Closing out the latest chapter of the X-Men Universe that began in 2011, DarkPhoenix rises or falls in theaters next weekend. The fourth official entry in the current franchise iteration is a direct sequel to 2016’s X–Men: Apocalypse. This one is focused more on the Jean Grey character played by Sophie Turner, but it brings back Jennifer Lawrence as Mystique, James McAvoy as Charles Xavier, and Michael Fassbender as Magneto. The familiar cast additionally includes Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, and Evan Peters with Jessica Chastain joining the fray for the first time. Simon Kinberg, responsible for penning three previous X pics, makes his directorial debut.
Phoenix comes at a time where the franchise is going through a major transition. With Disney’s recent acquisition of Fox, it is believed the X-Men characters will be cast anew and melded with the vaunted Marvel Cinematic Universe at some juncture. The series is coming off Apocalypse, which didn’t impress critics and had a $155 million overall domestic gross that ranked well under predecessor DaysofFuturePast. The next X title (spin-off TheNewMutants) is out next spring and has been delayed on numerous occasions.
Anticipation seems muted here. Phoenix has the very real possibility of having the lowest premiere ever in the franchise’s history. That distinction for a non spin-off currently belongs to the 2000 original, which started with $54 million (not adjusted for inflation). Just below that is 2013’s TheWolverine at $53 million.
The opportunity for Disney to reinvigorate the series is coming, but I’ll project this latest entry will mark an overall low in earnings.
DarkPhoenix opening weekend prediction: $45.3 million
For my TheSecretLifeofPets2 prediction, click here:
As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).
And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!
25. Channing Tatum (2012)
It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance TheVow, hit comedy 21JumpStreet, and his signature and semi-autobiographical title role in the summer sleeper MagicMike (also from Mr. Soderbergh).
24. John Travolta (1996)
Two years following his major comeback in PulpFiction and a year following his Golden Globe nominated lead in GetShorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller BrokenArrow and fantasy dramas Phenomenon and Michael.
23. Clint Eastwood (1971)
The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller PlayMistyforMe. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and MillionDollarBaby. In December, Eastwood starred as DirtyHarry which spawned his lucky cop franchise.
22. Sigourney Weaver (1988)
Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for GorillasintheMist and Supporting Actress for WorkingGirl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.
21. Joe Pesci (1990)
Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic HomeAlone.
20. Kevin Spacey (1995)
Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in TheUsualSuspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in Outbreak and headlined the critically approved indie comedy SwimmingwithSharks.
19. Nicolas Cage (1997)
LeavingLasVegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: ConAir and Face/Off.
18. Will Ferrell (2003)
Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s OldSchool as Frank the Tank and in the winter as Buddy in Elf.
17. Morgan Freeman (1989)
The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner DrivingMissDaisy, a dedicated and stern principal in LeanonMe, and a Civil War officer in Glory.
16. Steven Soderbergh (2000)
The prolific filmmaker made two Best Picture nominees with ErinBrockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.
15. Halle Berry (2001)
Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’sBall. This was all sandwiched between X–Men hits.
14. Hugh Jackman (2017)
Berry’s X–Men cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical TheGreatestShowman was an unexpected smash.
13. Leonardo DiCaprio (2002)
Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s GangsofNewYork and Steven Spielberg’s CatchMeIfYouCan left little doubt. He’s been one of Hollywood’s most dependable stars since.
12. Francis Ford Coppola (1974)
In 1972, Coppola made perhaps the greatest American film of all time with TheGodfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller TheConversation.
11. Michael Douglas (1987)
His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s WallStreet won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller FatalAttraction, which was the year’s second largest grosser.
10. Julia Roberts (1999)
She started the decade with a smash star making turn in PrettyWoman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: NottingHill with Hugh Grant and RunawayBride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for ErinBrockovich.
9. Tom Cruise (1996)
1986 wasn’t too shabby either with TopGun and TheColorofMoney. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s JerryMaguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.
8. Sandra Bullock (2013)
Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy TheHeat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.
7. Sylvester Stallone (1985)
Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind BacktotheFuture. They were for his two signature characters with Rambo: FirstBloodPartII and RockyIV.
6. Robert Downey Jr. (2008)
A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in IronMan, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s TropicThunder, which earned Downey a rare Oscar nod for a comedic performance.
5. Tom Hanks (1993)
There’s more than one year to consider for Hanks… 1995 (Apollo13, ToyStory) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic SleeplessinSeattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for ForrestGump.
4. Mel Brooks (1974)
The director managed to make two of the most beloved comedies of all time in one year… BlazingSaddles and YoungFrankenstein. The two features combined contain some of the funniest scenes ever filmed.
3. Jennifer Lawrence (2012)
Already an Oscar nominee two years prior for Winter’sBone, Lawrence’s road to superstardom was paved in 2012. In March came TheHungerGames, the year’s third top earner that spawned three sequels. In December came SilverLiningsPlaybook, where she won Best Actress.
2. Jim Carrey (1994)
In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as AceVentura: PetDetective, TheMask, and DumbandDumber all hit screens.
1. Steven Spielberg (1993)
In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale JurassicPark in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’sList won seven Academy Awards (including Picture and for Spielberg’s direction).
I hope your New Year is your best yet, readers! Have a happy one…
Back at it again with my look back at major Oscar races from 1990 to the present! We’ve arrived at Best Actress. If you missed my previous posts covering the Supporting performers, you can find them here:
As I did with those posts, I’m selecting my top 3 least surprising winners and top 3 upsets. I’m also giving you my personal pick for strongest and weakest fields from the past 28 years.
For starters, here’s the list of winners from 1990 to now:
1990 – Kathy Bates, Misery
1991 – Jodie Foster, The Silence of the Lambs
1992 – Emma Thompson, Howards End
1993 – Holly Hunter, The Piano
1994 – Jessica Lange, Blue Sky
1995 – Susan Sarandon, Dead Man Walking
1996 – Frances McDormand, Fargo
1997 – Helen Hunt, As Good As It Gets
1998 – Gwyneth Paltrow, Shakespeare in Love
1999 – Hilary Swank, Boys Don’t Cry
2000 – Julia Roberts, Erin Brockovich
2001 – Halle Berry, Monster’s Ball
2002 – Nicole Kidman, The Hours
2003 – Charlize Theron, Monster
2004 – Hilary Swank, Million Dollar Baby
2005 – Reese Witherspoon, Walk the Line
2006 – Helen Mirren, The Queen
2007 – Marion Cotillard, La Vie en Rose
2008 – Kate Winslet, The Reader
2009 – Sandra Bullock, The Blind Side
2010 – Natalie Portman, Black Swan
2011 – Meryl Streep, The Iron Lady
2012 – Jennifer Lawrence, Silver Linings Playbook
2013 – Cate Blanchett, Blue Jasmine
2014 – Julianne Moore, Still Alice
2015 – Brie Larson, Room
2016 – Emma Stone, La La Land
2017 – Frances McDormand, Three Billboards Outside Ebbing, Missouri
When it comes to Best Actress, I must say it’s probably the race with the least amount of genuine upsets. Nearly every year, there’s a pretty strong front-runner and they win – even more so than in Actor and the Supporting players. Of many non-surprises, here’s my top ones:
3. Holly Hunter, The Piano
Hunter’s work as a mute piano player in Jane Campion’s period piece was the clear favorite over significant competition that included Angela Bassett in What’s Love Got to Do With It? and the previous year’s winner Emma Thompson in The Remains of the Day.
2. Julia Roberts, Erin Brockovich
One of Hollywood’s biggest stars had already received nods for Steel Magnolias and Pretty Woman and there was little question that Brockovich would earn Roberts her first and only (so far) trip to the Oscar stage.
1. Charlize Theron, Monster
Theron’s metamorphosis into serial killer Aileen Wuornos swept all precursors. The rest of the field was also fairly weak that year, making her the obvious victor.
And now the “upsets”…
3. Kate Winslet, The Reader
While not a surprise when she won Oscar night, the multi-nominated Winslet was expected for much of the year to get a nod for Revolutionary Road instead. Yet it was this Stephen Daldry drama that was selected instead.
2. Marion Cotillard, La Vie en Rose
This was a two-way contest between Cotillard and veteran Julie Christie for Away from Her, with many believing the latter had the edge. It didn’t turn out that way.
1. Hilary Swank, Boys Don’t Cry and Hilary Swank, Million Dollar Baby
This #1 comes with a caveat. It wasn’t much of an upset by the time Swank won her double Oscars. What’s interesting here is that she single-handedly denied two prime opportunities for the winless Annette Bening to get a statue for American Beauty and Being Julia.
We move to the fields. For weakest field, I’m selecting 1994 when Jessica Lange won for the little-seen Blue Sky. Other nominees were Jodie Foster in Nell, Miranda Richardson in Tom&Viv, Winona Ryder for Little Women, and Susan Sarandon in The Client.
Strongest group in my opinion goes to 2010 with Natalie Portman’s victorious role in Black Swan. The rest of that impressive field is Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence’s first nomination in Winter’s Bone, and Michelle Williams (Blue Valentine).
It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:
The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty.
Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.
The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.
Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).
In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.
The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).
The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.
Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).
Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).
Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).
Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…
In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).
Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.
And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!
Jennifer Lawrence teams up with her HungerGames director Francis Lawrence once again with RedSparrow. This spy thriller could rightfully be called TheSomberGames. To put it in Red Bull terms, there are times when Sparrow could use some wings.
While Lawrence gives a solid performance, the film never quite strikes a satisfying balance between wanting to be a little trashy and wanting to take itself as stone faced seriously as every character who inhabits it.
Here we have Jenny from the Red Block – with the star playing Dominika. She’s a well-known Russian ballerina whose career is cut short in a freak injury. Unable to care for her ill mother (Joely Richardson) or make ends meet, her high-ranking government official uncle (Matthias Schoenaerts) offers her an ultimatum. Dominika is to become an employee of the Foreign Intelligence Service and extract information from suspects by any means possible.
This brings her to an intensive training course called State School 4 or as she later coins it – Whore School. It’s an apt description as most of the methods taught by its headmaster (Charlotte Rampling) involve seduction. Her training soon puts her in close contact with CIA agent Nash (Joel Edgerton) as he knows the true identity of a Russian mole.
Based on a 2013 novel by Jason Matthews, RedSparrow follows the spy flick playbook of frequent double crosses and surprising character reveals. Unlike some recent entries in the well-worn genre, it’s bursts of violence are hardcore and it’s filled with sex. Dominika is tasked with always staying a step ahead of her mostly male coworkers and marks. That almost always involves their uncontrolled libido.
Director Lawrence and Jennifer Lawrence deserve some credit for making this pretty interesting for the first hour or so. The pic is not short on style and watching Dominika first adapt to her new reality has some entertaining and unexpected pleasures at first.
After a while, however, RedSparrow struggles as it devolves into more familiar torture scenes and unsurprising “surprises”. Unlike AtomicBlonde with Charlize Theron (a much better genre experience), there’s hardly any sense of fun here. The Lawrence’s seem convinced that the dour happenings are enough to sustain a 140 running time. Not quite.
Eight years ago, director Debra Granik had a breakout success with Winter’sBone. The drama set in the Ozarks was a critical darling that earned four Oscar nominations: Picture, Adapted Screenplay, Supporting Actor for John Hawkes, and Actress for an unknown at the time by the name of Jennifer Lawrence.
There’s been a lengthy break between projects for Granik and her latest just hit theaters in limited fashion over the weekend. LeaveNoTrace tells the tale of a veteran (Ben Foster) with PTSD raising a teenage daughter (Thomasin McKenzie). It premiered earlier this year at the Sundance Film Festival to similar acclaim that Bone received. With over 90 reviews on record, the Rotten Tomatoes score is 100%.
Could the Academy take notice of Trace? It could be a long shot, but I wouldn’t discount the possibility. Critics have particularly praised McKenzie here and if Bleecker Street mounts a campaign for Actress or (more likely) Supporting Actress, she could be another relative unknown whose work is acknowledged under Granik’s direction.
Blogger’s Note (02/28): I am revising my Red Sparrow down from $19.5 million to $17.5 million
Red Sparrow, out next Friday, reunites Jennifer Lawrence with her director for the last three Hunger Games installments Francis Lawrence. The spy thriller casts the star as a Russian spy with a supporting cast that includes Joel Edgerton, Matthew Schoenaerts, Charlotte Rampling, Jeremy Irons, and Mary-Louise Parker.
The 20th Century Fox release was originally scheduled for November of last year before the March push back. Reviews have been a bit mixed as it stands at 63% on Rotten Tomatoes at press time.
Lawrence has certainly had her share of massive hits. She’s also had some under performers as of late, including Passengers and mother! Competition is a factor here. Black Panther should still be ruling the charts and Death Wish with Bruce Willis opens directly against it and will try to capture the attention of actions fans.
I could see Red Sparrow performing similarly to another recent female led spy flick, last summer’s Atomic Blonde with Charlize Theron. It opened to $18.2 million. I’ll put this just a touch higher due to Lawrence’s drawing power, but still under $20 million.
Red Sparrow opening weekend prediction: $17.5 million
Darren Aronofsky’s mother! may leave you woozy, bewildered, and exhilarated and sometimes all within the same minute. It’s a film that many will despise for taking its Hollywood stars down this rabbit hole of Biblical allegories and celebrity culture mockery. Yet I’ll be damned if it wasn’t an experience to often behold, albeit not on the level as some of the director’s best works.
mother is Jennifer Lawrence, who lives in a remote sprawling home with her older husband who is known as Him (Javier Bardem). He’s a famous and acclaimed poet suffering from an acute case of writer’s block. She fills her days renovating their dwelling which we learned recently burned to the ground.
Their quiet existence is interrupted when a stranger known as man (Ed Harris) shows up at their door, claiming he thought the house was a bed and breakfast. mother’s natural and understandable instinct is to send him on his way. Him curiously invites him to stay. Shortly after, his wife credited as woman (Michelle Pfeiffer) arrives. She’s a prying firecracker who rubs mother the wrong away while her husband’s health issues come to light. Their two sons join the joyless party as well and that’s when some tragic results occur. If you’ve noted I’m not saying the names of the characters, it’s for a reason. They don’t have them.
It’s a bit of a chore to discuss mother! without venturing into major spoiler territory. I’ll say this – their family drama has an ending. When Him and mother finally get the place to themselves again, she becomes pregnant and we flash forward to her due date approaching. This is when more people turn up. Lots of them.
What transpires after gives us multiple instances of WTF moments that also showcase Aronofsky’s remarkable visual style behind the camera. He’s a filmmaker unafraid to tackle religious themes (Noah was his previous effort) and mother! certainly bludgeons us with them. It also has plenty to say about fame and those who follow famous people, well, religiously.
By the time Him and mother’s “houseguests” number on the scale of innumerable, I found myself staring at the screen in disbelief at some of what’s onscreen. Part of this may be because a major studio clearly let their writer/director do whatever he wanted here. Another reason is Aronofsky’s technical skill at shooting what occurs within the home’s walls.
Lawrence often represents the audience here. She’s as confused as we are with her husband’s eagerness to welcome others in. In a typical horror flick (especially those of the haunted house variety), you’d be screaming for her to just get the hell out. You may do that here, but credit Aronofsky for going out of his way to explain why she doesn’t.
BlackSwan, which stands at the director’s best along with RequiemforaDream, shares certain themes. A drive for artistic perfection no matter the cost is a trait shared by Natalie Portman in her Oscar winning role and the character of Him. It takes us to even darker places here, but it didn’t leave me as satisfied as Swan. That one got Aronofsky awfully close to cinematic perfection. mother! doesn’t leave that kind of impression overall, but its scenes of expertly made depravity should leave his fans enthralled while it’s happening.
My weekly Thursday predictions are in for the eight major categories at the Oscars. As October closes out, we will see some changes beginning next week as November rolls in. This will be the final week of listing 25 possibilities for Best Picture and 15 for the other seven races. Starting next week, the Best Picture possibilities will go down to 15 and 10 in the other categories. Additionally, on November 2, I’ll be bringing in the other categories related to feature films.
Over the past week, we’ve seen first trailers hit for I, Tonya and Phantom Thread, both threats to get multiple nods. The Phantom trailer and subsequent news also introduced us to Vicky Krieps, who apparently will be campaigned for in an already packed lead actress race. I’m still on The Florida Project bandwagon and it moves from 9th to 7th this week in BP possibilities. Greta Gerwig’s Lady Bird also makes a big jump in the rankings.
The film Chappaquiddick was moved to 2018 and that now removes the (long shot) possibility that Jason Clarke could have received a Best Actor nod portraying Senator Ted Kennedy.
Yet the biggest development of the week is Warner Bros announcement that Clint Eastwood’s The15:17toParis will be opening in February 2018. There’s still a chance it could receive a limited late year push for Oscar consideration, but for now it’s out of contention.
Let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Shape of Water (PR: 3)
3. The Post (PR: 2)
4. Darkest Hour (PR: 5)
5. Call Me by Your Name (PR: 4)
6. Three Billboards Outside Ebbing, Missouri (PR: 6)
7. The Florida Project (PR: 9)
8. Mudbound (PR: 7)
9. Blade Runner 2049 (PR: 8)
Other Possibilities:
10. Lady Bird (PR: 18)
11. I, Tonya (PR: 15)
12. Detroit (PR: 10)
13. Phantom Thread (PR: 12)
14. Get Out (PR: 20)
15. Last Flag Flying (PR: 11)
16. Battle of the Sexes (PR: 14)
17. Downsizing (PR: 16)
18. The Greatest Showman (PR: 17)
19. The Big Sick (PR: 22)
20. All the Money in the World (PR: 19)
21. Star Wars: The Last Jedi (PR: 23)
22. Wonderstruck (PR: 21)
23. Molly’s Game (PR: 25)
24. Wind River (PR: 24)
25. Coco (PR: Not Ranked)
Dropped Out:
The15:17toParis
Best Director
Predicted Nominees:
1. Christopher Nolan, Dunkirk (PR: 1)
2. Guillermo del Toro, The Shape of Water (PR: 3)
3. Steven Spielberg, The Post (PR: 2)
4. Joe Wright, Darkest Hour (PR: 5)
5. Luca Guadagnino, Call Me by Your Name (PR: 4)
Other Possibilities:
6. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: 8)
7. Denis Villeneuve, Blade Runner 2049 (PR: 6)
8. Dee Rees, Mudbound (PR: 7)
9. Sean Baker, The Florida Project (PR: 9)
10. Greta Gerwig, Lady Bird (PR: 15)
11. Paul Thomas Anderson, Phantom Thread (PR: 13)
12. Kathryn Bigelow, Detroit (PR: 10)
13. Jordan Peele, Get Out (PR: Not Ranked)
14. Richard Linklater, LastFlagFlying (PR: 15)
15. Craig Gillespie, I, Tonya (PR: Not Ranked)
Dropped Out:
Richard Linklater, Last Flag Flying
Ridley Scott, All the Money in the World
Best Actor
Predicted Nominees:
1. Gary Oldman, Darkest Hour (PR: 1)
2. Daniel Day-Lewis, Phantom Thread (PR: 2)
3. Timothee Chalamet, Call Me by Your Name (PR: 3)
4. Hugh Jackman, The Greatest Showman (PR: 4)
5. Tom Hanks, The Post (PR: 5)
Other Possibilities:
6. Jake Gyllenhaal, Stronger (PR: 6)
7. Andrew Garfield, Breathe (PR: 8)
8. James Franco, The Disaster Artist (PR: 10)
9. Denzel Washington, Roman J. Israel, Esq. (PR: 9)
10. Steve Carell, Last Flag Flying (PR: 7)
11. Jeremy Renner, Wind River (PR: 11)
12. Christian Bale, Hostiles (PR: 13)
13. Matt Damon, Downsizing (PR: 12)
14. Algee Smith, Detroit (PR: 15)
15. Kumail Nanjiani, The Big Sick (PR: Not Ranked)
Dropped Out:
Jason Clarke, Chappaquiddick (moved to 2018)
Best Actress
Predicted Nominees:
1. Meryl Streep, The Post (PR: 1)
2. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Margot Robbie, I, Tonya (PR: 3)
4. Sally Hawkins, The Shape of Water (PR: 5)
5. Emma Stone, Battle of the Sexes (PR: 4)
Other Possibilities:
6. Saoirse Ronan, Lady Bird (PR: 9)
7. Kate Winslet, Wonder Wheel (PR: 6)
8. Jessica Chastain, Molly’s Game (PR: 7)
9. Judi Dench, Victoria and Abdul (PR: 8)
10. Vicky Krieps, PhantomThread (PR: Not Ranked)
11. Daniela Vega, A Fantastic Woman (PR: 11)
12. Brooklyn Prince, The Florida Project (PR: 10)
13. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 12)
14. Diane Kruger, In the Fade (PR: 14)
15. Michelle Williams, All the Money in the World (PR: 13)
Dropped Out:
Jennifer Lawrence, mother! (PR: 15)
Best Supporting Actor
Predicted Nominees:
1. Willem Dafoe, The Florida Project (PR: 1)
2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)
3. Armie Hammer, Call Me by Your Name (PR: 3)
4. Mark Rylance, Dunkirk (PR: 4)
5. Michael Shannon, The Shape of Water (PR: 5)
Other Possibilities:
6. Michael Stuhlbarg, Call Me by Your Name (PR: 6)
7. Jason Mitchell, Mudbound (PR: 8)
8. Ben Mendelsohn, Darkest Hour (PR: 7)
9. Kevin Spacey, All the Money in the World (PR: 9)
10. Bryan Cranston, Last Flag Flying (PR: 13)
11. Will Poulter, Detroit (PR: 10)
12. Richard Jenkins, The Shape of Water (PR: 12)
13. Christoph Waltz, Downsizing (PR: 11)
14. Patrick Stewart, Logan (PR: 14)
15. Idris Elba, Molly’s Game (PR: Not Ranked)
Dropped Out:
Garrett Hedlund, Mudbound
Best Supporting Actress
Predicted Nominees:
1. Allison Janney, I, Tonya (PR: 1)
2. Melissa Leo, Novitiate (PR: 2)
3. Laurie Metcalf, Lady Bird (PR: 3)
4. Hong Chau, Downsizing (PR: 4)
5. Kristin Scott Thomas, Darkest Hour (PR: 5)
Other Possibilities:
6. Holly Hunter, The Big Sick (PR: 7)
7. Mary J. Blige, Mudbound (PR: 8)
8. Claire Foy, Breathe (PR: 9)
9. Octavia Spencer, The Shape of Water (PR: 6)
10. Lesley Manville, Phantom Thread (PR: Not Ranked)
11. Kirsten Dunst, The Beguiled (PR: 11)
12. Julianne Moore, Wonderstruck (PR: 10)
13. Tatiana Maslany, Stronger (PR: 12)
14. Millicent Simmonds, Wonderstruck (PR: 13)
15. Sarah Paulson, The Post (PR: 14)
Dropped Out:
Michelle Pfeiffer, mother!
Best Adapted Screenplay
Predicted Nominees:
1. Call Me by Your Name (PR: 1)
2. Mudbound (PR: 2)
3. Molly’s Game (PR: 4)
4. Last Flag Flying (PR: 3)
5. Wonderstruck (PR: 5)
Other Possibilities:
6. Victoria and Abdul (PR: 6)
7. The Disaster Artist (PR: 12)
8. The Beguiled (PR: 9)
9. Blade Runner 2049 (PR: 7)
10. Stronger (PR: 11)
11. All the Money in the World (PR: 10)
12. Thank You for Your Service (PR: Not Ranked)
13. First, They Killed My Father (PR: 15)
14. The Death of Stalin (PR: 13)
15. Wonder (PR: 14)
Dropped Out:
The 15:17 to Paris
Best Original Screenplay
Predicted Nominees:
1. Three Billboards Outside Ebbing, Missouri (PR: 1)
2. The Shape of Water (PR: 2)
3. Darkest Hour (PR: 6)
4. The Florida Project (PR: 4)
5. Lady Bird (PR: 9)
Other Possibilities:
6. The Post (PR: 3)
7. The Big Sick (PR: 5)
8. Get Out (PR: 8)
9. I, Tonya (PR: 10)
10. Dunkirk (PR: 7)
11. Phantom Thread (PR: 12)
12. Downsizing (PR: 11)
13. Wind River (PR: 13)
14. Battle of the Sexes (PR: Not Ranked)
15. Coco (PR: Not Ranked)
Dropped Out:
Detroit
Wonder Wheel
And there you have it! My final October predictions. I’ll be back next week with all the categories for the first time…
My weekly round of Thursday Oscar predictions in the eight major categories brings a couple of updates from the past week:
Woody Allen’s Wonder Wheel premiered at the New York Film Festival and the mixed reaction has caused it to roll all the way out of the top 25 possibilities for Best Picture. Kate Winslet still stands a decent shot at Best Actress in a very crowded race, but her nomination seems a bit less assured to me now. The film also takes a hit in the Original Screenplay derby.
It’s looking like The Leisure Seeker with Donald Sutherland will not be released until 2018. I’ve had the actor on the lower rungs of possibility for Best Actor, but until I see confirmation of an awards qualifying end of year release date, he’s out for now.
And with that, let’s get to it!
Best Picture
Predicted Nominees:
1. Dunkirk (Previous Ranking: 1)
2. The Post (PR: 2)
3. The Shape of Water (PR: 3)
4. Call Me by Your Name (PR: 6)
5. Darkest Hour (PR: 4)
6. Three Billboards Outside Ebbing, Missouri (PR: 5)
