Tag: Kathryn Bigelow

98th Academy Awards Predictions: July 13th Edition

While there’s not a whole lot of movement with my Oscar predictions in the past ten days, there are notable changes in Actress and Supporting Actress.

In Actress, Amanda Seyfried’s work in Ann Lee surpasses Jennifer Lawrence from Die, My Love. A switch-up in Supporting Actress now has Sentimental Value generating 10 nominations with Inga Ibsfotter Lilleass in and Angelina LookingGlass (The Rivals of Amziah King) out.

Yorgos Lanthimos’s Bugonia is bumped to the top spot in Adapted Screenplay over Hamnet and you can read all the movement below!

Best Picture

Predicted Nominees:

1. Sinners (Previous Ranking: 1) (Even)

2. Sentimental Value (PR: 12) (E)

3. After the Hunt (PR: 3) (E)

4. Marty Supreme (PR: 4) (E)

5. Jay Kelly (PR: 5) (E)

6. Wicked: For Good (PR: 6) (E)

7. Bugonia (PR: 8) (+1)

8. Frankenstein (PR: 9) (+1)

9. It Was Just an Accident (PR: 10) (+1)

10. Hamnet (PR: 7) (-3)

Other Possibilities:

11. One Battle After Another (PR: 11) (E)

12. Avatar: Fire and Ash (PR: 12) (E)

13. Springsteen: Deliver Me from Nowhere (PR: 13) (E)

14. The Rivals of Amziah King (PR: 14) (E)

15. Rental Family (PR: 20) (+5)

16. A House of Dynamite (PR: 18) (+2)

17. The Ballad of a Small Player (PR: 16) (-1)

18. The Secret Agent (PR: 15) (-3)

19. No Other Choice (PR: 19) (E)

20. Ann Lee (PR: 22) (+2)

21. Die, My Love (PR: 21) (E)

22. The Life of Chuck (PR: 23) (+1)

23. F1 (PR: 17) (-6)

24. Is This Thing On? (PR: 24) (E)

25. The Smashing Machine (PR: Not Ranked)

Dropped Out:

Kiss of the Spider Woman

Best Director

Predicted Nominees:

1. Ryan Coogler, Sinners (PR: 1) (E)

2. Joachim Trier, Sentimental Value (PR: 2) (E)

3. Josh Safdie, Marty Supreme (PR: 3) (E)

4. Luca Guadagnino, After the Hunt (PR: 4) (E)

5. Jafar Panahi, It Was Just an Accident (PR: 5) (E)

Other Possibilities:

6. Yorgos Lanthimos, Bugonia (PR: 6) (E)

7. Guillermo del Toro, Frankenstein (PR: 7) (E)

8. Paul Thomas Anderson, One Battle After Another (PR: 9) (+1)

9. Noah Baumbach, Jay Kelly (PR: 8) (-1)

10. Chloé Zhao, Hamnet (PR: 11) (+1)

11. Jon M. Chu, Wicked: For Good (PR: 10) (-1)

12. Andrew Patterson, The Rivals of Amziah King (PR: 13) (+1)

13. Kieber Mendonça Filho, The Secret Agent (PR: 12) (-1)

14. Park Chan-wook, No Other Choice (PR: 15) (+1)

15. Kathryn Bigelow, A House of Dynamite (PR: Not Ranked)

Dropped Out:

Edward Berger, The Ballad of a Small Player

Best Actress

Predicted Nominees:

1. Renate Reinsve, Sentimental Value (PR: 1) (E)

2. Julia Roberts, After the Hunt (PR: 2) (E)

3. Cynthia Erivo, Wicked: For Good (PR: 3) (E)

4. Jessie Buckley, Hamnet (PR: 4) (E)

5. Amanda Seyfried, Ann Lee (PR: 7) (+2)

Other Possibilities:

6. Jennifer Lawrence, Die, My Love (PR: 5) (-1)

7. Emma Stone, Bugonia (PR: 6) (-1)

8. Rose Byrne, If I Had Legs I’d Kick You (PR: 8) (E)

9. Tessa Thompson, Hedda (PR: 9) (E)

10. Emma Mackey, Ella McCay (PR: 10) (E)

11. Sydney Sweeney, Untitled Christy Martin Biopic (PR: 13) (+2)

12. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (-1)

13. Eva Victor, Sorry, Baby (PR: Not Ranked)

14. June Squibb, Eleanor the Great (PR: 12) (-2)

15. Amy Adams, At the Sea (PR: 15) (E)

Dropped Out:

Lucy Liu, Rosemead

Best Actor

Predicted Nominees:

1. Timothée Chalamet, Marty Supreme (PR: 1) (E)

2. George Clooney, Jay Kelly (PR: 2) (E)

3. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 3) (E)

4. Jesse Plemons, Bugonia (PR: 4) (E)

5. Michael B. Jordan, Sinners (PR: 5) (E)

Other Possibilities:

6. Wagner Moura, The Secret Agent (PR: 6) (E)

7. Leonardo DiCaprio, One Battle After Another (PR: 7) (E)

8. Daniel Day-Lewis, Anemone (PR: 9) (+1)

9. Matthew McConaughey, The Rivals of Amziah King (PR: 8) (-1)

10. Dwayne Johnson, The Smashing Machine (PR: 12) (+2)

11. Oscar Isaac, Frankenstein (PR: 11) (E)

12. Brendan Fraser, Rental Family (PR: 14) (+2)

13. Colin Farrell, The Ballad of a Small Player (PR: 10) (-3)

14. Willem Dafoe, Late Fame (PR: 13) (-1)

15. Denzel Washington, Highest 2 Lowest (PR: Not Ranked)

Dropped Out:

Will Arnett, Is This Thing On?

Best Supporting Actress

Predicted Nominees:

1. Ariana Grande, Wicked: For Good (PR: 1) (E)

2. Ayo Edebiri, After the Hunt (PR: 2) (E)

3. Elle Fanning, Sentimental Value (PR: 3) (E)

4. Gwyneth Paltrow, Marty Supreme (PR: 5) (E)

5. Inga Ibsdotter Lilleass, Sentimental Value (PR: 8) (+3)

Other Possibilities:

6. Angelina LookingGlass, The Rivals of Amziah King (PR: 5) (-1)

7. Laura Dern, Jay Kelly (PR: 6) (-1)

8. Teyana Taylor, One Battle After Another (PR: 9) (+1)

9. Mari Yamamoto, Rental Family (PR: Not Ranked)

10. Emily Blunt, The Smashing Machine (PR: 11) (+1)

11. Jennifer Lopez, Kiss of the Spider Woman (PR: 7) (-4)

12. Hailee Steinfeld, Sinners (PR: 12) (E)

13. Wunmi Mosaku, Sinners (PR: 14) (+1)

14. Thomasin McKenzie, Ann Lee (PR: 13) (-1)

15. Regina Hall, One Battle After Another (PR: 10) (-5)

Dropped Out:

Glenn Close, Wake Up Dead Man: A Knives Out Mystery

Best Supporting Actor

Predicted Nominees:

1. Stellan Skarsgård, Sentimental Value (PR: 1) (E)

2. Andrew Garfield, After the Hunt (PR: 2) (E)

3. Adam Sandler, Jay Kelly (PR: 3) (E)

4. Jeremy Strong, Springsteen: Deliver Me from Nowhere (PR: 5) (+1)

5. Delroy Lindo, Sinners (PR: 4) (-1)

Other Possibilities:

6. Paul Mescal, Hamnet (PR: 6) (E)

7. Jonathan Bailey, Wicked: For Good (PR: 8) (+1)

8. Sean Penn, One Battle After Another (PR: 7) (-1)

9. Miles Caton, Sinners (PR: 12) (+3)

10. Akira Emoto, Rental Family (PR: Not Ranked)

11. Mark Hamill, The Life of Chuck (PR: 14) (+3)

12. Stephen Graham, Springsteen: Deliver Me from Nowhere (PR: 10) (-2)

13. Jacob Elordi, Frankenstein (PR: 9) (-4)

14. Bradley Cooper, Is This Thing On? (PR: 13) (-1)

15. Jeffrey Wright, Highest 2 Lowest (PR: Not Ranked)

Dropped Out:

Robert Pattinson, Die, My Love

Benicio del Toro, One Battle After Another

Best Original Screenplay

Predicted Nominees:

1. Sentimental Value (PR: 1) (E)

2. After the Hunt (PR: 2) (E)

3. Jay Kelly (PR: 3) (E)

4. Marty Supreme (PR: 5) (+1)

5. Sinners (PR: 4) (-1)

Other Possibilities:

6. It Was Just an Accident (PR: 6) (E)

7. The Rivals of Amziah King (PR: 8) (+1)

8. Rental Family (PR: 11) (+3)

9. Sorry, Baby (PR: 7) (-2)

10. Ann Lee (PR: 10) (E)

11. The Secret Agent (PR: 9) (-2)

12. Ella McCay (PR: 12) (E)

13. A House of Dynamite (PR: 15) (+2)

14. Nouvelle Vague (PR: 14) (E)

15. Is This Thing On? (PR: 13) (-2)

Best Adapted Screenplay

Predicted Nominees:

1. Bugonia (PR: 2) (+1)

2. Hamnet (PR: 1) (-1)

3. Wake Up Dead Man: A Knives Out Mystery (PR: 3) (E)

4. Frankenstein (PR: 6) (+2)

5. No Other Choice (PR: 5) (E)

Other Possibilities:

6. One Battle After Another (PR: 4) (-2)

7. Wicked: For Good (PR: 7) (E)

8. Springsteen: Deliver Me from Nowhere (PR: 9) (+1)

9. The Life of Chuck (PR: 8) (-1)

10. The Ballad of a Small Player (PR: Not Ranked)

11. Die, My Love (PR: 11) (E)

12. Late Fame (PR: 12) (E)

13. Train Dreams (PR: 10) (-3)

14. Highest 2 Lowest (PR: 13) (-1)

15. The Smashing Machine (PR: 15) (E)

Dropped Out:

Hedda

Best International Feature Film

Predicted Nominees:

1. Sentimental Value (PR: 1) (E)

2. It Was Just an Accident (PR: 2) (E)

3. No Other Choice (PR: 4) (+1)

4. The Secret Agent (PR: 3) (-1)

5. The President’s Cake (PR: 5) (E)

Other Possibilities:

6. Sirât (PR: 6) (E)

7. Left-Handed Girl (PR: 8) (+1)

8. Sound of Falling (PR: 7) (-1)

9. Nouvelle Vague (PR: 9) (E)

10. All That’s Left of You (PR: Not Ranked)

Dropped Out:

The Love That Remains

Best Animated Feature

Predicted Nominees:

1. Zootopia 2 (PR: 1) (E)

2. Arco (PR: 2) (E)

3. Elio (PR: 3) (E)

4. A Magnificent Life (PR: 7) (+3)

5. In Your Dreams (PR: 5) (E)

Other Possibilities:

6. Scarlet (PR: 4) (-2)

7. KPOP Demon Hunters (PR: 9) (+2)

8. Ne Zha 2 (PR: 10) (+2)

9. Animal Farm (PR: 6) (-3)

10. Little Amélie or the Character of Rain (PR: 8) (-2)

Best Documentary Feature

Predicted Nominees:

1. The Perfect Neighbor (PR: 1) (E)

2. 2000 Meters to Andriivka (PR: 3) (+1)

3. Seeds (PR: 2) (-1)

4. Cutting Through Rocks (PR: 4) (E)

5. Mr. Nobody Against Putin (PR: 6) (+1)

Other Possibilities:

6. Deaf President Now! (PR: 5) (-1)

7. Apocalypse in the Tropics (PR: 7) (E)

8. The Alabama Solution (PR: Not Ranked)

9. Timestamp (PR: Not Ranked)

10. Orwell: 2 + 2 = 5 (PR: 8) (-2)

Dropped Out:

The Six Billion Dollar Man

The Librarians

Best Casting

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. Wicked: For Good (PR: 3) (+1)

3. Sentimental Value (PR: 4) (+1)

4. Wake Up Dead Man: A Knives Out Mystery (PR: 5) (+1)

5. Marty Supreme (PR: 7) (+1)

Other Possibilities:

6. After the Hunt (PR: 2) (-4)

7. The Rivals of Amziah King (PR: 8) (+1)

8. Rental Family (PR: Not Ranked)

9. One Battle After Another (PR: Not Ranked)

10. Jay Kelly (PR: 6) (-4)

Dropped Out:

Kiss of the Spider Woman

Springsteen: Deliver Me from Nowhere

Best Cinematography

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. Frankenstein (PR: 2) (E)

3. Bugonia (PR: 3) (E)

4. One Battle After Another (PR: Not Ranked)

5. The Rivals of Amziah King (PR: 5) (E)

Other Possibilities:

6. Marty Supreme (PR: 4) (-2)

7. Nouvelle Vague (PR: 8) (+1)

8. Avatar: Fire and Ash (PR: 9) (+1)

9. F1 (PR: 6) (-3)

10. Wicked: For Good (PR: 10) (E)

Dropped Out:

Sentimental Value

Best Costume Design

Predicted Nominees:

1. Wicked: For Good (PR: 1) (E)

2. Frankenstein (PR: 2) (E)

3. Sinners (PR: 3) (E)

4. Hamnet (PR: 5) (+1)

5. Kiss of the Spider Woman (PR: 4) (-1)

Other Possibilities:

6. Springsteen: Deliver Me from Nowhere (PR: 7) (+1)

7. Ann Lee (PR: 6) (-1)

8. Hedda (PR: Not Ranked)

9. Snow White (PR: 9) (E)

10. Mother Mary (PR: 8) (-2)

Dropped Out:

One Battle After Another

Best Film Editing

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. Sentimental Value (PR: 3) (+1)

3. Marty Supreme (PR: 2) (-1)

4. After the Hunt (PR: 6) (+2)

5. Bugonia (PR: 4) (-1)

Other Possibilities:

6. Wicked: For Good (PR: 7) (+1)

7. One Battle After Another (PR: 8) (+1)

8. F1 (PR: 5) (-3)

9. Jay Kelly (PR: Not Ranked)

10. Frankenstein (PR: Not Ranked)

Dropped Out:

Springsteen: Deliver Me from Nowhere

The Rivals of Amziah King

Best Makeup and Hairstyling

Predicted Nominees:

1. Frankenstein (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Sinners (PR: 3) (E)

4. The Smashing Machine (PR: 4) (E)

5. Kiss of the Spider Woman (PR: 5) (E)

Other Possibilities:

6. Untitled Christy Martin Biopic (PR: 8) (+2)

7. Mother Mary (PR: Not Ranked)

8. 28 Years Later (PR: 6) (-2)

9. Marty Supreme (PR: Not Ranked)

10. Wolf Man (PR: 10) (E)

Dropped Out:

Bugonia

Springsteen: Deliver Me from Nowhere

Best Original Score

Predicted Nominees:

1. Sinners (PR: 1) (E)

2. Frankenstein (PR: 4) (+2)

3. After the Hunt (PR: 3) (E)

4. Bugonia (PR: 2) (-2)

5. One Battle After Another (PR: 6) (+1)

Other Possibilities:

6. Wicked: For Good (PR: 5) (-1)

7. Sentimental Value (PR: 8) (+1)

8. Jay Kelly (PR: Not Ranked)

9. F1 (PR: 7) (-2)

10. Marty Supreme (PR: 10) (E)

Dropped Out:

The Rivals of Amziah King

Best Original Song

Predicted Nominees:

1. TBD from Wicked: For Good (PR: 1) (E)

2. “I Lied to You” from Sinners (PR: 2) (E)

3. “Dear Me” from Diane Warren: Relentless (PR: 3) (E)

4. TBD from Zootopia 2 (PR: 5) (+1)

5. TBD from Springsteen: Deliver Me from Nowhere (PR: 4) (-1)

Other Possibilities:

6. TBD from Wicked: For Good (2nd song) (PR: 6) (E)

7. “Golden” from KPOP Demon Hunters (PR: Not Ranked)

8. “Relentless” from Diane Warren Relentless (PR: 7) (-1)

9. TBD from Mother Mary (PR: 10) (+1)

10. “Steve’s Lava Chicken” from A Minecraft Movie (PR: 9) (-1)

Dropped Out:

“Waiting on a Wish” from Snow White

Best Production Design

Predicted Nominees:

1. Wicked: For Good (PR: 1) (E)

2. Frankenstein (PR: 2) (E)

3. Sinners (PR: 3) (E)

4. Hamnet (PR: Not Ranked)

5. Avatar: Fire and Ash (PR: 4) (-1)

Other Possibilities:

6. Kiss of the Spider Woman (PR: 5) (-1)

7. One Battle After Another (PR: 7) (E)

8. Bugonia (PR: 6) (-2)

9. Ann Lee (PR: 10) (+1)

10. The Phoenician Scheme (PR: 9) (-1)

Dropped Out:

Marty Supreme

Best Sound

Predicted Nominees:

1. F1 (PR: 1) (E)

2. Wicked: For Good (PR: 3) (+1)

3. Sinners (PR: 2) (-1)

4. Avatar: Fire and Ash (PR: 4) (E)

5. Springsteen: Deliver Me from Nowhere (PR: 6) (+1)

Other Possibilities:

6. Warfare (PR: 5) (-1)

7. Mission: Impossible – The Final Reckoning (PR: 7) (E)

8. Frankenstein (PR: 9) (+1)

9. Superman (PR: 10) (+1)

10. One Battle After Another (PR: Not Ranked)

Dropped Out:

Kiss of the Spider Woman

Best Visual Effects

Predicted Nominees:

1. Avatar: Fire and Ash (PR: 1) (E)

2. Wicked: For Good (PR: 2) (E)

3. Superman (PR: 3) (E)

4. The Fantastic Four: First Steps (PR: 5) (+1)

5. Frankenstein (PR: 4) (-1)

Other Possibilities:

6. Mission: Impossible – The Final Reckoning (PR: 6) (E)

7. Tron: Ares (PR: 9) (+2)

8. How to Train Your Dragon (PR: 8) (E)

9. F1 (PR: 7) (-2)

10. Mickey 17 (PR: Not Ranked)

Dropped Out:

Sinners

And that works out to these movies generating these numbers in terms of nominations:

14 Nomnations

Sinners

10 Nominations

Sentimental Value, Wicked: For Good

8 Nominations

After the Hunt, Frankenstein

7 Nominations

Marty Supreme

6 Nominations

Bugonia

5 Nominations

Hamnet

4 Nominations

Jay Kelly, Springsteen: Deliver Me from Nowhere

3 Nominations

Avatar: Fire and Ash, It Was Just an Accident

2 Nominatons

Kiss of the Spider Woman, No Other Choice, One Battle After Another, Wake Up Dead Man: A Knives Out Mystery, Zootopia 2

1 Nomination

2000 Meters to Andrivka, Ann Lee, Arco, Cutting Through Rocks, Diane Warren: Relentless, Elio, F1, The Fantastic Four: First Steps, In Your Dreams, A Magnificent Life, Mr. Nobody Against Putin, The Perfect Neighbor, The President’s Cake, The Rivals of Amziah King, The Secret Agent, Seeds, The Smashing Machine. Superman

98th Academy Awards Predictions: June 22nd Edition

As summer has officially kicked off, we are getting clarifications on some of the potential fall contenders for the Oscars. For example, the musical biopic about The Boss is titled Springsteen: Deliver Me from Nowhere and not just Deliver Me from Nowhere. Kathryn Bigelow’s first directorial feature in close to a decade is titled A House of Dynamite. Both will be out in October.

While the autumn releases reveal their names and dates, this summer’s offerings are revealing whether they’re awards players. In the case of Danny Boyle’s 28 Years Later, it might mean a Makeup & Hairstyling nod while not contending in BP. As for Joseph Kosinski’s F1: The Movie (out Friday), it could pick up a few tech nods. While BP is likely a long shot, it is worth mentioning as a top 25 possibility (for now). Disney/Pixar’s Elio will not be their third movie to vie for BP though an Animated Feature mention should be on the table. We will know soon whether Jurassic World Rebirth could be the first franchise entry since 1997’s The Lost World: Jurassic Park to grab a Visual Effects nomination.

I’m sticking with the six major categories for my projections though the screenplay races may be included in my next round in two weeks. There’s a lot among these races that has not changed, but there are some alterations to be discussed.

The trailer for Springsteen: Deliver Me from Nowhere actually left me less convinced of its viability in some competitions. It could be just be a so-so (IMO) preview for the biopic. However, I’m dropping it from BP in favor of Palme d’Or winner It Was Just an Accident. In Director, Accident maker Jafar Panahi replaces Frankenstein‘s Guillermo del Toro. Springsteen actors Jeremy Allen White and Jeremy Strong are still among my five picks in Actor and Supporting Actor, respectively. In Supporting Actress, I’ve elevated Elle Fanning (Sentimental Value) over One Battle After Another‘s Teyana Taylor.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Sinners (Previous Ranking: 1) (Even)

2. Sentimental Value (PR: 2) (E)

3. After the Hunt (PR: 3) (E)

4. Marty Supreme (PR: 4) (E)

5. Wicked: For Good (PR: 5) (E)

6. Jay Kelly (PR: 6) (E)

7. Hamnet (PR: 7) (E)

8. Frankenstein (PR: 8) (E)

9. Avatar: Fire and Ash (PR: 9) (E)

10. It Was Just an Accident (PR: 13) (+3)

Other Possibilities:

11. One Battle After Another (PR: 11) (E)

12. Bugonia (PR: 12) (E)

13. Springsteen: Deliver Me from Nowhere (PR: 10) (-3)

14. The Life of Chuck (PR: 14) (E)

15. The Rivals of Amziah King (PR: 15) (E)

16. The Secret Agent (PR: 16) (E)

17. Die, My Love (PR: 18) (+1)

18. The Ballad of a Small Player (PR: 17) (-1)

19. No Other Choice (PR: 20) (+1)

20. Rental Family (PR: 22) (+2)

21. A House of Dynamite (PR: Not Ranked)

22. Is This Thing On? (PR: Not Ranked)

23. Ann Lee (PR: 21) (-2)

24. F1: The Movie (PR: 19) (-5)

25. The Smashing Machine (PR: 25) (E)

Dropped Out:

Sound of Falling

Nouvelle Vague

Best Director

Predicted Nominees:

1. Ryan Coogler, Sinners (PR: 1) (E)

2. Joachim Trier, Sentimental Value (PR: 2) (E)

3. Josh Safdie, Marty Supreme (PR: 3) (E)

4. Luca Guadagnino, After the Hunt (PR: 5) (+1)

5. Jafar Panahi, It Was Just an Accident (PR: 8) (+3)

Other Possibilities:

6. Guillermo del Toro, Frankenstein (PR: 4) (-2)

7. Chloé Zhao, Hamnet (PR: 6) (-1)

8. Jon M. Chu, Wicked: For Good (PR: 10) (+2)

9. Paul Thomas Anderson, One Battle After Another (PR: 7) (-2)

10. Yorgos Lanthimos, Bugonia (PR: 9) (-1)

11. Noah Baumbach, Jay Kelly (PR: 11) (E)

12. Andrew Patterson, The Rivals of Amziah King (PR: 14) (+2)

13. Kieber Mendonça Filho, The Secret Agent (PR: 13) (E)

14. James Cameron, Avatar: Fire and Ash (PR: 15) (+1)

15. Scott Cooper, Springsteen: Deliver Me from Nowhere (PR: 12) (-3)

Best Actress

1. Renate Reinsve, Sentimental Value (PR: 1) (E)

2. Julia Roberts, After the Hunt (PR: 2) (E)

3. Cynthia Erivo, Wicked: For Good (PR: 3) (E)

4. Jessie Buckley, Hamnet (PR: 4) (E)

5. Jennifer Lawrence, Die, My Love (PR: 5) (E)

Other Possibilities:

6. Amanda Seyfried, Ann Lee (PR: 6) (E)

7. Rose Byrne, If I Had Legs I’d Kick You (PR: 8) (+1)

8. Emma Stone, Bugonia (PR: 7) (-1)

9. Tessa Thompson, Hedda (PR: 9) (E)

10. Emma Mackey, Ella McCay (PR: 10) (E)

11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)

12. Amy Adams, At the Sea (PR: 14) (+2)

13. Lucy Liu, Rosemead (PR: 13) (E)

14. June Squibb, Eleanor the Great (PR: 12) (-2)

15. Anne Hathaway, Mother Mary (PR: Not Ranked)

Dropped Out:

Eva Victor, Sorry, Baby

Best Actor

Predicted Nominees:

1. Timothée Chalamet, Marty Supreme (PR: 1) (E)

2. George Clooney, Jay Kelly (PR: 3) (+1)

3. Jeremy Allen White, Springsteen: Deliver Me from Nowhere (PR: 2) (-1)

4. Wagner Moura, The Secret Agent (PR: 5) (+1)

5. Michael B. Jordan, Sinners (PR: 4) (-1)

Other Possibilities:

6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)

7. Matthew McConaughey, The Rivals of Amziah King (PR: 8) (+1)

8. Jesse Plemons, Bugonia (PR: 7) (-1)

9. Colin Farrell, The Ballad of a Small Player (PR: 11) (+2)

10. Oscar Isaac, Frankenstein (PR: 10) (E)

11. Daniel Day-Lewis, Anemone (PR: 11) (E)

12. Dwayne Johnson, The Smashing Machine (PR: 12) (E)

13. Brendan Fraser, Rental Family (PR: 15) (+2)

14. Will Arnett, Is This Thing On? (PR: Not Ranked)

15. Matthew McConaughey, The Lost Bus (PR: Not Ranked)

Dropped Out:

Denzel Washington, Highest 2 Lowest

Willem Dafoe, Late Fame

Best Supporting Actress

Predicted Nominees:

1. Ariana Grande, Wicked: For Good (PR: 1) (E)

2. Ayo Edebiri, After the Hunt (PR: 2) (E)

3. Gwyneth Paltrow, Marty Supreme (PR: 3) (E)

4. Elle Fanning, Sentimental Value (PR: 6) (+2)

5. Angelina LookingGlass, The Rivals of Amziah King (PR: 5) (E)

Other Possibilities:

6. Jennifer Lopez, Kiss of the Spider Woman (PR: 8) (+2)

7. Laura Dern, Jay Kelly (PR: 7) (E)

8. Inga Ibsdotter Lilleass, Sentimental Value (PR: 9) (+1)

9. Teyana Taylor, One Battle After Another (PR: 4) (-5)

10. Regina Hall, One Battle After Another (PR: 10) (E)

11. Emily Blunt, The Smashing Machine (PR: 11) (E)

12. Hailee Steinfeld, Sinners (PR: 12) (E)

13. Wunmi Mosaku, Sinners (PR: 15) (+2)

14. America Ferrera, The Lost Bus (PR: Not Ranked)

15. Mari Yamamoto, Rental Family (PR: 14) (-1)

Dropped Out:

Emily Watson, Hamnet

Best Supporting Actor

Predicted Nominees:

1. Adam Sandler, Jay Kelly (PR: 1) (E)

2. Stellan Skarsgård, Sentimental Value (PR: 2) (E)

3. Andrew Garfield, After the Hunt (PR: 3) (E)

4. Delroy Lindo, Sinners (PR: 5) (+1)

5. Jeremy Strong, Springsteen: Deliver Me from Nowhere (PR: 4) (-1)

Other Possibilities:

6. Sean Penn, One Battle After Another (PR: 6) (E)

7. Paul Mescal, Hamnet (PR: 7) (E)

8. Robert Pattinson, Die, My Love (PR: 11) (+3)

9. Jonathan Bailey, Wicked: For Good (PR: 10) (+1)

10. Miles Caton, Sinners (PR: 8) (-2)

11. Mark Hamill, The Life of Chuck (PR: 9) (-2)

12. Bradley Cooper, Is This Thing On? (PR: Not Ranked)

13. Jacob Elordi, Frankenstein (PR: 13) (E)

14. Stephen Graham, Springsteen: Deliver Me from Nowhere (PR: 12) (-2)

15. Akira Emoto, Rental Family (PR: Not Ranked)

Dropped Out:

Jeffrey Wright, Highest 2 Lowest

Benicio del Toro, One Battle After Another

Best Picture 2012: The Final Five

My latest Final Five post brings us to 2012 and the Oscars that occurred nearly a decade ago. If you’re reading this series for the first time, this is where I whittle the 8-10 Best Picture nominees from every year since 2009 to five. As you may know, it was in 2009 that the Academy stopped listing a quintet of movies for the big prize and expanded it upwards. If you missed my write-ups about 2009, 2010, and 2011 – you can access them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

As we do with each year, we start with the obvious. Ben Affleck’s Argo certainly would have made the cut since it won BP. 2012 was a strange year with the Academy’s voters. Argo emerged as the first film since 1989’s Driving Miss Daisy where the BP recipient’s director wasn’t nominated in that category. It’s happened twice since with 2018’s Green Book and last year’s CODA. I will admit that picking a fifth entry was challenging. The other 3 besides Argo seem pretty clear. Let’s get into it!

Amour

Michael Haneke’s French drama was the easy winner of Foreign Language Film and nabbed 3 other nods: Director, Actress (Emmanuelle Riva), and Original Screenplay.

Does It Make the Final Five?

No, though an argument can certainly be made. I would venture that with only five, the narrative would’ve been that it had no trouble in the foreign race and that would be the reward.

Beasts of the Southern Wild

This micro-budgeted indie fantasy from Benh Zeitlin scored a surprise directing nod as well as Actress (Quvanzhane Wallis) and Adapted Screenplay.

Does It Make the Final Five?

No. It received the least amount of nominations of the nine nominees and won none of its four mentions. That said, it’s not entirely out of the question that it could have snuck in.

Django Unchained

Quentin Tarantino scored the biggest hit of his career with this Western which won Original Screenplay and Supporting Actor (Christoph Waltz). It also received nods for Cinematography and Sound Editing.

Does It Make the Final Five?

No, though an argument can be made yet again (especially with the Original Screenplay victory). That said, misses for directing and editing are indications that it might have just missed.

Les Miserables

With 8 nominations and wins for Supporting Actress (Anne Hathaway), Sound Mixing, and Makeup and Hairstyling, the adaptation of the famed musical was one of the biggest box office performers of the bunch.

Does It Make the Final Five?

No… and stop me if you’ve heard this before… but an argument could be made. Like Django, the directing and editing omissions prevent me from saying it is top five.

Life of Pi

Ang Lee’s visually striking adaptation of a bestseller tied with most nominations (11). Lee would win for his behind the camera work and it would pick up gold statues for Score, Cinematography, and Visual Effects. Unlike our last two contenders, it did receive an editing nod.

Does It Make the Final Five?

Yes. Furthermore, it was probably the runner-up for the win.

Lincoln

Steven Spielberg’s historical tale was the other movie to receive 11 nominations. The sole win was for Daniel Day-Lewis’s embodiment of the 16th POTUS in Best Actor.

Does It Make the Final Five?

Yes. Despite the 1 for 11 showing, the sheer number of nods strongly suggest its inclusion.

Silver Linings Playbook

With 8 nominations and Jennifer Lawrence taking Best Actress, this was the rare pic that scored nominations in all 4 acting derbies. Unlike Lawrence – Bradley Cooper, Robert De Niro, and Jacki Weaver didn’t win their respective races. This was also up for David O. Russell’s direction, Adapted Screenplay, and Editing.

Does It Make the Final Five?

Yes – based on where else it landed attention.

Zero Dark Thirty

Kathryn Bigelow’s follow-up to her Oscar winning The Hurt Locker won Sound Editing. Jessica Chastain was up for Actress with Original Screenplay and Editing nods making it five overall. Bigelow’s snub in the directing race was unexpected.

Does It Make the Final Five?

Yes, but this is the one I’m most unsure about. One could easily make the case for Amour or Beasts or Django or Les Miserables. The fact that this had the screenplay nod and editing made me pick it.

So in my view your abbreviated 2012 BP lineup would be:

Argo

Life of Pi

Lincoln

Silver Linings Playbook

Zero Dark Thirty 

2013 is up next!

Summer 2002: The Top 10 Hits and More

In the turbulent months that followed the terrorist attacks of 9/11, domestic audiences needed some escapism at the box office. In the Christmas season of 2001, they found it with Harry Potter and the Sorcerer’s Stone and Lord of the Rings: The Fellowship of the Ring. 

By summer 2002, moviegoers turned out in record-setting droves for the first big screen treatment of an iconic superhero.

20 years later, that’s one thing that hasn’t changed as Spidey continues to dominate the charts. It all started with a memorable upside down kiss. Before we go there, there’s plenty more to discuss for the cinematic summer of two decades past.

As I do every season on the blog, I’m recounting the top 10 hits, other notable features, and flops from 30, 20, and 10 years ago. If you missed my post covering 1992, it’s right here:

Summer 1992: The Top 10 Hits and More

Let’s begin with that top 10!

10. Mr. Deeds

Domestic Gross: $126 million

When Adam Sandler remade Frank Capra, the result was another blockbuster for the star and a needed one after his previous pic Little Nicky was a rare commercial flop.

9. Minority Report

Domestic Gross: $132 million

The first and still only collaboration between Tom Cruise and Steven Spielberg is a prescient sci-fi tale and its reputation has grown since its release. It’s my personal favorite film of 2002.

8. xXx

Domestic Gross: 142 million

Riding high off the success of the previous summer’s The Fast and the Furious, Rob Cohen and Vin Diesel reunited for this over the top action flick. A sequel would follow three years later without Diesel’s involvement (Ice Cube starred instead), but Vin would return to the role in 2017.

7. Lilo & Stitch

Domestic Gross: $145 million

This Disney animated effort performed just fine (if not in the stratosphere of some 90s gems) and spawned numerous direct-to-video follow-ups. A live-action version is being planned.

6. Scooby-Doo

Domestic Gross: $153 million

Critics might have thought it was a dog, but crowds lapped up this live-action/animated hybrid based on the very 1970s cartoon. Scoob and the gang would return two years later for part 2. Fun fact: James Gunn of Guardians of the Galaxy fame wrote the script.

5. Men in Black II

Domestic Gross: $190 million

Will Smith and Tommy Lee Jones teamed up again for the sci-fi comedic spectacle from Barry Sonnenfeld. This fell short of the original’s $250 million domestic haul and the reviewers weren’t impressed, but that didn’t prevent a third offering that will be discussed in my summer of 2012 post.

4. Austin Powers in Goldmember

Domestic Gross: $213 million

Mike Myers continued to flex his box office mojo alongside Beyonce, Michael Caine, and Mini-Me in this threequel that I believe surpassed the quality of predecessor The Spy Who Shagged Me. 

3. Signs

Domestic Gross: $227 million

After the more mixed reaction that Unbreakable garnered, M. Night Shyamalan’s Signs with Mel Gibson and Joaquin Phoenix was more of a return to crowd favorite status. What followed was several pics from him that drew considerably more ambivalent to negative vibes.

2. Star Wars: Episode II – Attack of the Clones

Domestic Gross: $302 million

$302 million is just dandy for nearly any movie, but this second prequel from George Lucas fell well short of the $431 million achieved by The Phantom Menace three summers prior. Many consider this the worst of the nine officials episodes. I’m one of them.

    1. Spider-Man

Domestic Gross: $403 million

When Sam Raimi’s spin on the webslinger kicked off the summer, it did so with the largest opening weekend of all time at $114 million (breaking a record that had just been set by the first Potter). Two sequels followed for the Tobey Maguire/Kirsten Dunst trilogy and, as we all know, the character has never left us. Spider-Man: No Way Home recently brought all 3 Spideys (Maguire, Andrew Garfield, Tom Holland) into its MCU Multiverse.

Now let’s move to some other notable titles from the season:

The Bourne Identity 

Domestic Gross: $121 million

While outside the top ten, Paul Greengrass’s action thriller with Matt Damon as an amnesiac spy is more influential than the bulk of the flicks above it. Damon would return to the role three times.

The Sum of All Fears

Domestic Gross: $118 million

Right behind Damon is his buddy Ben Affleck who took over the role of Jack Ryan (previously played by Alec Baldwin and Harrison Ford) in the Tom Clancy adapted hit.

Road to Perdition

Domestic Gross: $104 million

His follow-up to Best Picture winner American Beauty, the Depression era crime drama from Sam Mendes cast Tom Hanks against type as a hitman with Paul Newman as his underworld boss. This only nabbed a Cinematography Oscar, but reviews were mostly strong. It also provides a juicy role for pre-007 Daniel Craig.

Insomnia

Domestic Gross: $67 million

Hanks wasn’t the only legend stretching in a villainous turn. Robin Williams memorably did the same as he was pitted against Al Pacino’s detective in this chilly thriller from Christopher Nolan (three years before Batman Begins).

Unfaithful

Domestic Gross: $52 million

Adrian Lyne made a movie about another fatal attraction and Unfaithful earned Diane Lane an Oscar nomination as the cheating wife of Richard Gere.

And now for some movies that didn’t perform so well…

Reign of Fire

Domestic Gross: $43 million

This dragon centered fantasy arrived before Matthew McConaughey and Christian Bale would be Oscar winners a few years later. Critics weren’t kind and the box office failed to generate much fire.

Windtalkers

Domestic Gross: $40 million

John Woo’s financial win streak blew over with this World War II action drama headlined by Nicolas Cage that only managed 32% on Rotten Tomatoes.

K-19: The Widowmaker 

Domestic Gross: $35 million

Seven years before her Oscar winning The Hurt Locker, Kathryn Bigelow’s 1960s set submarine thriller with Harrison Ford was a pricey disappointment.

Halloween: Resurrection

Domestic Gross: $30 million

Michael Myers and Jamie Lee Curtis’s Laurie Strode are about to team up for the final (?) time in Halloween Ends in October. In 2002, this was the sequel to the successful Halloween H20 from 1998. This one was not so successful and it’s considered by many aficionados as the weakest of the whole franchise.

Bad Company

Domestic Gross: $30 million

One is a double Oscar winner and the other is one of greatest stand-ups of all time, but this cinematic pairing of Anthony Hopkins and Chris Rock in Joel Schumacher’s action comedy was met with a shrug.

Blood Work 

Domestic Gross: $26 million

Ten years after Unforgiven won Best Picture after its summer release, Clint Eastwood’s mystery didn’t work for critics or crowds.

The Adventures of Pluto Nash

Domestic Gross: $4 million

Speaking of legendary stand-ups, Eddie Murphy reached a career low point as sci-fi comedy Nash stands as one of cinema’s most notorious flops. Its budget was a reported $100 million and that’s not a misprint above… it made an embarrassing $4 million.

2012 is up next!

Best Picture 2009: The Final Five

And now for a new category on my blog that will update itself yearly after 13 initial posts covering 2009-21. It’s a simple concept. In 2009 – the Academy shifted their rules from a set amount of five Best Picture nominees to 10. That lasted for 2 years. In 2011, the number could fluctuate anywhere from 5-10. In most years, the magic number was 8 or 9 (it was never less than 8). Last year, the big race reverted back to a definite 10.

So… what if it hadn’t? What if 5 nominees was never altered? Well, Oscar speculators like yours truly would have to write posts predicting what would’ve been the final five. So that’s what this is all about.

Naturally it begins with 2009. Before that, something from 2008 might’ve contributed to the shift when The Dark Knight famously missed BP even though it was a critical darling and box office smash. A shift to 10 allowed popcorn favorites and smaller titles to make the cut. And they did.

When it comes to whittling down from 10 (or later 8 or 9) to five, there’s plenty of factors in play. What else did the movie get nominated for or win? Some races are more important than others like Director and Editing or the Screenplay derbies.

Yet it’s far from an exact science. This is educated guesswork based on Oscar history. I’ll walk through each title and give an ultimate Yes or No on whether it makes the five. The first is automatic and that’s whatever won. In 2009 that honor belonged to…

The Hurt Locker

Does It Make the Final Five?

Yes because it won Best Picture.

The other 9? That’s where it gets interesting. Let’s take them alphabetically, shall we?

Avatar

When Oscar nominations rolled out near the beginning of 2010, James Cameron’s 3D sensation was basking in the glow of becoming the biggest movie ever. That meant he was breaking his own record from 13 years earlier with Titanic. Cameron was nominated for Director – losing to ex-wife Kathryn Bigelow for Locker. The film also didn’t manage a Screenplay nod though Cameron is known more for his technical prowess than writing skills. On the tech side it managed 7 nods and won three (Art Direction, Cinematography, Visual Effects). So…

Does It Make the Final Five?

Yes. Though it lost a number of its nods to Locker, the gargantuan grosses would’ve been enough for it to advance.

The Blind Side

Sandra Bullock’s crowd pleasing football drama made her an Oscar winner. Yet those are the only two nominations it received as it couldn’t make the Adapted Screenplay shortlist. In fact, Avatar and this are the only two BP nominees not to see their scripts mentioned.

Does It Make the Final Five?

No. This is a perfect example of a blockbuster getting in due to the expansion that wouldn’t have with just five.

District 9

Neill Blomkamp’s acclaimed sci-fi tale was a surprise summer hit and he’s yet to replicate its mix of audience and critical appreciation. It was nominated in three other races – Adapted Screenplay, Visual Effects, and Film Editing. No wins.

Does It Make the Final Five?

This one is actually close for me. The screenplay and editing nods certainly make it doable. If it had landed Director, I’d probably say yes. A bit of a coin flip, but I’ll land on No.

An Education

The coming-of-age pic scored Carey Mulligan an Actress nod as well as Adapted Screenplay.

Does It Make the Final Five?

It’s not totally out of the realm of possibility that it could’ve snuck in, but gotta go No. It missed a Golden Globe nod for example and a lot of the focus was on Mulligan’s work.

Inglourious Basterds

Quentin Tarantino’s WWII opus was his return to significant awards attention 15 years following Pulp Fiction. In addition to the Pic nod, he was nominated for his direction and screenplay (losing both to Locker). Other nominations: Sound Editing, Sound Mixing, Cinematography, Film Editing, and a Supporting Actor victory for Christoph Waltz.

Does It Make the Final Five?

Yes. The 8 nominations are enough to indicate as much.

Precious

The breakthrough drama from Lee Daniels scored five other mentions for Directing, Gabourey Sidibe in Actress, Mo’Nique in Supporting Actress (a victory), Adapted Screenplay (another win), and Editing.

Does It Make the Final Five?

Yes. The screenplay win puts it over the top.

A Serious Man

The Coen Brothers dark comedy received just one other nod for their screenplay with acclaimed lead Michael Stuhlbarg missing the Best Actor cut.

Does It Make the Final Five?

Even with the love for its brotherly makers – No.

Up

As far as I’m concerned, the Pixar masterpiece’s first few minutes should win Best Picture every year. The tearjerker was a rare animated Best Picture contender and it contended for four others. It obviously won Animated Feature as well as Original Score in addition to mentions in Original Screenplay and Sound Editing.

Does It Make the Final Five?

I’m saying No, but I’m not sure of that. I’d probably put it sixth.

Up in the Air

Our other Up contender is Jason Reitman’s workplace dramedy which received six nods. The others were Director, Actor (George Clooney), Supporting Actress (both Vera Farmiga and Anna Kendrick), and Adapted Screenplay.

Does It Make the Final Five?

Yes. While it retrieved no statues, I think it would’ve just edged other hopefuls such as Up or District 9.

So that means if 2009 had just five Best Picture nominees, I believe they would’ve been:

The Hurt Locker (winner)

Avatar

Inglourious Basterds

Precious

Up in the Air 

An important note – the movies here match the five Best Director nominees. That’s rare and that will be rare in subsequent postings on years that follow. From 2000-2008 that only occurred twice (2005 and 2008). So don’t get used to it.

I shall return soon with my rumblings and final five for 2010!

Oscars 2021: The Case of Jane Campion

The third entry in my Case Of posts for the Best Director nominees belongs to Jane Campion for The Power of the Dog. If you missed the first two, you can find them here:

Oscars 2021: The Case of Paul Thomas Anderson

Oscars 2021: The Case of Kenneth Branagh

The Case for Jane Campion:

After a 12 year absence from filmmaking, New Zealand’s Campion made an acclaimed return with the Netflix drama. It led all movies in terms of nods with an even better than anticipated 13. Already the winner of the Golden Globe, Campion has been the frontrunner ever since Dog‘s release. She would become just the third female to take this race after Kathryn Bigelow with 2009’s The Hurt Locker and Chloe Zhao for last year’s Nomadland. 

The Case Against Jane Campion:

If Dog is simply all nominations and very few wins (similar to The Irishman from two years ago), we could see plenty of upsets and that would include Campion losing here.

Previous Nominations: 1 (for directing only)

The Piano (1993)

The Verdict:

In 1993, Campion was probably runner-up in this category to Steven Spielberg for Schindler’s List. Even though Spielberg is up against her again with West Side Story, Campion comes into this ceremony as the sturdy favorite. Even if Power doesn’t take Best Picture, I’d still likely be forecasting Campion in this competition and in Adapted Screenplay. That would add Oscars two and three to her mantle after an Original Screenplay victory for The Piano. 

My Case Of posts will continue with the third Best Actress hopeful – Penelope Cruz in Parallel Mothers…

2021 Oscar Nominations Reaction

And at last… they’re out! After months of speculating on the blog (starting all the way back with my initial predictions in August), the Oscar nominations for the 94th Academy Awards were unveiled early this morning.

As always, there’s shocking omissions and surprising additions. There’s races that went as planned. And (for me at least) there’s always that one tricky category where I end up going 2/5. This year it was Documentary Feature which is notoriously tough to figure out. On the flip side, I projected 4 out of the 20 feature film competitions with 5/5 accuracy. All in all – I went 82 for 105 on the picks.

Some initial thoughts before I break it down race by race. The Power of the Dog was easily the winner of the morning with 12 nods (even more than anticipated). It led all nominees with Dune second (10).

Other movies that either met or exceeded expectations: Drive My Car, King Richard, and Nightmare Alley (which was the only somewhat surprising BP addition). For others, it was more of a mixed bag. Belfast garnered 7 mentions but came up short in key tech indicators like Cinematography and Editing. The same can be said for Licorice Pizza. Seven was also the number for West Side Story, but it missed screenplay. Being the Ricardos got 3 acting nods but no Picture or screenplay. And even Dune, with the 10 nods, somehow missed a director nomination for Denis Villeneuve.

Then there’s House of Gucci, which showed up only in Makeup and Hairstyling. No Jared Leto (I predicted he’d be left off), but no Lady Gaga in Actress was perhaps the shocker of the day.

Let’s get into it and I’ll offer my initial take on what/who could win (my final predictions will come shortly before the March 27th show).

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

How I Did: 9/10

Commentary: My one miss was Alley coming in over Being the Ricardos. Make no mistake. With its 12 mentions, The Power of the Dog is undoubtedly the frontrunner. Yes, the Twitterverse will offer alternate theories. Could Drive My Car‘s impressive haul give us our second foreign BP winner in three years? Could Belfast or West Side Story spoil? I doubt it.

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

How I Did: 4/5

Commentary: Hamaguchi getting in wasn’t unforeseen. If so, I figured he’d do so over Anderson, Branagh, or Spielberg and certainly not Villeneuve. That’s what happened. Campion made history today by becoming the first female nominee to get a second nomination. All signs point to her becoming the third (after Kathryn Bigelow and Chloe Zhao) to win.

Best Actress

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

How I Did: 4/5

Commentary: We now arrive at the biggest head scratcher of the major categories. Gaga’s aforementioned omission is truly unexpected (Cruz takes her slot). The precursors (BAFTA, Globes, SAG) have been all over the map and there’s no obvious favorite. I would say Cruz doesn’t stand much of a chance, but the other four do (it’s a lot like last year’s Actress derby). This is also the first time since 2005 where no Actress hopeful has their film in contention for Best Picture. Kidman’s Globe win could help and we’ll see what SAG does, but this is wide open.

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, Tick, Tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

How I Did: 5/5

Commentary: That’s more like it! Smith (especially after Richard‘s good morning) is out ahead though I could see Cumberbatch definitely threatening after Dog‘s very good morning. Fun tidbit: not since 1980 has the Best Actor race consisted entirely of previous nominees until today.

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

How I Did: 3/5

Commentary: This was the first race announced today and the jaws of prognosticators dropped immediately. Buckley and (especially) Dench were not anticipated by most. I didn’t even have either as my runner-up or second alternate. They displace Ruth Negga (Passing) and Dench’s costar Caitriona Balfe. While the lineup is different than we thought, the frontrunner (DeBose) remains the same with Dunst (getting her first nod) as a possible upset pick.

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

How I Did: 4/5

Commentary: Simmons in over Bradley Cooper in Licorice Pizza. Mr. Cooper has two movies contending for BP but no singling out to show for it. Smit-McPhee may be out in front but a Kotsur victory is feasible.

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

How I Did: 3/5

Commentary: Worst Person is the surprise. I didn’t predict Richard though its  inclusion was expected. They’re in over Ricardos and Parallel Mothers (which was admittedly a bit of an upset pick from me). This should be between Belfast and Pizza and it may represent the best opportunity for either to grab a statue.

Tidbit: since 2001, there was at least one screenplay contender where it served as its only nomination. Until today.

Best Adapted Screenplay

Nominees:

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog

How I Did: 5/5

Commentary: Let’s not overcomplicate it when we don’t need to. Power is far and away the leader in this pack.

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

How I Did: 5/5

Commentary: This went as planned. There are three Disney products in the group, but the other two (Flee, Mitchells) are potential roadblocks to Encanto winning. Yet betting against Disney usually isn’t wise in this one and Encanto will probably take it.

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

How I Did: 3/5

Commentary: I’m gonna go ahead and say Lunana is the first Oscar contender with Yak in its title without checking (correct me if wrong). It surprisingly gets in (along with far less surprising The Hand of God) over A Hero and Playground. This one’s simple: anything other than Car would be a massive upset.

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

How I Did: 2/5

Commentary: There’s that blasted 2 for 5 race! Ascension, Attica, and Fire are up over my selections of Faye Dayi, Procession, and The Rescue (its omission is stunning considering it was a contender to win).

Flee made history by becoming the first film to be nominated for Animated Feature, International Feature Film, and here. This race probably marks its best chance to win, but I wouldn’t sleep on Summer of Soul. 

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

How I Did: 4/5

Commentary: Alley over Belfast. Get used to hearing this with the tech categories – Dune might be out in front. Dog could threaten.

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

How I Did: 4/5

Commentary: Cyrano‘s sole nod comes here. I had House of Gucci instead. Dune can’t win all the techs and Cruella could take this.

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

Tick, Tick… Boom!

How I Did: 3/5

Commentary: Richard and Boom! over Belfast and Licorice Pizza. The Belfast omission is particularly notable as BP victors nearly always are nominated here. This could be more Dune gold.

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

How I Did: 4/5

Commentary: Went with Suicide Squad over Coming 2 America. Despite its bad performance this morning, Gucci could win this. Or it might just go to Dune.

Best Original Score

Nominees:

Don’t Look Up

Dune

No Time to Die

Parallel Mothers

The Power of the Dog

How I Did: 4/5

Commentary: Went with The French Dispatch (which goose egged) over Mothers. As for the winner (get ready for it) – expect Dune or Dog.

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

How I Did: 4/5

Commentary: Maybe the surprise here shouldn’t be with “Somehow You Do” over “Just Look Up” from Don’t Look Up. After all, this marks Diane Warren’s 13th nomination and sixth in the last seven years. She’s never won and won’t this time.

“Be Alive” from Beyonce or “Oruguitas” could get it, but “No Time to Die” from Billie Eilish could be the third Bond theme in a row to be celebrated.

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

How I Did: 4/5

Commentary: Another category where I said French Dispatch and missed. Power gets in instead. While Dune is strong, I wouldn’t be startled to see this as the lone victory for Nightmare Alley.

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

How I Did: 5/5

Commentary: You should hear Dune‘s name called.

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

How I Did: 3/5

Commentary: Free Guy and Spidey over The Matrix Resurrections and Godzilla vs. Kong. As for the winner: See Best Sound.

Here’s the overall nominations break down:

12 Nominations

The Power of the Dog

10 Nominations

Dune

7 Nominations

Belfast, West Side Story

6 Nominations

King Richard

4 Nominations

Don’t Look Up, Drive My Car, Nightmare Alley

3 Nominations

Being the Ricardos, CODA, Encanto, Flee, Licorice Pizza, The Lost Daughter, No Time to Die, The Tragedy of Macbeth

2 Nominations

Cruella, The Eyes of Tammy Faye, Parallel Mothers, Tick, Tick… Boom!, The Worst Person in the World

1 Nomination

Ascension, Attica, Coming 2 America, Cyrano, Four Good Days, Free Guy, The Hand of God, House of Gucci, Luca, Lunana: A Yak in the Classroom, The Mitchells vs. the Machines, Raya and the Last Dragon, Shang-Chi and the Legend of the Ten Rings, Spencer, Spider-Man: No Way Home, Summer of Soul, Writing with Fire

Starting very shortly, you can peruse my Case Of posts in which I write individualized posts for all the contenders in Picture, Director, and the four acting races!

Summer 1991: The Top 10 Hits and More

It is officially summertime 2021 and that brings my annual seasonal three-part series where I take a look back at the top ten pics, flops, and other notable selections from 30, 20, and 10 years ago. That means I’ll begin with 1991 at a time where Arnold Schwarzenegger said hasta la vista to all competitors.

Let’s count down from #10 to numero Ah-nuld along with other entries worthy of discussion (both good and bad).

10. Doc Hollywood

Domestic Gross: $54 million

Michael J. Fox had a midsize hit with this fish out of water comedy about an uppity surgeon stuck in the rural south. It marks the star’s last solid performer that he headlined.

9. Boyz n the Hood

Domestic Gross: $57 million

John Singleton had one of cinema’s most memorable directorial debuts with this coming-of-age drama set in South Central. He would become the youngest filmmaker ever to be nominated at the Oscars and the critically hailed pic kickstarted the careers of Cuba Gooding Jr. and Ice Cube.

8. One Hundred and One Dalmatians 

Domestic Gross: $60 million

Disney re-released their 1961 classic three decades after its release and picked up a cool $60 million for it. Later in 1991, the studio would begin another renaissance with Beauty and the Beast becoming the first animated film to nab a Best Picture nomination. Five years later, Glenn Close would headline the live-action version and another reboot, Cruella with Emma Stone, is currently in the top five.

https://www.youtube.com/watch?v=Ei-2hZTmDpk

7. What About Bob?

Domestic Gross: $63 million

Bill Murray had one of his signature roles as the multi-phobic patient tormenting shrink Richard Dreyfuss on his vacation. Apparently this comedy was a bit dramatic behind the scenes with the two leads having an actual antagonistic relationship.

6. Hot Shots!

Domestic Gross: $69 million

Spoofs were a hot commodity in the early 90s following the success of 1988’s The Naked Gun. Jim Abrahams, one of that film’s writers, created this sendup of Top Gun and many others that starred Charlie Sheen. A sequel would follow two years later.

5. Backdraft

Domestic Gross: $77 million

Ron Howard directed this firefighting drama that heated up the box office with Kurt Russell, William Baldwin, Robert De Niro, and a creepy Donald Sutherland as a pyromaniac. There was even a sequel released in 2019 with Baldwin and Sutherland that went direct to streaming and that I frankly forgot existed.

4. The Naked Gun 2 1/2: The Smell of Fear

Domestic Gross: $86 million

The spoofing love continued as Leslie Nielsen reprised his role as doofus detective Frank Drebin in this sequel to the 1988 classic. It couldn’t hold up the original, but it was better than part 3 which followed in 1994. And, needless to say, this was a simpler time for costar O.J. Simpson.

3. City Slickers

Domestic Gross: $124 million

As New Yorkers learning life lessons on a cattle drive, Billy Crystal, Daniel Stern, and Bruno Kirby starred in the comedy smash of the summer and costar Jack Palance even ended up with a Best Supporting Actor victory. A less regarded follow-up would come in 1994.

2. Robin Hood: Prince of Thieves

Domestic Gross: $165 million

While his accent was spotty at best, Kevin Costner parlayed his Oscar success from the previous year’s Dances with Wolves into this blockbuster about the robbing from the rich and giving to the poor hero. The highlight was Alan Rickman’s sublime work as the Sheriff of Nottingham while critics mostly turned up their noses.

1. Terminator 2: Judgment Day

Domestic Gross: $204 million

Arnold Schwarzenegger’s android went from being the bad guy in the 1984 original to the good robot in James Cameron’s sequel that gave us eye popping and revolutionary special effects and a dynamite Linda Hamilton returning as a buffed up Sarah Connor. There’s been four more entries in the franchise and none have matched the potency of this one.

Now let’s turn the focus to some other notable releases:

Thelma & Louise

Domestic Gross: $45 million

Susan Sarandon and Geena Davis both scored lead actress Academy nods for Ridley Scott’s now iconic tale of feminism and revenge with an unforgettable ending. This also marked audiences falling in love with a then unknown actor by the name of Brad Pitt.

Point Break

Domestic Gross: $43 million

Patrick Swayze starred in the previous summer’s high earner with Ghost. This surfing action pic from director Kathryn Bigelow paired the actor with Keanu Reeves and has amassed a deserved cult following. An unnecessary remake wiped out in 2015.

Dead Again

Domestic Gross: $38 million

Kenneth Branagh’s sophomore effort after the acclaim of his Shakespearian Henry V was this Hitchcock homage costarring his then wife Emma Thompson, Andy Garcia, and Robin Williams. As tributes to the Master of Suspense go, this is one of the best.

Soapdish

Domestic Gross: $38 million

Sally Field, Kevin Kline, Robert Downey, Jr., and Whoopi Goldberg are part of the ensemble in this comedy set in the world of the afternoon melodramas that populate the airwaves. Not a big hit at the time, its reception has since grown.

Jungle Fever

Domestic Gross: $32 million

Spike Lee’s tale of an interracial couple played by Wesley Snipes and Annabella Sciorra received critical kudos. The two most memorable performances come from Samuel L. Jackson as a crack addict and Halle Berry (in her feature debut) as his girlfriend.

Madonna: Truth or Dare

Domestic Gross: $15 million

As she often is, Madonna was ahead of the cultural curve with this documentary set during her 1990 Blond Ambition Tour. This was reality programming before it exploded.

Barton Fink

Domestic Gross: $6 million

The Coen Brothers pitch black comedy was the darling of the Cannes Film Festival, winning Picture, Director, and Actor for John Turturro. It would land three Academy nominations including Michael Lerner in Supporting Actor.

Now it’s time for the pictures that either didn’t land with audiences or critics (or both):

The Rocketeer

Domestic Gross: $46 million

Disney was hoping for a new franchise with this comic book based property. Yet the period adventure underwhelmed at the box office. This was a different era for the genre before the MCU changed everything. Director Joe Johnston, coincidentally, would go on to make Captain America: The First Avenger 20 years later.

Dying Young

Domestic Gross: $33 million

This seems hard to believe now, but Premiere magazine predicted this romance would be the largest grossing feature of the summer. Not so much. However, Julia Roberts was just coming off her smash breakthrough Pretty Woman. This didn’t land with audiences in the same way.

Only the Lonely

Domestic Gross: $25 million

Chris Columbus was basking in the box office bonanza that was Home Alone. This rom com with John Candy and Ally Sheedy that followed six months later didn’t cause many filmgoers to leave their homes.

Mobsters

Domestic Gross: $20 million

1990 was gave us lots of mobster fare such as GoodFellas, The Godfather Part III, and Miller’s Crossing. Crowds and critics didn’t take to the Christian Slater and Patrick Dempsey versions of Lucky Luciano and Meyer Lansky, respectively.

Hudson Hawk

Domestic Gross: $17 million

Bruce Willis’s vanity project is considered one of the gargantuan flops in history. Grossing only about a fourth of its $65 million budget, it was awarded the Golden Raspberry for Worst Picture of the year.

V.I. Warshawski

Domestic Gross: $11 million

Based on a series of successful novels, audiences didn’t take to Kathleen Turner in the title role for this detective action comedy. It made less than half its budget.

Delirious

Domestic Gross: $5 million

Also set in the world of soap operas, this marked another dud for John Candy in the same season.

Another You

Domestic Gross: $2 million

Richard Pryor and Gene Wilder are a classic combo with well-regarded comedies like Silver Streak and Stir Crazy. Even See No Evil, Hear No Evil in 1989, despite critical scorn, performed well. That’s not the case with their last collaboration (which reviewers also drubbed).

And that concludes my look back at summer 1991. Next up is the sweltering season of 2001!

Oscars 2020: The Case of Chloe Zhao

My Case Of posts in the Best Director category reaches its fifth and final hopeful with Chloe Zhao for Nomadland. If you missed the previous four, you can find them here:

https://toddmthatcher.com/2021/03/26/oscars-2020-the-case-of-lee-isaac-chung/

Oscars 2020: The Case of Emerald Fennell

Oscars 2020: The Case of David Fincher

Oscars 2020: The Case of Thomas Vinterberg

The Case for Chloe Zhao

Nomadland is absolutely the frontrunner to win Best Picture and oftentimes it matches with director (though not quite as much in recent years). Even if something upsets Nomadland in the big race, Zhao has made it a clean sweep at the precursors and that includes BAFTA, DGA, Critics Choice Awards, Golden Globes, and many other regional critics group awards. Zhao (who will next take on the MCU’s Eternals) will also make some history by becoming the second female to take the gold after Kathryn Bigelow (The Hurt Locker) in 2009.

The Case Against Chloe Zhao

To be blunt – there really isn’t one. I suppose only if the Academy doesn’t embrace Nomadland like other awards bodies have and that appears unlikely.

The Verdict

Some of the major categories have some suspense around them. This one doesn’t. Zhao appears primed for victory.

My Case Of posts will continue with Carey Mulligan in Promising Young Woman…

DGA: The Zhaomentum Continues

The Directors Guild of America (DGA) is a pretty darn accurate predictor of who will win at the Academy Awards. In the past 20 years, the DGA and Oscar winners for Best Director have matched 17 times. It is worth noting that one of the 3 non matches was last year as Sam Mendes (1917) took DGA while Bong Joon Ho (Parasite) took the Academy’s gold.

Tonight the DGA held their ceremony and it went as expected with Chloe Zhao (Nomadland) emerging victorious. This goes along with her numerous critics groups prizes and the Golden Globe and Critics Choice Award. Anyone else being named this evening would have been a surprise and it’s further evidence that Zhao is the strong favorite for Oscar. If so, she will become the second female to do so after Kathryn Bigelow for 2009’s The Hurt Locker.

This is also more evidence that Nomadland itself is in the driver’s seat for Best Picture as the Academy’s ceremony is just 15 days away. Bottom line: the Zhaomentum continues and none of the other nominees appear capable of interrupting it.