Tag: Harry Styles

2022 Oscar Predictions: August 10th Edition

For my first Oscar analysis in the 8 major categories for the month of August, the ten BP contenders remain the same. However, Everything Everywhere All at Once moves to #2 with Babylon slipping a spot to third. I truly do believe there’s a path for Once to take the top prize next year depending on how the next five months of releases play out.

At the end of July, I vaulted Steven Spielberg’s The Fabelmans to #1 in BP. Today I’m putting the filmmaker in first with Babylon‘s Damien Chazelle now in second.

While my lead actress and actor picks remain unaltered, there is movement in both supporting derbies. In Supporting Actress, Stephanie Hsu (Everything Everywhere All at Once) and Griselda Sicillani (Bardo) are in my projected quintet with Hong Chau (The Whale) and Zoe Kazan (She Said) falling out. In Supporting Actor, I’m switching Empire of Light costars with Michael Ward making the cut over Colin Firth.

Finally, I’ve taken Ron Howard’s Thirteen Lives out of contention in all categories where I previously had it listed as a possibility. If Amazon Prime mounts a campaign later this year, it could find itself back in the mix. I wouldn’t count on it despite its solid reviews.

Expect another update in the next week or two! You can peruse all the movement below:

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Ranking: 1) (E)

2. Everything Everywhere All at Once (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. Bardo (PR: 4) (E)

5. Women Talking (PR: 5) (E)

6. The Son (PR: 6) (E)

7. Empire of Light (PR: 7) (E)

8. Top Gun: Maverick (PR: 9) (+1)

9. The Whale (PR: 8) (-1)

10. Triangle of Sadness (PR: 10) (E)

Other Possibilities:

11. White Noise (PR: 12) (+1)

12. She Said (PR: 11) (-1)

13. Tar (PR: 13) (E)

14. Elvis (PR: 15) (+1)

15. Avatar: The Way of Water (PR: 14) (-1)

16. Decision to Leave (PR: 16) (E)

17. The Banshees of Inisherin (PR: 18) (+1)

18. Bones and All (PR: 20) (+2)

19. Till (PR: 19) (E)

20. Broker (PR: 17) (-3)

21. Black Panther: Wakanda Forever (PR: 22) (+1)

22. The Greatest Beer Run Ever (PR: 23) (+1)

23. The Menu (PR: Not Ranked)

24. The Woman King (PR: 24) (E)

25. Amsterdam (PR: 21) (-4)

Dropped Out:

Thirteen Lives 

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 2) (+1)

2. Damien Chazelle, Babylon (PR: 1) (-1)

3. Daniels, Everything Everywhere All at Once (PR: 4) (+1)

4. Alejandro Gonzalez Inarritu, Bardo (PR: 3) (-1)

5. Sarah Polley, Women Talking (PR: 5) (E)

Other Possibilities:

6. Ruben Ostlund, Triangle of Sadness (PR: 7) (+1)

7. Sam Mendes, Empire of Light (PR: 6) (-1)

8. Florian Zeller, The Son (PR: 8) (E)

9. Darren Aronofsky, The Whale (PR: 10) (+1)

10. Park Chan-wook, Decision to Leave (PR: 11) (+1)

11. James Cameron, Avatar: The Way of Water (PR: 9 (-2)

12. Noah Baumbach, White Noise (PR: 12) (E)

13. Todd Field, Tar (PR: 13) (E)

14. Maria Schrader, She Said (PR: 15) (+1)

15. Bax Luhrmann, Elvis (PR: Not Ranked)

Dropped Out:

Hirokazu Kore-eda, Broker

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Cate Blanchett, Tar (PR: 4) (+1)

4. Olivia Colman, Empire of Light (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities: 

6. Ana de Armas, Blonde (PR: 7) (+1)

7. Viola Davis, The Woman King (PR: 8) (+1)

8. Regina King, Shirley (PR: 6) (-2)

9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)

10. Carey Mulligan, She Said (PR: 10) (E)

11. Helen Mirren, Golda (PR: 12) (+1)

12. Jessica Chastain, The Good Nurse (PR: 11) (-1)

13. Frances McDormand, Women Talking (PR: Not Ranked)

14. Jennifer Lawrence, Causeway (PR: 13) (-1)

15. Florence Pugh, The Wonder (PR: Not Ranked)

Dropped Out:

Florence Pugh, Don’t Worry Darling

Emma Corrin, Lady Chatterley’s Lover 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Austin Butler, Elvis (PR: 1) (E)

4. Damien Gimenez Cacho, Bardo (PR: 4) (E)

5. Adam Driver, White Noise (PR: 5) (E)

Other Possibilities:

6. Bill Nighy, Living (PR: 9) (+3)

7. Song Kang-ho, Broker (PR: 6) (-1)

8. Diego Calva, Babylon (PR: 7) (-1)

9. Colin Farrell, The Banshees of Inisherin (PR: 8) (-1)

10. Tom Cruise, Top Gun: Maverick (PR: 10) (E)

11. Gabriel LaBelle, The Fabelmans (PR: 12) (+1)

12. Timothee Chalamet, Bones and All (PR: 11) (-1)

13. Christian Bale, The Pale Blue Eye (PR: 14) (+1)

14. Paul Mescal, Aftersun (PR: 13) (-1)

15. Harry Styles, My Policeman (PR: Not Ranked)

Dropped Out:

Viggo Mortensen, Thirteen Lives

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Vanessa Kirby, The Son (PR: 2) (E)

3. Jessie Buckley, Women Talking (PR: 3) (E)

4. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (+3)

5. Griselda Sicillani, Bardo (PR: 8) (+3)

Other Possibilities:

6. Hong Chau, The Whale (PR: 4) (-2)

7. Laura Dern, The Son (PR: 6) (-1)

8. Zoe Kazan, She Said (PR: 5) (-3)

9. Sadie Sink, The Whale (PR: 10) (+1)

10. Jean Smart, Babylon (PR: 9) (-1)

11. Nina Hoss, Tar (PR: 12) (+1)

12. Dakota Johnson, Cha Cha Real Smooth (PR: 13) (+1)

13. Samantha Morton, She Said (PR: +2)

14. Dolly De Leon, Triangle of Sadness (PR: Not Ranked)

15. Angela Bassett, Black Panther: Wakanda Forever (PR: 14) (-1)

Dropped Out:

Patricia Clarkson, She Said 

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 2) (E)

3. Brad Pitt, Babylon (PR: 3) (E)

4. Michael Ward, Empire of Light (PR: 10) (+6)

5. Woody Harrelson, Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. Colin Firth, Empire of Light (PR: 4) (-2)

7. Zen McGrath, The Son (PR: 6) (-1)

8. Brendan Gleeson, The Banshees of Inisherin (PR: 8) (E)

9. Ben Whishaw, Women Talking (PR: 7) (-2)

10. Seth Rogen, The Fabelmans (PR: 11) (+1)

11. Ralph Fiennes, The Menu (PR: 9) (-2)

12. Tom Hanks, Elvis (PR: 15) (+3)

13. Anthony Hopkins, Armageddon Time (PR: 14) (+1)

14. Don Cheadle, White Noise (PR: 12) (-2)

15. Russell Crowe, The Greatest Beer Run Ever (PR: 13) (-2)

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Triangle of Sadness (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

Other Possibilities:

6. Empire of Light (PR: 6) (E)

7. Decision to Leave (PR: 9) (+2)

8. Bardo (PR: 7) (-1)

9. Tar (PR: 8) (-1)

10. The Menu (PR: 11) (+1)

11. Broker (PR: 10) (-1)

12. Cha Cha Real Smooth (PR: 15) (+3)

13. Bros (PR: 13) (E)

14. Amsterdam (PR: 12) (-2)

15. Don’t Worry Darling (PR: 14) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. The Son (PR: 1) (E)

2. Women Talking (PR: 2) (E)

3. The Whale (PR: 3) (E)

4. White Noise (PR: 4) (E)

5. She Said (PR: 5) (E)

Other Possibilities:

6. Bones and All (PR: 6) (E)

7. Till (PR: 7) (E)

8. Glass Onion: A Knives Out Mystery (PR: 10) (+2)

9. Top Gun: Maverick (PR: 9) (E)

10. The Greatest Beer Run Ever (PR: 8) (-2)

11. Living (PR: 14) (+3)

12. The Lost King (PR: Not Ranked)

13. The Woman King (PR: 13) (E)

14. Blonde (PR: 15) (+1)

15. The Good Nurse (PR: 12) (-3)

Dropped Out:

Thirteen Lives 

Dunkirk Movie Review

Christopher Nolan’s Dunkirk has moments and plenty of them which are simply breathtaking. We expect the director of The Dark Knight trilogy, Inception, and Interstellar to serve up a visual treat as he enters the war genre and he does. Yet I didn’t quite anticipate occasional moments of emotional resonance and the tight running time that keeps it moving at a brisk pace. This is an often epic experience in a truncated frame. That decision by the director and his editors allow Dunkirk to capture the fierce urgency of warfare told from three perspectives.

The film recounts the Battle of Dunkirk in Northern France in 1940. The British and their French allies are on the losing side of this particular conflict with the Nazis and evacuation plans are underway. Nolan chooses not to tell the events in a traditional or linear manner. Three stories are highlighted – by land, sea, and air. I list them in that manner because the land piece develops over a week’s time. Our action on the water happens in a day. The air portion is a matter of just an hour.

On land, we meet a number of soldiers desperately searching for escape while trying to help their wounded fellow countrymen. We also listen in on the strategies of the military higher-ups, led by Kenneth Branagh’s sturdy commander.

On the water, Mr. Dawson (Mark Rylance) answers the call to take his own boat to help pick up soldiers from the extraction area. He brings his son (Tom Glynn-Carney) and friend (Barry Keoghan) along with him. On their way to their destination, they come upon a lone soldier (Cillian Murphy) who is experiencing shock from a U-boat attack.

In the air, Tom Hardy’s Air Force pilot and two fellow fighters must furiously try to down Nazi planes bombing those waiting in the evacuation region, while keeping an eye on their own fuel.

All of this activity unfolds in just over 100 minutes in a picture you’d expect to run closer to three hours. Character development is at a minimum but that’s not a demerit. Dunkirk captures the hectic nature, uncertainty, and chaos of war. With Nolan at the helm and cinematographer Hoyte van Hoytema behind the lense, it’s also filled with beautiful imagery on a beach filled with soldiers, on the expansive ocean, and in the clouds. The screenplay gives us just enough focus on its characters to make certain situations emotionally resonant. This especially holds true with the sea portion and Rylance’s determined skipper and Murphy’s battle weary soldier.

The time jumping element is one that would make Tarantino proud. That aspect adds an often fresh perspective to the well-worn WWII genre and its glorious and inglorious tales. By its conclusion, we marvel at personal acts by humans caught up in impossible situations in the fog of battle. In a week, a day, and an hour, Dunkirk expertly shows it.

***1/2 (out of four)

Dunkirk Box Office Prediction

Christopher Nolan is one of the few directors whose name can bring in audiences and his box office power will be tested next weekend when Dunkirk lands in theaters. The World War II pic looks to appeal to action fans, as well as adult moviegoers looking for something beyond sequels and reboots. Reviews are embargoed until Monday, but early word of mouth is quite solid. There could be even be Oscar buzz for categories outside of the expected technical nominations it should nab.

The cast is a mix of relative unknowns (Fionn Whitehead, Tom Glynn-Carney, Jack Lowden) and more familiar faces (Tom Hardy, Kenneth Branagh, Cillian Murphy, Mark Rylance). Early forecasts for its opening weekend potential have ranged everywhere from $30 million to possibly $60 million.

My feeling is that it will basically fall between that. Five of Nolan’s last six pictures have made over $45 million out of the gate (the outlier is 2006’s The Prestige). Of course, there’s the Dark Knight trilogy, which doesn’t serve as any sort of fair comparison. The better comps in the director’s filmography are 2010’s Inception and his last effort, 2014’s Interstellar. The former made $62 million and had the benefit of being Nolan’s follow-up to the phenomenon that was 2008’s The Dark Knight. The latter earned $47 million for its start.

I believe Dunkirk will experience a very similar opening to Interstellar with a great chance that it will experience smallish drop-offs in subsequent weekends and play well throughout the month of August.

Dunkirk opening weekend prediction: $44.7 million

For my Valerian and the City of a Thousand Planets prediction, click here:

https://toddmthatcher.com/2017/07/12/valerian-and-the-city-of-a-thousand-planets-box-office-predictions/

For my Girls Trip prediction, click here:

https://toddmthatcher.com/2017/07/12/girls-trip-box-office-prediction/