Back at it again with my look back at major Oscar races from 1990 to the present! We’ve arrived at Best Actress. If you missed my previous posts covering the Supporting performers, you can find them here:
As I did with those posts, I’m selecting my top 3 least surprising winners and top 3 upsets. I’m also giving you my personal pick for strongest and weakest fields from the past 28 years.
For starters, here’s the list of winners from 1990 to now:
1990 – Kathy Bates, Misery
1991 – Jodie Foster, The Silence of the Lambs
1992 – Emma Thompson, Howards End
1993 – Holly Hunter, The Piano
1994 – Jessica Lange, Blue Sky
1995 – Susan Sarandon, Dead Man Walking
1996 – Frances McDormand, Fargo
1997 – Helen Hunt, As Good As It Gets
1998 – Gwyneth Paltrow, Shakespeare in Love
1999 – Hilary Swank, Boys Don’t Cry
2000 – Julia Roberts, Erin Brockovich
2001 – Halle Berry, Monster’s Ball
2002 – Nicole Kidman, The Hours
2003 – Charlize Theron, Monster
2004 – Hilary Swank, Million Dollar Baby
2005 – Reese Witherspoon, Walk the Line
2006 – Helen Mirren, The Queen
2007 – Marion Cotillard, La Vie en Rose
2008 – Kate Winslet, The Reader
2009 – Sandra Bullock, The Blind Side
2010 – Natalie Portman, Black Swan
2011 – Meryl Streep, The Iron Lady
2012 – Jennifer Lawrence, Silver Linings Playbook
2013 – Cate Blanchett, Blue Jasmine
2014 – Julianne Moore, Still Alice
2015 – Brie Larson, Room
2016 – Emma Stone, La La Land
2017 – Frances McDormand, Three Billboards Outside Ebbing, Missouri
When it comes to Best Actress, I must say it’s probably the race with the least amount of genuine upsets. Nearly every year, there’s a pretty strong front-runner and they win – even more so than in Actor and the Supporting players. Of many non-surprises, here’s my top ones:
3. Holly Hunter, The Piano
Hunter’s work as a mute piano player in Jane Campion’s period piece was the clear favorite over significant competition that included Angela Bassett in What’s Love Got to Do With It? and the previous year’s winner Emma Thompson in The Remains of the Day.
2. Julia Roberts, Erin Brockovich
One of Hollywood’s biggest stars had already received nods for Steel Magnolias and Pretty Woman and there was little question that Brockovich would earn Roberts her first and only (so far) trip to the Oscar stage.
1. Charlize Theron, Monster
Theron’s metamorphosis into serial killer Aileen Wuornos swept all precursors. The rest of the field was also fairly weak that year, making her the obvious victor.
While not a surprise when she won Oscar night, the multi-nominated Winslet was expected for much of the year to get a nod for Revolutionary Road instead. Yet it was this Stephen Daldry drama that was selected instead.
2. Marion Cotillard, La Vie en Rose
This was a two-way contest between Cotillard and veteran Julie Christie for Away from Her, with many believing the latter had the edge. It didn’t turn out that way.
1. Hilary Swank, Boys Don’t Cry and Hilary Swank, Million Dollar Baby
This #1 comes with a caveat. It wasn’t much of an upset by the time Swank won her double Oscars. What’s interesting here is that she single-handedly denied two prime opportunities for the winless Annette Bening to get a statue for American Beauty and Being Julia.
We move to the fields. For weakest field, I’m selecting 1994 when Jessica Lange won for the little-seen Blue Sky. Other nominees were Jodie Foster in Nell, Miranda Richardson in Tom&Viv, Winona Ryder for Little Women, and Susan Sarandon in The Client.
Strongest group in my opinion goes to 2010 with Natalie Portman’s victorious role in Black Swan. The rest of that impressive field is Annette Bening (The Kids Are All Right), Nicole Kidman (Rabbit Hole), Jennifer Lawrence’s first nomination in Winter’s Bone, and Michelle Williams (Blue Valentine).
Disney is hoping for a sizable family and female audience next weekend when The Nutcracker and the Four Realms dances into theaters. The fantasy adventure is based on both the 1816 E.T.A. Hoffmann story “The Nutcracker and the Mouse King” and Tchaikovsky’s ballet with a cast including Keira Knightley, Mackenzie Foy, Eugenio Derbez, Matthew MacFadyen, Misty Copeland, Helen Mirren, and Morgan Freeman. Realms shares directing credit between Lasse Hallstrom (who shot most of it) and Joe Johnston (who came in for late re-shoots). In a strange twist of irony, the pic’s directorial drama is shared by Bohemian Rhapsody, which opens on the same day.
Unlike many Mouse Factory properties, The Nutcracker is a big question mark as to its box office viability. Buzz for this doesn’t seem on the level with many of their other productions. While Disney has been churning out one blockbuster after another, we have seen both A Wrinkle in Time and Christopher Robin come in with less than anticipated opening weekends. Both of those features struggled to eventually reach the $100 million mark. While Realms won’t have much family competition its first weekend out, that will change quickly as Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Ralph Breaks the Internet all debut shortly afterwards.
I believe this could struggle to join the century club like Wrinkle and Robin. It appears poised to come in second to the aforementioned Rhapsody. That said, I don’t want to underestimate the studio’s marketing prowess too much. Yet my gut says a gross in the $20 million range is where this starts and word-of-mouth will decide the rest.
The Nutcracker and the Four Realms opening weekend prediction: $19.4 million
It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:
The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty.
Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.
The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.
Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).
In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.
The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).
The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.
Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).
Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).
Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).
Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…
In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).
Blogger’s Note (01/31): I am revisiting my Winchester prediction from $14.1 million to $9.1 million
Helen Mirren goes into horror mode next weekend with the release of Winchester. The supernatural period piece comes from Michael and Peter Spierig, directors of Daybreakers and last year’s Jigsaw. Costars include Jason Clarke, Angus Sampson, and Sarah Snook.
Subtitled The House that Ghosts Built, the Lionsgate release is hoping to bring in genre fans. Horror pics have experienced a good run over the last several months and that could propel this to a more than anticipated debut.
That said, while there’s no competition opening against it, there is a certain football game between New England and Philadelphia on Sunday. The Super Bowl weekend is typically not a robust one at the box office as February heavy hitters wait in the wings.
I’ll project a low to mid teens debut.
Winchester opening weekend prediction: $9.1 million
The most high-profile Oscar precursor arrives Sunday night when Seth Meyers hosts the Golden Globe awards. Of course, the Hollywood Foreign Press Association operates a bit differently by divvying its major categories (Picture, Actor, Actress) into Drama and Musical/Comedy.
As has been a common theme lately, one of the “Musical/Comedy” entries is a bit questionable – Jordan Peele’s Get Out. To be fair, it is a difficult picture to classify. The Golden Globes can often shed some light on Oscar contenders or solidify front runners. Here are my predictions, race by race, on who and what will emerge victorious and my runner-up picks:
Best Picture (Drama)
Nominees: Call Me by Your Name, Dunkirk, The Post, The Shape of Water, Three Billboards Outside Ebbing, Missouri
Predicted Winner: The Shape of Water
Runner-Up: Three Billboards Outside Ebbing, Missouri
Best Picture (Musical/Comedy)
Nominees: The Disaster Artist, Get Out, The Greatest Showman, I, Tonya, Lady Bird
Predicted Winner: Lady Bird
Runner-Up: The Disaster Artist
Best Director
Nominees: Guillermo del Toro (The Shape of Water), Martin McDonagh (Three Billboards Outside Ebbing, Missouri), Christopher Nolan (Dunkirk), Ridley Scott (All the Money in the World), Steven Spielberg (The Post)
Predicted Winner: del Toro
Runner-Up: Nolan
Best Actor (Drama)
Nominees: Timothee Chalamet (Call Me by Your Name), Daniel Day-Lewis (Phantom Thread), Tom Hanks (The Post), Gary Oldman (Darkest Hour), Denzel Washington (Roman J. Israel, Esq.)
Predicted Winner: Oldman
Runner-Up: Chalamet
Best Actress (Drama)
Nominees: Jessica Chastain (Molly’s Game), Sally Hawkins (The Shape of Water), Frances McDormand (Three Billboards Outside Ebbing, Missouri), Meryl Streep (The Post), Michelle Williams (All the Money in the World)
Predicted Winner: Hawkins
Runner-Up: McDormand
Best Actor (Musical/Comedy)
Nominees: Steve Carell (Battle of the Sexes), Ansel Elgort (Baby Driver), James Franco (The Disaster Artist), Hugh Jackman (The Greatest Showman), Daniel Kaluuya (Get Out)
Predicted Winner: Franco
Runner-Up: Jackman
Best Actress (Musical/Comedy)
Nominees: Judi Dench (Victoria and Abdul), Helen Mirren (The Leisure Seeker), Margot Robbie (I, Tonya), Saoirse Ronan (Lady Bird), Emma Stone (Battle of the Sexes)
Predicted Winner: Ronan
Runner-Up: Robbie
Best Supporting Actor
Nominees: Willem Dafoe (The Florida Project), Armie Hammer (Call Me by Your Name), Richard Jenkins (The Shape of Water), Christopher Plummer (All the Money in the World), Sam Rockwell (Three Billboards Outside Ebbing, Missouri)
Predicted Winner: Plummer
Runner-Up: Rockwell
Best Supporting Actress
Nominees: Mary J. Blige (Mudbound), Hong Chau (Downsizing), Allison Janney (I, Tonya), Laurie Metcalf (Lady Bird), Octavia Spencer (The Shape of Water)
Nominees: Lady Bird, Molly’s Game, The Post, The Shape of Water, Three Billboards Outside Ebbing, Missouri
Predicted Winner: Three Billboards Outside Ebbing, Missouri
Runner-Up: Lady Bird
Best Animated Feature
Nominees: The Boss Baby, The Breadwinner, Coco, Ferdinand, Loving Vincent
Predicted Winner: Coco
Runner-Up: Loving Vincent
Best Foreign Language Film
Nominees: A Fantastic Woman, First, They Killed My Father, In the Fade, Loveless, The Square
Predicted Winner: First, They Killed My Father
Runner-Up: A Fantastic Woman
Best Score
Nominees: Dunkirk, Phantom Thread, The Post, The Shape of Water, Three Billboards Outside Ebbing, Missouri
Predicted Winner: Dunkirk
Runner-Up: The Shape of Water
Best Song
Nominees: “Home” from Ferdinand, “Mighty River” from Mudbound, “Remember Me” from Coco, “The Star” from The Star, “This is Me” from The Greatest Showman
Predicted Winner: “This is Me”
Runner-Up: “Remember Me”
I’ll have a recap up Sunday night with how I did! Until then…
Paolo Virzi’s TheLeisureSeeker has played at both the Venice and Toronto Film Festivals to mixed reaction. The road pic comedic drama features Donald Sutherland and Helen Mirren as an aging couple embarking on a final trip.
First things first – the so-so critical reaction (63% currently on Rotten Tomatoes) will keep it far from seeking a Best Picture nomination. The already packed Best Actress race will eliminate previous winner Mirren from contention.
Sutherland, on the other hand, could be a different story. The 82 year-old thespian has been a fixture on the silver screen for decades and recently introduced himself to a whole new generation of moviegoers in TheHungerGames franchise. Yet he’s never been nominated for an Oscar.
It was just recently announced that Sutherland will receive a Lifetime Achievement award at next year’s ceremony. Perhaps some of the voters might consider it a cherry on top to give the actor his first official nod. Additionally, the Best Actor race (save for Gary Oldman in DarkestHour) looks fairly wide open right now though that certainly may change.
Bottom line: Sutherland is probably a long shot, but the possibility of his inclusion is worthy of mention.
David Frankel’s CollateralBeauty starts with a pretentious name and goes downhill from there. It’s a film dealing with weighty subjects in a manner that is borderline offensive and cheats the audience and its talented actors of quality. When you can’t get past an incredibly contrived concept, it makes any semblance of emotional resonance that the screenplay is trying to beat into you fail badly. And it does.
Howard (Will Smith) is an advertising exec who’s mourning the loss of his young daughter. He can’t get past the loss and he’s cut off communication with the world, including his coworkers. There’s three of them that are focused on and they’re all given their own soap opera subplots. Whit (Edward Norton) is a divorcee trying to reconnect with his own little girl. Claire (Kate Winslet) is the workaholic wanting to become a mother. Simon (Michael Pena) is terminally ill and trying to hide his diagnosis from everyone.
The trio make the tough decision to try to push Howard out of the company. In order to do so, the script invents quite a remarkably ridiculous way to do so. You see – Howard writes letters to issues he’s grappling with – Love, Death, Time. When his coworkers are at their wit’s end, they make the puzzling decision to hire an acting troupe to portray those emotions, catch Howard’s reaction to them on camera, and exploit his response for the company’s gain. It’s even more contrived than it sounds. So we have Helen Mirren as Death, Keira Knightley as Love, and Jacob Latimore as Time. Howard also reaches out to a grief counselor (Naomie Harris) who’s experienced similar life issues.
This is the type of picture that some may not want to criticize due to its subject matter. Yet CollateralBeauty deserves scorn, especially because so many other films have dealt with similar themes in far more mature and satisfying ways. There’s not a performance here worthy of praise and that’s remarkable considering the cast. Smith is stuck playing one note throughout and even Mirren (one of our finest actresses) is annoying. No actors could make this dialogue work to be fair. It’s as if screenwriter Allan Loeb took a bunch of sympathy and encouragement cards and self-help manuals, cut them up, threw them in the air, and let treacly word piles form. The result is ugly.
TheFateoftheFurious is our eighth – yes, eighth – installment of a franchise that it would have been ridiculous to imagine there being that many entries. We’re a long way from the original 16 years ago that was sort of a drag racing rip-off of PointBreak, or PointBrake as I deemed it in my review. That said, a common thread among the series is its willingness to be knowingly ridiculous while weaving in endless monologues about the importance of family.
The formula took on a different tone in predecessor Furious7, which admirably managed to deal with the death of franchise stalwart Paul Walker in its conclusion. In that sense, Fate ushers in a new chapter. New characters are introduced, old ones are rehashed, and the level of silliness is brought to a level not quite seen before. Yes, cars go fast here. However, part 8 owes more to James Bond flicks when they were less grim (think Roger Moore era with a quarter billion dollar budget).
As I’ve written in previous Furious critiques, plot is secondary but here’s what you need to know: Dominic Toretto (Vin Diesel) has turned on his team. Sort of. He’s being forced to team up with criminal mastermind Cipher (Charlize Theron), who evades authorities in the air on an invisible plane. See what I mean? Isn’t that the kind of villain 007 might battle in the late seventies? Now on the wrong side of justice, Dominic and Cipher must go against Dom’s “family”, including wife Letty (Michelle Rodriguez) and the familiar players played by Dwayne Johnson (whose goofy character is still good for some funny and bizarre moments), Tyrese Gibson, Ludacris, Kurt Russell, and more. Part 7’s main villain Jason Statham is more of a team player this time around and even Oscar winner Helen Mirren turns up as his mum. Statham is granted a fight scene towards the end where he has to be delicate with some cargo he’s carrying (you’ll see what I mean). The scene is genuinely humorous and quite well choreographed.
The plot is all an excuse for the massive action spectacles and globe trotting we’ve become accustomed to and we have it here in Cuba, New York City, and Russia. The climactic sequence set on Russian frozen tundra employs the usual expensive vehicles, but we also are treated to tanks and submarines. Remember the ice action in Pierce Brosnan’s Bond flick DieAnotherDay? Think that, but it’s not embarrassingly awful.
Our Furious sagas rise and fall on the ability for us to check our brains at the Universal logo. By the third act, I’d succumbed once again to its cheesy charms. Maybe one day this series will truly stall like it briefly did in 2006’s TokyoDrift. Not yet though and that’s some kind of testament to its durability.
Universal Pictures’ billion dollar franchise keeps rolling along as The Fate of the Furious parks into multiplexes on Easter Weekend. The eighth (yes, eighth) street racing action spectacle finds Straight Outta Compton director F. Gary Gray taking over behind the camera. Fate finds the majority of thespians associated with the series returning – Vin Diesel, Dwayne Johnson, Michelle Rodriguez, Tyrese Gibson, Ludacis, Jason Statham, Kurt Russell, and Nathalie Emmanuel. We also have a pair of Oscar winners joining the mix with Charlize Theron and Helen Mirren, as well as Scott Eastwood (whose dad has won some Oscars). Of course, this is the first picture (excluding 2006’s Tokyo Drift) without Paul Walker, who died during the filming of Furious 7.
When Diesel and Walker returned to the franchise in 2009’s Fast and Furious, it sparked a box office resurgence that’s never let up. That fourth entry debuted to $70 million with an overall $155M domestic haul. Follow-up Fast Five in 2011 opened to $86 million ($209M eventual tally). 2013’s Fast & Furious 6 made $97 million out of the gate and $238M eventually. And 2015’s Furious 7 easily set the high mark with a $147 million premiere and $353M overall.
The grosses of Furious 7 were likely (and sadly) expanded due to it being Walker’s last on-screen appearance. Therefore it stands to reason that Fate probably won’t reach the heights of that predecessor. That said, this looks to be a franchise that is still going strong and it would be surprising if it didn’t post the second largest bow thus far.
I’ll predict the fate of this is an opening gross in the low to mid $120M range.
The Fate of the Furious opening weekend prediction: $122.7 million
Well, hello everyone! It’s Thursday and my first Oscar predictions of the new year have rolled in…
In the past two weeks we’ve seen the Golden Globes occur, which showered its love upon La La Land. We’ve had BAFTA and Producers Guild nominations (that one produced a surprise nod for Deadpool and puts the comic book pic in the top 20 for the firs time). And the Director Guild announced their five nominees this morning, which exactly matches my picks here. We’ve seen pictures (in my estimation) increase their chances (Arrival, Hidden Figures) and others fall a bit (Silence).
On Thursday the 19th, I will make my final round of Thursday predictions and on Sunday the 22nd – my “final” final predictions prior to the announcement on January 24th.
Here’s how I see it all right now…
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Moonlight (PR: 3)
3. Manchester by the Sea (PR: 2)
4. Arrival (PR: 7)
5. Lion (PR: 5)
6. Fences (PR: 4)
7. Hidden Figures (PR: 8)
8. Hacksaw Ridge (PR: 9)
9. Hell or High Water (PR: 10)
Other Possibilities:
10. Silence (PR: 6)
11. Loving (PR: 11)
12. Nocturnal Animals (PR: 12)
13. Sully (PR: 13)
14. Jackie (PR: 14)
15. Deadpool (PR: Not Ranked)
16. 20th Century Women (PR: 15)
17. Florence Foster Jenkins (PR: 16)
18. Patriots Day (PR: 17)
19. Captain Fantastic (PR: 19)
20. Zootopia (PR: 20)
Dropped Out:
The Jungle Book
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Barry Jenkins, Moonlight (PR: 2)
3. Kenneth Lonergan, Manchester by the Sea (PR: 3)
4. Denis Villeneuve, Arrival (PR: 6)
5. Garth Davis, Lion (PR: 5)
Other Possibilities
6. Mel Gibson, Hacksaw Ridge (PR: 7)
7. Martin Scorsese, Silence (PR: 4)
8. David Mackenzie, Hell or High Water (PR: 9)
9. Denzel Washington, Fences (PR: 8)
10. Theodore Melfi, Hidden Figures (PR: Not Ranked)
Dropped Out:
Tom Ford, Nocturnal Animals
Best Actor
Predicted Nominees
1. Casey Affleck, Manchester by the Sea (PR: 1)
2. Denzel Washington, Fences (PR: 2)
3. Ryan Gosling, La La Land (PR: 3)
4. Andrew Garfield, Hacksaw Ridge (PR: 4)
5. Viggo Mortensen, Captain Fantastic (PR: 6)
Other Possibilities
6. Joel Edgerton, Loving (PR: 5)
7. Tom Hanks, Sully (PR: 7)
8. Michael Keaton, The Founder (PR: 8)
9. Jake Gyllenhaal, Nocturnal Animals (PR: Not Ranked)
10. Andrew Garfield, Silence (PR: 9)
Dropped Out:
Adam Driver, Paterson
Best Actress
Predicted Nominees
1. Emma Stone, La La Land (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Amy Adams, Arrival (PR: 3)
4. Meryl Streep, Florence Foster Jenkins (PR: 5)
5. Isabelle Huppert, Elle (PR: 6)
Other Possibilities
6. Annette Bening, 20th Century Women (PR: 4)
7. Emily Blunt, The Girl on the Train (PR: 9)
8. Ruth Negga, Loving (PR: 7)
9. Jessica Chastain, Miss Sloane (PR: 8)
10. Taraji P. Henson, Hidden Figures (PR: 10)
Best Supporting Actor
Predicted Nominees
1. Mahershala Ali, Moonlight (PR: 1)
2. Dev Patel, Lion (PR: 2)
3. Lucas Hedges, Manchester by the Sea (PR: 4)
4. Jeff Bridges, Hell or High Water (PR: 3)
5. Hugh Grant, Florence Foster Jenkins (PR: 6)
Other Possibilities
6. Michael Shannon, Nocturnal Animals (PR: 5)
7. Aaron Taylor-Johnson, Nocturnal Animals (PR: Not Ranked)
8. Ben Foster, Hell or High Water (PR: 7)
9. Issey Ogata, Silence (PR: 8)
10. Mykelti Williamson, Fences (PR: 9)
Dropped Out:
Kevin Costner, Hidden Figures
Best Supporting Actress
Predicted Nominees
1. Viola Davis, Fences (PR: 1)
2. Michelle Williams, Manchester by the Sea (PR: 3)
3. Naomie Harris, Moonlight (PR: 2)
4. Nicole Kidman, Lion (PR: 4)
5. Octavia Spencer, Hidden Figures (PR: 5)
Other Possibilities
6. Greta Gerwig, 20th Century Women (PR: 6)
7. Helen Mirren, Eye in the Sky (PR: 7)
8. Molly Shannon, Other People (PR: 10)
9. Janelle Monae, Hidden Figures (PR: 8)
10. Lupita Nyong’o, Queen of Katwe (PR: Not Ranked)
Dropped Out:
Felicity Jones, A Monster Calls
Best Adapted Screenplay
Predicted Nominees
1. Moonlight (PR: 1)
2. Arrival (PR: 4)
3. Lion (PR: 2)
4. Fences(PR: 3)
5. Nocturnal Animals (PR: 6)
Other Possibilities
6. Hidden Figures (PR: 9)
7. Loving (PR: 8)
8. Hacksaw Ridge (PR: 7)
9. Silence (PR: 5)
10. Elle (PR: Not Ranked)
Dropped Out:
Sully
Best Original Screenplay
Predicted Nominees
1. Manchester by the Sea (PR: 1)
2. La La Land (PR: 2)
3. Hell or High Water (PR: 3)
4. Captain Fantastic (PR: 4)
5. Toni Erdmann (PR: 8)
Other Possibilities
6. The Lobster (PR: 6)
7. 20th Century Women (PR: 5)
8. Jackie (PR: 7)
9. Zootopia (PR: 9)
10. Eye in the Sky (PR: Not Ranked)
Dropped Out:
I, Daniel Blake
Best Animated Feautre
Predicted Nominees
1. Zootopia (PR: 1)
2. Kubo and the Two Strings (PR: 2)
3. Moana (PR: 3)
4. The Red Turtle (PR: 4)
5. The Little Prince (PR: 7)
Other Possibilities
6. My Life as a Zucchini (PR: 5)
7. Finding Dory (PR: 6)
8. Your Name (PR: 9)
9. Sausage Party (PR: 10)
10. Sing (PR: Not Ranked)
Dropped Out:
April and the Extraordinary World
Best Documentary Feature
Predicted Nominees
1. I Am Not Your Negro (PR: 1)
2. Gleason (PR: 4)
3. O.J.: Made in America (PR: 2)
4. 13th (PR: 3)
5. Cameraperson (PR: 6)
Other Possibilities
6. The Ivory Game (PR: 9)
7. Life, Animated (PR: 5)
8. The Eagle Huntress (PR: 8)
9. Weiner (PR: 10)
10. Fire at Sea (PR: 7)
Best Foreign Language Film
Predicted Nominees
1. Toni Erdmann (PR: 1)
2. The Salesman (PR: 2)
3. Land of Mine (PR: 3)
4. My Life as a Zucchini (PR: 6)
5. A Man Called Ove (PR: 4)
Other Possibilities
6. The King’s Choice (PR: 5)
7. Tanna (PR: 8)
8. It’s the Only the End of the World (PR: 9)
9. Paradise (PR: 7)
Best Cinematography
Predicted Nominees
1. La La Land (PR: 1)
2. Arrival (PR: 4)
3. Moonlight (PR: 2)
4. Nocturnal Animals (PR: 5)
5. Silence (PR: 3)
Other Possibilities
6. Lion (PR: 6)
7. Hacksaw Ridge (PR: 7)
8. Rogue One: A Star Wars Story (PR: 10)
9. Jackie (PR: 8)
10. Hell or High Water (PR: Not Ranked)
Dropped Out:
The Jungle Book
Best Costume Design
Predicted Nominees
1. Jackie (PR: 1)
2. La La Land (PR: 2)
3. Fantastic Beasts and Where to Find Them (PR: 7)
4. Allied (PR: 3)
5. Love & Friendship (PR: 4)
Other Possibilities
6. Florence Foster Jenkins (PR: 5)
7. Silence (PR: 6)
8. Rules Don’t Apply (PR: 8)
9. Rogue One: A Star Wars Story (PR: Not Ranked)
10. Live by Night (PR: 9)
Dropped Out:
Alice Through the Looking Glass
Best Editing
Predicted Nominees
1. La La Land (PR: 1)
2. Moonlight (PR: 2)
3. Hacksaw Ridge (PR: 4)
4. Arrival (PR: 3)
5. Manchester by the Sea (PR: 6)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: Not Ranked)
7. Silence (PR: 5)
8. Lion (PR: 7)
9. Hell or High Water (PR: 8)
10. Sully (PR: 9)
Dropped Out:
Jackie
Best Makeup and Hairstyling
Predicted Nominees
1. Florence Foster Jenkins (PR: 1)
2. Deadpool (PR: 3)
3. Star Trek Beyond (PR: 2)
Other Possibilities
4. A Man Called Ove (PR: 5)
5. Suicide Squad (PR: 4)
6. The Dressmaker (PR: 6)
7. Hail, Caesar! (PR: 7)
Best Original Score
Predicted Nominees
1. La La Land (PR: 1)
2. Lion (PR: 2)
3. Moonlight (PR: 3)
4. Rogue One: A Star Wars Story (PR: 6)
5. Florence Foster Jenkins (PR: 4)
Other Possibilities
6. Nocturnal Animals (PR: Not Ranked)
7. Jackie (PR: 5)
8. The BFG (PR: 9)
9. Hacksaw Ridge (PR: 8)
10. The Jungle Book (PR: 10)
Dropped Out:
Hidden Figures
Best Original Song
Predicted Nominees
1. “City of Stars” from La La Land (PR: 1)
2. “How Far I’ll Go” from Moana (PR: 2)
3. “Audition (The Fools Who Dream)” from La La Land (PR: 3)
4. “Runnin” from Hidden Figures (PR: 5)
5. “Can’t Stop The Feeling!” from Trolls (PR: 7)
Other Possibilities
6. “Letters to the Free” from 13th (PR: 6)
7. “Drive It Like You Stole It” from Sing Street (PR: 4)
8. “The Rules Don’t Apply” from Rules Don’t Apply (PR: 8)
9. “Faith” from Sing (PR: Not Ranked)
10. “The Great Beyond” from Sausage Party (PR: 9)
Dropped Out:
“I’m Still Here” from Miss Sharon Jones
Best Production Design
Predicted Nominees
1. La La Land (PR: 1)
2. Jackie (PR: 2)
3. Arrival (PR: 3)
4. Hacksaw Ridge (PR: 7)
5. Silence (PR: 4)
Other Possibilities
6. Rogue One: A Star Wars Story (PR: 10)
7. Fantastic Beasts and Where to Find Them (PR: 8)
8. Rules Don’t Apply (PR: 5)
9. Allied (PR: 6)
10. The Jungle Book (PR: Not Ranked)
Dropped Out:
Live by Night
Best Sound Editing
Predicted Nominees
1. Hacksaw Ridge (PR: 1)
2. La La Land (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Deepwater Horizon (PR: 5)
5. Sully (PR: 4)
Other Possibilities
6. Arrival (PR: 6)
7. The Jungle Book (PR: 9)
8. Patriots Day (PR: 7)
9. Deadpool (PR: Not Ranked)
10. Allied (PR: 8)
Dropped Out:
Captain America: Civil War
Best Sound Mixing
Predicted Nominees
1. La La Land (PR: 1)
2. Hacksaw Ridge (PR: 2)
3. Rogue One: A Star Wars Story (PR: 3)
4. Arrival (PR: 4)
5. Deepwater Horizon (PR: 5)
Other Possibilties
6. Patriots Day (PR: 8)
7. Sully (PR: 6)
8. The Jungle Book (PR: 9)
9. Deadpool (PR: 10)
10. Passengers (PR: Not Ranked)
Dropped Out:
Allied
Best Visual Effects
Predicted Nominees
1. The Jungle Book (PR: 1)
2. Rogue One: A Star Wars Story (PR: 2)
3. Arrival (PR: 3)
4. Doctor Strange (PR: 4)
5. Fantastic Beasts and Where to Find Them (PR: 6)
Other Possibilities
6. The BFG (PR: 5)
7. Deepwater Horizon (PR: 10)
8. Kubo and the Two Strings (PR: 8)
9. Captain America: Civil War (PR: 7)
10. Passengers (PR: 9)
That equates to the following number of nominations for each film:
14 Nominations
La La Land
9 Nominations
Arrival
8 Nominations
Moonlight
7 Nominations
Manchester by the Sea
6 Nominations
Lion, Hacksaw Ridge
4 Nominations
Fences, Florence Foster Jenkins, Rogue One: A Star Wars Story
3 Nominations
Hidden Figures, Hell or High Water, Jackie
2 Nominations
Captain Fantastic, Nocturnal Animals, Toni Erdmann, Moana, Silence, Fantastic Beasts and Where to Find Them, Deepwater Horizon
1 Nomination
Elle, Zootopia, Kubo and the Two Strings, The Red Turtle, The Little Prince, I Am Not Your Negro, Gleason, O.J.: Made in America, 13th, Cameraperson, The Salesman, Land of Mine, My Life as a Zucchini, A Man Called Ove, Allied, Love & Friendship, Deadpool, Star Trek Beyond, Trolls, Sully, The Jungle Book, Doctor Strange.
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