Tag: m night shyamalan

August 16-18 Box Office Predictions

Alien: Romulus will attempt to dethrone Deadpool & Wolverine after three weeks atop the charts while Ryan’s World the Movie: Titan Universe Adventure looks to bring in youngsters and their parents. You can peruse my detailed prediction posts on the newcomers here:

Alien: Romulus Box Office Prediction
Ryan’s World the Movie: Titan Universe Adventure Box Office Prediction

The seventh feature in the Alien series dating back 45 years should grind out a #1 showing if it manages to hit in the lower to mid 30s or above. I have it coming in a bit under what 2017 predecessor Alien: Covenant achieved ($36 million).

Deadpool & Wolverine would fall to the #2 slot in its fourth frame, easing somewhere between 40-45%. It Ends with Us, starring Mrs. Deadpool Blake Lively, might lose around half its audience in its sophomore outing after a spectacular start (more on that below).

As for Ryan’s World the Movie: Titans Universe Adventure, it’s a giant question mark. Based on a popular YouTube channel that attracts plenty of kiddos, I have it in the mid single digits. That would put it in fifth after Twisters. However, I do think it has the capacity to over perform. Or… it could totally flop. I freely admitted in my longer write-up that I’m flying blind with this one.

Here’s how I envision the top 5 playing out:

1. Alien: Romulus

Predicted Gross: $35.2 million

2. Deadpool & Wolverine

Predicted Gross: $29.5 million

3. It Ends with Us

Predicted Gross: $27.9 million

4. Twisters

Predicted Gross: $9.8 million

5. Ryan’s World the Movie: Titan Universe Adventure

Predicted Gross: $7.1 million

Box Office Results (August 9-11)

Despite a serious challenge, the MCU reigned supreme as Deadpool & Wolverine took in $53.7 million for three in a row. That figure is beyond my $49.6 million prediction as this has banked $493 million domestically so far. Worldwide it has already scored a billion bucks.

As mentioned, It Ends with Us began with a terrific premiere. Based on the bestseller by Colleen Hoover, it was runner-up with a cool $50 million (doubling the reported $25 million price tag). My estimate kept rising last week, but it still outpaced my $43.8 million projection.

Twisters was third with $15 million compared to my $13.9 million forecast as the four-week tally reached $222 million.

Borderlands, based on a well-known video game series, laid claim to biggest bomb of 2024. With a rumored budget of $120 million, the critically blasted sci-fi action tale was fourth with $8.6 million. I was on target with an $8.1 million call.

Despicable Me 4 rounded out the top five with $7.9 million (I said $8.6 million) as the animated sequel is up to $330 million after six weeks.

Finally, M. Night Shyamalan’s Trap fell 57% in weekend #2 to $6.6 million, in line with my $6.1 million take. The thriller has made a so-so $28 million in ten days.

And that does it for now, folks! Until next time…

Summer 2013: The Top 10 Hits and More

This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.

Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.

Let the countdown begin!

10. The Great Gatsby

Domestic Gross: $144 million

Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.

9. We’re the Millers

Domestic Gross: $150 million

Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.

8. The Heat

Domestic Gross: $159 million

Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.

7. World War Z

Domestic Gross: $202 million

Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.

6. Star Trek Into Darkness

Domestic Gross: $228 million

JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.

5. Fast & Furious 6

Domestic Gross: $238 million

Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.

4. Monsters University

Domestic Gross: $268 million

The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.

3. Man of Steel

Domestic Gross: $291 million

The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.

2. Despicable Me 2

Domestic Gross: $368 million

Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.

1. Iron Man 3

Domestic Gross: $409 million

Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.

Now for some others worthy of discussion:

The Conjuring

Domestic Gross: $137 million

It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.

Now You See Me

Domestic Gross: $117 million

The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.

The Butler

Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.

Pacific Rim

Domestic Gross: $101 million

Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.

This Is the End

Domestic Gross: $101 million

This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.

The Purge

Domestic Gross: $64 million

This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.

Blue Jasmine

Predicted Gross: $33 million

That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.

Fruitvale Station

Domestic Gross: $16 million

Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.

There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.

The Hangover Part III

Domestic Gross: $112 million

Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.

Elysium

Domestic Gross: $93 million

Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.

The Lone Ranger

Domestic Gross: $89 million

I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.

White House Down

Predicted Gross: $73 million

Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).

After Earth

Predicted Gross: $60 million

Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.

The Internship

Domestic Gross: $44 million

Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.

R.I.P.D.

Predicted Gross: $33 million

It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.

And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…

February 17-20 Box Office Predictions

Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.

The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:

Ant-Man and the Wasp: Quantumania Box Office Prediction
Winnie-the-Pooh: Blood and Honey Box Office Prediction

Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.

The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.

Here’s how I envision the top 5 playing out:

1. Ant-Man and the Wasp: Quantumania

Predicted Gross: $109.1 million

2. Avatar: The Way of Water

Predicted Gross: $6.1 million

3. Puss in Boots: The Last Wish

Predicted Gross: $5.8 million

4. Magic Mike’s Last Dance

Predicted Gross: $5.5 million

5. 80 for Brady

Predicted Gross: $4.2 million

Box Office Results (February 10-12)

Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.

Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.

Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.

The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.

80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.

Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.

Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.

And that does it for now, folks! Until next time…

February 10-12 Box Office Predictions

Channing Tatum sashays back into multiplexes in his star making role with threequel Magic Mike’s Last Dance while Titanic re-releases on the occasion of its 25th anniversary. You can peruse my detailed prediction posts on them here:

Magic Mike’s Last Dance Box Office Prediction
Titanic 25th Anniversary Box Office Prediction

In what could be considered an upset, I have Titanic edging Mike for the top spot. Here’s why. There are reports that the latter is only releasing on approximately 1500 screens. If that holds true, it would significantly impact its earning power. When I assumed Mr. Tatum would arrive in the typical 3000 venues, I had it making just under $18 million. I now have it notably under that projection.

That may clear the way for the Titanic re-release to be #1 (giving James Cameron the first place picture in eight out of the past nine weekends). Valentine’s Day audiences and the nostalgia factor could get it there.

As for holdovers, M. Night Shyamalan’s Knock at the Cabin definitely came in at the lower end of its anticipated range (more on that below). I believe it could plummet from first to fifth with 80 for Brady and Avatar: The Way of Water each slipping only one spot. Cabin might even fall outside of the high five depending on the eighth frame dip for Puss in Boots: The Last Wish.

Here’s how I see the top 6 playing out:

1. Titanic 25th Anniversary

Predicted Gross: $11.6 million

2. Magic Mike’s Last Dance

Predicted Gross: $10.7 million

3. 80 for Brady

Predicted Gross: $8.1 million

4. Avatar: The Way of Water

Predicted Gross: $7.5 million

5. Knock at the Cabin

Predicted Gross: $5.9 million

6. Puss in Boots: The Last Wish

Predicted Gross: $5.6 million

Box Office Results (February 3-5)

As mentioned, Knock at the Cabin had a fairly soft entry on the charts with $14.1 million. While it managed to knock Avatar from its seven-week reign on the throne, it fell far under my $23.6 million forecast. The glass half full? It cost a meager $20 million to make. The glass half empty? With a C Cinemascore grade, I foresee a sophomore plummet close to 60%. In the summer of 2021, Shyamalan’s predecessor Old managed to top Cabin with just under $17 million. Simply put, this should’ve done more considering it had less competition and better reviews.

80 for Brady had a respectable start in second with $12.7 million. Released a day after Tom Brady announced his retirement (again), the legend packed octogenarian comedy couldn’t match my $15.5 million take. It will hope for smallish declines in the weekends ahead.

Avatar: The Way of Water was third with $11.3 million, in line with my $11.8 million prediction. After its eighth outing, the gargantuan tally grew to $636 million.

Fourth place belonged to Puss in Boots: The Last Wish with $7.8 million (I said $8.9 million) for an impressive $151 million after seven weeks.

I incorrectly had the concert pic BTS: Yet to Come in Cinemas outside of the top five with no projection. It was fifth with $5.1 million.

A Man Called Otto was sixth with $4.3 million compared to my $4.8 million. The gross is a solid $53 million.

Finally, while I’m in predictin’ mode – Eagles 38, Chiefs 24. That’s all for now, folks! Until next time…

Knock at the Cabin Review

Sunshine causes lingering pain and brief moments of delight in M. Night Shyamalan’s Knock at the Cabin, a dark and grim adaptation of Paul G. Tremblay’s 2018 novel. The filmmaker’s weakest tendencies are present but don’t arise as often in the mostly one space setting. Clunky dialogue and bizarre character choices associated with Shyamalan are kept to a minimum. There’s no rapper bafflingly named Mid-Sized Sedan like in his predecessor Old. The apocalyptic theme is hardly new though it generates a respectable amount of tension.

It also gets to the point in scene one. Leonard (Dave Bautista) may look like a bouncer, but he teaches second grade. We learn this as he introduces himself to seven-year-old Wen (Kristen Cui) while she’s catching grasshoppers outside a vacation property in remote Pennsylvania. Wen is the adopted daughter of her two Dads Eric (Jonathan Groff) and Andrew (Ben Aldridge). Leonard insists on forcefully entering the cabin with three associates all sporting old school weapons. They’re not your typical home invaders: nurse Sabrina (Nikki Amuka-Bird) and cook Adriane (Abby Quinn) have kind demeanors like Leonard. Only ill-tempered Redmond (Rupert Grint, all grown up from Harry Potter Weasley fame) seems comfortable breaking and entering.

Dad and Dad don’t welcome their presence and they’re tied up. Eric becomes concussed in the process (hence the sunlight hurting him). The quartet explains that the trio face a gut wrenching choice. They must sacrifice a family member in a short period of time. If they don’t, the world’s population will end in a series of catastrophes. Eric, Andrew, and Wen will survive and everyone else will perish. The hostages are understandably skeptical. Their detainers (who claim they’ve all experienced similar visions of devastation) aren’t afraid to display how serious they are. This includes news footage that shows they might be onto something.

The bulk of Cabin is reserved for us deciding whether Leonard and company are telling the truth. We do get flashbacks of Eric and Andrew’s relationship before and after they bring Wen into their lives. They feel somewhat superfluous yet they are fleeting interludes in the appreciatively brisk 100 minutes. Bautista is playing against type. You would think of him as a teacher in a silly comedy where he displays his bulk. This is far from that and his work is restrained in a positive way. All the performance are adequate. Shyamalan’s track record is spotty with child performances. He is responsible for guiding some great ones (think Haley Joel Osment in The Sixth Sense or Spencer Treat Clark in Unbreakable). Cui’s is on the plus side.

I was a captive audience member for much of the stay. As it continued, I found this surprisingly anticlimactic (especially for something about the Earth maybe ending). Shyamalan has resurrected his career by self-financing his pictures and turning a tidy profit. While that’s admirable, he seems limited by the budget considering all that’s occurring outside the cabin. Like a mid-sized sedan, it’s dependable for awhile until it isn’t.

**1/2 (out of four)

Oscar Predictions: Knock at the Cabin

Nearly a quarter century ago, M. Night Shyamalan’s phenom The Sixth Sense scared up six Oscar nominations including Best Picture and Director. It didn’t win any, but it established the filmmaker as a force at the box office. His fortunes have certainly ebbed and flowed in the 21st century with financial hits and misses. As far as awards attention, only 2004’s The Village achieved another Academy nod for its score.

Shyamalan’s latest is the apocalyptic thriller Knock at the Cabin with Dave Bautista headlining the cast. Based on Paul G. Tremblay’s 2018 novel, Knock‘s embargo is up today ahead of its Friday release. The results are pretty encouraging with a 71% Rotten Tomatoes score. At the low point in his filmography, he had a string of flops and critical bombs (Lady in the Water, The Happening, The Last Airbender, After Earth) that racked up plenty of Golden Raspberry mentions.

Cabin is ahead of Shyamalan’s two predecessors Glass and Old as far as the RT meter. It isn’t as high (77%) as comeback vehicle Split from 2017. While Bautista is being complimented for his performance, I don’t see this being welcomed in any of the Academy races a year from now. My Oscar Prediction posts will continue…

February 3-5 Box Office Predictions

**Blogger’s Update (02/01): I am adding a title to the top 5 that I previously didn’t have on Monday when I did my initial projections. The Chosen: Season 3 Finale is playing on over 2000 screens. As you may recall, the season premiere grossed nearly $9 million in December out of the gate. I’ll say the finale generates a little more than that and could challenge Avatar for the 3 spot. Changes are reflected below.

The seven-week reign of Avatar: The Way of Water at #1 should end in its 8th outing as February dawns at the box office. M. Night Shyamalan’s latest thriller Knock at the Cabin and the octogenarian comedy 80 for Brady debut and look to place 1-2. My detailed prediction posts on them can be found here:

Knock at the Cabin Box Office Prediction
80 for Brady Box Office Prediction

Beginning with 2017’s Split, Shyamalan experienced a career resurgence that could carry Cabin (generating solid word-of-mouth) to a low to mid 20s start. Getting close to $30 million is not out of the question. That number should be enough to top the charts.

80 for Brady looks to appeal to a female audience and older viewers. A Man Called Otto recently showed the demographic is ready for a return at multiplexes. With a robust marketing campaign and the involvement of Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno, I could absolutely see it over performing. My current mid teens forecast is worth keeping an eye on before Thursday (meaning it could rise).

As mentioned, Avatar: The Way of Water (while remaining above $10M) should finally relinquish its stranglehold in first. Fellow holdovers Puss in Boots: The Last Wish and A Man Called Otto should round out the top five and here’s how I see it looking:

1. Knock at the Cabin

Predicted Gross: $23.6 million

2. 80 for Brady

Predicted Gross: $15.5 million

3. Avatar: The Way of Water

Predicted Gross: $11.8 million

4. The Chosen: Season 3 Finale

Predicted Gross: $11 million

5. Puss in Boots: The Last Wish

Predicted Gross: $8.9 million

6. A Man Called Otto

Predicted Gross: $4.8 million

Box Office Results (January 27-29)

Avatar: The Way of Water cruised to a seventh frame atop the charts with $15.9 million (ahead of my $14.3 million take). The domestic haul is $620 million, but the story of the weekend is that it surpassed Star Wars: The Force Awakens to become the fourth largest worldwide grosser in history. That means James Cameron now has three of the top four (with Avatar and Titanic also in the mix).

Puss in Boots: The Last Wish was runner-up with $10.4 million, surpassing my $9.2 million prediction. In six weeks, the animated sequel has amassed $140 million.

The surprise of the weekend was Pathaan, a Hindu language action spectacle that I incorrectly had outside the top five. It was third with $6.8 million and $9.4 million since its Wednesday bow. The PTA of nearly $10k was easily the highest on the charts.

A Man Called Otto was fourth with $6.6 million (in line with my $6 million projection) for $45 million overall.

M3GAN rounded out the top five with $6.2 million (I said $5.8 million) as the campy horror tale is approaching nine figures at $82 million.

Finally, Missing was sixth in its sophomore weekend with $5.6 million, a tad above my $5.1 million call. The ten-day total is $17 million (doubling its reported $7 million budget).

Check out my new podcast at the following link:

https://podcasts.apple.com/us/podcast/movies-at-the-speed-of-speculation/id1668006585

And that does it for now, folks! Until next time…

Knock at the Cabin Box Office Prediction

Universal Pictures is counting on audiences to take a Knock at the Cabin when it debuts February 3rd. The latest film from M. Night Shyamalan, it’s based on the 2018 novel by Paul G. Tremblay. A thriller blending horror elements, Dave Bautista is a believer in the imminent apocalypse holding a family hostage. Costars include Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint.

This looks to be the picture to knock Avatar: The Way of Water off its lengthy perch at #1 and should do so with room to spare. Shyamalan, after a career resurgence that kicked into high gear with Split, is one of the few filmmakers whose name can sell tickets (especially in this genre). This is his first R rated title since 2008’s The Happening. His predecessor Old (2021) opened in the summer of 2021 with just under $17 million.

Cabin, with less competition than Old had, should exceed that starting gross. A take of over $20 million is doable.

Knock at the Cabin opening weekend prediction: $23.6 million

For my 80 for Brady prediction, click here:

80 for Brady Box Office Prediction

Summer 2002: The Top 10 Hits and More

In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring. 

By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.

20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.

As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:

Summer 1992: The Top 10 Hits and More

Let’s begin with that top 10!

10. Mr. Deeds

Domestic Gross: $126 million

When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.

9. Minority Report

Domestic Gross: $132 million

The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.

8. xXx

Domestic Gross: 142 million

Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.

7. Lilo & Stitch

Domestic Gross: $145 million

This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.

6. Scooby-Doo

Domestic Gross: $153 million

Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.

5. Men in Black II

Domestic Gross: $190 million

Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.

4. Austin Powers in Goldmember

Domestic Gross: $213 million

Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me. 

3. Signs

Domestic Gross: $227 million

After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.

2. Star Wars: Episode II – Attack of the Clones

Domestic Gross: $302 million

$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.

    1. Spider-Man

Domestic Gross: $403 million

When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.

Now let’s move to some other notable titles from the season:

The Bourne Identity 

Domestic Gross: $121 million

While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.

The Sum of All Fears

Domestic Gross: $118 million

Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.

Road to Perdition

Domestic Gross: $104 million

His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.

Insomnia

Domestic Gross: $67 million

Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).

Unfaithful

Domestic Gross: $52 million

Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.

And now for some movies that didn’t perform so well…

Reign of Fire

Domestic Gross: $43 million

This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.

Windtalkers

Domestic Gross: $40 million

John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.

K-19: The Widowmaker 

Domestic Gross: $35 million

Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.

Halloween: Resurrection

Domestic Gross: $30 million

Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.

Bad Company

Domestic Gross: $30 million

One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.

Blood Work 

Domestic Gross: $26 million

Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.

The Adventures of Pluto Nash

Domestic Gross: $4 million

Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.

2012 is up next!

Oscar Predictions: Nope

Five years ago, Jordan Peele’s horror debut Get Out was a critical and commercial phenomenon that won the auteur an Oscar for Original Screenplay. It also nabbed nominations for Picture, Director, and Actor (Daniel Kaluuya). Two years later, Us drew a more mixed reaction (though similar box office numbers) and garnered no attention from the Academy This was despite Lupita Nyong’o getting Critics Choice and SAG nods.

On Friday, Peele’s third feature Nope unveils itself and the review embargo is up. Many critics are saying yep to seeing it with a current Rotten Tomatoes score of 81%. Yet that’s under the 98% bestowed upon Get Out and Us‘s 93%.

A consistent theme in various write-ups is that Nope has the weakest screenplay of the trilogy, but the best technical aspects. You’ll note that all of Get Out‘s nominations were above the line mentions. Nope, if anything, could see the opposite. Best Sound appears to be a real possibility with Cinematography, Production Design and Visual Effects standing more remote chances.

Finally, there’s Keke Palmer. She’s said to be the standout in a cast that includes Kaluuya, Steven Yeun, Michael Wincott, and Brandon Perea. However, if Nyong’o couldn’t get recognized for her participation in Peele’s sophomore effort, it’s hard to imagine Palmer breaking through for this. My Oscar Prediction posts will continue…