As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Delroy Lindo is our third possibility in Supporting Actor for Sinners. If you missed my posts covering the first two, they can be accessed here:
As Delta Slim in Ryan Coogler’s blockbuster, Lindo is a well-respected veteran in a movie that could win Best Picture. There is also a feeling that he was snubbed in 2020 for his lead work in Spike Lee’s Da 5 Bloods. Supporting Actor is wide open this year with different winners at the Globes (Stellan Skasgård in Sentimental Value), Critics Choice (Jacob Elordi for Frankenstein), and BAFTA (Sean Penn in One Battle After Another).
The Case Against Delroy Lindo:
Notice you don’t see his name as a recipient anywhere. In fact, you won’t because Lindo missed out on nominations at SAG, the Globes, Critics Choice, and BAFTA. It is extremely rare for someone to nominated (let alone win) without being up at any of those precursors. You have to go back to Marcia Gay Harden in Pollock 25 years ago to find the last one. The voters can honor the Sinners cast elsewhere via Michael B. Jordan and especially BAFTA winner Wunmi Mosaku.
The Verdict:
With the absence of noms everywhere else, logic would dictate that Lindo isn’t a threat to take gold. However, this Supporting Actor derby is unpredictable enough that I wouldn’t completely discount it. The chances increase if Sinners can pry BP away from One Battle.
My Case Of posts will continue with the third filmmaker contending for Best Director, Josh Safdie for Marty Supreme…
I didn’t anticipate mentioning the 2000 feature Billy Elliot in my BAFTA recap covering 2025 pictures, but these voters are dancing to the beat of a different drum so here we are! That’s one surprise of several that developed at the British equivalent of the Academy Awards. It was not surprising that Paul Thomas Anderson’s One Battle After Another led the way and (yes) won one BAFTA after another. However, the outcome of the acting races provided legit unexpected results and might have a hand in reshaping what happens at the 98th Oscars.
As far as results, I went 14 for 23 in my projections and 1 for 4 in the acting derbies. I correctly forecasted Best Film and Director BAFTAs for One Battle After Another and its maker Anderson. Same goes for its victories in Adapted Screenplay and Cinematography. It also took the Editing prize where I had F1.
In Supporting Actor, Battle‘s Sean Penn emerged in a field where I picked Stellan Skasgård as the winner and had Penn’s costar Benicio del Toro as the runner-up. We now have 3 different Supporting Actor victors in the three highest profiles precursors – Penn at BAFTA, Skarsgård at the Globes, and Jacob Elordi (Frankenstein) at Critics Choice. Let’s see what SAG Actor does next weekend as this race is wide open.
Battle did nothing but help its status as BP Oscar frontrunner. Yet Sinners didn’t take a significant hit. It won Original Screenplay and I went with Sentimental Value. I correctly picked it for Original Score.
In Supporting Actress, it represented a One Battle miss and a Sinners pickup. I went with Teyana Taylor, but Wunmi Mosaku lodged her first major recognition. Like Supporting Actor, we now have a trio of recipients among the precursors – Mosaku at BAFTA, Taylor at the Globes, and Amy Madigan (Weapons) at Critics Choice. Once again, SAG Actor will be closely viewed in another wide open acting derby. Simply put, I can’t remember the last time both supporting fields were this unpredictable.
That’s not the case in Actress where Jessie Buckley (Hamnet) predictably did a podium walk as her chances at a seasonal sweep are looking strong.
We will not be seeing a Timothée Chalamet (Marty Supreme) sweep. I had him taking Actor with Ethan Hawke (Blue Moon) as runner-up. BAFTA went their own way with Robert Aramayo (I Swear). He was additionally named the BAFTA Rising Star. Aramayo is not nominated at Oscar. The last time a BAFTA Best Actor wasn’t among the Academy’s quintet? That would be Jamie Bell in the title role of… you guessed it (!) Billy Elliot.
Here’s where I managed to get it right – Hamnet for Outstanding British Film and Sentimental Value having a subpar day with its sole win for Film Not in the English Language. I was correct in calling Zootopia 2 as Best Animated Film. Same goes for Frankenstein with the trio of Costume Design, Makeup & Hair, and Production Design and F1 in Sound and Avatar: Fire and Ash in Special Visual Effects.
Here’s where I whiffed. I will pat myself on the back for predicting The Perfect Neighbor would not be the documentary that BAFTA selected. Unfortunately I went with 2000 Meters to Andrivka and not Mr. Nobody Against Putin. Could it emerge as a spoiler to a Neighbor Oscar prize?
Pillion looked like the pick for Outstanding British Debut by a Writer, Director or Producer, but BAFTA chose My Father’s Shadow. Same with Children’s & Family Film where Zootopia 2 looked probable, but Boong was listed in the envelope. In Casting (always a tough race to project), I Swear emerged over Sentimental Value and my runner-up One Battle.
So what’s the biggest takeaway? I’d say the chaos occurring in the supporting competitions and that Battle vs. Sinners appears to still be a battle.
Today’s ceremony bestowed these numbers of wins for these movies:
6 Wins
One Battle After Another
3 Wins
Frankenstein, Sinners
2 Wins
Hamnet, I Swear
1 Win
Avatar: Fire and Ash, Boong, F1, Mr. Nobody Against Putin, My Father’s Shadow, Sentimental Value, Zootopia 2
I’ll have winner predictions up for SAG Actor (happening a week from today) on the blog soon!
The 79th BAFTAs (Britain’s version of the Academy Awards) occur this Sunday and they are often a reliable precursor to what Oscar voters will do. For example, they are 8 for 8 in the past two cycles in forecasting the acting races. On the flip side, in 2022, none of the four BAFTA acting recipients took the Oscar. The previous five cycles has seen the BAFTA Best Film match with Best Picture only twice (Nomadland, Oppenheimer). In 2021, the Brits honored The Power of the Dog over CODA (which wasn’t nominated). The following year it was All Quiet on the Western Front instead of Everything Everywhere All at Once. Last year, BAFTA selected Conclave and not Anora.
That’s why it’s very tempting to go with Hamnet over arguable frontrunners One Battle After Another and Sinners in the top competition. I almost did so, but ultimately decided with roll with Battle (with a low degree of confidence). Let’s walk through each race one by one with my winner projections and a runner-up.
Best Film
Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
WINNER: One Battle After Another
Runner-Up: Hamnet
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Yorgos Lanthimos (Bugonia), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
WINNER: Paul Thomas Anderson, One Battle After Another
Runner-Up: Chloé Zhao, Hamnet
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
WINNER: Jessie Buckley, Hamnet
Runner-Up: Renate Reinsve, Sentimental Value
Best Actor
Robert Aramayo (I Swear), Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
WINNER: Timothée Chalamet, Marty Supreme
Runner-Up: Ethan Hawke, Blue Moon
Best Supporting Actress
Odessa A’Zion (Marty Supreme), Inga Ibsdotter Lilleass (Sentimental Value), Wunmi Mosaku (Sinners), Carey Mulligan (The Ballad of Wallis Island), Teyana Taylor (One Battle After Another), Emily Watson (Hamnet)
WINNER: Teyana Taylor, One Battle After Another
Runner-Up: Inga Ibsdotter Lilleass, Sentimental Value
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Peter Mullan (I Swear), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
WINNER: Stellan Skarsgård, Sentimental Value
Runner-Up: Benicio del Toro, One Battle After Another
Best Original Screenplay
I Swear, Marty Supreme, The Secret Agent, Sentimental Value, Sinners
WINNER: Sentimental Value
Runner-Up: Sinners
Best Adapted Screenplay
The Ballad of Wallis Island, Bugonia, Hamnet, One Battle After Another, Pillion
WINNER: One Battle After Another
Runner-Up: Hamnet
Outstanding British Film
28 Years Later, The Ballad of Wallis Island, Bridget Jones: Mad About the Boy, Die My Love, H is for Hawk, Hamnet, I Swear, Mr Burton, Pillion, Steve
WINNER: Hamnet
Runner-Up: Pillion
Outstanding Debut by a British Writer, Director or Producer
The Ceremony, My Father’s Shadow, Pillion, A Want in Her, Wasteman
WINNER: Pillion
Runner-Up: My Father’s Shadow
Best Film Not in the English Language
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
WINNER: Sentimental Value
Runner-Up: The Secret Agent
Best Animated Film
Elio, Little Amélie or the Character of Rain, Zootopia 2
WINNER: Zootopia 2
Runner-Up: Little Amélie or the Character of Rain
Best Children’s & Family Film
Arco, Boong, Lilo & Stitch, Zootopia 2
WINNER: Zootopia 2
Runner-Up: Arco
Best Documentary
2000 Meters to Andrivka, Apocalypse in the Tropics, Cover-Up, Mr. Nobody Against Putin, The Perfect Neighbor
WINNER: 2000 Meters to Andrivka
Runner-Up: The Perfect Neighbor
Best Casting
I Swear, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
WINNER: Sentimental Value
Runner-Up: One Battle After Another
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
WINNER: One Battle After Another
Runner-Up: Sinners
Best Costume Design
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
WINNER: Frankenstein
Runner-Up: Hamnet
Best Editing
F1, A House of Dynamite, Marty Supreme, One Battle After Another, Sinners
WINNER: F1
Runner-Up: One Battle After Another
Best Make Up & Hair
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
WINNER: Frankenstein
Runner-Up: Wicked: For Good
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
WINNER: Sinners
Runner-Up: Hamnet
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
WINNER: Frankenstein
Runner-Up: Hamnet
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Warfare
WINNER: F1
Runner-Up: Sinners
Best Special Visual Effects
Avatar: Fire and Ash, F1, Frankenstein, How to Train Your Dragon, The Lost Bus
WINNER: Avatar: Fire and Ash
Runner-Up: F1
That adds up to these movies generating numbers of victories:
5 Wins
One Battle After Another
4 Wins
Sentimental Value
3 Wins
Frankenstein
2 Wins
F1, Hamnet, Zootopia 2
1 Win
2000 Meters to Andrivka, Avatar: Fire and Ash, Marty Supreme, Pillion, Sinners
I’ll have a recap up Sunday with how I performed and my thoughts on how it might impact the Oscars…
Faith-based sequel I Can Only Imagine 2 looks to top the charts as the weekend’s only significant wide release and stands an excellent shot at doing so. You can peruse my detailed prediction post here:
The Lionsgate follow-up to the 2018 sleeper hit hopes to build upon the $17 million premiere that its predecessor made. I have it barely doing so though this will likely be more front-loaded than the original. That should be good enough to nab the #1 slot.
That might depend on the sophomore fall of the animated Goat which met and even slightly exceeded expectations over the long Valentine’s/President’s Day frame. I am confident its second weekend dip will be much smaller than that of current champ of Wuthering Heights (more on its performance below). Goat should stay in second with Heights falling to third.
Crime 101 might lose about half its crowd in weekend #2 with Send Help rounding out the top five.
Here’s how I see it shaking out:
1. I Can Only Imagine 2
Predicted Gross: $17.8 million
2. Goat
Predicted Gross: $15.6 million
3. Wuthering Heights
Predicted Gross: $13.2 million
4. Crime 101
Predicted Gross: $7.1 million
5. Send Help
Predicted Gross: $4.8 million
Box Office Results (February 13-16)
As anticipated, Emerald Fennell’s loose adaptation of Wuthering Heights with Margot Robbie and Jacob Elordi managed to place first. However, I took the over on it and certainly should’ve went under. It opened below forecasts with $32.8 million from Friday to Sunday and $37.5 million when counting Monday. That’s well below my generous respective predictions of $55 million and $62.1 million. With a B Cinemascore grade, look for it to fade rather quickly. I have it declining in the 60% range this weekend.
Goat was runner-up with a $27.2 million 3-day and $35.1 million 4-day. That’s on target and a bit superior than my calls of $26.7 million and $30.4 million (it had a better Monday that I figured). The future looks bright with its A Cinemascore.
Crime 101 with Chris Hemsworth was a decent third at $14.2 million (Fri-Sun) and $16 million over the long frame. The thriller performed in range with my takes of $13.3 million and $15.2 million.
Sam Raimi’s Send Help was fourth after two weeks in 1st with $8.8 million (3-day) and $10.1 million (4-day), ahead of my $7.4 million and $8.2 million projections. The laudable three-week tally is $49 million.
Solo Mio with Kevin James had a sturdy hold in fifth with $6.3 million (3-day) and $7.2 million (4-day). I said $6.9 million and $7.5 million. The two-week total is $17 million.
Two other newcomers performed in line with and below my guesstimates. Good Luck, Have Fun, Don’t Die from Gore Verbinski was 8th with $3.6 million (3-day) and $4.1 million (4-day) and I was right there at $3.5 million and $4 million.
Finally, horror comedy Cold Storage got a chilly reception in 14th with $966k from Fri-Sun and $1.1 million factoring in Monday. I was more hopeful at $1.7 million and $2 million.
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our second write-up among the Supporting Actor five is Jacob Elordi in Frankenstein. If you missed my post covering Benicio del Toro from One Battle After Another, you can find it here:
The Aussie star of Euphoria and Saltburn (and currently #1 movie Wuthering Heights) entered the awards chat as The Monster in Guillermo del Toro’s passion project. He surprisingly nabbed a trophy at first major precursor Critics Choice and was nominated at the Globes and is awaiting word from BAFTA and SAG Actor.
The Case Against Jacob Elordi:
He lost the Globe to Sentimental Value‘s Stellan Skarsgård. All other nominees in the Academy quintet are veteran thespians and voters might think Elordi’s time could come later.
The Verdict:
At the time of this writing, it is definitely a mystery whether that Critics Choice podium trip was a fluke. It will become more clear if Elordi can manage to take BAFTA or SAG Actor. Both are possible and if takes either or both, his stock on Oscar night goes up.
My Case Of posts will continue with the second director in contention and that’s Ryan Coogler for Sinners…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the quintet of Supporting Actor nominees is Benicio del Toro for One Battle After Another.
Previous Acting Nominations:
2000: Supporting Actor (Traffic) – WON; 2003: Supporting Actor (21 Grams) – lost to Tim Robbins for Mystic River
The Case for Benicio del Toro:
As sensei Sergio in Paul Thomas Anderson’s multi-nominated pic, del Toro would certainly win if this competition were based on internet memes. Outside of that, his third appearance in this category has been preceded with noms everywhere else including the Golden Globes, BAFTA, Critics Choice, and SAG Actor and several wins from regional critics groups. If Another takes BP (where it’s the frontrunner), an acting victory seems likely to come with it. del Toro is coming off an impressive 2025 with his work here and as lead in Wes Anderson’s The Phoenician Scheme.
The Case Against Benicio del Toro:
Jacob Elordi (Frankenstein) took Critics Choice and Stellan Skasgård (Sentimental Value) got the Globe while we await SAG Actor and BAFTA. He could vote split with his costar Sean Penn. Teyana Taylor, his cast mate contending in Supporting Actress, appears best poised for a Battle acting win.
The Verdict:
Of the four acting derbies, this might be the most unsettled. I still think Benicio needs SAG or BAFTA (that one seems more out of reach) to have a better shot at Oscar.
My Case Of posts will continue with our first directing nominee and that’s del Toro’s auteur Paul Thomas Anderson…
In a weekend that includes Friday the 13th, Valentine’s Day, and President’s Day, Hollywood is hoping for luck, love, and a commanding amount of cash to wake up a sleepy box office. There are a handful of newcomers – romantic drama Wuthering Heights, animated sports tale Goat, action thriller Crime 101, sci-fi action comedy Good Luck, Have Fun, Don’t Die, and horror comedy Cold Storage. Three of them are likely to hold the top 3 slots while the other two are unlikely to make the top 5. You can peruse my detailed prediction posts on the quintet here:
Heights, Emerald Fennell’s loose adaptation of the Emily Brontë novel with Margot Robbie and Jacob Elordi, appears poised to dominate with a hefty female crowd (many of whom could bring along their significant others). My forecast is even higher than most with a three-day estimate in the mid 50s and four-day in the lower 60s.
Goat has the potential to exceed my projection with a sizable family audience. My long weekend prediction of just over $30 million would put it firmly in second. If it truly rises above expectations, it could challenge Heights if that film fails to match where I have it reaching.
Crime 101 with Chris Hemsworth should get in the teens for a third place showing based on decent word-of-mouth and the opportunity to reach a male demographic.
As for Good Luck with Sam Rockwell and Storage with Joe Keery, I have both falling short of the top five. They will compete for some of the same patrons and I’m not confident either will make a notable impact. For Luck, I’m going with $3.5 million from Friday to Sunday and $4 million when counting Monday. As for Storage, I’m calling for less with $1.7 million (Friday to Sunday) and $2 million (Friday to Monday).
Holdovers often see minimal declines over this particular holiday weekend and I have Send Help and Solo Mio in fourth and fifth and holding up well.
Here’s how I envision it shaking out:
1. Wuthering Heights
Predicted Gross: $55 million (3-day); $62.1 million (4-day)
2. Goat
Predicted Gross: $26.7 million (3-day); $30.4 million (4-day)
3. Crime 101
Predicted Gross: $13.3 million (3-day); $15.2 million (4-day)
4. Send Help
Predicted Gross: $7.4 million (3-day); $8.2 million (4-day)
5. Solo Mio
Predicted Gross: $6.9 million (3-day); $7.5 million (4-day)
Box Office Results (February 6-8)
Sam Raimi’s Send Help managed two weeks in a row atop the charts over a sluggish frame with $9 million, in range with my $8.6 million prediction. The critically appreciated black comedy has made $34 million in its ten days of release.
Solo Mio was second and sparked a welcome return for Kevin James after a decade long absence from headlining on the silver screen. The Angel Studios dramedy posted a better than anticipated $7 million, ahead of my $5.2 million take.
Video gamed based Iron Lung was third in its sophomore outing with $6.7 million (I said $7.1 million) for a two-week tally of $31 million.
Stray Kids: The DominATE Experience, a concert film centered on the South Korean boy band, placed fourth with $5.6 million. I did not do an estimate for it and therefore had it omitted from the top 5.
Same goes for Luc Besson’s Dracula which bit off $4.4 million for a fifth place start. I had it making $3.5 million and outside of the top half of the chart.
The Strangers – Chapter 3 flopped in seventh with $3.4 million, under my $4.5 million guesstimate. I should’ve switched projections for this one and Dracula.
Finally, I gave too much credit to Melania in its second weekend. The doc about the First Lady fell 67% to tenth place with $2.3 million. I was more generous at $4.2 million.
Emerald Fennell’s loose interpretation of Emily Brontë’s nearly 180-year-old romance Wuthering Heights is out Friday and expected to do brisk business at the box office. Margot Robbie and Jacob Elordi (currently up for Supporting Actor in Frankenstein) headline with Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell costarring.
Critical reaction is of the mixed variety with 72% on Rotten Tomatoes and a 61 Metacritic. In 2020, Fennell’s debut Promising Young Woman landed five Oscar nominations – Picture, Director, Actress (Carey Mulligan), and Film Editing with a victory for the auteur in Original Screenplay. 2023 follow-up Saltburn drew reviews more in line with Heights and landed zero mentions by the Academy.
Fennell’s third feature might split the difference. I do not anticipate nods in the major races considering the more divisive word-of-mouth. It could, however, show up in down-the-line competitions like Costume Design (where inclusion seems likely), Production Design, or one of the original songs from Charli XCX. My Oscar Prediction posts will continue…
Wuthering Heights (stylized as “Wuthering Heights”) looks to have a commanding #1 debut over a crowded President’s Day weekend beginning February 13th. Loosely adapting Emily Brontë’s 1847 novel, the tawdry romantic drama marks the third directorial of Emerald Fennel behind Promising Young Woman and Saltburn. Margot Robbie and Jacob Elordi headline with a supporting cast including Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, and Ewan Mitchell.
This could be seen as Robbie’s first majorly visible role since her 2023 phenomenon Barbie. Last year’s A Big Bold Beautiful Journey was barely marketed by Sony with poor word-of-mouth and reviews. Elordi has been on viewers’ radar with his Oscar-nominated turn in Netflix’s Frankenstein.
With that star power, familiar source material, and encouraging buzz, I suspect Heights could climb above current forecasts which are already rosy. The shrewdly timed release with Valentine’s Day falling on a Saturday could guarantee a large female turnout and plenty may bring their mates along for the journey. I’m going with a three-day in the mid to high 50s and a low 60s four-day
Wuthering Heights opening weekend prediction: $55 million (Friday to Sunday); $62.1 million (Friday to Monday)
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the third nominee in the biggest race of all and that’s Guillermo del Toro’s Frankenstein. If you missed my posts covering Bugonia and F1, you can find them here:
Del Toro’s dream project, arriving eight years after The Shape of Water won BP and director, amassed an impressive nine nominations. Those additional 8 mentions are Supporting Actor (Jacob Elordi), Adapted Screenplay, Cinematography, Costume Design, Makeup and Hairstyling, Original Score, Production Design, and Sound. The Netflix production has shown up in significant precursors including SAG Actor ensemble, Critics Choice, PGA, and the Globes. Del Toro is up at DGA and Elordi won Supporting Actor at Critics Choice.
The Case Against Frankenstein:
There are no Picture wins at the aforementioned precursors and it missed the Best Film quintet at BAFTA. The omission from the Brits confirms that Frankenstein is probably 6th among the contending ten. While the nine nominations are noteworthy, Del Toro missing Director and no nod in Film Editing are significant.
The Verdict:
It’s alive in races such as Costume Design, Makeup and Hairstyling, and Production Design. Not in Best Picture.
My Case Of posts will continue with Chloé Zhao’s Hamnet…
All My Life... I Wanted To Be A Blogster 