The Curse of Bridge Hollow Review

Marlon Wayans is a frequent presence in comedic horror mashups and they’ve been of the R rated variety with Scary Movie and its first sequel and A Haunted House and its follow-up. On the Netflix circuit, The Curse of Bridge Hollow ditches the scatological humor for a family friendly concoction about a Halloween obsessed town where the decorations come to life. It’s not hard to envision Adam Sandler or Eddie Murphy in the Dad role that Wayans fills. In fact, Sandler mined similar territory recently with Hubie Halloween. This one isn’t exactly a treat, but I found it more tolerable than that one.

Howard Gordon (Wayans) is a science teacher transported from Brooklyn to Bridge Hollow, a small New England town that looks quaint but is far from it. The residents wear their Patriots jerseys loudly and talk even more thunderously about the town’s spooky history. It involves the tale of Stingy Jack, whose mythology gave us the Jack-o’-lantern. You don’t want to wake him and that’s precisely what Howard’s teenage daughter Sydney does when they settle into their haunted house. She’s played by Priah Ferguson, a consistent bright spot on Netflix’s Stranger Things. The father/daughter relationship is a cliched one with Howard as the overbearing holiday skeptic who just needs to listen more. Mom (Kelly Rowland) really gets the short shrift. Her defining character trait is that she bakes inedible vegan desserts. The screenplay could’ve done better than “the wife can’t cook” material for the former Destiny’s Child and Freddy vs. Jason star.

Priah and Dad must get over their differences as they battle a slew of creatures of the crawly and skeletal variety. The special effects aren’t half bad. Hollow is aimed squarely at delighting kids and placating the adult supervision. It’s an easy and breezy watch and Wayans seems committed to the part. That’s more than I could say for Murphy, who appeared downright bored in The Haunted Mansion. Ferguson, on the other hand, doesn’t quite get to display the personality that’s so winning on her smash hit role as Erica Sinclair. A few chuckles come from a supporting cast including Rob Riggle, John Michael Higgins, and Lauren Lapkus as Bridge Hollow’s very New England accented Mayor.

Jeff Wadlow, whose traditional scary movies Truth or Dare and Fantasy Island were subpar, directs. Bridge Hollow is better than either of them. I realize all of my compliments likely sound hollow. That’s not inaccurate, but youngsters could do worse than dialing this up and the more seasoned viewer shouldn’t curse themselves for having to watch it.

**1/2 (out of four)

Licorice Pizza Review

I’ve been grooving to the beat of Paul Thomas Anderson’s cinematic vibes for a quarter century. There was the magnificent Boogie Nights in 1997 and the iconic Daniel Day-Lewis milkshake monologue in There Will Be Blood ten years later. A decade after that, my PTA appetite was satiated by Phantom Thread.

His latest is Licorice Pizza and it’s his most laid back experience. This coming-of-age slice of life takes place in the Valley circa 1973. It feels lived in and authentic and personal. There’s individual scenes where the filmmaker’s brilliance is on full display. Like all of his efforts, there’s memorable performances. And unlike most of his catalogue, this Almost Famous feeling flick has flaws I couldn’t overlook. It’s almost joyous and almost worth the viewing and ultimately more problematic than rewarding.

Loosely based on the teen years of former child actor Gary Goetzman (now a highly successful producing partner of Tom Hanks), Cooper Hoffman is 15-year-old Gary Valentine. He’s costarred in movies and commercials and is far more confident than anyone his age has a right to be. That self-assured nature is evident when he asks 25-year-old photographer’s assistant Alana Kane (Alana Haim) out on a date. She rebuffs his advances at first but ends up meeting him out. The two strike up a friendship and the benefit for us is watching Hoffman and Haim shine in their acting debuts. The son of Anderson’s late frequent collaborator Philip Seymour Hoffman and one third of a well-known rock band, Hoffman and Haim are naturals. The drawback is an age difference I couldn’t overlook… so let’s go there.

This is where the sunny tone of Pizza conflicted with their borderline (perhaps over borderline) inappropriate coupling. It’s not overtly sexual and Alana is well aware that hanging with the decade younger Gary is far from normal. Yet there’s enough of a leftover distasteful feeling that it hindered the entertainment value for me. One could argue Gary is more mature than Alana and perhaps that justifies some of what happens. That’s a tough needle to thread and I just couldn’t get there.

Pizza has a lazy hangout atmosphere that recalls Tarantino’s Once Upon a Time in Hollywood. Like that picture, it’s steeped in exploring a different showbiz era and the technical aspects we expect from PTA (production design, cinematography, costumes, and more) are top notch.

The episodic nature is hit or miss. Pizza‘s best course involves Bradley Cooper as hairdresser turned producer Jon Peters. His segment moves at a thrilling clip as Gary’s failing waterbed business and the 70s era gasoline shortage play important roles. I can’t say the same for Sean Penn’s bit as an aging movie star (based on William Holden) and his motorcycle exploits. By the time we arrive at Alana trying a new career as a campaign worker for conflicted mayoral candidate Joel Wachs (Benny Safdie), the pic was starting to run on fumes.

When a director of immense capabilities makes an almost misfire, there’s no denying it’s more of a letdown. That’s where I stand with Licorice Pizza and it brings me no joy to deliver that news.

**1/2 (out of four)

Pitch Perfect 3 Box Office Prediction

Blogger’s Note (12/20/17): I am revising my PP3 estimate from $40.6 million for the four-day to $33.6 million.

The Bellas are back for the holidays as Pitch Perfect 3 hits theaters next Friday. Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, Alexis Knapp, and Hana Mae Lee are among returnees alongside Elizabeth Banks and John Michael Higgins. Newcomers to the series include Ruby Rose and John Lithgow. Trish Sie directs.

The 2012 original was a sleeper hit which grossed $65 million and then became more of a sensation once it became available for home viewing. The summer 2015 sequel shocked all prognosticators with a $69 million opening weekend (topping its predecessor’s entire domestic run) and $184 million overall.

It’s no surprise therefore that Universal Pictures wanted a third helping of accapella comedy. Two and a half years later, Pitch 3 faces competition even in its own musical genre with Hugh Jackman’s The Greatest Showman debuting two days prior. That said, the Bellas appear to have a built-in audience and it could be dangerous to underestimate them.

I still believe Pitch 2 could turn out to be the high water mark in the franchise. A debut in the low to mid 40s would probably put part 3 in the #3 spot behind the second weekend of Star Wars and the first for Jumanji: Welcome to the Jungle. Yet with its reported smallish budget of $45 million, that should still be music to the studio’s ears.

Pitch Perfect 3 opening weekend prediction: $33.6 million (Friday to Monday estimate)

For my Jumanji: Welcome to the Jungle prediction, click here:

https://toddmthatcher.com/2017/12/11/jumanji-welcome-to-the-jungle-box-office-prediction/

For my The Greatest Showman prediction, click here:

https://toddmthatcher.com/2017/12/12/the-greatest-showman-box-office-prediction/

For my Downsizing prediction, click here:

https://toddmthatcher.com/2017/12/13/downsizing-box-office-prediction/

For my Father Figures prediction, click here:

https://toddmthatcher.com/2017/12/14/father-figures-box-office-prediction/

Almost Christmas Box Office Prediction

Next weekend comes the first Christmas themed title as Almost Christmas presents itself in theaters. The pic comes from director David E. Talbert, maker of 2008’s First Sunday and 2013’s Baggage Claim. The comedic drama focuses on a dysfunctional holiday family gathering with a cast that includes Kimberly Elise, Mo’Nique, Gabrielle Union, Danny Glover, Jessie Usher, Danny Glover, Nicole Ari Parker, Omar Epps, John Michael Higgins, and Romany Malco.

Christmas should benefit from both its release date and the fact that it could attract a sizable African American audience. One decent comp would be 2007’s This Christmas, which debuted to $17.9 million. A more unlikely comp would be 2013’s The Best Man Holiday, which shocked the industry with an opening of over $30M.

I’ll say Almost Christmas manages a merry start in the high teens range.

Almost Christmas opening weekend prediction: $18.3 million