Tag: Independent Spirit Awards

Oscar Predictions: Late Night with the Devil

South by Southwest is happening now and giving us some potential awards players (keep an eye out for my imminent Civil War post for example). It was at last year’s SXSW that festival goers were first exposed to Late Night with the Devil. Australian brothers Colin and Cameron Cairnes direct the 1970s set found footage horror flick with David Dastmalchian as a talk show host showcasing some demonic guests. Laura Gordon, Ian Bliss, and Fayssal Bazzi costar.

Devil is finally slated for stateside distribution on March 22nd with a Shudder streaming bow on April 19th. Many reviews are raves and it sports a 100% RT score. Dastmalchian, a memorable character who you may recognize from Prisoners, The Suicide Squad, Dune, and Oppenheimer, is being praised for this rare lead role.

That said, this is not the kind of material that awards voters notice… at least at the big dance. Perhaps the Indie Spirit Awards will be more attuned to its scare tactics. My Oscar Prediction posts will continue…

Oscars: The Case of Da’Vine Joy Randolph in The Holdovers

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth performer in Best Supporting Actress and that’s Da’Vine Joy Randolph in The Holdovers . Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Da’Vine Joy Randolph:

It’s significant. After capturing the attention of many critics and moviegoers in 2019’s Dolemite Is My Name, Randolph has had a sterling precursor season by sweeping at the Globes, SAG, BAFTA, and Critics Choice. Heck, she even picked up the Indie Spirit Award for good measure in Alexander Payne’s acclaimed dramedy.

The Case Against Da’Vine Joy Randolph:

I’m struggling to come up with one. Randolph has won everywhere she needs to and no other rival emerged as a threat. I suppose if Oppenheimer greatly exceeds expectations, Emily Blunt could benefit from it. However, that hasn’t played out anywhere including BAFTA (where some suspected she could be a surprise recipient).

The Verdict:

Randolph will be holding an Oscar in the building come March 10th.

My Case Of posts will continue with Mark Ruffalo in Poor Things…


Oscar Predictions: A Thousand and One

A Thousand and One is slated for release on March 31st after its unveiling at Sundance in January. The 90s set NYC drama from filmmaker A.V. Rockwell casts Teyana Taylor as a mom who kidnaps her son from foster care. Costars include Will Catlett, Josiah Cross, Aven Courtney, and Aaron Kingsley Adetola.

Thousand won a grand jury prize at the Park City fest and the Rotten Tomatoes score is 100% thus far. Taylor, a musical protege of Kanye West who recently appeared in Coming 2 America, is getting kudos for her work. While all critical reaction is positive – I’m not sure it is effusive enough to make this a major awards player.

If Focus Features really concentrates on it, you never know. My guess is this could get attention at the Indie Spirits Awards and not elsewhere. My Oscar Prediction posts will continue…

Oscar Predictions: Joyland

Despite submitting 10 pictures for consideration (including eight from 2013-20), the nation of Pakistan has yet to receive a nomination in the International Feature Film Oscar race. Could that change with Joyland?

The directorial debut of Saim Sadiq, the family drama won the Jury Prize when it premiered at the Cannes Film Festival in May. It also picked up a nod for Best International Film at the Independent Spirit Awards earlier this week. The Rotten Tomatoes score is 100%.

We have plenty of potential heavy hitters in IFF for 2022 including likely frontrunners All Quiet on the Western Front and Decision to Leave. Pakistan has a non-existent track record of making the eventual cut, but Joyland might be its most promising contender so far. I haven’t listed it in my top five (or even top 10 yet), but I wouldn’t completely discount its viability. My Oscar Prediction posts will continue…

Oscar Watch: Bergman Island

Mia Hansen-Love (Father of My Children, Things to Come) seems to have fashioned another pleasing concoction in her native country at the Cannes Film Festival. Bergman Island casts Vicky Krieps, Tim Roth, Mia Wasikowska, and Anders Danielsen Lie in the tale of filmmakers looking for inspiration in a Swedish locale where legendary director Ingmar Bergman conjured some of his noted works.

Island releases in France this week with IFC Films having picked up domestic distribution. While critical reaction has been quite strong, some reviews leave me thinking this isn’t something that will transcend to the Oscar stage (even though it is worth noting that the Academy loves material related to their own industry).

A Best Original Screenplay nod isn’t completely outside the realm of possibility, but my hunch is that Bergman Island could find itself in the mix at the Independent Spirit Awards and not on the Academy stage. My Oscar Watch posts will continue…

Will The Indie Spirits Nominees Showcase Oscar Gems?

This afternoon, the nominations for the 35th Independent Spirit Awards were released as we prepare for the onslaught of Oscar precursors to follow. And make no mistake – the Indie Spirits are indeed a precursor. In this decade from 2010-2018, five of the nine Best Feature winners emerged victorious with the Academy for Best Picture: 2011’s The Artist, 2013’s 12 Years a Slave, 2014’s Birdman, 2015’s Spotlight, and 2016’s Moonlight. Some of these years have three or four of the five nominees get Oscar nods in the big race.

However, 2018 marked the first year of this decade when none of the five nominated pictures at the Indies garnered any Academy love. I don’t expect that to occur for a second year in a row.

In this post, I’ll break down Feature, Director, and the four acting races and what it might mean for Oscar:

Best Feature

Nominees: A Hidden Life, Clemency, The Farewell, Marriage Story, Uncut Gems

First things first: Marriage Story is going to get a Best Picture nomination and probably wins here. And it might be the only one here that does. The Farewell has a decent shot and Uncut Gems is a potential sleeper (though I wouldn’t bet on it).

That said, Gems did tie The Lighthouse for most Indie mentions (5). And that brings us back to Marriage Story. The voters here chose to give it a special Robert Altman award honoring the team behind it. That includes cast members Adam Driver, Scarlett Johansson, Laura Dern, and Alan Alda. They all probably would’ve heard their names here had that not occurred and same goes for director Noah Baumbach. If that seems like a bit of a cheat (taking out probable winners like Driver and Baumbach), I wouldn’t argue. The silver lining is that it does make some of these categories more interesting.

Best Director

Nominees: Robert Eggers (The Lighthouse), Alma Hor’el (Honey Boy), Julius Onah (Luce), Ben and Josh Safdie (Uncut Gems), Lorene Scafaria (Hustlers)

Like Best Feature, 2018 saw no directors recognized get Academy attention. With Baumbach getting his Altman award and out of the running, that could certainly happen again as I don’t even have any of these directors in my top ten Oscar possibilities. Perhaps this could help spur chatter for the Safdies or Scafaria. Again… I wouldn’t bet on it.

Best Female Lead

Nominees: Karen Allen (Colewell), Hong Chau (Driveways), Elisabeth Moss (Her Smell), Mary Kay Place (Diane), Alfre Woodard (Clemency), Renee Zellweger (Judy)

Six out of nine winners here from 2010-2018 went onto win the Best Actress statue: Natalie Portman (Black Swan), Jennifer Lawrence (Silver Linings Playbook), Cate Blanchett (Blue Jasmine), Julianne Moore (Still Alice), Brie Larson (Room), and Frances McDormand (Three Billboards Outside Ebbing, Missouri).

Even with Johansson not included, it could be 7/10 as Zellweger is my current Oscar front runner. Woodard and Moss stand shots at nods. The other three need not shop for red carpet dresses.

One noticeable omission is Awkwafina in The Farewell, who many are predicting for Oscar attention. I currently had her on the outside looking in at sixth. That could slide when I update my estimates on Monday.

Best Male Lead

Nominees: Chris Galust (Give Me Liberty), Kelvin Harrison, Jr. (Luce), Robert Pattinson (The Lighthouse), Adam Sandler (Uncut Gems), Matthias Schoenarts (The Mustang)

Jean Dujardin (The Artist), Matthew McConaughey (Dallas Buyers Club), and Casey Affleck (Manchester by the Sea) are the three Indie/Oscar recipients. Only in 2015 and (yes) 2018 did no nominees get Oscar nods…

I expect that to occur again. I believe only Sandler stands a chance, but it’s a reach based on severe competition.

Best Supporting Female

Nominees: Jennifer Lopez (Hustlers), Taylor Russell (Waves), Lauren Spencer (Give Me Liberty), Octavia Spencer (Luce), Shuzhen Zhou (The Farewell)

Four winners here have picked up Academy trophies – Lupita Nyong’o (12 Years a Slave), Patricia Arquette (Boyhood), and the past two winners Allison Janney (I, Tonya) and Regina King (If Beale Street Could Talk).

With soft front runner Laura Dern in the Marriage Story special category thing, we could still see a third year in a row match with Lopez. Zhou and Spencer (to a lesser degree) may also find themselves in the Oscar mix.

And with Taylor Russell’s nod here, it’s a good time to mention that Waves really came up short with the Indies today. That doesn’t help its Oscar viability.

Best Supporting Male

Nominees: Willem Dafoe (The Lighthouse), Noah Jupe (Honey Boy), Shia LaBeouf (Honey Boy), Jonathan Majors (The Last Black Man in San Francisco), Wendell Pierce (Burning Cane)

This category is another ultra crowded one for Oscar attention, but Dafoe and LaBeouf are legit contenders for nods. Not so with the other three. The omission of Sterling K. Brown in Waves is a surprise.

There have been four Indie/Oscar victors this decade: Christopher Plummer (Beginners), Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), and Sam Rockwell (Three Billboards Outside Ebbing, Missouri). With Brad Pitt (Once Upon a Time in Hollywood) and Al Pacino (The Irishman) as likely favorites for the Academy, I wouldn’t expect a fifth match.

And there you have it, folks! My take on the Indies and which Oscar gems they could produce…