The Apprentice Box Office Prediction

Briarcliff Entertainment is banking on audiences being fired up for The Apprentice when it opens October 11th. The biopic from Ali Abbasi focuses on Sebastian Stan’s Donald Trump being mentored in the 70s and 80s by ruthless lawyer Roy Cohn (Jeremy Strong). Maria Bakalova (as first wife Ivana) and Martin Donovan (as patriarch Fred Trump) costar.

After its premiere at Cannes, it was questionable whether The Apprentice would debut stateside before the November 5th election. The former POTUS and current GOP candidate’s legal team threatened to block its pathway in multiplexes. A distribution deal was reached in August and here we are. Reviews are mostly of thumbs up variety at 76% on RT and 60 on Metacritic. Reactions probably aren’t strong enough to make it a Best Picture contender though Stan and Strong could be in the mix for nods.

The Apprentice‘s biggest hurdle could be a longstanding aversion to political pics when it’s all over TV. For example, 2008’s W. from Oliver Stone underwhelmed with $25 million domestically. Viewers may certainly feel they see enough of the 45th President on their home airwaves.

With a reported theater count of under 1800, this may only reach low single digits.

The Apprentice opening weekend prediction: $2.4 million

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Oscar Predictions: The Apprentice

Awards prospects for Ali Abbasi’s The Apprentice might have less to do with today’s Cannes premiere or whatever date the eventual distributor places it for domestic release. November 5th might be the biggest factor in whether it gets various nominations. That’s the date of the Presidential election and Oscar voters could react based on the results of whether the 45th POTUS becomes the 47th POTUS.

Set in the 1970s and 80s, this is essentially a Donald Trump origin story about ruthless attorney Roy Cohn’s influence on his life. Sebastian Stan is Trump with Jeremy Strong as Cohn. Costars include Maria Bakalova as Ivana and Martin Donovan as family patriarch Fred.

Reviews trickling in from France are somewhat all over the map. Yet compliments for the men playing Trump and Cohn is mostly universal. Mr. Stan’s biggest competition for a final five slot in Actor could be himself as he’s also being lauded for A Different Man. It rolled out at Sundance and is slated for a September domestic bow. Strong, an Emmy winner for Succession, could book his first Academy recognition in Supporting Actor. In fact, he might be in competition with his costar/onscreen sibling from that acclaimed HBO show in Kieran Culkin (A Real Pain). As for Bakalova, a previous nominee for the Borat sequel in 2020, her role is probably too small to contend.

If Stan and Strong are up for their roles, it greatly increases the chances of BP inclusion despite the varying reactions. I am skeptical that Abbasi (maker of international critical darlings Border and Holy Spider) or the screenplay are up (the latter would be more feasible). Yet it might be the general election ballot that ultimately chooses the viability of The Apprentice. My Oscar Prediction posts will continue…

Oscar Predictions: BlackBerry

2023 is at the halfway plus mark and critics are posting their best of lists for the year thus far. Matt Johnson’s BlackBerry, a dramedy focused on the invention of the OG smartphone, shows up on plenty. Jay Baruchel and Glenn Howerton (best known for It’s Always Sunny in Philadelphia) headline with a supporting cast including the director himself, Rich Sommer, Michael Ironside, Martin Donovan, Michelle Giroux, SungWon Cho, Saul Rubinek, and Cary Elwes.

Those who first saw it at the Berlin Film Festival in February got the encouraging chatter started. Since its release in the past few weeks, the acclaim has grown as evidenced by the 98% Rotten Tomatoes meter.

Elevation Pictures is the studio behind it. Before becoming its own production company in recent years, they had awards success distributing such titles as The Imitation Game, Room, and Moonlight in Canada. They have yet to see their own financed entities have a breakout in the space.

I didn’t give BlackBerry much chance of being the one (that’s why you’re just now seeing this post). Yet the buzz seems to be getting louder. This applies to the adapted screenplay by Johnson and Matthew Miller and the supporting performance of Howerton, who is garnering best in show plaudits.

The bulk of contenders are often saved for the second six months of the calendar year, but BlackBerry could stick around in a way the product itself eventually could not. My Oscar Prediction posts will continue…

Tenet Review

What time is it?

It’s an often asked question that usually elicits a clear and simple answer. Not in Christopher Nolan’s movies. The answers in his movies are complicated, often maddening, and frequently grandly entertaining. We’ve seen it in Memento, Inception, and Interstellar with the latter being a mixed bag and the first two being pretty great. His latest is Tenet and it definitely falls more into the maddening territory with big and loud moments of thrills. You may wish you had a physics degree during it, but this is mostly an excuse for Nolan to play in the super spy genre with a bunch of quantum related gobbledygook thrown in. The director’s most ardent admirers may study it endlessly for Easter eggs and clues as to its true meaning. Upon first watch, I’m not so sure Tenet is worth the scrutiny. Yet there’s some car chases and battle scenes played to Nigel Tufnel levels of volume that land pleasingly on screens big and small. Weird science and hundreds of millions of dollars worth of action set pieces… this is Nolan’s rap and he frequently goes to eleven in this one.

John David Washington is (rather annoyingly) known only as The Protagonist. Let’s call him “Pro” for the duration of this review. A government agent who proves his bonafides to his superiors, he’s allowed into a secret organization known as the picture’s title. Pro’s new assignment tasks him with preventing something “worse” than nuclear holocaust in one example of some clunky dialogue. This is where the physics lessons are useful. You see, Russian oligarch Andrei Sator (Kenneth Branagh) is hellbent on destroying the past and future through the concept of “inversion”. Essentially this means playing with time travel concepts that can wipe out what occurred before or after. I’m not sure Doc Brown could properly provide sufficient exposition without multiple viewings and neither can Pro or his partner Neil (Robert Pattinson). You may want to look up “temporal pincer movements” before you watch.

In addition to Pro’s teaming with Neil, his mission to stop Sator also involves the villain’s estranged wife Kat (Elizabeth Debicki). She’s quite good here and she’s really the only heroic figure that’s written with any layers. Washington and Pattinson are just fine, though their characters are quite dull on the page and screen. For Branagh, this is his chance to ham it up in true Bond baddie style and he relishes it. We have also get a bit of Michael Caine (common for a Nolan experience) and internationally known Hindi actress Dimple Kapadia as an arms trafficker.

Tenet does feature the aforementioned action set pieces that are impressive in scope and tech wizardry. The director doesn’t handle these sequences with half measures. If the scene calls for a 747 to be demolished, you best believe that plane was actually destroyed. The inversion concept lends to eye candy moments with backwards cars screeching on the highway and seagulls (!) even flying in reverse.

Very early on, a scientist is explaining the science behind Tenet to Pro with the following dialogue: “Don’t try to understand it. Feel it.” I wrote that piece of advice down immediately. I had a notion these words might aptly describe the next two hours plus. And they do. I certainly felt the decibel levels of Nolan and his crew choreographing expensive battles. They take place all over the globe in Norway, Italy, and Siberia. I did not, on the other hand, feel too invested in the complicated narrative mechanics that cause them. In fact, I wrote down something else I didn’t expect to while watching – “Austin Powers”. In that super spy’s second outing, The Spy Who Shagged Me, Austin attempts to understand the highly confusing time travel plot in a conversation with his colleague Basil. After twisting his brain into a knot discussing it, Basil smartly replies “I suggest you don’t worry about those things and just enjoy yourself.” He then turns to the camera and says to us – “That goes for all of you, too.” It’s a funnier way of asking us to feel it whether we understand it or not. That request succeeds only intermittently with Tenet.

**1/2 (out of four)

The Art of Racing in the Rain Box Office Prediction

Another canine dramedy hits screens next weekend with The Art of Racing in the Rain. Based on a 2008 book by Garth Stein, the human stars are Milo Ventimiglia and Amanda Seyfried with supporting work from Kathy Baker and Gary Cole. Kevin Costner provides the voice of lead dog Enzo. Simon Curtis directs. This is the first feature made by Fox where new owner Disney has handled the marketing.

Even the Mouse Factory’s expertise at selling product may not enough for Rain to break out of the pack of recent genre fare. In January, A Dog’s Way Home debuted to just over $11 million. In May, A Dog’s Journey did $8 million for its start. I believe the latter scenario is where this lands.

The Art of Racing in the Rain opening weekend prediction: $7.8 million

For my Dora and the Lost City of Gold prediction, click here:

Dora and the Lost City of Gold Box Office Prediction

For my The Kitchen prediction, click here:

The Kitchen Box Office Prediction

For my Scary Stories to Tell in the Dark prediction, click here:

Scary Stories to Tell in the Dark Box Office Prediction

For my Brian Banks prediction, click here:

Brian Banks Box Office Prediction