Tag: Mark Hamill

97th Academy Awards Predictions: September 21st Edition

The Venice, Telluride, and Toronto Film Festivals have all concluded and the Oscar landscape is looking a bit clearer for the 97th edition of the ceremony. Per usual with the festivals, there are films that rise and those that fall. No film rose more than Brady Corbet’s The Brutalist from Venice, but Toronto gave us a shocker in the form of Mike Flanagan’s The Life of Chuck. The sci-fi flick based on a Stephen King novella took People’s Choice at the Canadian event. 15 of the last 16 victors of that prize have received a Best Picture nomination including the past 12 in a row. We still don’t know which distributor will buy Chuck and it’s not confirmed to be out this year. For that matter, we also don’t know for a fact that A24’s The Brutalist will make the ’24 calendar. For now I’m assuming both will. That means I’m elevating Chuck from unranked to #11 in my BP possibilities on the outside just looking in.

There was a significant announcement that Tilda Swinton and Julianne Moore will be both be campaigned in lead actress for The Room Next Door. That means Swinton enters my quintet in that category with Amy Adams (Nightbitch) dropping. With Swinton leaving supporting, Selena Gomez (Emilia Pérez) resurfaces there. It has also been confirmed that Saoirse Ronan will vie for Actress with The Outrun and Supporting Actress in Blitz. I continue to list her a double nominee.

We have a change in Supporting Actor as I’m putting Jeremy Strong (The Apprentice) in with Denzel Washington (Gladiator II) falling out of the projected five.

For the last few months, I’ve included 25 BP contenders and 15 for Director, the four acting derbies, and the two screenplay competitions. As I typically do around this time of year, I will condense this to 15 BPs and 10 in the others. Got all that? Good!

Best Picture

Predicted Nominees:

1. The Brutalist (Previous Ranking: 1) (Even)

2. Blitz (PR: 2) (E)

3. Anora (PR: 3) (E)

4. Dune: Part Two (PR: 5) (+1)

5. Sing Sing (PR: 4) (-1)

6. Emilia Pérez (PR: 6) (E)

7. Conclave (PR: 7) (E)

8. Nickel Boys (PR: 9) (+1)

9. Saturday Night (PR: 8) (-1)

10. The Room Next Door (PR: 10) (E)

Other Possibilities:

11. The Life of Chuck (PR: Not Ranked)

12. A Complete Unknown (PR: 11) (-1)

13. September 5 (PR: 16) (+3)

14. The Seed of the Sacred Fig (PR: 12) (-2)

15. A Real Pain (PR: 13) (-2)

Dropped Out:

Gladiator II

Queer

Nosferatu

The Apprentice

All We Imagine as Light

Joker: Folie à Deux

The Piano Lesson

Wicked

Juror No. 2

His Three Daughters

A Different Man

Best Director

Predicted Nominees:

1. Brady Corbet, The Brutalist (PR: 1) (E)

2. Steve McQueen, Blitz (PR: 2) (E)

3. Denis Villeneuve, Dune: Part Two (PR: 3) (E)

4. Sean Baker, Anora (PR: 3) (E)

5. Jacques Audiard, Emilia Pérez (PR: 5) (E)

Other Possibilities:

6. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 7) (+1)

7. Edward Berger, Conclave (PR: 9) (+2)

8. RaMell Ross, Nickel Boys (PR: 6) (-2)

9. Greg Kwedar, Sing Sing (PR: 8) (-1)

10. Pedro Almodóvar, The Room Next Door (PR: 11) (+1)

Dropped Out:

Jason Reitman, Saturday Night

James Mangold, A Complete Unknown

Ridley Scott, Gladiator II

Luca Guadagnino, Queer

Payal Kapadia, All We Imagine as Light

Best Actress

Predicted Nominees:

1. Mikey Madison, Anora (PR: 1) (E)

2. Angelina Jolie, Maria (PR: 2) (E)

3. Karla Sofia Gascón, Emilia Pérez (PR: 3) (E)

4. Saoirse Ronan, The Outrun (PR: 4) (E)

5. Tilda Swinton, The Room Next Door (PR: Not Ranked) – moved from supporting

Other Possibilities:

6. Nicole Kidman, Babygirl (PR: 7) (+1)

7. Amy Adams, Nightbitch (PR: 5) (-2)

8. Marianne Jean-Baptiste, Hard Truths (PR: 6) (-2)

9. Fernanda Torres, I’m Still Here (PR: 10) (+1)

10. Demi Moore, The Substance (PR: 9) (-1)

Dropped Out:

Julianne Moore, The Room Next Door

Pamela Anderson, The Last Showgirl

Carrie Coon, His Three Daughters

June Squibb, Thelma

Zendaya, Challengers

Florence Pugh, We Live in Time

Best Actor

Predicted Nominees:

1. Adrien Brody, The Brutalist (PR: 1) (E)

2. Colman Domingo, Sing Sing (PR: 2) (E)

3. Ralph Fiennes, Conclave (PR: 3) (E)

4. Timothée Chalamet, A Complete Unknown (PR: 4) (E)

5. Daniel Craig, Queer (PR: 5) (E)

Other Possibilities:

6. Sebastian Stan, The Apprentice (PR: 6) (E)

7. Glen Powell, Hit Man (PR: 9) (+2)

8. Sebastian Stan, A Different Man (PR: 7) (-1)

9. Joaquin Phoenix, Joker: Folie à Deux (PR: 8) (-1)

10. Paul Mescal, Gladiator II (PR: 10) (E)

Dropped Out:

Gabriel LaBelle, Saturday Night

Jesse Plemons, Kinds of Kindness

Ethan Herisse, Nickel Boys

John David Washington, The Piano Lesson

Jesse Eisenberg, A Real Pain

Best Supporting Actress

Predicted Nominees:

1. Zoe Saldaña, Emilia Pérez (PR: 1) (E)

2. Danielle Deadwyler, The Piano Lesson (PR: 2) (E)

3. Saoirse Ronan, Blitz (PR: 4) (+1)

4. Felicity Jones, The Brutalist (PR: 3) (-1)

5. Selena Gomez, Emilia Pérez (PR: 6) (+1)

Other Possibilities:

6. Aunjanue Ellis-Taylor, Nickel Boys (PR: 7) (+1)

7. Lady Gaga, Joker: Folie à Deux (PR: 9) (+2)

8. Isabella Rossellini, Conclave (PR: 11) (+3)

9. Natasha Lyonne, His Three Daughters (PR: 8) (-1)

10. Joan Chen, Dídi (PR: 10) (E)

Dropped Out:

Tilda Swinton, The Room Next Door – moved to lead actress

Lesley Manville, Queer

Elle Fanning, A Complete Unknown

Toni Collette, Juror No. 2

Fernanda Montenegro, I’m Still Here

Best Supporting Actor

Predicted Nominees:

1. Clarence Maclin, Sing Sing (PR: 1) (E)

2. Guy Pearce, The Brutalist (PR: 2) (E)

3. Kieran Culkin, A Real Pain (PR: 3) (E)

4. Stanley Tucci, Conclave (PR: 5) (+1)

5. Jeremy Strong, The Apprentice (PR: 6) (+1)

Other Possibilities:

6. Denzel Washington, Gladiator II (PR: 4) (-2)

7. Mark Hamill, The Life of Chuck (PR: Not Ranked)

8. Adam Pearson, A Different Man (PR: 8) (E)

9. Samuel L. Jackson, The Piano Lesson (PR: 10) (+1)

10. Edward Norton, A Complete Unknown (PR: 7) (-3)

Dropped Out:

Drew Starkey, Queer

Harris Dickinson, Blitz

Mark Eidelstein, Anora

Brian Tyree Henry, The Fire Inside

Ray Fisher, The Piano Lesson

John Lithgow, Conclave

Best Original Screenplay

Predicted Nominees:

1. Anora (PR: 1) (E)

2. The Brutalist (PR: 2) (E)

3. Blitz (PR: 3) (E)

4. Saturday Night (PR: 5) (+1)

5. A Real Pain (PR: 4) (-1)

Other Possibilities:

6. Emilia Pérez (PR: 6) (E)

7. The Seed of the Sacred Fig (PR: 7) (E)

8. The Substance (PR: 9) (+1)

9. Hard Truths (PR: 10) (+1)

10. September 5 (PR: 13) (+3)

Dropped Out:

His Three Daughters

Dídi

Kinds of Kindness

A Different Man

Juror No. 2

Best Adapted Screenplay

Predicted Nominees:

1. Conclave (PR: 2) (+1)

2. Sing Sing (PR: 1) (-1)

3. Nickel Boys (PR: 3) (E)

4. The Room Next Door (PR: 4) (E)

5. The Life of Chuck (PR: Not Ranked)

Other Possibilities:

6. Dune: Part Two (PR: 6) (E)

7. Queer (PR: 5) (-2)

8. Hit Man (PR: 7) (-1)

9. A Complete Unknown (PR: 8) (-1)

10. The Piano Lesson (PR: 9) (-1)

Dropped Out:

I’m Still Here

Gladiator II

Nightbitch

Inside Out 2

Nosferatu

The Wild Robot

Best International Feature Film

Predicted Nominees:

1. Emilia Pérez (PR: 1) (E)

2. The Seed of the Sacred Fig (PR: 2) (E)

3. I’m Still Here (PR: 3) (E)

4. All We Imagine as Light (PR: 5) (+1)

5. Grand Tour (PR: 4) (-1)

Other Possibilities:

6. Universal Language (PR: 6) (E)

7. The Girl with the Needle (PR: 7) (E)

8. Caught by the Tides (PR: 8) (E)

9. Pedro Páramo (PR: Not Ranked)

10. Kneecap (PR: 9) (-1)

Dropped Out:

Simon of the Mountain

Best Animated Feature

Predicted Nominees:

1. Inside Out 2 (PR: 1) (E)

2. The Wild Robot (PR: 2) (E)

3. Flow (PR: 3) (E)

4. Wallace & Gromit: Vengeance Most Fowl (PR: 4) (E)

5. Memoir of a Snail (PR: 5) (E)

Other Possibilities:

6. Piece by Piece (PR: 6) (E)

7. Moana 2 (PR: 7) (E)

8. Savages (PR: 9) (+1)

9. Orion and the Dark (PR: 10) (+1)

10. The Lord of the Rings: The War of the Rohirrim (PR: 8) (-2)

Best Documentary Feature

Predicted Nominees:

1. No Other Land (PR: 2) (+1)

2. Will & Harper (PR: 3) (+1)

3. Daughters (PR: 1) (-2)

4. Sugarcane (PR: 4) (E)

5. Black Box Diaries (PR: 6) (+1)

Other Possibilities:

6. Soundtrack to a Coup d’Etat (PR: 5) (-1)

7. Union (PR: 7) (E)

8. The Remarkable Life of Ibelin (PR: Not Ranked)

9. Skywalkers: A Love Story (PR: 10) (+1)

10. Apocalypse in the Tropics (PR: 8) (-2)

Dropped Out:

Super/Man: The Christopher Reeve Story

Best Cinematography

Predicted Nominees:

1. The Brutalist (PR: 1) (E)

2. Dune: Part Two (PR: 2) (E)

3. Blitz (PR: 3) (E)

4. Nosferatu (PR: 4) (E)

5. Emilia Pérez (PR: 5) (E)

Other Possibilities:

6. Maria (PR: Not Ranked)

7. Conclave (PR: 9) (+2)

8. Anora (PR: 7) (-1)

9. Joker: Folie à Deux (PR: 6) (-3)

10. Gladiator II (PR: 8) (-2)

Dropped Out:

The Room Next Door

Best Costume Design

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Nosferatu (PR: 4) (+2)

3. Wicked (PR: 2) (-1)

4. Gladiator II (PR: 3) (-1)

5. Maria (PR: 7) (+2)

Other Possibilities:

6. Blitz (PR: 5) (-1)

7. Beetlejuice Beetlejuice (PR: 6) (-1)

8. Joker: Folie à Deux (PR: 8) (E)

9. The Brutalist (PR: Not Ranked)

10. Saturday Night (PR: 10 (E)

Dropped Out:

Furiosa: A Mad Max Saga

Best Film Editing

Predicted Nominees:

1. Blitz (PR: 1) (E)

2. Anora (PR: 2) (E)

3. Dune: Part Two (PR: 6) (+3)

4. The Brutalist (PR: 3) (-1)

5. Saturday Night (PR: 5) (E)

Other Possibilities:

6. Emilia Pérez (PR: 7) (+1)

7. Sing Sing (PR: 4) (-3)

8. Conclave (PR: 9) (+1)

9. Nickel Boys (PR: 8) (-1)

10. Challengers (PR: 10) (E)

Best Makeup and Hairstyling

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Nosferatu (PR: 2) (E)

3. A Different Man (PR: 3) (E)

4. Maria (PR: 5) (+1)

5. The Substance (PR: 9) (+4)

Other Possibilities:

6. Beetlejuice Beetlejuice (PR: 4) (-2)

7. Wicked (PR: 6) (-1)

8. Joker: Folie à Deux (PR: 7) (-1)

9. Furiosa: A Mad Max Saga (PR: 8) (-1)

10. Sasquatch Sunset (PR: Not Ranked)

Dropped Out:

Gladiator II

Best Original Score

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. The Brutalist (PR: 2) (E)

3. Sing Sing (PR: 3) (E)

4. Gladiator II (PR: 6) (+2)

5. The Wild Robot (PR: 5) (E)

Other Possibilities:

6. Emilia Pérez (PR: 4) (-2)

7. Conclave (PR: 7) (E)

8. Saturday Night (PR: 10) (+2)

9. The Room Next Door (PR: Not Ranked)

10. The Life of Chuck (PR: Not Ranked)

Dropped Out:

Joker: Folie à Deux

Queer

Best Original Song

Predicted Nominees:

1. “Mi Camino” from Emilia Pérez (PR: 1) (E)

2. “Like a Bird” from Sing Sing (PR: 2) (E)

3. “Harley and Joker Waltz” from Joker: Folie à Deux (PR: Not Ranked)

4. “Piece by Piece” from Piece by Piece (PR: 4) (E)

5. “Relentless” from Diane Warren: Relentless (PR: 3) (-2)

Other Possibilities:

6. “Harper and Will Go West” from Will & Harper (PR: 5) (-1)

7. “Kiss the Sky” from The Wild Robot (PR: 6) (-1)

8. “We’re Back” from Moana 2 (PR: 7) (-1)

9. “Forbidden Road” from Better Man (PR: Not Ranked)

10. “El Mal” from Emilia Pérez (PR: 8) (-2)

Dropped Out:

“The Journey” from The Six Triple Eight

“Why Am I Here” from Shirley

Best Production Design

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. Gladiator II (PR: 3) (E)

4. Nosferatu (PR: 4) (E)

5. The Brutalist (PR: 5) (E)

Other Possibilities:

6. Wicked (PR: 7) (+1)

7. Maria (PR: 10) (+3)

8. Furiosa: A Mad Max Saga (PR: 8) (E)

9. Joker: Folie à Deux (PR: Not Ranked)

10. Conclave (PR: 9) (-1)

Dropped Out:

Saturday Night

Best Sound

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Blitz (PR: 2) (E)

3. Gladiator II (PR: 3) (E)

4. Emilia Pérez (PR: 4) (E)

5. Joker: Folie à Deux (PR: 8) (+3)

Other Possibilities:

6. Nosferatu (PR: 6) (E)

7. Wicked (PR: 9) (+2)

8. Furiosa: A Mad Max Saga (PR: 5) (-3)

9. Civil War (PR: Not Ranked)

10. The Brutalist (PR: 10) (E)

Dropped Out:

A Complete Unknown

Best Visual Effects

Predicted Nominees:

1. Dune: Part Two (PR: 1) (E)

2. Kingdom of the Planet of the Apes (PR: 2) (E)

3. Gladiator II (PR: 3) (E)

4. Twisters (PR: 4) (E)

5. Here (PR: 5) (E)

Other Possibilities:

6. Blitz (PR: 6) (E)

7. Wicked (PR: 10) (+3)

8. Furiosa: A Mad Max Saga (PR: 8) (E)

9. Deadpool & Wolverine (PR: 7) (-2)

10. Better Man (PR: 9) (-1)

That equates to these movies generating these numbers of nominations:

10 Nominations

The Brutalist, Dune: Part Two

9 Nominations

Emilia Pérez

8 Nominations

Blitz

6 Nominations

Sing Sing

5 Nominations

Anora, Gladiator II

4 Nominations

Conclave, Nosferatu

3 Nominations

Maria, The Room Next Door, Saturday Night

2 Nominations

Joker: Folie à Deux, Nickel Boys, A Real Pain, The Wild Robot

1 Nomination

All We Imagine as Light, The Apprentice, Black Box Diaries, A Complete Unknown, Daughters, Diane Warren: Relentless, A Different Man, Flow, Grand Tour, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, The Life of Chuck, Memoir of a Snail, No Other Land, The Outrun, The Piano Lesson, Piece by Piece, Queer, The Seed of the Sacred Fig, The Substance, Sugarcane, Twisters, Wallace & Gromit: Vengeance Most Fowl, Wicked, Will & Harper

The Wild Robot Box Office Prediction

DreamWorks Animation hopes families turn up in droves for The Wild Robot when it debuts September 27th. The sci-fi pic is based on a book series by Peter Brown and directed by How to Train Your Dragon and The Croods maker Chris Sanders. Voiceover work comes courtesy of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Matt Berry, and Ving Rhames.

Robot was unveiled days ago at the Toronto Film Festival to satisfying results. The Rotten Tomatoes score is 100% and it could be a frontrunner for Best Animated Feature at the 97th Academy Awards. DreamWorks is putting this out while Transformers One is only in its sophomore outing. That could slightly limit the opening weekend crowd, but Robot will likely leg out impressively over the next several frames.

I still wouldn’t be surprised if this slightly exceeds tracking and that should mean low to mid 30s.

The Wild Robot opening weekend prediction: $33.8 million

For my Megalopolis prediction, click here:

Megalopolis Box Office Prediction

Oscar Predictions: The Life of Chuck

Silver Linings Playbook. 12 Years a Slave. The Imitation Game. Room. La La Land. Three Billboards Outside Ebbing, Missouri. Green Book. Jojo Rabbit. Nomadland. Belfast. The Fabelmans. American Fiction. What do those films have in common? They are the last 12 recipients of the Toronto Film Festival’s People’s Choice Award. Another commonality? Every one of them was nominated for Best Picture at the Academy Awards. Three (Slave, Green Book, Nomadland) won the top prize.

The surprise victor of People’s Choice at TIFF this morning is Mike Flanagan’s The Life of Chuck. Based on a novella by Stephen King, it finds the writer/director once again adapting the legendary author as he’s previously done with Gerald’s Game and Doctor Sleep. Chuck is said to be more of crowdpleaser sci-fi drama. Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay lead the ensemble.

Chuck managed to outpace runners-up Anora and Emilia Pérez (both expected BP hopefuls) in Toronto. With the stats given above, Chuck has immediately entered the awards chat. That said, there are issues to consider before placing it in your BP ten.

First and foremost, Chuck has yet to acquire a stateside distributor. That will surely occur quickly. Yet we don’t know at press time whether it will release in 2024. If it does, it’s hard to argue with the power of TIFF’s biggest trophy. In 2023, American Fiction essentially became a contender in Canada and went onto 5 Academy nods with an Adapted Screenplay victory.

With 88% on Rotten Tomatoes and 66 on Metacritic, Flanagan’s flick is generating nice notices. Frankly, though, I wasn’t really considering it a true contender until this TIFF announcement.

So what are Chuck‘s prospects now? In addition to Picture, Director and especially Adapted Screenplay are in the mix. If there’s an acting play, it might be Luke Skywalker himself Mark Hamill in supporting. If it continues to gain momentum, Editing, Original Score, and Visual Effects might be down ballot categories to keep an eye on. Toronto has potentially brought good luck to Chuck. It hasn’t been mentioned in my forecasts before. This will change at the next update later this week. My Oscar Prediction posts will continue…

Toronto Gives Awards Life to Chuck

The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.

In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.

All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.

First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.

Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.

Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.

Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.

Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.

Oscar Predictions: The Wild Robot

The 74th Academy Awards was the first year where Best Animated Feature was presented and DreamWorks Animation took that initial prize with Shrek. The studio has yet to win the race again as Disney has mostly dominated it. They are hoping for their second statue at the 97th ceremony courtesy of The Wild Robot.

Having premiered at the Toronto Film Festival prior to its September 27th domestic debut, Chris Sanders (co-director of How to Train Your Dragon and The Croods) made the sci-fi fantasy based on Peter Brown’s series of novels. Voiceover work comes from Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, and Ving Rhames.

Early word-of-mouth from our neighbor to the north is welcoming. With an 83% Metacritic score and no tomatoes at press time, The Wild Robot is a serious contender not only for a nomination (which appears to be a foregone conclusion), but a victory.

In order to do that, it will still need to surpass Inside Out 2 from you know who. In my view, that is not a foregone conclusion. Yet DreamWorks probably has its best shot since that green ogre. Beyond Animated Feature, Robot‘s Original Score from Kris Bowers is being heralded. There’s also a song from Maren Morris titled “Kiss the Sky” that looks to make that quintet. Either are possible as those competitions are just starting to take shape. My Oscar Prediction posts will continue…

Oscar Predictions – Skywalkers: A Love Story

No, Skywalkers: A Love Story is not a movie that advances the in hindsight uncomfortable smooch between Luke (Mark Hamill) and Leia (Carrie Fisher) in The Empire Strikes Back. Instead this documentary, which premiered on Netflix over the weekend, covers a Russian daredevil couple and their exploits atop a skyscraper. Jeff Zimbalist (whose 2005 environmental doc Favela Rising was shortlisted for Best Feature in its genre at the Oscars) and Maria Bukhonina co-direct. The pic originally premiered at Sundance back in January.

The Tomato meter currently sits at 73%. That mixed reaction is unlikely to put it in contention with the Academy. I didn’t have Skywalkers listed in my 10 possibilities for Doc Feature in my initial projections last weekend and wouldn’t count on it climbing up. My Oscar Prediction posts will continue…

The Boy and the Heron Box Office Prediction

Blogger’s Update (12/06): It appears The Boy and the Heron is opening on approximately 2100 screens. That is more than I assumed and my estimate rises from $3.8 million to $8 million

Legendary Japanese animator Hayao Miyazaki (of My Neighbor Totoro, Spirited Away, and Howl’s Moving Castle acclaim) came out of retirement to make The Boy and the Heron. It flies into North American venues on December 8th after robust business overseas. Unsurprisingly, critics are lauding it (97% RT score) as it might battle Spider-Man: Across the Spider-Verse at the Oscars. The fantasy arrives with a dubbed version for stateside crowds featuring the voices of Christian Bale, Dave Bautista, Gemma Chan, Willem Dafoe, Karen Fukuhara, Mark Hamill, Robert Pattinson, and Florence Pugh.

After debuting in Japan over the summer and expanding to other nations, it has made $83 million thus far. GKIDS is handling North American distribution and it is said to have the widest release in the studio’s history. That said, I’ve yet to see a theater count and that could alter my projection.

Miyazaki is a bigger draw elsewhere, but he certainly has his ardent fans here. Again, depending on the count, I can’t see this getting below $3 million. Earning over $5 million could be a chore.

The Boy and the Heron opening weekend prediction: $8 million

May 26-29 Box Office Predictions

Blogger’s Note (05/24): I am revising my Kandahar prediction from $7.9 million to $4.2 million

Disney is hoping for a memorable holiday weekend as The Little Mermaid surfaces over the long frame. We have three other newcomers with Gerard Butler’s action thriller Kandahar, the father/son comedy About My Father with standup comic Sebastian Maniscalco and icon Robert De Niro, and the father/son comedy The Machine featuring standup comic Bert Kreischer and icon Mark Hamill. My detailed prediction posts on the quartet of newcomers can be accessed here:

The Little Mermaid Box Office Prediction
Kandahar Box Office Prediction
About My Father Box Office Prediction
The Machine Box Office Prediction

There’s no doubt that Mermaid will bubble up to the #1 spot. The mystery is the number. While I don’t think it reaches the heights of other Mouse Factory live-action remakes like Beauty and the Beast and The Lion King, I do think it exceed the 2019 Memorial Day take of Aladdin. That said – there’s a wide range of possibility and my estimate is admittedly on the higher end compared to some others.

The real battle might be for the runner-up position. Fast X came in below its predecessor F9 (more on that below). It also received the same so-so B+ Cinemascore grade. A drop to the mid or high 20s could put it slightly behind the fourth weekend of Guardians of the Galaxy Vol. 3, which held impressively in the second and third outings. I’m going to give Star-Lord and company the slight edge over Vin Diesel and his cinematic family.

Butler has shown the ability to get his action flicks past $10 million and into the teens, but I’m not seeing much buzz for Kandahar. I’ll say it just reaches fourth place over The Super Mario Bros. Movie.

As you can tell from the descriptions, About My Father and The Machine have a lot in common. Both are tests for their leading men Maniscalco and Kreischer in their first headlining roles. Comedies have struggled at multiplexes lately and I believe these will. I think Father has a bit more broad appeal and I’ll give it sixth with The Machine trailing behind.

And with that, here’s how I envision the Friday to Monday Memorial weekend:

1. The Little Mermaid

Predicted Gross: $132.1 million

2. Guardians of the Galaxy Vol. 3

Predicted Gross: $26 million

3. Fast X

Predicted Gross: $25.4 million

4. The Super Mario Bros. Movie

Predicted Gross: $7.6 million

5. About My Father

Predicted Gross: $6.2 million

6. Kandahar

Predicted Gross: $4.2 million

7. The Machine

Predicted Gross: $3.7 million

Box Office Results (May 19-21)

Fast X continued the diminishing returns of the franchise though its dip wasn’t too far off from F9. The tenth pic in the 22-year-old series made $67 million (F9 did $70M) and that’s right in line with my $67.8 million prediction. As mentioned, I look for a hefty fall coming up. Luckily for Universal, the overseas grosses are solid (they need to be considering the reported $340 million sticker price).

Guardians of the Galaxy Vol. 3 was second after two weeks on top with $32.4 million, on pace my with $33.5 million take. The three-week total is $266 million and, per above, I think it could stay parked in the runner-up position over the holiday.

The Super Mario Bros. Movie made $9.6 million for third compared to my $8.3 million forecast. The remarkable seven-week earnings are $549 million.

Book Club: The Next Chapter, after a poor debut, tumbled 55% in fourth with $3 million (I said $3.2 million). The rom com sequel has made a mere $13 million in ten days.

Finally, Evil Dead Rise was fifth with $2.4 million. My projection? $2.4 million! The horror pic has amassed $64 million in five weeks.

And that does it for now, folks! Catch my podcast… or Toddcast as I call it… by searching Movies at the Speed of Speculation on your favorite streaming platform. Until next time…

The Machine Box Office Prediction

Popular comedian and podcaster Bert Kreischer takes a true tale from his stand-up routine and converts it to film with The Machine. The raucous pic has the lead playing himself with Mark Hamill portraying his dad as they are kidnapped by the Russian Mob. Jessica Gabor, Iva Babić, Jimmy Tatro, and Stephanie Kurtzuba costar. Peter Atencio (in his follow-up to Keanu) directs.

While Kreischer certainly has a following, I’m not convinced a significant number of his fans will make the multiplex trek. Plenty may just wait until it’s available to stream (several comedies in general have struggled in theaters recently). Then there’s About My Father with Sebastian Maniscalco and Robert De Niro which debuts against it and could siphon away those looking for a laugh.

Over the four-day Memorial weekend, I’m not sure it gets to $5 million and I’ll project it won’t.

The Machine opening weekend prediction: $3.7 million (Friday to Monday estimate)

For my The Little Mermaid prediction, click here:

The Little Mermaid Box Office Prediction

For my About My Father prediction, click here:

About My Father Box Office Prediction

For my Kandahar prediction, click here:

Kandahar Box Office Prediction

Star Wars: The Rise of Skywalker Movie Review

We talk about the Star Wars franchise the same way we speak of politics or sports. With passion and fervent opinions and disagreements. Perhaps we are giving it too much credit, but it’s become an American cinematic pastime. No group of films has inspired as much thought and re-thought. So we arrive at the ninth episode, The Rise of Skywalker, with all that baggage and more. After all, this one is tasked with closing out the saga that began at a time far, far away in 1977. Returning to direct with that weight on his shoulders is J.J. Abrams, who kickstarted the series for new owner Disney four years ago with The Force Awakens.

He does so two years following The Last Jedi from Rian Johnson, which sharply divided fans and critics by going in unexpected directions. Even Luke Skywalker himself, Mark Hamill, didn’t jive with the choices Johnson made with his character shuddered on an island and not wishing to utilize his Jedi skills. That was one compliant from some diehard fans, among others. You could say they had their knives out for it, so to speak.

I found The Last Jedi to be flawed and disjointed, but also filled with great moments. There aren’t many of them here in Skywalker. As I ponder it, episodes VII-IX do follow a similar arc as the iconic I-III. The Force Awakens was tasked with introducing new and exciting characters from these galaxies. It also had to mix in Luke and Leia and Han Solo and Chewie. I felt, for the most part, that it did so successfully. That especially applies to Rey (Daisy Ridley) and Kylo Ren (Adam Driver). In fact, their little therapy sessions from The Last Jedi were highlights of the whole trilogy. The common critique of Awakens is that it was a rehash of the first Star Wars. While this is with some merit, it didn’t take away my immense enjoyment of it.

As mentioned, The Last Jedi was more of a mixed bag. Yet with Johnson’s sometimes confounding but often daring choices, it was also the boldest. This is where a comparison with 1980’s The Empire Strikes Back seems fair. Don’t get me wrong. It’s nowhere in its league, but it did take what happened in the predecessor and take it in unexpected directions.

And now The Last Skywalker. Like 1983’s Return of the Jedi, this trilogy finale has to wrap it all up. Allow me to throw in this disclaimer – I don’t hold Return of the Jedi anywhere near the regards of what came before it. While I feel there are terrific moments, there’s a lot that didn’t work me and not just the Ewoks. It often felt a little tired and unsure of what to do with itself for a chunk of the running time. That applies to Skywalker and there’s aren’t as many terrific moments.

The similarities don’t end on just a quality level. Ultimately, the main plot here finds Rey facing a choice of whether to stay a Jedi or follow her lineage to the dark side… just as Luke did in Jedi. By the way, those lineage inquiries are addressed. Another complaint in Rian Johnson’s script was how he handled that aspect. Rey’s supporting cast is around with Finn (John Boyega) and Poe (Oscar Isaac) marshaling support to take on Kylo. And as the trailer suggested, Emperor Palpatine (Ian McDiarmid) is back in the mix, too. So is Billy Dee Williams as cocky fighter pilot Lando. His return isn’t exactly as pined for as what we got with Luke, Leia, and Han. As for Leia, Carrie Fisher does return utilizing unused footage from Awakens and Last Jedi. It’s handled delicately.

There are new players with Richard E. Grant joining Domhnall Gleeson as one of Kylo’s top lieutenants. Abrams throws some small parts to Keri Russell and Dominic Monaghan (who both starred in his TV shows). The short shrift is given to Rose (Kelly Marie Tran), who had more of a presence in Last Jedi, but is basically ignored. That’s not exactly a problem as this is the Rey and Kylo show. Once again, both Ridley and Driver’s performances are first rate. Truth be told, though, Johnson wrote their dynamic better the last time around.

For the major detractors of The Last Jedi, perhaps this episode will feel like a return to Star Wars normalcy. I’m happy to listen to an argument that Johnson’s effort pairs well with the return of Abrams, but it would take lots of convincing. Skywalker often reeks of a course correction. This is becoming more common with franchises. We just saw Terminator: Dark Fate ignore the three pictures ahead of it. The X-Men series had to get creative with their timeline and do away with it under specific circumstances.

Those franchises aren’t Star Wars. The meeting between Han Solo and his son Kylo in The Force Awakens was a memorable, emotional, and surprising one. Whatever Mark Hamill and others might think about his treatment in The Last Jedi, a brief reunion with his sister in it was marvelous. In Skywalker, Abrams goes for a lot of those moments. And it felt, well, forced. The visual splendor and incredible production design (and the rousing John Williams score) is intact. A few scenes with Rey and Kylo work. Ultimately, I suspect my feelings about The Rise of Skywalker will be somewhat similar to Return of the Jedi – as an inferior product to its two predecessors.

**1/2 (out of four)