Tag: Jenna Ortega

2022 Critics Choice Awards Nomination Predictions

The 28th Critics Choice Awards airs January 13th and the nominations are out on Wednesday. Like the Oscars, there are 10 Best Picture contenders. That’s easy. Then it gets a little weird.

The number of nominees in the other races has fluctuated recently from 5-7. I’m basing my estimates on 2021’s allotment, but it could look different come Wednesday morning when the nominees are announced. That means 6 in Director, the acting derbies, Ensemble, Young Performer, and Cinematography and 5 for the rest.

I’ll have a recap up Wednesday evening with my thoughts and how I performed!

Best Picture

Predicted Nominees:

Avatar: The Way of Water

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

She Said

Tár

Top Gun: Maverick

The Whale

The Woman King

Women Talking

Alternate:

Elvis

Best Director

Predicted Nominees:

James Cameron, Avatar: The Way of Water

Daniels, Everything Everywhere All at Once

Todd Field, Tár

Martin McDonagh, The Banshees of Inisherin

Sarah Polley, Women Talking

Steven Spielberg, The Fabelmans

Alternate:

Gina Prince-Bythewood, The Woman King

Best Actress

Predicted Nominees:

Cate Blanchett, Tár

Viola Davis, The Woman King

Danielle Deadwyler, Till

Margot Robbie, Babylon

Michelle Williams, The Fabelmans

Michelle Yeoh, Everything Everywhere All at Once

Alternate:

Olivia Colman, Empire of Light

Best Actor

Predicted Nominees:

Austin Butler, Elvis

Tom Cruise, Top Gun: Maverick

Colin Farrell, The Banshees of Inisherin

Brendan Fraser, The Whale

Paul Mescal, Aftersun

Bill Nighy, Living

Alternate:

Diego Calva, Babylon

Best Supporting Actress

Predicted Nominees:

Hong Chau, The Whale

Kerry Condon, The Banshees of Inisherin

Dolly de Leon, Triangle of Sadness

Claire Foy, Women Talking

Stephanie Hsu, Everything Everywhere All at Once

Carey Mulligan, She Said

Alternate:

Jamie Lee Curtis, Everything Everywhere All at Once

Best Supporting Actor

Predicted Nominees:

Paul Dano, The Fabelmans

Brendan Gleeson, The Banshees of Inisherin

Judd Hirsch, The Fabelmans

Barry Keoghan, The Banshees of Inisherin

Ke Huy Quan, Everything Everywhere All at Once

Ben Whishaw, Women Talking

Alternate:

Eddie Redmayne, The Good Nurse

Best Original Screenplay

Predicted Nominees:

Aftersun

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

Tár

Alternate:

Triangle of Sadness

Best Adapted Screenplay

Predicted Nominees:

Glass Onion: A Knives Out Mystery

She Said

Top Gun: Maverick

The Whale

Women Talking

Alternate:

Living

Best Acting Ensemble

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

She Said

The Woman King

Women Talking

Alternate:

The Banshees of Inisherin

Best Young Actor/Actress

Predicted Nominees:

Frankie Corio, Aftersun

Jalyn Hall, Till

Gabriel LaBelle, The Fabelmans

Madeleine McGraw, The Black Phone

Jenna Ortega, X

Sadie Sink, The Whale

Alternate:

Mason Thames, The Black Phone

Best Animated Feature

Predicted Nominees:

The Bad Guys

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Puss in Boots: The Last Wish

Turning Red

Alternate:

Wendell and Wild

Best Foreign Language Film

Predicted Nominees:

All Quiet on the Western Front

Decision to Leave

EO

RRR

Saint Omer

Alternate:

Close

Best Comedy

Predicted Nominees:

Babylon

The Banshees of Inisherin

Everything Everywhere All at Once

Glass Onion: A Knives Out Mystery

Triangle of Sadness

Alternate:

The Menu

Best Cinematography

Predicted Nominees:

All Quiet on the Western Front

Avatar: The Way of Water

Babylon

Empire of Light

The Fabelmans

Top Gun: Maverick

Alternate:

The Banshees of Inisherin

Best Costume Design

Predicted Nominees:

Babylon

Black Panther: Wakanda Forever

Elvis

Mrs. Harris Goes to Paris

The Woman King

Alternate:

Living

Best Editing

Predicted Nominees:

Avatar: The Way of Water

Everything Everywhere All at Once

The Fabelmans

Top Gun: Maverick

Women Talking

Alternate:

Babylon

Best Hair and Makeup

Predicted Nominees:

Babylon

The Batman

Elvis

The Whale

X

Alternate:

The Woman King

Best Production Design

Predicted Nominees:

Avatar: The Way of Water

Babylon

Black Panther: Wakanda Forever

The Fabelmans

Glass Onion: A Knives Out Mystery

Alternate:

Elvis

Best Score

Predicted Nominees:

Babylon

The Banshees of Inisherin

Empire of Light

The Fabelmans

Women Talking

Alternate:

Guillermo del Toro’s Pinocchio

Best Song

Predicted Nominees:

“Carolina” from Where the Crawdads Sing

“Hold My Hand” from Top Gun: Maverick

“Life Me Up” from Black Panther: Wakanda Forever

“Naatu Naatu” from RRR

“This Is A Life” from Everything Everywhere All at Once

Alternate:

“Nobody Like U” from Turning Red

Best Visual Effects

Predicted Nominees:

Avatar: The Way of Water

Everything Everywhere All at Once

Nope

RRR

Top Gun: Maverick

Alternate:

The Batman

That equates to these movies getting these numbers for nominations:

12 Nominations

The Fabelmans

11 Nominations

Everything Everywhere All at Once

9 Nominations

The Banshees of Inisherin

8 Nominations

Women Talking

7 Nominations

Babylon, Top Gun: Maverick

6 Nominations

Avatar: The Way of Water, The Whale

4 Nominations

Glass Onion: A Knives Out Mystery, She Said, Tár, The Woman King

3 Nominations

Aftersun, Black Panther: Wakanda Forever, Elvis, RRR

2 Nominations

All Quiet on the Western Front, Empire of Light, Till, Triangle of Sadness, X

1 Nomination

The Bad Guys, The Batman, The Black Phone, Decision to Leave, EO, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Nope, Puss in Boots: The Last Wish, Saint Omer, Turning Red, Where the Crawdads Sing

X Review

We’re used to the virgin in slasher movies. It’s typically a she and she’s usually the one that survives. Ti West’s homage  to that genre and other ones has a little demented fun with that character. There’s not a virgin to be found in X, but there’s one who loses her porn flick virginity.

A prologue clues us in that we’ll see a significant body count in what follows. Set in rural Texas circa 1979, a troupe of six travels to a farmhouse to shoot an adult film. The director RJ (Owen Campbell) fancies it to be a cut above the rest of them (they always do in these pics). His girlfriend Lorraine  (Jenna Ortega) is part of the skeleton crew who isn’t thrilled to be on the shoot. On the flip side, Bobby-Lynne (Brittany Snow) and her bf Jackson Hole (Scott Mescudi) are proud to be starring in the feature titled The Farmer’s Daughters. Mia Goth is Maxine, coke addled and desperate to be a star. She’s dating Wayne (Martin Henderson), executive producer of the big show.

The aforementioned farmhouse is owned by elderly couple Howard (Stephen Ure) and Pearl (played by Goth in heavy old age makeup). With a revivalist evangelical TV program playing on their set, we rightly assume they aren’t fully aware of what kind of shenanigans their guests are filming.  A slow build leads us to discover plenty of secrets about the couple.

X is most obviously  a sadistic love letter to 1974’s The Texas Chainsaw Massacre though it telegraphs other influences. It even mentions 1960’s Psycho and how it became a different picture at midpoint. The same can be said here as the one day shoot is completed before a violent night rolls along. Halloween and The Shining get their due as do the cheapie grindhouse and skin flicks of the era it’s set in.

Where X deviates a little from the formula is its occasional rumination on aging. Pearl, in particular, is reminded of what she’s lost in her elder state by the youngsters on her property. Her reaction won’t win her (or the script) any acclaim from the AARP. It does, however, give this a slightly unexpected and intriguing dimension.

My reaction was mixed overall. I found the lighting to be almost too dark at times. That said, there’s one scene in particular (you’ll know) where you’ll be glad it is. While X is well-made and sometimes clever, its biggest fault is a common one for more high minded horror titles. I didn’t find it overly frightening. Furthermore, for a sendup of a brand where the killings are often violently creative – that’s in surprisingly short supply. The most passionate genre disciples will surely sing X‘s praises. I found myself somewhat less devoted.

**1/2 (out of four)

X Box Office Prediction

Set in 1979 and melding the genres of horror with adult filmmaking, Ti West’s X is slated for spots in over 2000 theaters this weekend. The slasher pic (which premiered at South by Southwest days ago) stars Mia Goth, Jenna Ortega (just coming off Scream), Martin Henderson, Brittany Snow, Owen Campbell, and Scott Mescudi (aka Kid Cudi).

Reviews are sharp with a current 100% Rotten Tomatoes score. That said, I do believe its box office potential is limited. Unlike most recent horror titles, it’s not a sequel/remake/prequel/requel. While A24 materials often receives acclaim, they can struggle at multiplexes.

Despite the hefty screen count, I’ll project this struggles to reach $3 million.

X opening weekend prediction: $2.9 million

For my Jujutsu Kaisen 0 prediction, click here:

Jujutsu Kaisen 0 Box Office Prediction

For my The Outfit prediction, click here:

The Outfit Box Office Prediction

Scream (2022) Review

Landline phones are looked upon by the new kids of Scream like they’re phonographs, but some things never change with this fourth sequel to the 1996 original. Unlike other horror franchises, I would say there hasn’t been a bad Scream follow-up nor has one come close to approaching the quality of the first. My reception for parts II-IV are fairly similar – passably entertaining and ultimately forgettable. Part V – call it Scream if you want but it’s Scream 5 – is no different and a tad more underwhelming since its new characters add little.

When the ’96 version of Scream came out, Wes Craven and screenwriter Kevin Williamson deftly satirized the slasher genre while also making a scary movie. It’s why Scary Movie four years later didn’t work for me – it was trying to parody something that had already cleverly done it. The rest of the Scream efforts have struggled with the mix as it continually invents new family connections to reveal new Ghostface killers.

In this Scream, Sam (Melissa Barrera) fled the town of Woodsboro five years ago. She makes a hasty return when her high school age sister Tara (Jenna Ortega) is attacked by the now iconic villain. With Sam’s boyfriend Richie (Jack Quaid) and Tara’s student clique as potential suspects, we soon see familiar faces besides Ghostface. Dewey (David Arquette) is divorced from Gale Weathers (Courtney Cox) and no longer the sheriff in town. He reluctantly accepts Sam’s offer to get involved. Sidney (Neve Campbell) has no desire for a hometown return but we know that won’t last.

Sam’s genealogy allows for some slightly more surprising cameos as we try to deduce who the killer(s) are this time around. Some of Tara’s schoolmates fill the Scream bingo card. There’s the Jock, the Movie Buff, and the Virgin. Some of the roles are given a modern update (one of the guys is given the potentially fatal shower scene).

Of course, these characters talk endlessly about sequels and reboots and “requels”. This was a pretty fresh concept a quarter century ago (even if Craven had mined similar territory in New Nightmare). Now there’s precious little more meta to mine. Like the sequels, there’s also the fact that this Scream just isn’t a very scary movie.

Matt Bettinelli-Olpin and Tyler Gillett take over the reigns as Craven passed in 2015. They clearly have reverence for the series and especially part one. That’s understandable. So did the other ones. Some of them landed their plot points with more precision (Scream 4 managed to have a decent killer reveal and fun third act). All of them were duller cuts and this one strains to properly explain its reason for being despite endless attempts.

** (out of four)

Studio 666 Box Office Prediction

Blogger’s Update (02/23): A higher than expected theater count of just over 2300 screens has been announced. However, I’m not upping my estimate by too much – $1.4 million to $2.1 million.

Dave Grohl and his bandmates take a break from fighting foo to battle evil spirits in Studio 666 this Friday. The comedic horror tale comes from an idea hatched by the Foo Fighters frontman (its existence wasn’t even known until November of last year). B.J. McDonnell directs and the supporting cast (apart from the recently inducted Rock and Roll Hall of Famers) includes Whitney Cummings, Leslie Grossman, Will Forte, Jenna Ortega, and Jeff Garlin.

Distributed by Open Road, I’ve yet to see a reliable theater count for 666 (my forecast could change when I do). While the film’s leads are certainly popular onstage, I question how many of their fans will rush to see them in this. Early reviews are solid with an 83% Rotten Tomatoes score.

This might be the type of project that gets noticed when it’s available for streaming. As far as multiplex business, I’ll project it scares up less than $2 million.

Studio 666 opening weekend prediction: $2.1 million

For my Cyrano prediction, click here:

Cyrano Box Office Prediction

Scream Box Office Prediction

**Blogger’s Note (01/13): On the eve of its premiere, I am upping the 4-day tally for Scream from $29.4 million to $36.4M

The fifth installment of the Scream franchise slashes its way into theaters on January 14th, hoping to bring in a sizable horror fan base. Matt Bettinelli-Olpin and Tyler Gillett, makers of V/H/S and Ready or Not, direct as they take reigns of the series from scare master Wes Craven (who helmed the first four and passed away in 2015). Neve Campbell, Courtney Cox, David Arquette, Marley Shelton, and Roger L. Jackson (as the iconic voice of Ghostface) reprise roles from previous entries. Newcomers include Melissa Barrera, Mason Gooding, Jenna Ortega, and Jack Quaid.

Nearly a quarter century ago, the low-budget original became a cultural phenomenon and revitalized the genre. Two sequels followed in quick succession in 1997 and 2000 while part 4 hit in 2011. It was a commercial disappointment – taking in only $38 million at the domestic box office (with a $19 million start).

Paramount and Dimension Films are hoping that nostalgia will bring audiences back to the fold. Fright fests, more than any other type of pic in 2021, proved immune to challenges faced in the COVID era in terms of solid openings. The third Conjuring and Candyman each premiered in the low to mid 20s range. Scream will have an extra day of earnings when factoring in the long MLK frame.

January is very desolate in terms of high profile debuts and Scream is by far the biggest one. It marks a major test for theaters as the Omicron variant sweeps across the country. If this fails to perform, don’t be surprised to see delays for upcoming releases. Even with that potential barrier and the underperformance of its predecessor, I envision this managing a mid to possibly late 20s haul when including Monday.

Scream opening weekend prediction: $36.4 million (Friday to Monday estimate)