Panther opens. Rolling out over the four-day Presidents Day holiday weekend, Chadwick Boseman plays the title character who we first saw in 2016’s Captain America: Civil War. Ryan Coogler, who helmed the acclaimed Creed, directs. Costars include Creed himself, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Forest Whitaker, Angela Bassett, Winston Duke, Sterling K. Brown, and Andy Serkis.

The reported $200 million has been garnering buzz for some time and it’s reaching a fever pitch. Reviews were released today and it sits at 100% on Rotten Tomatoes. Earlier today, I wrote a post about its chances at Oscar attention, which I believe to be quite real (even considering the extremely early release date on the calendar):

https://toddmthatcher.com/2018/02/06/oscar-watch-black-panther/

Two years ago on this same weekend, Deadpool rode a similar wave of sizzling word of mouth to a $152 million opening, which is the current record for February. Black Panther could be poised to top it with a more friendly PG-13 rating and the vaunted Disney marketing machine behind it.

I’ll project Panther sprints to a new record for the month and jump starts yet another franchise bonanza for the MCU.

Black Panther opening weekend prediction: $193.8 million (Friday to Monday estimate)

For my Early Man prediction, click here:

https://toddmthatcher.com/2018/02/08/early-man-box-office-prediction/

Thor: Ragnarok Movie Review

Thor’s just wanna have fun sometimes and it’s a feeling that runs through a solid portion of the third film in the franchise’s running time. Ragnarok, more than most Marvel Cinematic Universe entries these days, feels less like it’s building toward next summer’s Avengers free for all where all their characters will join forces. Instead it feels more like director Taika Waititi got a chance to bring an often weird, humorous and  outright loopy vibe to the proceedings. And there’s a lot to dig about it when it’s working on those terms especially.

The subtitle here refers to the destruction of Thor’s (Chris Hemsworth) beloved planet of Asgard. That possibility is raised with the return of a previously unknown sister to Thor and Loki (Tom Hiddleston) named Hela (Cate Blanchett), aka the Goddess of Death. She’s got a gnarly headdress and daddy issues like her siblings had. Of course, daddy is Odin (Anthony Hopkins), the king of Asgard who behaved like Hannibal Lecter when he raised Hela but now is basically a vegan in comparison. His daughter preferred the former.

All this business could be described as the main plot line in Ragnarok. And it’s all perfectly acceptable and visually impressive stuff that we’ve seen before. That said, Blanchett is a notch above most MCU villains because… well, Cate Blanchett is just a fantastic actress.

Yet the picture also spends lots of time on the planet Sakaar. It’s a land ruled by the flamboyant Grandmaster (Jeff Goldblum), whose idea of entertainment is creating Gladiator like battles for his prized possession. Turns out that possession is none other than the Incredible Hulk himself! He’s stuck in his perpetually giant green angry self for a while and not in the Bruce Banner (Mark Ruffalo) scientist mode. It’s also where Thor meets Valkyrie (Tessa Thompson), a bounty hunter who happens to hail from Asgard.

Sakaar is where the best moments happen in Ragnarok and the bulk of them contain a lot of comedy that lands. Goldblum is simply a joy to watch. We have a ball watching the Hulk trapped in these surroundings. And Loki (forever the best MCU bad guy/sometimes sort of good guy) gets to display his charm coupled with Hiddleston’s always delicious work as the character.

When the first Thor premiered in 2011, I considered it a mixed bag. The Avengers and proper sequel The Dark World did more to hammer home Hemsworth’s effectiveness in the part. On a side note, the absence of girlfriend Natalie Portman is briefly addressed and all it did was remind me that her character even existed in the first place. Director Waititi imbues Ragnarok with a winky face emotion that is most entertaining when it’s away from Asgard and the familiar familial dynamics. In its own strange way, it’s the most pure fun Thor feature of the bunch.

*** (out of four)

 

Thor: Ragnarok Box Office Prediction

The first week of November should kick off in grand fashion for Disney/Marvel as Thor: Ragnarok looks to (yes) hammer all competition. The third installment in the franchise that began in 2011 and continued in 2013, Chris Hemsworth returns as the title character and he’s got his Avenger friend Hulk (Mark Ruffalo) alongside him. Tom Hiddleston returns as fan favorite Loki as well as series regulars Anthony Hopkins and Idris Elba with Cate Blanchett, Jeff Goldblum, and Karl Urban joining the party. Taika Waititi directs.

The reported $180 million production comes four years after the second installment, Thor: The Dark World. In that time frame, the Marvel Cinematic Universe has expanded greatly with all the players set to appear in next summer’s third Avengers picture Infinity War. Reviews for Rangarok suggest it’s the best of the trio with a lighter and more fun tone. It stands at an impressive 98% on the Tomato meter.

2011’s Thor opened to $65 million and its sequel improved upon that performance with $85 million. Their respective domestic tallies were $181 and $206 million. It seems likely that part 3 will continue that upward trajectory. The Thor series is not quite in the realm of what Captain America has accomplished and the third entry in that franchise (last year’s Civil War) was essentially the third Avengers flick, which propelled it to a $179 million premiere.

This is the 17th pic in the MCU and it looks quite possible it will be the 8th to cross the century mark in its opening weekend. I don’t have it getting quite as high as Spider-Man: Homecoming ($117 million) got over the summer, but it should continue the trend of opening with roughly $20 million than its predecessor.

Thor: Ragnarok opening weekend prediction: $107.6 million

For my A Bad Moms Christmas prediction, click here:

https://toddmthatcher.com/2017/10/25/a-bad-moms-christmas-box-office-prediction/

Spider-Man: Homecoming Movie Review

Spider-Man: Homecoming is the third reiteration of the web slinger franchise that began a decade and a half ago. It arrives three years after the first reboot with Andrew Garfield sputtered in its second entry. That franchise faded away being plagued by the same issues that Sam Raimi and Tobey Maguire’s trilogy suffered at its end – too many villains and generally trying to cram too much superfluous material. It’s a pleasure to report that Homecoming doesn’t suffer the same problems.

In fact, our third Spidey helping soars the most when Peter Parker stays grounded. Tom Holland is the title character, getting his stand-alone pic after a brief appearance in last summer’s Captain America: Civil War. Yes, Spidey/Peter is now part of the vast Marvel Cinematic Universe and he’s a pupil of none other than Tony Stark/Iron Man (Robert Downey Jr.). Well, sort of. After assisting in one epic battle in Civil War, Peter wrongly assumes he’s part of The Avengers. Yet Stark isn’t exactly quick to enlist him, tasking his trusty bodyguard Happy Hogan (Jon Favreau) to keep tabs on him but not involve him in their day-to-day world saving activities.

That leaves Peter doing his Spidey thing on a much smaller scale, busting carjackers and ATM thieves in New York City while hiding his identity from Aunt May (Marisa Tomei) and his high school buddies. That consists mostly of just one classmate Ned (Jacob Batalon), a fellow nerd. Peter also has a serious crush on Liz (Laura Harrier), the lovely captain of the academic decathlon team. There’s another female student, played by Zendaya, that you suspect will become more important as the franchise continues. Homecoming does something that other Spidey flicks never really bothered to do. It makes Peter Parker a credible high school student. Part of the problem in the first two series was that you never bought Maguire or Garfield as underclassmen. With Holland, his youthful exuberance and awkwardness sell it. Of the trio we’ve seen thus far, he is probably the best Spider-Man. He’s definitely the best Peter Parker.

One of Spidey’s busts while waiting for Tony Stark to call with bigger projects leads him to Toomes (Michael Keaton), whose backstory is explained in the opening sequence. He’s a former small business owner gone disgruntled after more powerful interests (Mr. Stark and his empire) took his livelihood away. Toomes retaliates by using some stolen materials to develop weapons. Just as Peter is an everyday guy who becomes a superhero, Toomes is a once normal Joe who becomes a super villain. With Keaton playing him, it’s a pleasure to watch. One often deserved knock on the Marvel Cinematic Universe is that a solid villain is about as common as a Marvel Cinematic Unicorn. As with Loki, this offers an exception and Keaton is the reason why.

The scenes in the high school are handled with a often light, humorous and believable touch. Our grand action set pieces are expertly handled, but not much different than anything else we see multiple times a year (one at the Washington Monument is pretty nifty though). Homecoming does a commendable job at remembering that our hero is a neighborhood Spider-Man. Even though we know a much larger universe awaits him, it’s a treat to watch him working in relatively more grounded reality.

*** (out of four)

https://www.youtube.com/watch?v=qJpK7RA-zhA

Spider-Man: Homecoming Box Office Prediction

It was 15 summers ago when Spider-Man scored the largest domestic opening of all time (at that juncture) and helped kick off the comic book adaptation bonanza that has yet to let up today. We are now on our third web slinger iteration as Spider-Man: Homecoming swings into theaters next weekend.

Of course, this is not our first time seeing Tom Holland as the new Spidey. He first appeared in last summer’s Captain America: Civil War. In this first solo effort, none other than Robert Downey Jr.’s Iron Man is appearing alongside him. Jon Watts directs with a supporting cast that includes Michael Keaton as the villainous Vulture, Marisa Tomei, Donald Glover, Jon Favreau, and Zendaya.

This co-production of Columbia Pictures and Marvel Studios comes with a reported $175 million budget and lofty expectations. The second reboot of the beloved superhero series certainly is benefited by the new Spidey’s place in the Marvel Cinematic Universe and his Avenger friends.

Homecoming is the sixth overall flick headlined by Spider-Man. Let’s take a trip down franchise lane, shall we?

In looking at the opening grosses of the five previous entries, it’s a bit of a web since some opened over long holiday weekends. The 2002 original made the aforementioned record-setting sum of $114 million out of the gate and $403M overall domestically. The 2004 follow-up opened over a five-day July 4th weekend with $88 million from Friday to Sunday, $151 million from Wednesday to Sunday, and $373M when all was said and done. 2007’s Spider-Man 3 (marking the final appearance of Tobey Maguire in the title role) set the franchise record opening of $151 million, but grossed $336M in total – the lowest of the trilogy. Five years later when Andrew Garfield inherited the tights, The Amazing Spider-Man rolled out over a long six-day July 4th frame with $62 million in the traditional weekend and $137 million over the long weekend. It would go on to make $262M. 2014’s sequel made $91 million for its start and a series low $202M overall.

Got all that? OK! So where does Homecoming stand in comparison? Let’s leave its predecessors alone for just a second as it’s unlikely this will match the overall grosses of this summer’s previous comic book tentpoles Guardians of the Galaxy Vol. 2 and Wonder Woman. Both of those pics look to near $400 million domestically and place first and second for the season’s top earners. At one time, projections for the new Spidey were as high as $135 million, but they’ve since steadily declined. I believe this will reach over just over what the first picture accomplished a decade and a half ago.

Spider-Man: Homecoming opening weekend prediction: $117.8 million

 

Guardians of the Galaxy Vol. 2 Movie Review

It’s all about family in Guardians of the Galaxy Vol. 2, the follow-up to the wildly successful 2014 entry into the Marvel Cinematic Universe. Three years ago, Star-Lord, Gamora and company brought a humor and irreverence to the comic book picture previously unseen at that level. Of course, we saw flashes of it with Robert Downey Jr.’s Iron Man and others, but Guardians felt fresh with its Top 40 oldies soundtrack and constantly winking screenplay.

James Gunn is back as writer and director and the elements that made the predecessor successful are here again. Our second helping manages to provide enough material to admire, even if it can’t match what made the first one so special. We have a lot of subplots competing for screen time as the MCU continues to expand. The bulk of the characters here and elsewhere in Avengers world will eventually congregate and it’ll be a real test of script allocation for attention.

The attention here primarily focuses on Star-Lord (Chris Pratt) and his backstory. As we recall from the original, he’s got some Daddy issues and after three decades plus, he mets him in the form of Ego (Kurt Russell). Dad is a part human and part Godlike being who quickly seduces his offspring with his nifty own planet that’s a marvel itself in production design.

The other Guardians are here with Gamora (Zoe Saldana) still dealing with her super jealous sister Nebula (Karen Gillian) and unspoken chemistry with Star-Lord. Drax (Dave Bautista) reminds us that he can charmingly insult people with the best of them and a lot of that is saved for Ego’s right-hand woman Mantis (Pom Klementieff). And Rocket (voice of Bradley Cooper) and Baby Groot (Vin Diesel’s vocal stylings) return to provide comic relief. The nefarious Rocket and seriously adorable Groot are certainly allotted their share of smile inducing moments. Our family drama also means the return of Yondu (Michael Rooker doing fine work under all that makeup), who raised Star-Lord.

Pratt reminds us why Guardians rocketed him into silver screen stardom and Russell, with swagger to match, is an inspired casting choice. The action sequences are of the highest caliber and I’ll give the opening battle sequence credit for incorporating recent Rock and Roll Hall of Fame inductees Electric Light Orchestra.

So while Vol. 2 is totally acceptable popcorn entertainment, it didn’t leave me grinning from ear to ear like during the first one’s conclusion. Perhaps the attitude that made 2014’s pic so effective feels more familiar now (Deadpool in its own more R rated way continued that trend). Perhaps there are too many plot lines competing against themselves. And perhaps the revelations in the aforementioned familial situations are a bit predictable. That said, Vol. 2 keeps the MCU assembly line pleasantly humming along.

*** (out of four)

X-Men: Apocalypse Movie Review

X–Men: Apocalypse isn’t the only disappointing entry in the franchise, but it’s the only one directed by Bryan Singer that I’d classify as such. He directed the first two in 2000 and 2002 and got the series off to a satisfying start. Singer would return in 2014 with Days of Future Past to mostly pleasing results. Apocalypse may have you feeling blue about where this series is at. The villain is shrug worthy, some of the actors seem to not be giving it their all, and some of the CG effects are questionable at best. It also makes the error of providing dull backstory material for characters we didn’t really need to know backstory for.

When Singer left the franchise for the first time in 2002, Brett Ratner took over with The Last Stand in 2006 and was crucified for his efforts. In fact, when Singer returned in 2014, much of Future Past erased Last Stand. Maybe Apocalypse is a bit of revenge for Ratner, because it’s worse than his X-perience. Quite a bit worse actually. Stand doesn’t quite deserve its bad reputation and Apocalypse does.

The whole proceedings get off to a shaky start with a prologue set in Egypt where the first believed mutant Apocalypse (Oscar Isaac, in heavy and ugly makeup) is entombed by his enemies. Flash to centuries later and it’s 1983. When Apocalypse breaks out of his long slumber, he is hell bent on exacting revenge on the human race and showing off his many mutant abilities. He doesn’t comment on the awful 80s fashion, but it probably doesn’t make him any more fond of the people he seeks to destroy.

Fighting Apocalypse are many familiar X-Men, including Professor X (James McAvoy, still with hair for awhile) and Mystique (Jennifer Lawrence). Meanwhile, Magneto (Michael Fassbender) is laying low in Poland working in factory with lots of metal (oh the temptations!). He has a wife and daughter and a tragic family scene between them is actually rather well handled. While this trio of movie stars playing the most liked X characters get their screen time, Simon Kinberg’s screenplay also spends an unnecessary amount of ink on backstories for Cyclops, Nightcrawler, and Storm (younger versions of them all). These are unsought subplots that feel like filler and not much else. We also get a young Jean Grey (Sophie Turner) storyline that should be more interesting than it is.

All in all, there’s simply nothing very exciting about Apocalypse. Lawrence seems downright bored and her performance reflects that. Oscar Isaac is a tremendously talented performer who’s utterly wasted in a one-note villain role. The 60s vibe worked in X-Men: First Class and the 70s era feel of Future Past was pretty cool. Here, the 80s references add little.

There’s a sequence early on when Jean and friends leave Return of the Jedi disappointed and says everyone knows that the third one in a series is always the worst. Was screenwriter Simon Kinberg trying to warn us? Apocalypse isn’t terrible, but it’s the low point of this series so far.

** (out of four)

Doctor Strange Movie Review

Marvel’s Doctor Strange is their latest superhero origin story and it focuses on a brilliant yet arrogant protagonist who learns that his real purpose is to help humanity and not just use his powers for his own personal glorification. If that sounds a bit like Iron Man, the first entry in the Marvel Cinematic Universe, you wouldn’t be wrong. The challenge for Disney’s multi-billion dollar franchise after 14 films is to inject enough newness and other positive aspects to support its existence. In that sense, the sometimes visually stunning and very well-cast Strange passes the test.

Our newest fella to join the caped club (and it’s a pushy and sometimes humorous cape we eventually discover) is first seen as genius neurosurgeon Dr. Stephen Strange (Benedict Cumberbatch). He’s an egotistical NYC doc who’s a wizard with his hands. His two most prized possessions are irreparably injured in a wreck that serves as the most expensive anti-distracted driving commercial ever shot. The doc’s colleague and former flame Christine (Rachel McAdams) tries to help, but his desperate search to cure his idle hands leads him to Nepal. That is where he finds a mystical compound led by the Ancient One (Tilda Swinton), who informs him that true healing comes from a lot more than surgery.

Together with her trusty sidekick Mordo (Chiwetel Ejiofor), they show the doctor a whole new universe that involves plenty of training and plenty of other crazy dimensions that are packed with some pretty sweet visual effects. Scott Derrickson, known primarily for horror titles like The Exorcism of Emily Rose and Sinister, directs his biggest budget several times over and assures himself future tent poles.

There’s a main villain and he’s Kaecilius, played by a game Mads Mikkelsen. MCU movies have often seen the bad guy be the weakest link and that holds true somewhat here. The character is a former Ancient One protege gone astray and there’s nothing too memorable about him. It’s not a major hindrance at all, however, as Strange is a genuine origin story that needs some time to establish this part of the MCU (The Avengers are only referenced in passing). Plus, don’t we know at this point that the primary villain in these origin stories rarely end up being the chief nemesis anyway?

Casting is key. This series of movies we now see at least two of per year may have never gotten off the ground without the impeccable casting of Robert Downey Jr. as Tony Stark. And Cumberbatch is a fine choice in this title role, effortlessly balancing the drama and humor of the screenplay. Swinton and Ejiofor add some heft as well. The slight romantic subplot between Strange and Christine is typical and unremarkable, though their interaction does provide a couple of solid operating room laughs.

The aforementioned newness here is the effects, including various scenes of Inception-like architectural bravura that may leave Nolan proud. That, coupled with the performers, elevate Strange to a level well worthy of recommendation. It may not be until after the credits (and mid and post credit bonus sequences) roll, that you realize how familiar its story actually is. And I suppose that’s a credit to the franchise makers of how strong and steady their hand actually is.

*** (out of four)

http://youtu.be/15CLIuXoT7w