After a record breaking start, A Minecraft Movie should easily repeat in first position at the box office. Yet there’s a handful of newcomers jockeying for slots 2-6. We have the faith-based animated tale The King of Kings, Rami Malek’s spy thriller The Amateur, Blumhouse thriller Drop, Alex Garland’s Iraqi Freedom drama Warfare, and episodes 6-8 of the Christian show The Chosen: Last Supper – Part 3. You can peruse my detailed prediction posts on the quintet here:
Based on the best selling video game of all time, A Minecraft Movie achieved the best opening for a picture based on a video game (more on that below). I’m estimating a sophomore drop between 50-55% and that should put it somewhere in the mid 70s-low 80s.
A report surfaced today that The King of Kings has already taken in approximately $8 million in pre-sales. That’s surprising, but Angel Studios has certainly exceeded projections before via Sound of Freedom. A low 20s performance would easily put it in the runner-up spot.
After that it gets tricky. The Amateur, Warfare, and Drop could all open similarly in the $7-11 million range. I’ve got them placing in the order of the previous sentence with The Chosen in sixth.
Here’s how I have it shaking out:
1. A Minecraft Movie
Predicted Gross: $77.9 million
2. The King of Kings
Predicted Gross: $21.4 million
3. The Amateur
Predicted Gross: $11.9 million
4. Warfare
Predicted Gross: $8.5 million
5. Drop
Predicted Gross: $7.6 million
6. The Chosen: Last Supper – Part 3
Predicted Gross: $5.5 million
Box Office Results (April 4-6)
The box office got a much needed jolt as A Minecraft Movie kicked off well above forecasts. With $162.7 million, it is 2025’s largest start thus far and, as mentioned, the highest video game adapted feature in history. The previous record was held by 2023’s The Super Mario Bros. Movie with $146 million. I was way off with a prediction of only $92.5 million. With a less than expected B+ Cinemascore, it should fall further than the 37% that Mario dropped in its second weekend. Yet any way you cut it, this is a fantastic result for Warner Bros.
A Working Man with Jason Statham slid to second with $7.3 million, slightly under my $8 million call. The action thriller has made $27 million after ten days.
The Chosen: Last Supper – Part 2 placed third with $6.9 million, not quite matching my $7.8 million estimate. Episodes 3-5 of the popular program made a little more than half of the nearly $12 million achieved by Part 1. Per above, diminishing returns should continue with Part 3.
Disney dud Snow White was fourth with $5.9 million (I said $6.7 million). The troubling three-week tally is $77 million.
Horror flick The Woman in the Yard was fifth and I incorrectly had it outside the high five. With $4.5 million, the two-week total is $16 million.
I had Part 1 of the The Chosen in fifth with $5.2 million, but it plummeted 84% to seventh with $1.8 million for $17 million overall.
Blogger’s Update (04/03): On the eve of its premiere, a very significant update as Minecraft tracking is going through the roof. I’m upping my projection from $57.5 million to a whopping $92.5 million (!)
A Minecraft Movie starring Jason Momoa and Jack Black looks to dominate the charts while The Chosen: Last Supper – Part 2 hopes to capture a hefty portion of the audience that witnessed Part 1 this past weekend. You can peruse my detailed prediction posts on the newcomers here:
Minecraft, based on the best selling video game of all time, should outgross the rest of the top five combined. However, that’s with a caveat. My mid to high 50s estimate isn’t exactly a robust number for this IP and would be considered a slight disappointment.
The rest of the top 5 is a little tricky. The Chosen: Last Supper – Part 2 encompasses episodes 3-5 of the popular faith-based TV show. Part 1 easily outpaced expectations (more on that below). The follow-up shows should see diminishing returns, but it could still be good enough for second or third place. According to the info I’ve seen, Part 1 should still be in multiplexes and it might remain in the top five.
As for holdovers, Jason Statham’s A Working Man clocked a surprising #1 start and it may lose around half its audience while Disney’s dud Snow White may lose slightly more.
Here’s how I have the chart playing out:
1. A Minecraft Movie
Predicted Gross: $92.5 million
2. A Working Man
Predicted Gross: $8 million
3. The Chosen: Last Supper – Part 2
Predicted Gross: $7.8 million
4. Snow White
Predicted Gross: $6.7 million
5. The Chosen: Last Supper – Part 1
Predicted Gross: $5.2 million
Box Office Results (March 28-30)
In an upset, A Working Man capitalized on the ho-hum Snow White reception and was first with $15.5 million. The action thriller rose above my $13.9 million prediction and is another decent hit for Mr. Statham.
Disney’s Snow White live-action retelling tumbled 66% to $14.3 million, below my $16.4 million projection. The ten-day take is $66 million as it tries to reach $100 million domestically.
The Chosen: Last Supper – Part 1, as mentioned, easily rose above forecasts in third with $11.7 million. That soars past my $6.4 million call and is quite a heavenly result for the Fathom Events distributed property.
Horror flick The Woman in the Yard with Danielle Deadwyler debuted in fourth with $9.3 million, surpassing my $6.7 million estimate. With a C- Cinemascore, the sophomore drop should be substantial. Lucky for it, the budget is reportedly a meager $12 million.
The biggest disappointment of the week besides Snow‘s fall was Death of a Unicorn. In fifth place, the horror comedy with Paul Rudd and Jenna Ortega took in just $5.7 million compared to my $8.8 million prediction.
A quartet of newcomers hope to populate spots 2-5 this weekend with Snow White looking to cling to first place after a muted debut. We have the Jason Statham action pic A Working Man, Paul Rudd and Jenna Ortega in the horror comedy Death of a Unicorn, more serious scary movie The Woman in the Yard with Danielle Deadwyler, and the first two episodes of the popular faith-based program The Chosen: Last Supper – Part 1. You can peruse my detailed prediction posts on the newcomers here:
Snow White had the lowest modern-day premiere for any of the Mouse House live-action adaptations (more on that below). To add insult to injury, its B+ Cinemascore grade is also the worst of the sub genre. The similarly performing Dumbo from 2019 plummeted 60% in its sophomore frame. I would expect a similar result for Snow White and that should mean a mid-teens gross.
That might keep it in first place as I have A Working Man in the low teens for a runner-up showing (it has an outside shot of being #1). I am placing Unicorn just below $10 million with Yard and Chosen both in the mid single digits. Considering the sad state of affairs at multiplexes financially, that should mean 80% of the high 5 is fresh product.
Here’s how I see it playing out:
1. Snow White
Predicted Gross: $16.4 million
2. A Working Man
Predicted Gross: $13.9 million
3. Death of a Unicorn
Predicted Gross: $8.8 million
4. The Woman in the Yard
Predicted Gross: $6.7 million
5. The Chosen: Last Supper – Part 1
Predicted Gross: $6.4 million
Box Office Results (March 21-23)
Pick your cliched headline – it was a sleepy opening… it was a ho-hum debut…
They apply to Snow White which, as mentioned, experienced the weakest unveiling of any Disney live-action rendering at $42.2 million. That’s below my $49.6 million take and it’s a pretty impossible spin job for its studio to attempt. Some articles have correctly pointed out that Mufasa: The Lion King premiered to lower numbers but legged out nicely. The difference is that Mufasa rolled out over the holidays where drop-offs are insignificant. I don’t expect that to be the case here.
As I suspected, slots 2-6 were separated by just over a million bucks. That made it tricky to know where the pics would land. Black Bag stayed in second place with $4.2 million, on target with my $4 million prediction. Steven Soderbergh’s spy tale sits at $14 million after ten days.
Captain America: Brave New World was third with $4 million, in line with my $4.1 million call. The MCU entry is nearing $200 million with $192 million in the bank after six weeks.
Novocaine slid from 1st to 4th with $3.6 million, a tad below my $4.1 million projection. The two-week take is $15 million.
Mickey 17 rounded out the top five with $3.6 million. My estimate? $3.6 million! The three-week earnings are an underwhelming $40 million.
Finally, critically panned Robert De Niro (and Robert De Niro) Mob saga The Alto Knights was flat in sixth with $3.1 million (I said $3.7 million).
Jason Statham cranks out his latest action thriller A Working Man, clocking into multiplexes March 28th. The Amazon MGM production reunites the lead with The Beekeeper director David Ayer (also known for Fury and Suicide Squad). Michael Peña and David Harbour costar. The screenplay is co-scripted by Mr. Sylvester Stallone.
Working would be fortunate to ride the wave of buzz that Beekeeper managed (a sequel is in the works). That pic debuted with $16 million on its way to a $66 million overall domestic gross. This might get off to a rockier start, but lower double digits or teens is certainly possible.
A Working Man opening weekend prediction: $13.9 million
In what has become a tradition on the blog, it is time to revisit the cinematic season that transpired ten years ago. In 2014, that meant the warmer months were ruled by a ragtag group of relatively unknown Marvel superheroes (at least compared to your Spideys, Batmen, and Supermen, etc…).
Audiences might have been hooked on the feelings these MCU characters gave them, but they were also transfixed by apes, giant lizards, and pizza chomping turtles.
Let’s take a trip down a decade old memory lane with the top 10 domestic earners of summer ’14 as well as other noteworthy pics and significant flops.
10. How to Train Your Dragon 2
Domestic Gross: $177 million
While the DreamWorks Animation sequel couldn’t match or exceed the gross of its 2010 predecessor at $217 million, the fantasy tale won the Golden Globe for its genre and was Oscar nominated for Animated Feature. A sequel would follow five years later.
9. Teenage Mutant Ninja Turtles
Domestic Gross: $191 million
With Michael Bay producing and Megan Fox starring, the transformation of this franchise from the 1990s to the 21st century was a financial if not critical success. A sequel which made less cash came two summers later.
8. 22 Jump Street
Domestic Gross: $191 million
Channing Tatum and Jonah Hill’s second go-round as hapless cops (this time graduating to going undercover at college instead of high school) outpaced the 2012 original financially. A third Street never arrived (there was a rumored crossover with the Men in Black series), but Tatum has recently spoken of his desire to get the ball rolling.
7. Godzilla
Domestic Gross: $200 million
It might be the 30th overall feature in the Godzilla franchise, but this monster mash from Gareth Edwards achieved some of the series’ best reviews and kicked off the MonsterVerse that is still wreaking havoc at multiplexes. It also assisted in washing away dirty memories of Roland Emmerich’s 1998 summertime treatment with Matthew Broderick
6. The Amazing Spider-Man 2
Domestic Gross: $202 million
While it made over $200 million domestic, Andrew Garfield’s return to the Spidey suit was seen as underwhelming with critics and audiences. Planned sequels didn’t materialize though Garfield and head villain Jamie Foxx would reprise their roles in 2021’s Spider-Man: No Way Home.
5. Dawn of the Planet of the Apes
Domestic Gross: $208 million
The follow-up to 2011’s Rise of the Planet of the Apes, Matt Reeves took over directorial duties. The result was critical acclaim as Dawn became the long running franchise’s largest grosser. Two sequels (including Kingdom of the Planet of the Apes in May) have followed.
4. X-Men: Days of Future Past
Domestic Gross: $233 million
This sequel combined cast members from the 2000-06 trilogy including Hugh Jackman’s Wolverine, Ian McKellen’s Magneto, Patrick Stewart’s Professor X, and Halle Berry’s Storm with some of their younger counterparts from 2011’s X-Men: First Class like Michael Fassbender’s Magneto and James McAvoy’s Professor X (as well as Jennifer Lawrence’s Mystique). The result is the highest earning pic with X-Men in the title. With the exception of the Deadpool success that followed two years later, direct sequels Apocalypse and Dark Phoenix failed to replicate the success here.
3. Maleficent
Domestic Gross: $241 million
After the massively profitable live-action remake of their animated Alice in Wonderland four years earlier, Disney continued the trend with Maleficent. Angelina Jolie starred as the Sleeping Beauty villainess and a 2019 sequel earned less than half of the total of this domestically.
2. Transformers: Age of Extinction
Domestic Gross: $245 million
Shia LaBeouf exited Michael Bay’s robotic mayhem and Mark Wahlberg entered this fourth entry. A billion in receipts worldwide resulted in making this 2014’s best worldwide grosser. Sequels are still coming and the latest Transformers: Rise of the Beasts hit a lower $157 million last year.
1. Guardians of the Galaxy
Domestic Gross: $233 million
This was the 10th feature in the MCU and it seemed like the first that could be a financial question mark. The heroes weren’t as familiar to audiences, but James Gunn’s tale of eccentric comic characters took by the box office by storm. Two sequels have followed in addition to Guardians appearances in other MCU sagas.
And now let’s cover some other flicks from ’14 that had crowds and critics chatting.
Neighbors
Domestic Gross: $150 million
The comedic teaming of Seth Rogen and Zac Efron caused this fraternal experience to be the season’s most fruitful original comedy. A less regarded sequel came two years later.
Lucy
Domestic Gross: $126 million
Two summers after The Avengers set records, Scarlett Johansson had a solid sci-fi action grosser with Luc Besson’s concoction.
The Fault in Our Stars
Domestic Gross: $124 million
John Green’s phenomenon of a YA romance bestseller became a blockbuster with decent reviews highlighting the chemistry of leads Shailene Woodley and Ansel Elgort.
Edge of Tomorrow
Domestic Gross: $100 million
Doug Liman’s sci-fi actioner with elements of Groundhog Day was not a sizable hit upon release. However, the Tom Cruise and Emily Blunt led title’s reputation has grown since with occasional rumors of another Tomorrow.
Let’s Be Cops
Domestic Gross: $82 million
This buddy cop pic was an out of nowhere late season surprise with over $100 million globally against a meager $17 million budget. Unlike nearly all other movies I’ve spoken of above, a sequel (somehow) did not happen.
Chef
Domestic Gross: $31 million
After helming two ginormous Iron Man chapters and a disappointment with Cowboys and Aliens, Jon Favreau cooked up critical cred and impressive midsize numbers with this road dramedy.
Boyhood
Domestic Gross: $25 million
Shot over a span of a decade, Richard Linklater’s unique coming-of-age drama remains the best reviewed picture of the 21st century according to Metacritic. Six Oscar nods, including a Supporting Actress victory for Patricia Arquette, were among its many plaudits.
Snowpiercer
Domestic Gross: $4 million
Bong Joon-Ho, who would make the BP winning Parasite five years later, garnered acclaim for this post-apocalyptic pic that would eventually spawn a TV series.
OK, so not all 2014 summer sagas were prosperous and here’s some that were considered commercial and/or critical disappointments.
Hercules
Domestic Gross: $72 million
Brett Ratner’s version of the Greek god wreaking havoc on his enemies cast Dwayne Johnson in the lead. The grosses were actually fairly decent, but I’m sure the studio were hoping for nine figures stateside… and does anyone even mention this movie anymore?
Jersey Boys
Domestic Gross: $47 million
The original play earned Tonys but audiences mostly tuned out Clint Eastwood’s take on the decades spanning musical drama.
Blended
Domestic Gross: $46 million
The Wedding Singer and 50 First Dates were each lucrative rom coms with Adam Sandler and Drew Barrymore. The third time was not the charm with moviegoers or reviewers.
A Million Ways to Die in the West
Domestic Gross: $43 million
Family Guy creator Seth MacFarlane ruled the comedic box office in summer 2012 with Ted. This follow-up starring him and Charlize Theron didn’t hit the bullseye.
The Expendables 3
Predicted Gross: $39 million
The previous two action headliners with Stallone, Schwarzenegger, Statham, and Snipes and others did well. For inexplicable reasons, a PG-13 rating was slapped on this third one and audiences turned their nose up for what they wanted to be R-rated violence. A fourth (and also unsuccessful) pic came out last year.
Sex Tape
Predicted Gross: $38 million
Jason Segel and Cameron Diaz couldn’t cause people to cue up this raunchy comedy which played to mostly empty establishments.
Sin City: A Dame to Kill For
Domestic Gross: $13 million
The first Sin City in 2005 made nearly $30 million in its first weekend while this sequel grossed less than half that figure total. The comic book adaptation co-directed by Robert Rodriguez and Frank Miller might stand as the biggest flop of the season.
And that’s your recap, folks! Hope you enjoyed this walk down memory lane and I’ll have a post about summer 2015 up in the summer of 2025!
As for the trailer for prequel A Quiet Place: Day One debuted this week, multiplexes themselves were even quieter over the Super Bowl weekend. With the Valentine and President’s Day holiday hitting, studios are hoping business gets louder. We have Spider-Man Universe flick Madame Web starring Dakota Johnson and musical biopic Bob Marley: One Love looking to place 1-2 when they open on February 14th. You can peruse my detailed prediction posts on them here:
The top 3 should all be newbies with faith-based The Chosen Season 4: Episodes 4-6 beginning on Thursday. On the day before, Madame Web hopes to break a recent run of so-so starts for comic book adaptations. That could be a tall order. I have it opening in the low 20s over the 4-day with low30s when counting the six-day output.
Marley might be close behind with low 20s from Friday to Monday and high 20s when counting Wednesday and Thursday. If it manages to over perform (which could be tricky considering the lackluster reviews), it might contend for the top spot if Web doesn’t match its fairly meager expectations.
Episodes 1-3 of The Chosen‘s fourth season made nearly $6 million from Friday to Sunday in the first weekend of February. Grosses could be about the same even with the extra day thrown in.
Holdovers Argylle and The Beekeeper are likely to populate the remainder of the high five with last weekend’s newcomer Lisa Frankenstein dropping out altogether (more on that below).
Here’s how I think it’ll look and keep in mind that these projections are for Friday thru Monday:
1. Madame Web
Predicted Gross: $21.5 million (Friday to Monday estimate); $30.7 million (Wednesday to Monday estimate)
2. Bob Marley: One Love
Predicted Gross: $19.2 million (Friday to Monday estimate); $28.9 million (Wednesday to Monday estimate)
3. The Chosen Season 4: Episodes 1-3
Predicted Gross: $6.1 million
4. Argylle
Predicted Gross: $4.5 million
5. The Beekeeper
Predicted Gross: $2.6 million
Box Office Results (February 9-11)
It was the weakest frame since early December 2022 as spy action comedy Argylle plummeted 64% and still managed to stay #1. It made $6.2 million and was right on target with my $6.1 million prediction. The subpar two-week take is $28 million.
Horror comedy Lisa Frankenstein was the only newcomer and it was DOA in second with a putrid $3.6 million. That’s well below my $6.8 million forecast and it should experience a hefty decline in subsequent frames.
The Beekeeper was third at $3.3 million (I said $3.5 million) as Jason Statham’s steady grosser hit $54 million after five weeks.
Holiday holdover Wonka was fourth with $3 million, a shade under my $3.4 million projection. The total is $205 million in its ninth go-round.
Finally, animated Migration rounded out the top five in weekend #8 with $2.9 million compared to my $3.2 million guesstimate. It’s up to $110 million.
The month of January seems destined to go out with a whimper as thriller Miller’s Girl with Martin Freeman and Jenna Ortega is the sole wide release. You can peruse my detailed prediction post on it here:
The top five may look very similar to this previous frame except the earnings will be even smaller. Mean Girls could manage a third weekend at #1 with a drop close to 50%. If it drops more precipitously, that could open the door for Wonka or The Beekeeper to vault over it.
Migration and Anyone but You are likely to stay put in fourth and fifth.
You’ll notice I haven’t discussed Miller’s Girl yet and that’s because my $2.2 million leaves it on the outside looking in.
Here’s my top 5 forecast:
1. Mean Girls
Predicted Gross: $6 million
2. Wonka
Predicted Gross: $5.3 million
3. The Beekeeper
Predicted Gross: $5.1 million
4. Migration
Predicted Gross: $4.5 million
5. Anyone but You
Predicted Gross: $4.2 million
Box Office Results (January 19-21)
Mean Girls, despite a hefty 59% drop, was perched in 1st for the second weekend with $11.6 million. That’s just under my $12.6 million prediction as the ten-day gross reached $50 million.
Jason Statham’s The Beekeeper was the runner-up again with $8.6 million (right on target with my $8.7 million projection) for $31 million thus far.
Wonka was third with an additional $6.7 million (I said $6 million) to bring its haul to $187 million with $200 million approaching.
Migration made $5.4 million for fourth. I went with $4.9 million as the animated feature is getting to nine digits with $94 million.
Anyone but You continued its impressive run in fifth with $5.4 million, on pace with my $5.5 million call. The tally is $64 million.
Lastly, sci-fi thriller I.S.S. was a dud. It started off in seventh with $3 million, in range with my $2.6 million take.
The space station set sci-fi thriller I.S.S. is the only wide release debut in what should be a sluggish weekend at the box office. Our newcomer may struggle to make the top five and you can peruse my detailed prediction post on it here:
After a fetching start (more on that below), Mean Girls should remain #1 for the second weekend. However, with a weak B Cinemascore grade, a drop in the mid to high 50s is possible. It still might be the only title to get beyond $10 million as the typical January slowdown commences.
Jason Statham’s action thriller The Beekeeper, after its stronger than anticipated premiere, should be keeping its spot at #2 with a mid to high 40s decline.
The rest of the top five should consist of holiday leftovers with Wonka, Anyone but You, and Migration all experiencing meager dips.
Back to I.S.S. I’m just not seeing a launch of any magnitude and my $2.6 million forecast does indeed mean a showing outside the high five.
Here’s how I do see it:
1. Mean Girls
Predicted Gross: $12.6 million
2. The Beekeeper
Predicted Gross: $8.7 million
3. Wonka
Predicted Gross: $6 million
4. Anyone but You
Predicted Gross: $5.5 million
5. Migration
Predicted Gross: $4.9 million
Box Office Results (January 12-15)
It was a robust premiere for the latest take on Mean Girls as the musical comedy scored $33.6 million over the four-day MLK weekend. That’s over my $27.6 million prediction and at the peak end of its anticipated range.
The Beekeeper also exceeded expectations with $18.7 million, well over my $10.6 million projection. It proved to be a viable option for action fans despite bad weather and playoff football. P.S. – now that my Browns are out, go Texans (Buckeye CJ Stroud) or Lions (long suffering fanbase).
Wonka was third with $11 million, not matching my $12.9 million call. The hit of the holidays has amassed $178 million after five weeks with $200 million domestic in its sights.
Migration was fourth with $8.5 million (I said $8.3 million) as it approaches the century mark with $88 million in four weekends.
Anyone but You rounded out the top five and also grossed $8.5 million for its impressive four-week haul of $56 million. A went with a little more at $9.5 million.
Aquaman and the Lost Kingdom was sixth with $6.3 million, under my $7.6 million guesstimate, for $109 million overall since its Christmas weekend bow.
Badly reviewed horror flick Night Swim plummeted from 2nd to 7th with $5.4 million (I said $6.1 million) for two-week earnings of $20 million.
Finally, Biblical dramedy The Book of Clarence couldn’t find an audience. It was ninth with a mere $3 million compared to my projection of $5.5 million.
The four-day MLK weekend finds three new ride release entries with Mean Girls (based on the Broadway play that’s based on the 2004 comedy), action thriller The Beekeeper with Jason Statham, and Biblical dramedy The Book of Clarence. You can peruse my detailed prediction posts on the trio here:
Mean Girls should easily manage to be first #1 title released from 2024. That’s something Night Swim couldn’t do this weekend (more on that below). With an anticipated sizable female audience, Girls may take in low to high 20s over the Friday to Monday portion of the extended frame.
The Beekeeper could certainly exceed my expectations, but I have it barely clearing $10 million. That should put it in third behind the fifth weekend of Wonka.
If you look at previous MLK four-days, holiday leftovers can often have slight decreases or even small increases. That could be the case with rom com Anyone but You which has proven to be impressively durable since its Christmas bow. That said, Girls does serve as direct competition. I have it rising from fifth to fourth with Migration rounding out the top five.
I’m not expecting much out of The Book of Clarence and a mid single digits premiere puts it in eighth in my estimation.
The largest drop should belong to Night Swim. Sizable horror dips are common and it doesn’t help that reviews and word-of-mouth is underwater. A fall from 2nd to 8th is possible.
And with that, we will do a top 8 this time around. Keep in mind that all estimates are for Friday thru Monday…
1. Mean Girls
Predicted Gross: $27.6 million
2. Wonka
Predicted Gross: $12.9 million
3. The Beekeeper
Predicted Gross: $10.6 million
4. Anyone but You
Predicted Gross: $9.5 million
5. Migration
Predicted Gross: $8.3 million
6. Aquaman and the Lost Kingdom
Predicted Gross: $7.6 million
7. Night Swim
Predicted Gross: $6.1 million
8. The Book of Clarence
Predicted Gross: $5.5 million
Box Office Results (January 5-7)
Box office 2024 kicked off with Wonka wrapping up a third weekend atop the charts with $14 million, a bit below my $16.3 million take. In four weeks, the holiday hit has amassed $164 million with $200 million domestic in its sights.
As mentioned, Night Swim was a second place finisher with $11.7 million. That’s under my $14.1 million forecast, but still a fair showing considering the reported $15 million price tag. It is, however, well under what M3GAN accomplished for Universal/Blumhouse in the same frame last year.
Aquaman and the Lost Kingdom was third with $10.6 million, rising above my $8.3 million prediction. The DCU sequel finally hit $100 million after three weeks.
Migration was fourth with $9.9 million (I was higher at $12.8 million) as the animated offering has grossed $77 million since its Yuletide start.
Anyone but You continues to confound expectations with an 11% increase in its third go-round. With $9.7 million (exceeding my $6.7 million call), the total is $43 million and climbing.
Amazon MGM is hoping for solid buzz when The Beekeeper debuts on January 12th. It comes from Fury and Suicide Squad maker David Ayer with Jason Statham headlining the revenge tale. Costars include Emmy Raver-Lampman, Josh Hutcherson, Bobby Naderi, Minnie Driver, Phylicia Rashad, and Jeremy Irons.
It may sound like a kiddie animated flick, but the action thriller hopes to get genre fans out over the long MLK frame. With its attention grabbing name, one comp could be Gerard Butler’s Plane from last year. That plainly titled pic made nearly $12 million over the Friday to Monday portion of MLK. Another comp (as far as generic action exercises go) is 2017’s Sleepless with Jamie Foxx. It came in with just under $10 million for the four-day.
I’ll say The Beekeeper makes off with a number barely over $10 million in line with the aforementioned features.
The Beekeeper opening weekend prediction: $10.6 million (Friday to Monday estimate)
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