Oscar Predictions: Cinderella

Critics don’t seem overly charmed with the latest version of Cinderella, which hits Amazon Prime this weekend after slipping out of a theatrical release. The musical rom com casts singer Camila Cabello in the title role with a supporting cast including Idina Menzel, Minnie Driver, Billy Porter, and Pierce Brosnan. Kay Cannon writes and directs.

The Rotten Tomatoes score is currently 45%. However, the would-be princess’s new iteration could at least make a case for some awards chatter. That would be in the category of Costume Design (where critical reaction doesn’t mean a whole lot). The better reviewed Disney live-action retelling from 2015 scored a nod there. However, I would say it’s chances are fairly slim. Cruella already has a reserved spot in all likelihood. And then there’s hopefuls such as The French Dispatch, House of Gucci, West Side Story, Dune, and The Last Duel (to name a handful).

Cinderella‘s shots don’t quite end there. Cabello recently debuted an original song “Million to One” for the soundtrack (which mostly consists of contemporary covers of tracks such as Janet Jackson’s “Rhythm Nation” and Queen’s “Somebody to Love”). This is another race where the level of forthcoming competition could determine its viability.

Bottom line: Cinderella could find its way into two categories, but I wouldn’t bet on it. My Oscar Prediction posts for the films of 2021 will continue…

Uncut Gems Movie Review

When the brothers Safdie (Ben and Josh) made Good Time in 2017, the thriller centering on low-life crime figures contained segments that showed the duo was capable of creating something special. Clearly influenced by similar grimy pics in the 1970s, that film gave Robert Pattinson a role that drew him far away from a sullen romantic vampire and is primarily responsible for his current career trajectory. However, I found Good Time better in spots than as a cohesive whole. Their follow-up is Uncut Gems and it’s the “something special” that was hinted at in their predecessor.

In many ways, it stays in the Good Time lane. The setting is again the Big Apple. The characters are again a level of bottom dwelling criminals who aren’t exactly top level at their professions. And like Pattinson, Gems allows a very famous actor to try something different. Here it’s Adam Sandler as Howard Ratner, who owns a diamond store and is a degenerate gambler. In Howard’s universe, there’s not a problem that he can’t seem to make worse.

His family life is in a constant state of chaos as his wife (Idina Menzel) is ready to freeze him out and his brother-in-law (Eric Bogosian) is a loan shark that Howard owes money to. Then there’s his girlfriend Julie (Julia Fox, in her feature debut) who works for him and is a consistent source of stress. Demany (Lakeith Stanfield) is his business associate charged with bringing in celebrities and high rollers to the store. He finds one in Boston Celtics superstar Kevin Garnett, who plays himself and does so memorably.

When Howard gets his hands on a rare Ethiopian opal, it sets off a series of frenzied events. Garnett is obsessed with purchasing the rarity while Howard looks to cash in with it at auction. The hoped for financial windfall means he can pay his off his considerable debts. Yet Howard just cannot help himself as one scheme simply leads to the next one, including betting on his NBA client for large sums of money.

Like Good Time, the pacing here is relentless. For over two hours, the screenplay and direction immerse us in Howard’s out of control daily existence. It’s exhilarating and Sandler deserves a lot of the credit. These days, it’s rare to see the performer in anything other than middling to less than middling Netflix comedies. Seeing him rise to the challenge in more dramatic material shouldn’t come as a huge surprise as we saw it in Paul Thomas Anderson’s Punch-Drunk Love nearly two decades ago. It’s just been a while. Howard is onscreen nearly the entire running time and for good reason. You can’t take your eyes off him.

The lead’s remarkable work is accentuated by his supporting cast. This especially applies to the women in his life as both Menzel and Fox are given notable scenes reacting to Howard’s never-ending foibles. By the time the credits roll, one could argue Uncut Gems has the happiest ending it could have if you really ponder it. This is a tale of addiction in a highly stylized setting where Howard just can’t become the winner he pines to be. His turmoil is interrupted by brief glimpses of happiness and we witness a couple of great ones. In the era that the Safdies are paying homage, Al Pacino or Robert De Niro might have played Howard. Sandler gets the job here and knocks it out the park. It’s something special.

**** (out of four)

Uncut Gems Box Office Prediction

Veering far away from the Netflix comedies like Murder Mystery that he’s become known for over the past few years, Adam Sandler headlines the critically heralded crime thriller Uncut Gems and it expands nationwide on Christmas, The pic comes from directors Ben and Josh Safdie and the supporting cast includes future NBA hall of famer Kevin Garnett, Idina Menzel, Lakeith Stanfield, Julia Fox, pop star The Weeknd, and Eric Bogosian.

Since its initial screenings at the Telluride Film Festival in late August, Gems has shone brightly with reviewers. It stands at 93% on Rotten Tomatoes and Sandler has picked up early awards precursors and could be in the running for an Oscar nomination. How will this translate to box office dollars? For the past two weeks, the film has been in limited release in five venues and performed well with $1 million in its coffers.

Whether or not Gems translates widely to mainstream viewers across the country is a trickier question. Even with Sandler’s involvement, this may cater more towards the art house circuit as opposed to audiences looking for holiday options. I’ll project that this hits mid single digits from Friday to Sunday and low double digits for the extended five-day rollout.

Uncut Gems opening weekend prediction: $5.7 million (Friday to Sunday); $11 million (Wednesday to Sunday)

For my Little Women prediction, click here:

https://toddmthatcher.com/2019/12/17/little-women-box-office-prediction/

For my Spies in Disguise prediction, click here:

https://toddmthatcher.com/2019/12/17/spies-in-disguise-box-office-prediction/

Oscar Watch: Frozen II

One week ahead of its massive launch, the review embargo has lifted for Disney’s Frozen II, the sequel to the 2013 animated smash that grossed over a billion dollars worldwide. Financial expectations are understandably enormous and a big question was whether it matches the quality of the original.

Early critical reaction suggests… not quite. Frozen achieved a 90% Rotten Tomatoes rating while the follow-up is currently at 81%. Part 1 was nominated for two Oscars and won both – Animated Feature and Best Original Song for the omnipresent “Let It Go” as sung by Idina Menzel (or whatever John Travolta called her at the Academy ceremony).

Frozen II is very likely to be nominated in both races like its predecessor. The tune is likely to be the ballad “Into the Unknown”. However, unlike the original, it may not be the favorite to win in either category. The biggest competition in Animated Feature comes from another Mouse Factory sequel with this summer’s Toy Story 4 (which I still believe to be the frontrunner). Another non-Disney sequel, How to Train Your Dragon: The Hidden World, could also be a factor – albeit less so than Woody and Buzz. In Original Song, there’s serious competitors in the form of Elton John and Taylor Swift tracks from Rocketman and Cats, respectively.

Bottom line: Frozen II should nab the same nods that Frozen did. Victories are another story. My Oscar Watch posts will continue…

Frozen II Box Office Prediction

Blogger’s Note (11/16): I’ve upgraded my estimate from $113.7M to $126.7M

Today, frozen is the word described by many as what they’re experiencing when they attempt to view Disney Plus on its first day of launch. Next weekend, Frozen II looks to heat up a sleepy box office and continue the Mouse Factory’s stellar year. This is the sequel to the 2013 smash hit that earned over a billion dollars worldwide. The computer animated musical fantasy has Idina Menzel, Kristen Bell, Jonathan Groff, and Josh Gad returning to voice their known characters along with newbies Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Marsha Plimpton, and Jason Ritter. Chris Buck and Jennifer Lee make a return engagement behind the camera.

Six years ago in November, part 1 turned into a phenomenon. Over the long Thanksgiving weekend, the critically hailed Oscar winner took in $93 million and legged out impressively to a domestic haul of $400 million. This time around, expectations are understandably sky high. A gross north of $100 million out of the gate is anticipated.

With its rather short span between entries, Frozen II should achieve that status. I suspect earnings in the neighborhood of what Toy Story 4 ($120.9 million) took in this summer is the range. I’ll put it a few million over that mark.

Frozen II opening weekend prediction: $126.7 million

For my A Beautiful Day in the Neighborhood prediction, click here:

https://toddmthatcher.com/2019/11/13/a-beautiful-day-in-the-neighborhood-box-office-prediction/

For my 21 Bridges prediction, click here:

https://toddmthatcher.com/2019/11/15/21-bridges-box-office-prediction/

Oscar Watch: Uncut Gems

Amidst a stream of Netflix comedies that haven’t exactly had critics on their side, Adam Sandler is now garnering some career best reviews for his starring role in Uncut Gems. The crime thriller from directors Josh and Benny Safdie premiered at the Telluride over the weekend ahead of its December, non-Netflix release.

Praise has been heaped on Sandler and he finds himself potentially in contention for Oscar chatter for the first time in years. In 2002, the comedian’s heralded work in Paul Thomas Anderson’s Punch-Drunk Love nabbed some awards buzz that ultimately went unrealized. The Brothers Safdie are making their follow up to 2017’s Good Time, which generated some talk of a Robert Pattinson leading actor nod that also never materialized.

This could all come down to competition for Sandler and if the pic gains any traction with a decent sized audience. Distributor A24 will probably make a push for his inclusion even as they concentrate on other titles like Waves and The Farewell. The original screenplay and cinematography from Darius Knondji have also been singled out in critical write ups.

Bottom line: Uncut Gems opens the door for Sandler to make the cut for Oscar attention, but let’s see how open the field is as time goes on. My Oscar Watch posts will continue…