Tag: Life of Pi

Oscar Predictions – Alien: Romulus

The six Alien features that preceded Alien: Romulus in the last four and a half decades have yielded an impressive 11 Oscar nominations and 3 victories. Fede Àlvarez, best known for 2013’s Evil Dead remake and Don’t Breathe, directs the first entry in seven years as Romulus attacks theaters this weekend. Cailee Spaeny (who probably came fairly close to an Academy nom last year for Priscilla), David Jonsson, Archie Renaux, Isabela Merced, and Spike Fearn star.

Reviews are doling out praise for its vibe that many critics say closely resemble the classic first two tales (1979’s Alien and 1986’s Aliens). On the other hand, some write-ups say it relies too much on nostalgia. The RT score is 82% and that tops the scores of its four immediate predecessors and places it third behind the aforementioned genre landmarks.

Let’s take a quick trip through awards history with the series. The original Alien from Ridley Scott won Best Visual Effects and was nominated for Art Direction (losing to All That Jazz). James Cameron’s 1986 follow-up Aliens landed a whopping seven nods and took Visual Effects and Sound Effects Editing. The other handful of mentions were for Sigourney Weaver in Actress (who fell short to Marlee Matlin from Children of a Lesser God), Art Direction (A Room with a View won), Original Score (which went to Round Midnight), and Film Editing and Sound (both of which that year’s BP victor Platoon picked up). 1992’s Alien 3 was a Visual Effects nominee with Death Becomes Her grabbing the prize. Five years later, Alien: Resurrection went empty-handed in terms of mentions. 2012’s Prometheus returned Ridley Scott to the director’s chair and a Visual Effects nom occurred with Life of Pi victorious. Finally, 2017’s Alien Covenant did not factor into any race.

So where does that leave Romulus? The production design and visual effects are being noted. The latter is where it is likeliest to contend. That said it would be behind Dune: Part Two, Kingdom of the Planet of the Apes, and probably Furiosa: A Mad Max Saga already. There’s plenty of other contenders already out or scheduled for fall. Don’t be surprised if this is the second Alien saga to be left off the Academy’s ballots, but VE is feasible. My Oscar Prediction posts will continue…

2022 DGA Winner Prediction

How reliable is the Director Guild of America (DGA) recipient as it pertains to the eventual Oscar winner for Best Director? In the 21st century, the match has been 19 of 22 times. In 2000, Ang Lee (Crouching Tiger, Hidden Dragon) took DGA and the Academy Award went to Steven Soderbergh for Traffic. Ben Affleck was the DGA recipient in 2012 for Argo though he didn’t get an Oscar nod. Ang Lee, for Life of Pi, took the gold instead. Sam Mendes (1917) was DGA in 2019, but Bong Joon-ho (Parasite) was the Academy’s choice. All others years corresponded in the century corresponded.

The DGA Award is revealed tomorrow night and here’s your nominees:

Daniels, Everything Everywhere All at Once

Todd Field, Tár

Joseph Kosinski, Top Gun: Maverick

Martin McDonagh, The Banshees of Inisherin

Steven Spielberg, The Fabelmans

There’s a 4/5 correlation with the Oscar nominees (par for the course). Kosinski is not in the Academy’s quintet while Ruben Ostlund (Triangle of Sadness) is. Therefore it’s safe to rule the Maverick maker out.

Neither Field nor McDonagh have taken any major precursors. The Daniels and Spielberg have. For the Daniels, they were the Critics Choice victors. At the Golden Globes, it was Spielberg. To call this is a two-person (or three technically) race seems accurate. Anyone else winning would be a considerable upset.

A little less than a month before the Oscar ceremony, I do believe Everything stands as your soft Oscar frontrunner. Spielberg saw a surprising omission at the BAFTAs where he didn’t even make their shortlist. Due to his legendary status, it would be foolish to discount him. However, I believe the momentum lies with Dan Kwan and Daniel Scheinert so…

Predicted DGA Winner(s):

The Daniels, Everything Everywhere All at Once

I’ll make my DGA commentary part of my recap post for the BAFTAs on Sunday evening. Stay tuned!

Best Picture 2012: The Final Five

My latest Final Five post brings us to 2012 and the Oscars that occurred nearly a decade ago. If you’re reading this series for the first time, this is where I whittle the 8-10 Best Picture nominees from every year since 2009 to five. As you may know, it was in 2009 that the Academy stopped listing a quintet of movies for the big prize and expanded it upwards. If you missed my write-ups about 2009, 2010, and 2011 – you can access them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

As we do with each year, we start with the obvious. Ben Affleck’s Argo certainly would have made the cut since it won BP. 2012 was a strange year with the Academy’s voters. Argo emerged as the first film since 1989’s Driving Miss Daisy where the BP recipient’s director wasn’t nominated in that category. It’s happened twice since with 2018’s Green Book and last year’s CODA. I will admit that picking a fifth entry was challenging. The other 3 besides Argo seem pretty clear. Let’s get into it!

Amour

Michael Haneke’s French drama was the easy winner of Foreign Language Film and nabbed 3 other nods: Director, Actress (Emmanuelle Riva), and Original Screenplay.

Does It Make the Final Five?

No, though an argument can certainly be made. I would venture that with only five, the narrative would’ve been that it had no trouble in the foreign race and that would be the reward.

Beasts of the Southern Wild

This micro-budgeted indie fantasy from Benh Zeitlin scored a surprise directing nod as well as Actress (Quvanzhane Wallis) and Adapted Screenplay.

Does It Make the Final Five?

No. It received the least amount of nominations of the nine nominees and won none of its four mentions. That said, it’s not entirely out of the question that it could have snuck in.

Django Unchained

Quentin Tarantino scored the biggest hit of his career with this Western which won Original Screenplay and Supporting Actor (Christoph Waltz). It also received nods for Cinematography and Sound Editing.

Does It Make the Final Five?

No, though an argument can be made yet again (especially with the Original Screenplay victory). That said, misses for directing and editing are indications that it might have just missed.

Les Miserables

With 8 nominations and wins for Supporting Actress (Anne Hathaway), Sound Mixing, and Makeup and Hairstyling, the adaptation of the famed musical was one of the biggest box office performers of the bunch.

Does It Make the Final Five?

No… and stop me if you’ve heard this before… but an argument could be made. Like Django, the directing and editing omissions prevent me from saying it is top five.

Life of Pi

Ang Lee’s visually striking adaptation of a bestseller tied with most nominations (11). Lee would win for his behind the camera work and it would pick up gold statues for Score, Cinematography, and Visual Effects. Unlike our last two contenders, it did receive an editing nod.

Does It Make the Final Five?

Yes. Furthermore, it was probably the runner-up for the win.

Lincoln

Steven Spielberg’s historical tale was the other movie to receive 11 nominations. The sole win was for Daniel Day-Lewis’s embodiment of the 16th POTUS in Best Actor.

Does It Make the Final Five?

Yes. Despite the 1 for 11 showing, the sheer number of nods strongly suggest its inclusion.

Silver Linings Playbook

With 8 nominations and Jennifer Lawrence taking Best Actress, this was the rare pic that scored nominations in all 4 acting derbies. Unlike Lawrence – Bradley Cooper, Robert De Niro, and Jacki Weaver didn’t win their respective races. This was also up for David O. Russell’s direction, Adapted Screenplay, and Editing.

Does It Make the Final Five?

Yes – based on where else it landed attention.

Zero Dark Thirty

Kathryn Bigelow’s follow-up to her Oscar winning The Hurt Locker won Sound Editing. Jessica Chastain was up for Actress with Original Screenplay and Editing nods making it five overall. Bigelow’s snub in the directing race was unexpected.

Does It Make the Final Five?

Yes, but this is the one I’m most unsure about. One could easily make the case for Amour or Beasts or Django or Les Miserables. The fact that this had the screenplay nod and editing made me pick it.

So in my view your abbreviated 2012 BP lineup would be:

Argo

Life of Pi

Lincoln

Silver Linings Playbook

Zero Dark Thirty 

2013 is up next!

Oscar Watch: Gemini Man

Sporting a lowly 29% Rotten Tomatoes ranking prior to its October 11 release, Ang Lee’s Gemini Man is certainly no candidate for Best Picture recognition like the director’s previous works Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi. The sci fi action thriller casts Will Smith in an effects heavy experience where the actor plays an aging hitman who must battle a younger version of himself.

While it’s no surprise that the pic won’t contend for top line prizes, Gemini has always been eyed as a possibility for Visual Effects. The 3D high frame per second look is one employed by Lee in his last film Billy Lynn’s Long Halftime Walk. That drama was seen as awards bait before poor reviews sunk its viability.

Visual Effects nowadays is a race where there’s usually no shortage of contenders. In 2019, we have the upcoming Star Wars: The Rise of Skywalker in addition to The Irishman, The Lion King, Avengers: Endgame, and Smith’s own summer blockbuster Aladdin. I believe Gemini could still sneak in the category, but its own negative critical reaction might derail it. My Oscar Watch posts will continue…

Happy Death Day 2U Box Office Prediction

Blumhouse looks to continue its impressive streak of low-budget slasher pics that turn hefty profits with the release of sequel Happy Death Day 2U next Wednesday. Christopher Landon is back in the director’s chair along with returning cast members Jessica Rothe, Israel Broussard, and Ruby Modine, in addition to Life of Pi star Suraj Sharma.

In October 2017, Happy Death Day took its Groundhog Day meets the horror genre to solid box office results. It made $26 million for the opening weekend as its overall haul was front loaded (final gross was $55 million).

Part 2 might premiere with less for the traditional weekend, but the Wednesday debut  and following four-day President’s Day frame could boost the six-day to a high 20s overall take.

Happy Death Day 2U opening weekend prediction: $22 million (Friday to Monday); $28.6 million (Wednesday to Monday)

For my Alita: Battle Angel prediction, click here:

https://toddmthatcher.com/2019/02/06/alita-battle-angel-box-office-prediction/

For my Isn’t It Romantic prediction, click here:

https://toddmthatcher.com/2019/02/07/isnt-it-romantic-box-office-prediction/

Oscar History: 2012

It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:

The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty. 

Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.

The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.

Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).

In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.

The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).

The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.

Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).

Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).

Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).

Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…

https://www.youtube.com/watch?v=Rw-EoS3td0c

In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).

https://www.youtube.com/watch?v=86lczf7Bou8

Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.

And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!

Oscar Watch – Avengers: Infinity War

This weekend is all about Avengers: Infinity War at the box office as it barrels toward a potentially record-setting debut. The film looks, at the least, poised to set the all-time opening weekend record for the Marvel Cinematic Universe. This is the 19th picture in the MCU as the multi-billion dollar franchise is about to hit its ten-year anniversary. 

Infinity will certainly make its mark financially, but could Academy voters take notice? In short – probably not. The pic stands at 85% currently on Rotten Tomatoes. That’s a bit below the original Avengers from 2012 (92%) and a bit above 2015 sequel Age of Ultron (75%). No MCU title or any comic book adaptation has managed a Best Picture nomination and I see no reason to think this will.

Having said that, the Marvel folks stand their best opportunity yet to score a nod in the biggest category of them all. And that would be Black Panther, which was released in February. It stands a real shot. Looking through the Oscar history with this franchise, The Avengers scored a Best Visual Effects nomination in 2012 and lost to Life of Pi. No nominations were given to Ultron.

Bottom line: Infinity War could find itself in the mix for Visual Effects and possibly even the Sound categories. Yet any real MCU love from voters will go to King T’Challa.

Billy Lynn’s Long Oscar Plummet

 

Blogger’s Update (11/21): Final box office numbers for the film put it at just a $901,000 opening, adding more insult to injury.

When I began writing my Oscar Watch posts several weeks ago, the general consensus was this: Damien Chazelle’s La La Land (based on its festival screenings) was the front runner for Best Picture. It still is. Furthermore, there was a trio of unseen contenders to upset that notion: Martin Scorsese’s Silence, Denzel Washington’s Fences, and Ang Lee’s Billy Lynn’s Long Halftime Walk.

Silence has still yet to land any eyeballs on it and remains a mystery. Fences has held industry screenings and established itself as a player in Picture and several other races. Yet for Billy, the narrative has gone in a significantly different direction.

The war drama, based on a bestseller by Ben Fountain, looked to be a serious awards force on paper. After all, Lee has won the Best Director statue twice for 2005’s Brokeback Mountain and 2012’s Life of Pi. Both of those films were nominated for the grand prize but came up short. Two of his other efforts – 1995’s Sense and Sensibility and 2000’s Crouching Tiger, Hidden Dragon also nabbed Pic nods. Walk features an eclectic cast surrounding unknown Joe Alwyn in the title role that includes Kristen Stewart, Steve Martin, Vin Diesel, Chris Tucker, and Garrett Hedlund.

And it was being touted as a potential visual marvel as Lee and his effects crew were shooting it at 120 frames per second (think super duper HD). Then something happened on the march to Academy glory… people actually saw it.

The result? Many critics were not kind to it (it’s at just 41% on Rotten Tomatoes). Following its first festival exposure in New York, the Oscar fortunes took a tumble. Yet even after that, I still managed to keep it in my top 20 possibilities for a Picture nomination until yesterday. Why? On the chance that audiences would respond positively enough to it to keep it viable.

Well… that viability just took a nose dive this afternoon. Walk opened wide today and forecasts for the weekend have it grossing just $2-$3 million dollars. Let me translate: it’s bombing very, very badly.

One month ago, before anyone had seen it, Billy Lynn looked like it could receive multiple nominations come Oscar time. As of today, the highest likelihood is that it will walk away with zero.

https://youtu.be/iaVXkNYf_2c

Billy Lynn’s Long Halftime Walk Box Office Prediction

Ang Lee’s war drama Billy Lynn’s Long Halftime Walk makes its way to theaters next weekend in wide release and expectations for it have been tampered down a bit. The film, based on a bestseller by Ben Fountain, had been looked at as a major awards contender for the bulk of 2016. After all, Lee has won the Best Director prize at the Oscars twice (for Brokeback Mountain and Life of Pi) and it just looked the kind of picture that the Academy might take a liking to. Newcomer Joe Alwyn stars in the title role alongside a stellar supporting cast that includes Kristen Stewart, Chris Tucker, Garrett Hedlund, Vin Diesel, and Steve Martin.

Walk has also received significant publicity to the manner in which it was shot at 120 frames per second (translate that to very high definition). Yet something unexpected happened when this screened at the New York Film Festival nearly a month ago. Critics were sharply divided as to both its dramatic and visual quality. In fact, it stands at just 50% currently on Rotten Tomatoes. Any chances of it being an Oscar force pretty much fell along the wayside.

So where does that leave its box office prospects? Quite simply, shakier than before the buzz unfolded. If this had the aura of an Academy hopeful, it could certainly boost its grosses. Then there’s even the matter of another more critically lauded war drama having opened just two weeks prior – Mel Gibson’s Hacksaw Ridge.

The film is reportedly rolling out on a low 800 screens which would limits its prospects. Add all that up and I believe Halftime will see a debut below $10 million for just a so-so start.

Billy Lynn’s Long Halftime Walk opening weekend prediction: $9.2 million

For my Fantastic Beasts and Where To Find Them prediction, click here:

https://toddmthatcher.com/2016/11/09/fantastic-beasts-and-where-to-find-them-box-office-prediction/

For my Bleed for This prediction, click here:

https://toddmthatcher.com/2016/11/10/bleed-for-this-box-office-prediction/

For my The Edge of Seventeen prediction, click here:

https://toddmthatcher.com/2016/11/09/the-edge-of-seventeen-box-office-prediction/

 

Oscar Watch: Billy Lynn’s Long Halftime Walk

One of the largest pieces of the Oscar puzzle came into sharper focus tonight as Ang Lee’s Billy Lynn’s Long Halftime Walk premiered at the New York Film Festival. For months, the film has rightfully been looked at as a massive awards contender. After all, the director has won two Best Director awards for Brokeback Mountain and Life of Pi.

Based on its initial screening, it appears Walk has taken a significant hit. Early critical reaction is quite mixed and several reviews have been negative. I’ve had this pegged at between 2-5 for the last several weeks in terms of getting a Best Picture nod. I’ve also included Lee in the top 5 every week in terms of his nomination. At various junctures, I’ve also predicted Joe Alwyn (Actor), Steve Martin (Supporting Actor), Kristen Stewart (Supporting Actress), and Adapted Screenplay. Based on tonight’s buzz, that’s likely to change come Thursday when I make my next round of predictions.

Billy could still be a player in technical categories like Visual Effects and the Sound races. Yet the sound heard tonight in the Big Apple was a perceived Oscar heavyweight losing serious luster.