And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and lead actor and they can be found here:
That brings us to Best Actress. When I gave you my first picks in April of 2024, I did not name any of the eventual nominees in my projected quintet (unlike the other acting races where I got at least one or two). Only Karla Sofia Gascón was listed as an other possibility for Emilia Pérez. The eventual winner Mikey Madison (Anora) and fellow nominees Cynthia Erivo (Wicked, whose category placement was uncertain at the time), Demi Moore (The Substance), and Fernanda Torres (I’m Still Here) had yet to reach my radar.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in supporting. And there will be movies we are not even anticipating that will rise up with performances currently not on the radar. This was clearly the case last year when Cannes vaulted Madison and Moore into an eventual tight competition for the victory.
This premiere post projects a repeat nod for Ms. Erivo for the second helping of Wicked in as many years and Julia Roberts back in the mix 25 years after taking this prize for Erin Brockovich.
Here’s the first snapshot with Best Director up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 98TH ACADEMY AWARDS
In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).
Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.
Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.
10. How to Train Your Dragon 2
Domestic Gross: $177 million
While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.
9. Teenage Mutant Ninja Turtles
Domestic Gross: $191 million
With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.
8. 22 Jump Street
Domestic Gross: $191 million
Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.
7. Godzilla
Domestic Gross: $200 million
It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick
6. The Amazing Spider-Man 2
Domestic Gross: $202 million
While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.
5. Dawn of the Planet of the Apes
Domestic Gross: $208 million
The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.
4. X-Men: Days of Future Past
Domestic Gross: $233 million
This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.
3. Maleficent
Domestic Gross: $241 million
After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.
2. Transformers: Age of Extinction
Domestic Gross: $245 million
Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.
1. Guardians of the Galaxy
Domestic Gross: $233 million
This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.
And now let’s cover some other flicks from ’14 that had crowds and critics chatting.
Neighbors
Domestic Gross: $150 million
The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.
Lucy
Domestic Gross: $126 million
Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.
The Fault in Our Stars
Domestic Gross: $124 million
John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.
Edge of Tomorrow
Domestic Gross: $100 million
Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.
Let’s Be Cops
Domestic Gross: $82 million
This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.
Chef
Domestic Gross: $31 million
After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.
Boyhood
Domestic Gross: $25 million
Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.
Snowpiercer
Domestic Gross: $4 million
Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.
OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.
Hercules
Domestic Gross: $72 million
Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?
Jersey Boys
Domestic Gross: $47 million
The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.
Blended
Domestic Gross: $46 million
The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.
A Million Ways to Die in the West
Domestic Gross: $43 million
Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.
The Expendables 3
Predicted Gross: $39 million
The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.
Sex Tape
Predicted Gross: $38 million
Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.
Sin City: A Dame to Kill For
Domestic Gross: $13 million
The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.
And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!
In addition to moving to CBS, the 81st Golden Globe Awards also moves to six nominees in their cinematic races this Sunday. Jo Koy hosts the 81st annual telecast with what could be the Barbenheimer broadcast.
There’s a new category via Cinematic and Box Office Achievement with its eight contenders (the rest have the aforementioned six as opposed to a previous quintet).
Readers of the blog know that I spend a whole lot of space speculating on the Oscars. Not so much with the Globes, but I’ll make some quick observations before making my picks along with a runner-up selection.
The Hollywood Foreign Press Association’s divide of Drama and Musical & Comedy indeed allows Oppenheimer and Barbie to both emerge as victors. The latter seems highly likely to take Musical/Comedy while Oppenheimer faces stiff competition from Killers of the Flower Moon.
In the acting categories, we could find out if certain performers begin a run of domination. This includes Bradley Cooper (Maestro) or Cillian Murphy (Oppenheimer) for Actor, Lily Gladstone (Killers) or Emma Stone (Poor Things) in Actress, Robert Downey Jr. (Oppenheimer) and Ryan Gosling (Barbie) for Supporting Actor, and Danielle Brooks (The Color Purple) or Da’Vine Joy Randolph (The Holdovers) in Supporting Actress.
Of course, we can always count on surprises from the Globes. Let’s get to the predictions and I’ll have a recap up after the show!
Best Motion Picture (Drama)
Nominees: Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, The Zone of Interest
PREDICTED WINNER: Oppenheimer
Runner-Up: Killers of the Flower Moon
Best Motion Picture(Musical/Comedy)
Nominees: Air, American Fiction, Barbie, The Holdovers, May December, Poor Things
PREDICTED WINNER: Barbie
Runner-Up: Poor Things
Best Director
Nominees: Bradley Cooper (Maestro), Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Celine Song (Past Lives)
PREDICTED WINNER: Christopher Nolan, Oppenheimer
Runner-Up: Martin Scorsese, Killers of the Flower Moon
Best Actress (Drama)
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Greta Lee (Past Lives), Carey Mulligan (Maestro), Cailee Spaeny (Priscilla)
PREDICTED WINNER: Lily Gladstone, Killers of the Flower Moon
Runner-Up: Sandra Hüller, Anatomy of a Fall
Best Actor (Drama)
Nominees: Bradley Cooper (Maestro), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Andrew Scott (All of Us Strangers)
PREDICTED WINNER: Cillian Murphy, Oppenheimer
Runner-Up: Bradley Cooper, Maestro
Best Actress (Musical/Comedy)
Nominees: Fantasia Barrino (The Color Purple), Jennifer Lawrence (No Hard Feelings), Natalie Portman (May December), Alma Pöysti (Fallen Leaves), Margot Robbie (Barbie), Emma Stone (Poor Things)
PREDICTED WINNER: Emma Stone, Poor Things
Runner-Up: Margot Robbie, Barbie
Best Actor (Musical/Comedy)
Nominees: Nicolas Cage (Dream Scenario), Timothee Chalamet (Wonka), Matt Damon (Air), Paul Giamatti (The Holdovers), Joaquin Phoenix (Beau is Afraid), Jeffrey Wright (American Fiction)
PREDICTED WINNER: Paul Giamatti, The Holdovers
Runner-Up: Jeffrey Wright, American Fiction
Best Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Jodie Foster (Nyad), Julianne Moore (May December), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)
PREDICTED WINNER: Da’Vine Joy Randolph, The Holdovers
Runner-Up: Emily Blunt, Oppenheimer
Best Supporting Actor
Nominees: Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Charles Melton (May December), Mark Ruffalo (Poor Things)
PREDICTED WINNER: Robert Downey Jr., Oppenheimer
Runner-Up: Ryan Gosling, Barbie
Best Screenplay
Nominees: Anatomy of a Fall, Barbie, Killers of the Flower Moon, Oppenheimer, Past Lives, Poor Things
PREDICTED WINNER: Barbie
Runner-Up: Past Lives
Best Non-English Language Motion Picture
Nominees: Anatomy of a Fall, Fallen Leaves, Io Capitano, Past Lives, Society of the Snow, The Zone of Interest
PREDICTED WINNER: Anatomy of a Fall
Runner-Up: Past Lives
Best Animated Motion Picture
Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Suzume, Wish
PREDICTED WINNER: Spider-Man: Across the Spider-Verse
Runner-Up: The Boy and the Heron
Best Cinematic and Box Office Achievement
Nominees: Barbie, Guardians of the Galaxy Vol. 3, John Wick Chapter 4, Mission: Impossible – Dead Reckoning Part One, Oppenheimer, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Taylor Swift: The Eras Tour
PREDICTED WINNER: Barbie
Runner-Up: Oppenheimer
Best Original Score
Nominees: The Boy and the Heron, Killers of the Flower Moon, Oppenheimer, Poor Things, Spider-Man: Across the Spider-Verse, The Zone of Interest
PREDICTED WINNER: Oppenheimer
Runner-Up: Killers of the Flower Moon
Best Original Song
Nominees: “Addicted to Romance” from She Came to Me, “Dance the Night” from Barbie, “I’m Just Ken” from Barbie, “Peaches” from The Super Mario Bros. Movie, “Road to Freedom” from Rustin, “What Was I Made For?” from Barbie
PREDICTED WINNER: “What Was I Made For?” from Barbie
Runner-Up: “I’m Just Ken” from Barbie
That means that I am picking a Barbenheimer heavy program with these movies winning these numbers of Globes:
5 Wins
Oppenheimer
4 Wins
Barbie
2 Wins
The Holdovers
1 Win
Anatomy of a Fall, Killers of the Flower Moon, Poor Things, Spider-Man: Across the Spider-Verse
Nominations for the 81st Golden Globe Awards (airing January 7th) were unveiled this morning. As always, there were some surprises and it was a particularly weak day for one hopeful. That said, a lot of what transpired went according to plan. I went 74 for 92 on my picks (I’ll take it!).
Let’s walk through each race with how I did and my initial take on who or what may emerge victorious.
Best Motion Picture Drama
Nominees: Anatomy of a Fall, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, The Zone of Interest
How I Did: 6/6 (!)
Nailed the Drama category as this probably will come down to Oppenheimer vs. Killers.
Best Motion Picture Musical/Comedy
Nominees: Air, American Fiction, Barbie, The Holdovers, May December, Poor Things
How I Did: 5/6
In what might be the most surprising omission of the morning, The Color Purple didn’t make the cut. I (along with everyone else) had it in. I didn’t have Air though it was my alternate. Barbie is the frontrunner though Poor Things is viable.
Best Director
Nominees: Bradley Cooper (Maestro), Greta Gerwig (Barbie), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Celine Song (Past Lives)
How I Did: 6/6 (!)
Just as in Motion Picture Drama, Nolan vs. Scorsese might be the showdown with Gerwig as a potential spoiler.
Best Actress Drama
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Greta Lee (Past Lives), Carey Mulligan (Maestro), Cailee Spaeny (Priscilla)
How I Did: 6/6 (!)
I wouldn’t discount Hüller or Mulligan as slight upset picks, but Gladstone looks to be the favorite.
Best Actor Drama
Nominees: Bradley Cooper (Maestro), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Andrew Scott (All of Us Strangers)
How I Did: 6/6 (!)
Like the Oscar race, this could end up as a contest between Cooper vs. Murphy.
Best Actress Musical/Comedy
Nominees: Fantasia Barrino (The Color Purple), Jennifer Lawrence (No Hard Feelings), Natalie Portman (May December), Alma Pöysti (Fallen Leaves), Margot Robbie (Barbie), Emma Stone (Poor Things)
How I Did: 4/6
Pöysti is an out of nowhere selection while Lawrence was my alternate. They get in over Abby Ryder Fortson (Are You There God? It’s Me, Margaret) and Julia Louis-Dreyfus (You Hurt My Feelings). This is either Stone (probably) or Robbie (maybe).
Best Actor Musical/Comedy
Nominee: Nicolas Cage (Dream Scenario), Timothee Chalamet (Wonka), Matt Damon (Air), Paul Giamatti (The Holdovers), Joaquin Phoenix (Beau Is Afraid), Jeffrey Wright (American Fiction)
How I Did: 5/6
Phoenix in over Gael Garcia Bernal for Cassandro. Wright has a shot, but this is Giamatti’s category to lose in my view.
Best Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Jodie Foster (Nyad), Julianne Moore (May December), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)
How I Did: 5/6
I would’ve picked Brooks as the likely winner until Purple‘s poor performance today. Now I think this acting race, perhaps more than any other, is wide open. I had Taraji P. Henson (The Color Purple) in instead of Pike.
Best Supporting Actor
Nominees: Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Charles Melton (May December), Mark Ruffalo (Poor Things)
How I Did: 5/6
Had Dominic Sessa (The Holdovers) and not Dafoe. Downey Jr. is the probable selection though I wouldn’t discount Gosling or Melton.
Best Screenplay
Nominees: Anatomy of a Fall, Barbie, Killers of the Flower Moon, Oppenheimer, Past Lives, Poor Things
How I Did: 4/6
I did not have Anatomy or Past Lives. Their inclusion is by no means shocking, but I am genuinely surprised The Holdovers did not make the list (neither did American Fiction). This is another race where the voters could go several directions with Barbie perhaps having an ever so slight edge.
Best Cinematic and Box Office Achievement
Nominees: Barbie, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning: Part One, Oppenheimer, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Taylor Swift: The Eras Tour
How I Did: 7/8
This new category can correctly be called the “Barbenheimer” award or the “Let’s Get Taylor Swift To The Ceremony Trophy”. I didn’t have Reckoning and instead had Elemental. Hard to imagine this not going to Barbie.
Best Non-English Motion Picture
Nominees: Anatomy of a Fall, Fallen Leaves, Io Capitano, Past Lives, Society of the Snow, The Zone of Interest
How I Did: 3/6
Here’s where I screwed up. Didn’t have Leaves, Capitano, or Past Lives (which is considered non-English for some reason here). Instead I had Perfect Days, The Taste of Things, and The Teachers’ Lounge. This should come down to Anatomy vs. Zone and I’m currently expecting the former to emerge.
Best Animated Motion Picture
Nominees: The Boy and the Heron, Elemental, Spider-Man: Across the Spider-Verse, The Super Mario Bros. Movie, Suzume, Wish
How I Did: 4/6
Suzume and Wish get in over Chicken Run: Dawn of the Nugget and Nimona. Some others were blindsided that Teenage Mutant Ninja Turtles: Mutant Mayhem didn’t make it. Boy vs. Spidey is the showdown.
Best Original Score
Nominees: The Boy and the Heron, Killers of the Flower Moon, Oppenheimer, Poor Things, Spider-Man: Across the Spider-Verse, The Zone of Interest
How I Did: 5/6
Zone makes the derby instead of Nyad. This should be Oppenheimer.
Best Original Song
Nominees: “Addicted to Romance” from She Came to Me, “Dance the Night” from Barbie, “I’m Just Ken” from Barbie, “Peaches” from The Super Mario Bros. Movie, “Road to Freedom” from Rustin, “What Was I Made For?” from Barbie
How I Did: 3/6
Well, I got half and those were the Barbie tracks. “The Fire Inside” from Flamin’ Hot, “Keep It Movin” from The Color Purple, and “A World of Your Own” from Wonka were my picks instead of “Addicted to Romance” (which could mean Bruce Springsteen shows up), “Peaches”, and “Road to Freedom”. I’d say “What Was I Made For?” or “I’m Just Ken” win.
And there you have it. I’ll have final predictions for the Globes up shortly before airtime. Keep an eye on the blog for all things Oscar!
Prior to its January 7th airing on CBS and Paramount+, nominations for the 81st Golden Globe Awards are out Monday, December 11th. After years of airing on NBC, the ceremony has found a new home after the controversies of the last few years involving the Hollywood Foreign Press Association.
That’s not the only change with the program. The categories we are used to have expanded from five to six nominees. And a new competition – Cinematic and Box Office Achievement – comes with eight contenders. We could safely coin this the “Barbenheimer” race unless Taylor Swift has something to say about that.
As always, there’s some controversy in the differentiation between Drama and Musical/Comedy placements. Netflix decided to campaign Todd Haynes’s May December in the latter even though Drama seems more appropriate. It could help it get more noms.
Here we go with my picks in each cinematic derby and I’ll give you an alternate with each.
Motion Picture (Drama)
Anatomy of a Fall
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
The Zone of Interest
Alternate: Saltburn
Motion Picture (Musical/Comedy)
American Fiction
Barbie
The Color Purple
The Holdovers
May December
Poor Things
Alternate: Air
Film Director
Bradley Cooper, Maestro
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
Celine Song, Past Lives
Alternate: Alexander Payne, The Holdovers
Actress (Film Drama)
Annette Bening, Nyad
Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Greta Lee, Past Lives
Carey Mulligan, Maestro
Cailee Spaney, Priscilla
Alternate: Teyana Taylor, A Thousand and One
Actor (Film Drama)
Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Barry Keoghan, Saltburn
Cillian Murphy, Oppenheimer
Andrew Scott, All of Us Strangers
Alternate: Zac Efron, The Iron Claw
Actress (Musical/Comedy)
Fantasia Barrino, The Color Purple
Abby Ryder Fortson, Are You There God? It’s Me, Margaret
Julia Louis-Dreyfus, You Hurt My Feelings
Natalie Portman, May December
Margot Robbie, Barbie
Emma Stone, Poor Things
Alternate: Jennifer Lawrence, No Hard Feelings
Actor (Musical/Comedy)
Gael Garcia Bernal, Cassandro
Nicolas Cage, Dream Scenario
Timothee Chalamet, Wonka
Matt Damon, Air
Paul Giamatti, The Holdovers
Jeffrey Wright, American Fiction
Alternate: Jamie Foxx, The Burial
Supporting Actress
Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
Jodie Foster, Nyad
Taraji P. Henson, The Color Purple
Julianne Moore, May December
Da’Vine Joy Randolph, The Holdovers
Alternate: Rachel McAdams, Are You There God? It’s Me, Margaret
Supporting Actor
Robert De Niro, Killers of the Flower Moon
Robert Downey Jr., Oppenheimer
Ryan Gosling, Barbie
Charles Melton, May December
Mark Ruffalo, Poor Things
Dominic Sessa, The Holdovers
Alternate: Willem Dafoe, Poor Things
Best Screenplay
American Fiction
Barbie
The Holdovers
Killers of the Flower Moon
Oppenheimer
Poor Things
Alternate: May December
Cinematic and Box Office Achievment
Barbie
Elemental
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Oppenheimer
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Taylor Swift: The Eras Tour
Alternate: The Little Mermaid
Motion Picture (Non-English Language)
Anatomy of a Fall
Perfect Days
Society of the Snow
The Taste of Things
The Teachers’ Lounge
The Zone of Interest
Alternate: The Promised Land
Motion Picture (Animated)
The Boy and the Heron
Chicken Run: Dawn of the Nugget
Elemental
Nimona
Spider-Man: Across the Spider-Verse
The Super Mario Bros. Movie
Alternate: Wish
Original Score
The Boy and the Heron
Killers of the Flower Moon
Nyad
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: Elemental
Original Song
“Dance the Night” from Barbie
“I’m Just Ken” from Barbie
“What Was I Made For?” from Barbie
“Keep It Movin” from The Color Purple
“The Fire Inside” from Flamin’ Hot
“A World of Your Own” from Wonka
Alternate: “Peaches” from The Super Mario Bros. Movie
That equates to these movies generating these numbers of nominations:
9 Nominations
Barbie
8 Nominations
Oppenheimer
7 Nominations
Killers of the Flower Moon
6 Nominations
Poor Things
5 Nominations
The Color Purple, The Holdovers
4 Nominations
Maestro, May December
3 Nominations
American Fiction, Nyad, Past Lives, Spider-Man: Across the Spider-Verse
2 Nominations
The Boy and the Heron, Elemental, The Super Mario Bros. Movie, Wonka, The Zone of Interest
1 Nomination
Air, All of Us Strangers, Are You There God? It’s Me, Margaret, Cassandro, Chicken Run: Dawn of the Nugget, Dream Scenario, Flamin’ Hot, Guardians of the Galaxy Vol. 3, John Wick: Chapter 4, Nimona, Perfect Days, Priscilla, Rustin, Saltburn, Society of the Snow, The Taste of Things, Taylor Swift: The Eras Tour, The Teachers’ Lounge, You Hurt My Feelings
The Hunger Games: The Ballad of Songbirds & Snakes is out November 17th with the review embargo having lifted this week. The prequel brings back Francis Lawrence, director of parts II-IV of the massive Jennifer Lawrence franchise. Tom Blyth (as the younger version of Donald Sutherland’s Snow) and Rachel Zegler lead the cast.
The film is nearly certain to have the lowest opening of the five features in the series. It would need to break $100 million not to and it might be fortunate to take in half of that out of the gate. Snakes currently has the lowest Rotten Tomatoes meter in the quintet at 67%, just under the 70% earned by both editions of Mockingjay.
Despite lauded production design and some decent original songs, Oscar voters completely ignored all previous Games. The best and probably only shot that Ballad has is a ballad from Olivia Rodrigo titled “Can’t Catch Me Now”. My guess is the Academy will still show no appetite for Hunger. My Oscar Prediction posts will continue…
Serving as a prequel to the four films that generated nearly $3 billion worldwide, The Hunger Games: The Ballad of Songbirds & Snakes is out November 17th. The dystopian adventure returns Francis Lawrence (who made the second through fourth editions) to the director’s seat. Tom Blyth (as a younger version of Donald Sutherland’s Snow), Rachel Zegler, Peter Dinklage, Hunter Schafer, Josh Andrés Rivera, Jason Schwartzman, and Viola Davis lead the cast.
Arriving eight years after Jennifer Lawrence’s Katniss concluded her boffo business, Snakes is expected to have the lowest start of the Games… by a wide margin. Based on the 2020 novel from Suzanne Collins, this series may not be the phenomenon that it was onscreen from 2012-15. That quartet of titles all made over $100 million during their opening weekends with 2013’s Catching Fire setting the high mark at $158 million.
Early word-of-mouth is pretty decent, but this may earn about half of what 2015’s Mockingjay: Part 2 accomplished out of the gate ($102 million). If you’re setting the over/under at $50 million (which is reasonable), I’d suggest the under (if not by much).
The Hunger Games: The Ballad of Songbirds & Snakes opening weekend prediction: $48.3 million
For my Trolls Band Together prediction, click here:
After a subpar start, Harrison Ford’s fifth go-round as the iconic fedora clad archaeologist hopes to repeat at #1. The fifth edition of a horror franchise could disrupt that as Insidious: The Red Door swings in. We also have the critically acclaimed raunchy comedy Joy Ride and action pic Sound of Freedom from upstart Angel Studios. You can peruse my detailed prediction posts on the newcomers here:
After a lackluster haul (more on that below), Dr. Jones and company might see a sophomore drop in the low 50s. While the B+ Cinemascore grade exceeds the B that crowds gave predecessor Indiana Jones and the Crystal Skull, it still indicates middling enthusiasm moving forward. My high 20s take does mean a repeat performance atop the charts.
That’s because I have Insidious: The Red Door in the mid 20s. While that’s under the $29 million that The Last Key opened with in 2018, it is still a fine result for the 13-year-old franchise.
The weekend’s wild card is Sound of Freedom. Jim Caviezel’s turn as a vigilante taking on human traffickers is being championed by faith-based and conservative groups. This resulted in a terrific $14 million bounty when it started on July 4th. How it legs out is anyone’s guess and I’m going with a low double digits Friday-Sunday number. That would put it solidly in third.
As for Joy Ride, critics are being kind and the studio is hoping for a Crazy Rich Asians style sleeper hit. The hard R rating could prevent that and my sub $10 million projection puts it in fourth just ahead of animated holdovers Elemental and Spider-Man: Across the Spider-Verse.
And with that, here’s how I foresee the top 6 shaking out:
1. Indiana Jones and the Dial of Destiny
Predicted Gross: $28 million
2. Insidious: The Red Door
Predicted Gross: $25.2 million
3. Sound of Freedom
Predicted Gross: $12.5 million
4. Joy Ride
Predicted Gross: $8.4 million
5. Elemental
Predicted Gross: $8 million
6. Spider-Man: Across the Spider-Verse
Predicted Gross: $7.8 million
Box Office Results (June 30-July 2)
Considering Crystal Skull in 2008 made off with $100 million for its Friday to Sunday portion of a holiday weekend, the $60.3 million for Dial of Destiny is a major letdown for Disney. I wasn’t much more generous at $65.3 million. When it premiered in Cannes over a month ago, its mediocre reaction set the table for a disappointing gross. Perhaps more importantly is that it didn’t play for younger audiences whose reverence for the series isn’t matched by the 40 and up crowd.
Disney/Pixar’s Elemental, after a troubling start, continued to level off nicely in weekend #3. It was second with $12.1 million, in line with my $12.7 million prediction for a three-week $89 million tally.
Spider-Man: Across the Spider-Verse was third with $12 million compared to my $13.5 million estimate. The Sony juggernaut has amassed $340 million.
Jennifer Lawrence’s No Hard Feelings was fourth with $7.8 million (I went higher at $89 million). The ten-day take is $29 million which is fairly decent for a genre that’s struggled in recent times.
Transformers: Rise of the Beasts rounded out the top five with $7.3 million. I incorrectly had it on the outside looking in. The total is $136 million.
Finally, DreamWorks Animation’s Ruby Gillman: Teenage Kraken was a major flop in sixth with only $5.5 million. I was kinder at $7.8 million. With serious kiddie competition, parents opted for leftovers like Elemental and Spidey.
Blogger’s Update (06/29): I have my estimate for Ruby Gillman from to $10.8M to $7.8M, which puts it in fifth instead of fourth.
Harrison Ford hopes to retire his iconic character with boffo box office returns as Indiana Jones and the Dial of Destiny whips into theaters. We also have DreamWorks Animation’s Ruby Gillman, Teenage Kraken seeking success amid serious competition. My detailed prediction posts on the newcomers can be perused here:
Disney might not have done itself any favors when it screened Destiny last month at the Cannes Film Festival. The critical reaction was rather weak as it sits with 62% on Rotten Tomatoes. The fifth entry in the franchise’s much maligned 2008 predecessor Kingdom of the Crystal Skull managed 77%. I suspect that expectations should be tempered and I have it hitting mid 60s for what would be considered a significantly disappointing beginning.
Slots 2-4 should be quite animated with Spider-Man: Across the Spider-Verse and Elemental losing around 30-35%. That could put both of them ahead of Ruby. The fact that it’s not based on known IP won’t help and neither will the level of competition. I have it barely topping $10 million for a fourth place start.
No Hard Feelings should round out the top five with a 40% range decline in its sophomore frame.
Here’s how I see it shaking out:
1. Indiana Jones and the Dial of Destiny
Predicted Gross: $65.3 million
2. Spider-Man: Across the Spider-Verse
Predicted Gross: $13.4 million
3. Elemental
Predicted Gross: $12.7 million
4. No Hard Feelings
Predicted Gross: $8.9 million
5. Ruby Gillman, Teenage Kraken
Predicted Gross: $7.8 million
Box Office Results (June 23-25)
Thanks to the disastrous performance of The Flash (we’ll get there shortly), Spider-Man: Across the Spider-Verse swung back into 1st place in week #4. The acclaimed animated sequel took in $19 million. I was right on target with $18.9 million and it’s up to a terrific $316 million with $400 million in its sights.
Pixar’s Elemental, after a poor premiere, was on less shaky ground in its follow-up outing. The A Cinemascore grade probably helped as it dropped a commendable 38% at $18.4 million (I went lower with $16.8 million). That’s the smallest Pixar sophomore frame downslide since Up 14 years ago. The total is $65 million in ten days.
The Flash… wow. After a shockingly low $55 million opening, the DCEU debacle plunged 72% and landed in third with only $15.1 million. I was more generous at $17.5 million. The ten-day take is $87 million and it should be out of the top five in only its third go-round. Embarrassing.
Jennifer Lawrence’s raunchy comedy No Hard Feelings debuted in fourth with $15 million, exceeding my call of $11.7 million. For its genre, that’s a pretty solid haul as comedies have struggled in recent years. It should manage to hold up decently in subsequent weekends.
Transformers: Rise of the Beasts rounded out the top five with $11.7 million, rising above my $9.3 million projection. The three-week gross is $123 million.
Wes Anderson’s Asteroid City expanded nationwide and nabbed the highest per theater average on the chart. The star-studded tale made an impressive $9 million and went above my $7.6 million guesstimate. It’s at $10.2 million when factoring its limited release dollars from the previous weekend.
Finally, The Little Mermaid was seventh with $8.5 million (I said $7 million) to bring its earnings to $270 million in five weeks.
There are times when these Oscar Predictions posts quickly morph into Golden Globe Predictions entries. Such is the case for No Hard Feelings. The raunchy comedy hits theaters this Friday with Jennifer Lawrence starring. Good Boys director Gene Stupnitsky is behind the camera and the supporting cast includes Andrew Barth Feldman, Laura Benanti, Natalie Morales, and Matthew Broderick.
The hard R-rated flick is generating mixed notices with a 61% Rotten Tomatoes score. The Sony Release isn’t meant to be an awards player. However, even the bulk of negative reviews have kind words for Lawrence. In her first theatrical headlining role since 2018’s Red Sparrow, J-Law has been with a fixture at the Globes. She’s a five-time nominee and three of them were for Best Actress in a Musical/Comedy. Two were victories for 2012’s Silver Linings Playbook and 2015’s Joy. She also made the cut for 2021’s Don’t Look Up.
A sixth GG nod is not out of the question, but it will depend on how stacked the race is. That remains to be seen. My Oscar (Globe) Prediction posts will continue…