Tag: Harrison Ford

Summer 1998: The Top 10 Hits and More

Continuing with my recaps of the movie summers from 30, 20, and 10 years ago – we arrive at 1998. If you missed my post recounting the 1988 season, you can find it right here:

https://toddmthatcher.com/2018/07/11/summer-1988-the-top-10-hits-and-more/

1998 was a rather astonishingly sequel lite summer with only one making up the top ten moneymakers. And while 2018 will be known for its Avengers phenomenon, it was a much different story with Avengers two decades ago.

Behold my synopsis of the top 10 hits, along with other notables and flops:

10. The Mask of Zorro

Domestic Gross: $94 million

He may be playing Pablo Picasso on TV now, but Antonio Banderas had a significant hit (alongside Catherine Zeta-Jones and Anthony Hopkins) in this tale of the famed swashbuckler. A less successful sequel would follow in 2005.

9. Mulan

Domestic Gross: $120 million

Disney’s 36th animated feature (with a voice assist from Eddie Murphy) didn’t reach the heights of titles like Aladdin or The Lion King, but the Mouse Factory has already commissioned a live-action version slated for 2020.

8. The Truman Show

Domestic Gross: $125 million

Jim Carrey’s first major big screen foray outside of zany comedy, Peter Weir’s reality show pic garnered critical acclaim for the film itself and the star’s performance.

7. Lethal Weapon 4

Domestic Gross: $130 million

The final teaming of Mel Gibson and Danny Glover (with Chris Rock and Jet Li joining the mix) made slightly less than part 3 and was generally considered rather mediocre, especially considering the heights that the franchise started from.

6. Godzilla

Domestic Gross: $136 million

Coming off the massive success of Independence Day, Roland Emmerich’s tale of the giant green monster was expected to possibly be summer’s biggest hit. It came in well below expectations with critics and audiences. A better regarded version arrived in 2014.

5. Deep Impact

Domestic Gross: $140 million

Our first asteroid disaster flick on the list came from Mimi Leder with a cast including Tea Leoni, Elijah Wood, and Robert Duvall. Moviegoers loved their asteroids 20 years ago.

4. Dr. Dolittle

Domestic Gross: $144 million

Eddie Murphy was still in popular family guy mode with this remake of the Rex Harrison animal tale. A sequel would follow in 2001.

3. There’s Something About Mary

Domestic Gross: $176 million

The Farrelly Brothers had the comedic smash of the summer in this effort that made Ben Stiller a huge star and had a showcase role for Cameron Diaz’s talents.

2. Armageddon

Domestic Gross: $201 million

Our second asteroid pic (this one from Michael Bay) comes with Bruce Willis, Ben Affleck, and Liv Tyler… and an Aerosmith ballad that played all season long.

1. Saving Private Ryan

Domestic Gross: $216 million

Steven Spielberg’s acclaimed World War II drama with Tom Hanks has one of the most intense first scenes in cinematic history. It was considered the Oscar front-runner until it lost in an upset to Shakespeare in Love. 

And now for some other notable films:

The X-Files

Domestic Gross: $83 million

Bringing David Duchovny and Gillian Anderson’s alien themed FOX TV show to the big screen turned out to be a profitable venture. An ignored sequel would follow 10 years later.

Blade

Domestic Gross: $70 million

The vampire-centric Wesley Snipes flick spawned two sequels and major cult status.

Out of Sight

Domestic Gross: $37 million

Its box office performance was middling, but Steven Soderbergh’s romantic crime pic showed George Clooney and Jennifer Lopez at their best. Critics dug it.

Fear and Loathing in Las Vegas

Domestic Gross: $10 million

Not a success at the time, but Terry Gilliam’s wild ride featuring Johnny Depp as Hunter S. Thompson created a serious following in subsequent years.

And now for some flops:

Six Days, Seven Nights

Domestic Gross: $74 million

Harrison Ford was flying high off the success of Air Force One one summer earlier, but audiences and reviewers weren’t as kind to this action comedy with Anne Heche.

Snake Eyes

Domestic Gross: $55 million

Likewise, Nicolas Cage experienced a trilogy of mega hits during the two previous summers with The Rock, Con Air, and Face/Off. This one from Brian De Palma didn’t impress nearly as much.

The Avengers

Domestic Gross: $23 million

Not THOSE Avengers, ladies and gents. This big screen adaptation of the 1960s TV series with Ralph Fiennes, Uma Thurman, and Sean Connery landed with a thud in August. No sequels here.

54

Domestic Gross: $16 million

Mike Myers was coming off a little something called Austin Powers: International Man of Mystery when this pic about the famed NYC nightclub opened. Critics weren’t kind and crowds didn’t turn up.

BASEketball

Domestic Gross: $7 million

Trey Parker and Matt Stone rarely create something that isn’t massively successful – like “South Park” and The Book of Mormon. This sports comedy is the rare exception, though it has developed a following since.

And there you have it – the summer of 1998! Look for 2008 shortly…

The Non-Sequel Actors

Next weekend sees the release of two high-profile sequels: The Equalizer 2 and Mamma Mia! Here We Go Again. The pair of part II’s have something rather interesting in common: they serve as the first sequels that their stars Denzel Washington and Meryl Streep have ever appeared in. Pretty surprising huh? Both have been mega-stars for decades and have never followed up on a character until now.

This got me thinking: what other major actors have never been in a sequel? And it’s not an easy list to cobble together.

Some actors are known for their cases of sequelitis. We know Samuel L. Jackson has appeared in a multitude of them, including Marvel Cinematic Universe pics and franchises ranging from Star Wars to xXx to Incredibles. He was John McClane’s sidekick in Die Hard with a Vengeance. And looking early in his filmography, 1990 saw him appearing in The Exorcist III and The Return of Superfly. There’s also Patriot Games from 1992 and Kill Bill: Vol. 2 from 2004. Son of Shaft will be out next year. Dude loves his m****f***ing sequels!

Sylvester Stallone has made a career of out of them. Creed II will mark his 15th sequel by my count. There’s the Rocky, Rambo, and Expendables series and there’s also Staying Alive (which he directed and had a cameo in), Spy Kids 3-D: Game Over, Guardians of the Galaxy Vol. 2, and the just released Escape Plan 2: Hades.

Eddie Murphy has returned in the following series: 48 Hrs., Beverly Hills Cop, The Nutty Professor, Dr. Dolittle, and Shrek. There could be a part II of Coming to America on the horizon.

Harrison Ford has the famous series like Star Wars, Indiana Jones, and the Jack Ryan pictures. There’s also More American Graffiti, Anchorman 2: The Legend Continues, and last year’s Blade Runner 2049.

OK, back to thespians who don’t constantly appear in sequels. Leonardo DiCaprio? Well, who can forget one of his first roles as Josh in 1991’s Critters 3? 

Matthew McConaughey has a similar situation. Since he’s become known, no sequels (not even returning in Magic Mike XXL). Yet one of his first roles was in Texas Chainsaw Massacre: The Next Generation. 

Unlike his 80s comedic counterparts Bill Murray, Chevy Chase, Dan Aykroyd, and Steve Martin (all in plenty of them), I couldn’t immediately think of any sequel that John Candy did. Yet he provided a voice-over in the 1990 Disney animated follow-up The Rescuers Down Under. 

With Marlon Brando, I guess it depends on how you look at it. He refused to come back for a flashback cameo in The Godfather Part II. Yet he did appear in 2006’s Superman Returns… with a caveat. That footage was culled completely from his work nearly three decades earlier in Superman and it happened two years after his death.

So here’s the deal… it is really tough to come up with performers in the modern age who haven’t appeared in at least one sequel. However, here’s five of them and feel free to list others in the comments!

Warren Beatty

He’s famously picky about his projects and he’s never played the same man twice. There were rumors that he wanted to do another Dick Tracy, but it never materialized.

Annette Bening

Beatty’s wife has had a long and distinguished career free of sequels. She was originally cast as Catwoman in 1992’s Batman Returns but dropped out due to pregnancy.

Russell Crowe

The Oscar winner has yet to return to a role, though I’d certainly sign up for The Nice Guys II. P.S. – I do not count Man of Steel as a sequel.

Jodie Foster

She declined to return as Clarice Starling in 2001’s Hannibal after an Oscar-winning turn in The Silence of the Lambs ten years earlier. That was her biggest chance at a sequel and there are none before or after.

Jake Gyllenhaal

His first role was as Billy Crystal’s son in City Slickers, but he was nowhere to be found for part II or any other sequel. However, that long streak ends next summer with Spider-Man: Far From Home.

And there you go! As I said, feel free to chime in with your own non-sequel actors…

Solo: A Star Wars Letdown

There aren’t a whole lot of films that could open to over $100 million at the box office and legitimately be considered a major disappointment. Those pictures generally belong in the Marvel Cinematic Universe or other massive franchises. For instance, if next month’s Jurassic World: Fallen Kingdom only makes that figure, that would be bad news for Universal Pictures and the series long-term viability.

Of course, there is no franchise bigger than that of Star Wars. Spanning over four decades and now on its 10th feature, there had yet to be a true example of an entry coming in well below expectations. Until now. Solo: A Star Wars Story, just a week ago or so, was projected to set the Memorial Day weekend record by outpacing the $139 million earned in 2007 by another Disney property, Pirates of the Caribbean: At World’s End.

It didn’t. Like… at all. The current four-day estimate (final numbers tomorrow) puts Solo at $103 million. I had pegged it at $151 million. Oops. That actually puts it at just #7 as far as the holiday goes. That’s not only behind Pirates, but after Indiana Jones and the Kingdom of the Crystal Skull, X–Men: The Last Stand, Fast & Furious 6, X–Men: Days of Future Past, and even The Hangover Part II. Ouch.

So the natural question… why? Predicting where the money earned by moviegoers at the box office is a tricky proposition… I try to estimate it every week. Sometimes I’m great at it and sometimes not (this would obviously be a case of the latter). Solo is the second stand-alone effort in the franchise behind 2016’s Rogue One: A Star Wars Story. While they’re not expected to make the coin that the official episodes take in, Rogue debuted to $155 million in three days just a year and a half ago.

This latest entry focuses on an iconic character that has more name recognition than all the people (with a notable exception or two) in Rogue One put together. Sure there’s backlash about an actor other than Harrison Ford playing him, but that wasn’t expected to spark a hugely worrisome backlash as far as box office numbers.

Could it be the reviews? That might be a bit of it. Solo stands at 70% on Rotten Tomatoes and that’s low for this franchise. Yet that rating isn’t terrible or anything. My own review used the word ambivalent for my overall reaction to it:

https://toddmthatcher.com/2018/05/27/solo-a-star-wars-story-movie-review/

And therein could lie the true key. Looking over the lengthy history of the series, Star Wars films have truly been Event Pictures. Ones that are breathlessly awaited and spawn endless speculation prior to their releases. The original trilogy saw three-year gaps between releases. It was then 16 years before the second and considerably less regarded trilogy arrived and they also saw three-year waits between servings. Those like me that remember the buildup to 1999’s The Phantom Menace (no matter how much it disappointed upon release) would argue it rivaled and probably exceeded that of The Force Awakens in 2015.

Since Disney took over the release reigns, we have been guaranteed a Star Wars pic a year. That tremendously dilutes the Event Picture status. Rogue One had the benefit of arriving a year after Force Awakens set every box office record. The Last Jedi didn’t match the grosses of Awakens… to the tune of $316 million less. That said, its $620 million haul is nothing to be too worried about.

Solo arriving only five months later and with so-so buzz left it as the least anticipated Star Wars experience to date. The barely nine figure gross out of the gate showed that audiences were a bit ambivalent about it.

Will that cause the Mouse Factory to rethink the release date pattern? It’s probably a good thing that Episode IX won’t be out until December 2019. The official episodes, by the way, will always have an anticipation factor that the stand-alone variety will not. And Disney might want to consider making those side projects feel a little more special or that ambivalence might continue to grow.

Solo: A Star Wars Story Movie Review

I have an ambivalent feeling about this. And there I am with Solo: A Star Wars Story, which is competently directed and acted, has the impressive battle scenes you expect in this franchise, and manages to be underwhelming at the same time. It is the first occurrence of Disney’s resurgence of the forty-year plus series seeming inconsequential, a feeling that didn’t permeate Rogue One (2016’s first stand-alone entry in the galaxy far far away).

Here is a franchise, more than any other, that elicits strong emotions from its legions of fans both positively and negatively. After all, the original episodes IV-VI trilogy has inspired generations of filmmakers and other blockbusters. Episode I-III sparked a backlash where its multitude of detractors still foam at the mouth speaking of it. Even last year’s The Last Jedi had vigorous supporters and naysayers extolling its virtues or pitfalls.

Solo shouldn’t be picked apart in that manner. Oh, it probably will. Yet my reaction is it doesn’t really deserve that much scrutiny. This is basically a breezy heist flick transplanted into a familiar cinematic universe. The backlash of casting a younger actor to fill the shoes of a role Harrison Ford made iconic? It’s not a disaster by any means, but Alden Ehrenreich isn’t memorable either. No surprise but when you hear the words Han Solo after viewing this, you’ll think of the older one with fondness.

The picture shows us a youthful Han wishing to become a pilot and willing to team up with unsavory characters to do so. He has an insubordinate streak that naturally rejects the evil ways of the Empire, but he hardly considers himself a hero. We know better. The love of his current life is Qi’ra (Emilia Clarke), who he’s separated from and makes a vow to rescue from Imperial servitude from villainous Dryden Vos (Paul Bettany). Han needs a ship to make that happen and that costs money. His mission leads him to partner with thief Tobias Beckett (Woody Harrelson) and his crew. Oh and there’s a notable Wookie involved and a swagger filled Lando Calrissian (Donald Glover). And that ship he finds… like you don’t know…

Han’s journeys take him to multiple galaxies with a second half that feels like one continuous action sequence. There are, of course, nods to the franchise lore. Solo, though, feels the most removed from everything we’ve seen before. If it often has the vibe of a cash grab to fill time between traditional episodes, that’s because it kind of is. Ron Howard took over the behind the camera duties after the well-publicized removal of Christopher Miller and Phil Lord months into production. I didn’t have a strange sense of competing visions while viewing it. If anything, Howard certainly seems like the filmmaker here with its workmanlike sensibilities and lack of genuine style.

The cast is filled with familiar faces putting in serviceable performances. Glover gets a couple of moments to shine, but my favorite supporting work came from the more unfamiliar Phoebe Waller-Bridge as the voice of sassy droid L3. Bettany is a decent villain in a series with previous monumental ones. As mentioned, the conventions of the heist genre are all present with double crosses aplenty.

The Star Wars series is one in which the fans rarely forget a detail. Solo: A Star Wars Story is ultimately rather forgettable. Sure it’s an easy watch, but focusing deeply on it seems like giving it too much credit.

**1/2 (out of four)

Solo: A Star Wars Story Box Office Prediction

The second stand-alone feature set in a galaxy far, far away – Solo: A Star Wars Story roars into multiplexes this Memorial Day Weekend. Alden Ehrenreich takes over the role of a young Han Solo in the part made iconic by Harrison Ford. Costars include Woody Harrelson, Emilia Clarke, Donald Glover as Lando, Thandie Newton, Paul Bettany, and, of course, Chewbacca. Ron Howard serves behind the camera in a move that garnered much press attention when he took over from Phil Lord and Christopher Miller. They exited the project after creative differences with Disney after months on the job.

Reviews out today are mostly positive with 73% currently on Rotten Tomatoes. That said, that’s the lowest meter of the four entries since the vaunted franchise came back in 2015. Our first spin-off, 2016’s Rogue One, debuted with $155 million one year after the record-breaking grosses of Star Wars: The Force Awakens. These offshoots are not expected to reach the heights of the traditional “episodes”. Solo does certainly have the added bonus of returning a beloved character, even with the natural speculation and some cynicism about another actor playing him.

One thing seems fairly certain: Solo should have no trouble breaking the current Memorial Day record held by 2007’s Pirates of the Caribbean: At World’s End which made $139.8 million for its start. Given the extra day of grosses, Han and Chewie could exceed that by over $10 million.

Solo: A Star Wars Story opening weekend prediction: $151.3 million (Friday to Monday estimate)

Oscar Watch: Blade Runner 2049

24 hours can change the dynamic considerably at this time in the Oscar season. When I made my weekly Oscar predictions yesterday, Richard Linklater’s Last Flag Flying was ranked 8th in my Best Picture possibilities with Blade Runner 2049 outside at #13.

Yesterday, support for Flag wavered a bit with a mixed critical reaction stemming from the New York Film Festival. On the other hand, Blade has sharpened its chances with reviews coming out this morning. Denis Villeneuve’s continuation of Ridley Scott’s classic sci-fi pic from 35 years ago is drawing raves (it’s at 97% currently on Rotten Tomatoes). The word “masterpiece” has been thrown around by some critics.

Bottom line: its chances for a Best Picture nomination have risen dramatically. Just last year, Villeneuve’s Arrival scored eight nominations, including Picture and Director. That could happen here again. While I doubt any of the actors (including Ryan Gosling and the return of Harrison Ford in the role of Deckard) will hear their names called, there are other races in play. This includes Adapted Screenplay, Production Design, Editing, both Sound categories, and Visual Effects (where it will almost certainly be named).

And then there’s Cinematography. Again, a nomination for its cinematographer Roger Deakins seems virtually assured. If so, it will mark his 14th nomination. The list of films he was nominated for? The Shawshank Redemption, Fargo, Kundun, O Brother, Where Art Thou?, The Man Who Wasn’t There, The Assassination of Jesse James by the Coward Robert Ford, No Country for Old Men, The Reader, True Grit, Skyfall, Prisoners, Unbroken and Sicario. Number of wins? 0. There’s definitely a feeling that Mr. Deakins is long overdue for his gold statue and the 14th time could be the charm.

When I made my box office prediction for 2049 earlier this week, I compared my $44.1 opening weekend estimate to Mad Max: Fury Road from two years ago. As of this morning, I’m thinking the opportunity is there for it to come close to Fury‘s 10 Oscar nominations too.

My Oscar Watch posts will continue…

Blade Runner 2049 Box Office Prediction

Blogger’s Note (10/04/17): I have revised my estimate up from $44.1 million to $52.1 million

Arriving 35 years after Ridley Scott’s now classic science fiction work, Blade Runner 2049 hits theaters next weekend. The sequel has been in development for pretty much the entire 21st century. The reported $185 million production is headlined by Ryan Gosling as an LAPD officer in a dystopian future who ends up teaming with original Blade Runner Deckard, played by Harrison Ford. Denis Villeneuve, hot off his Oscar nominated hit Arrival, handles directorial duties with Mr. Scott executive producing. Costars include Jared Leto, Ana de Armas, Robin Wright, and Dave Bautista. 

Fans of the 1982 original are many as Blade Runner has become a beloved genre pic. One legitimate question: are younger audiences familiar enough with the source material? It may not matter much as early word-of-mouth for 2049 is very encouraging. Official reviews won’t be out until next week, but screenings have indicated this is a satisfying visual feast like its predecessor.

So how high can this open? The current October opening record belongs to Gravity at $55 million. Even with the positive buzz, I don’t see 2049 running that high. Tracking has indicated $40-$45 million and that sounds about right. In fact, a $45 million opening would match the debut of 2015’s Mad Max: Fury Road, another entry in a franchise that was dormant for decades and made a rousing return.

I’ll put this just under that mark for what should be a solid opening for Columbia Pictures, as it’s likely to perform well overseas too.

Blade Runner 2049 opening weekend prediction: $44.1 million

For my The Mountain Between Us prediction, click here:

https://toddmthatcher.com/2017/09/27/the-mountain-between-us-box-office-prediction/

For my My Little Pony: The Movie prediction, click here:

https://toddmthatcher.com/2017/09/28/my-little-pony-the-movie-box-office-prediction/

Todd’s 2017 Weekly Oscar Predictions: September 22nd Edition

My weekly Thursday Oscar predictions are coming to you on a Friday this week (sorry for the delay) as the festival season shed some light on potential nominees. That said, there’s still lots of uncertainty with plenty left to be seen.

Per usual, I’m listing my predicted nominees in the eight major categories with 25 potentials for Best Picture and 15 in the others. Once again, note that just because I rank something first doesn’t mean I think it will win. These rankings are more geared toward what I think will definitely be nominated at this juncture. For instance, even though Dunkirk is placed 1st, I wouldn’t say it’s the front runner to take home Best Picture at all.

Let’s get to it and I’ll get the weekly post back to Thursdays next week!

Best Picture

Predicted Nominees:

1. Dunkirk (Previous Ranking: 1)

2. The Post (PR: 2)

3. Darkest Hour (PR: 3)

4. The Shape of Water (PR: 4)

5. Mudbound (PR: 5)

6. Call Me by Your Name (PR: 7)

7. Three Billboards Outside Ebbing, Missouri (PR: 17)

8. Battle of the Sexes (PR: 6)

9. Last Flag Flying (PR: 8)

Other Possibilities:

10. The Greatest Showman (PR: 9)

11. Phantom Thread (PR: 10)

12. Wonder Wheel (PR: 13)

13. Downsizing (PR: 11)

14. Blade Runner 2049 (PR: 16)

15. Goodbye Christopher Robin (PR: 12)

16. Detroit (PR: 14)

17. All the Money in the World (PR: Not Ranked)

18. Coco (PR: 19)

19. The Florida Project (PR: 23)

20. I, Tonya (PR: 24)

21. The Big Sick (PR: Not Ranked)

22. Wonderstruck (PR: 18)

23. mother! (PR: 15)

24. Get Out (PR: 20)

25. Lady Bird (PR: 21)

Dropped Out:

Wind River

Wonder Woman

Best Director

Predicted Nominees:

1. Christopher Nolan, Dunkirk (PR: 1)

2. Steven Spielberg, The Post (PR: 2)

3. Guillermo del Toro, The Shape of Water (PR: 3)

4. Joe Wright, Darkest Hour (PR: 4)

5. Dee Rees, Mudbound (PR: 5)

Other Possibilities:

6. Luca Guadagnino, Call Me by Your Name (PR: 6)

7. Martin McDonagh, Three Billboards Outside Ebbing, Missouri (PR: Not Ranked)

8. Richard Linklater, Last Flag Flying (PR: 10)

9. Jonathan Dayton and Valerie Faris, Battle of the Sexes (PR: 7)

10. Paul Thomas Anderson, Phantom Thread (PR: 9)

11. Denis Villeneuve, Blade Runner 2049 (PR: 8)

12. Woody Allen, Wonder Wheel (PR: 15)

13. Ridley Scott, All the Money in the World (PR: Not Ranked)

14. Kathryn Bigelow, Detroit (PR: 11)

15. Michael Gracey, The Greatest Showman (PR: 13)

Dropped Out:

Alexander Payne, Downsizing

Darren Aronofsky, mother!

Best Actor

Predicted Nominees:

1. Gary Oldman, Darkest Hour (PR: 1)

2. Daniel Day-Lewis, Phantom Thread (PR: 2)

3. Tom Hanks, The Post (PR: 4)

4. Hugh Jackman, The Greatest Showman (PR: 3)

5. Jake Gyllenhaal, Stronger (PR: 5)

Other Possibilities:

6. Timothee Chalamet, Call Me by Your Name (PR: 10)

7. Denzel Washington, Roman J. Israel, Esq. (PR: 7)

8. Domhnall Gleeson, Goodbye Christopher Robin (PR: 9)

9. Steve Carell, Last Flag Flying (PR: Not Ranked)

10. Donald Sutherland, The Leisure Seeker (PR: 11)

11. Andrew Garfield, Breathe (PR: 12)

12. Bryan Cranston, Last Flag Flying (PR: 13)

13. Steve Carell, Battle of the Sexes (PR: 8)

14. Liam Neeson, Mark Felt: The Man Who Brought Down the White House (PR: 15)

15. Matt Damon, Downsizing (PR: 14)

Dropped Out:

Joaquin Phoenix, You Were Never Really Here (picture reportedly moved to 2018)

Best Actress

Predicted Nominees:

1. Emma Stone, Battle of the Sexes (PR: 1)

2. Meryl Streep, The Post (PR: 2)

3. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 3)

4. Kate Winslet, Wonder Wheel (PR: 4)

5. Margot Robbie, I, Tonya (PR: 7)

Other Possibilities:

6. Sally Hawkins, The Shape of Water (PR: 5)

7. Jessica Chastain, Molly’s Game (PR: 6)

8. Judi Dench, Victoria and Abdul (PR: 8)

9. Daniela Vega, A Fantastic Woman (PR: 11)

10. Saoirse Ronan, Lady Bird (PR: 9)

11. Diane Kruger, In the Fade (PR: 13)

12. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 10)

13. Jennifer Lawrence, mother! (PR: 12)

14. Carey Mulligan, Mudbound (PR: 15)

15. Jane Fonda, Our Souls at Night (PR: 14)

Best Supporting Actor

Predicted Nominees:

1. Willem Dafoe, The Florida Project (PR: 1)

2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 2)

3. Armie Hammer, Call Me by Your Name (PR: 3)

4. Ben Mendelsohn, Darkest Hour (PR: 4)

5. Michael Stuhlbarg, Call Me by Your Name (PR: 8)

Other Possibilities:

6. Jason Mitchell, Mudbound (PR: 6)

7. Michael Shannon, The Shape of Water (PR: 5)

8. Mark Rylance, Dunkirk (PR: 7)

9. Laurence Fishburne, Last Flag Flying (PR: 9)

10. Kevin Spacey, All the Money in the World (PR: Not Ranked)

11. Patrick Stewart, Logan (PR: 12)

12. Will Poulter, Detroit (PR: 13)

13. Garrett Hedlund, Mudbound (PR: Not Ranked)

14. Christoph Waltz, Downsizing (PR: Not Ranked)

15. Richard Jenkins, The Shape of Water (PR: 11)

Dropped Out:

James Franco, The Disaster Artist

Jamie Bell, Film Stars Don’t Die in Liverpool

Harrison Ford, Blade Runner 2049

Best Supporting Actress

Predicted Nominees:

1. Melissa Leo, Novitiate (PR: 1)

2. Allison Janney, I, Tonya (PR: 3)

3. Kristin Scott Thomas, Darkest Hour (PR: 5)

4. Hong Chau, Downsizing (PR: 2)

5. Octavia Spencer, The Shape of Water (PR: 4)

Other Possibilities:

6. Laurie Metcalf, Lady Bird (PR: 9)

7. Mary J. Blige, Mudbound (PR: 7)

8. Margot Robbie, Goodbye Christopher Robin (PR: 6)

9. Kirsten Dunst, The Beguiled (PR: 13)

10. Julianne Moore, Suburbicon (PR: 10)

11. Tatiana Maslany, Stronger (PR: 14)

12. Holly Hunter, The Big Sick (PR: 11)

13. Michelle Pfeiffer, mother! (PR: 8)

14. Juno Temple, Wonder Wheel (PR: Not Ranked)

15. Brooklyn Prince, The Florida Project (PR: 12)

Dropped Out:

Millicent Simmonds, Wonderstruck

Best Adapted Screenplay

Predicted Nominees:

1. The Post (PR: 1)

2. Call Me by Your Name (PR: 3)

3. Mudbound (PR: 2)

4. Last Flag Flying (PR: 4)

5. Wonderstruck (PR: 5)

Other Possibilities:

6. Molly’s Game (PR: 6)

7. The Beguiled (PR: 9)

8. Victoria and Abdul (PR: 8)

9. Stronger (PR: 7)

10. All the Money in the World (PR: Not Ranked)

11. Blade Runner 2049 (PR: 12)

12. The Disaster Artist (PR: 11)

13. Wonder (PR: 13)

14. Logan (PR: 15)

15. Thank You for Your Service (PR: Not Ranked)

Dropped Out:

You Were Never Really Here (reportedly moved to 2018)

My Cousin Rachel

Best Original Screenplay

Predicted Nominees:

1. Three Billboards Outside Ebbing, Missouri (PR: 4)

2. Darkest Hour (PR: 1)

3. The Shape of Water (PR: 3)

4. Wonder Wheel (PR: 5)

5. Battle of the Sexes (PR: 2)

Other Possibilities:

6. The Big Sick (PR: 12)

7. Get Out (PR: 6)

8. Dunkirk (PR: 8)

9. Downsizing (PR: 9)

10. Lady Bird (PR: 11)

11. The Florida Project (PR: 15)

12. Phantom Thread (PR: 7)

13. Coco (PR: Not Ranked)

14. Goodbye Christopher Robin (PR: 10)

15. The Greatest Showman (PR: 14)

Dropped Out:

mother!

And there you have it, folks! I’ll be back next week with my latest update…

Todd’s 2017 Weekly Oscar Predictions: September 14th Edition

We’ve arrived at my second round of weekly Oscar predictions that will come your way every Thursday on the blog! Since last week, a number of titles have screened at the Toronto Film Festival, in addition to the Venice and Telluride fests that preceded it.

As I did last week, I will list my current predicted nominees in the eight biggest races with a total of 25 possibilities for Best Picture and 15 in the others. Beginning today, you’ll be able to see the fluctuation in rankings from last week to the current one and see what and who has joined and dropped out. Once again, rankings reflect who and what I think will be nominated and not necessarily win.

Let’s get to it!

Best Picture

Predicted Nominees:

1. Dunkirk (Previous Ranking: 1)

2. The Post (PR: 2)

3. Darkest Hour (PR: 3)

4. The Shape of Water (PR: 7)

5. Mudbound (PR: 4)

6. Battle of the Sexes (PR: 6)

7. Call Me by Your Name (PR: 5)

8. Last Flag Flying (PR: 10)

9. The Greatest Showman (PR: 9)

Other Possibilities:

10. Phantom Thread (PR: 11)

11. Downsizing (PR: 8)

12. Goodbye Christopher Robin (PR: 16)

13. Wonder Wheel (PR: 12)

14. Detroit (PR: 14)

15. mother! (PR: 13)

16. Blade Runner 2049 (PR: 15)

17. Three Billboards Outside Ebbing, Missouri (PR: 18)

18. Wonderstruck (PR: 17)

19. Coco (PR: 19)

20. Get Out (PR: 20)

21. Lady Bird (PR: 22)

22. Wind River (PR: 21)

23. The Florida Project (PR: Not Ranked)

24. I, Tonya (PR: Not Ranked)

25. Wonder Woman (PR: 23)

Dropped Out:

Molly’s Game

Star Wars: The Last Jedi

Best Director

Predicted Nominees:

1. Christopher Nolan, Dunkirk (PR: 1)

2. Steven Spielberg, The Post (PR: 2)

3. Guillermo del Toro, The Shape of Water (PR: 6)

4. Joe Wright, Darkest Hour (PR: 4)

5. Dee Rees, Mudbound (PR: 3)

Other Possibilities:

6. Luca Guadagnino, Call Me by Your Name (PR: 5)

7. Jonathan Dayton and Valerie Faris, Battle of the Sexes (PR: 7)

8. Denis Villeneuve, Blade Runner 2049 (PR: 8)

9. Paul Thomas Anderson, Phantom Thread (PR: 10)

10. Richard Linklater, Last Flag Flying (PR: 12)

11. Kathryn Bigelow, Detroit (PR: 11)

12. Alexander Payne, Downsizing (PR: 9)

13. Michael Gracey, The Greatest Showman (PR: 14)

14. Darren Aronofsky, mother! (PR: 13)

15. Woody Allen, Wonder Wheel (PR: 15)

Best Actor

Predicted Nominees:

1. Gary Oldman, Darkest Hour (PR: 1)

2. Daniel Day-Lewis, Phantom Thread (PR: 2)

3. Hugh Jackman, The Greatest Showman (PR: 3)

4. Tom Hanks, The Post (PR: 4)

5. Jake Gyllenhaal, Stronger (PR: 8)

Other Possibilities:

6. Joaquin Phoenix, You Were Never Really Here (PR: 5)

7. Denzel Washington, Roman J. Israel, Esq. (PR: 15)

8. Steve Carell, Battle of the Sexes (PR: 6)

9. Domhnall Gleeson, Goodbye Christopher Robin (PR: 7)

10. Timothee Chalamet, Call Me by Your Name (PR: 9)

11. Donald Sutherland, The Leisure Seeker (PR: 12)

12. Andrew Garfield, Breathe (PR: 11)

13. Bryan Cranston, Last Flag Flying (PR: Not Ranked)

14. Matt Damon, Downsizing (PR: 10)

15. Liam Neeson, Mark Felt: The Man Who Brought Down the White House (PR: 13)

Dropped Out:

Jeremy Renner, Wind River

Best Actress

Predicted Nominees:

1. Emma Stone, Battle of the Sexes (PR: 1)

2. Meryl Streep, The Post (PR: 2)

3. Frances McDormand, Three Billboards Outside Ebbing, Missouri (PR: 5)

4. Kate Winslet, Wonder Wheel (PR: 4)

5. Sally Hawkins, The Shape of Water (PR: 6)

Other Possibilities:

6. Jessica Chastain, Molly’s Game (PR: 3)

7. Margot Robbie, I, Tonya (PR: Not Ranked)

8. Judi Dench, Victoria and Abdul (PR: 10)

9. Saoirse Ronan, Lady Bird (PR: 9)

10. Annette Bening, Film Stars Don’t Die in Liverpool (PR: 7)

11. Daniela Vega, A Fantastic Woman (PR: 8)

12. Jennifer Lawrence, mother! (PR: 13)

13. Diane Kruger, In the Fade (PR: 12)

14. Jane Fonda, Our Souls at Night (PR: 15)

15. Carey Mulligan, Mudbound (PR: 11)

Dropped Out:

Isabelle Huppert, Happy End

Best Supporting Actor

Predicted Nominees:

1. Willem Dafoe, The Florida Project (PR: 1)

2. Sam Rockwell, Three Billboards Outside Ebbing, Missouri (PR: 4)

3. Armie Hammer, Call Me by Your Name (PR: 3)

4. Ben Mendelsohn, Darkest Hour (PR: 2)

5. Michael Shannon, The Shape of Water (PR: 7)

Other Possibilities:

6. Jason Mitchell, Mudbound (PR: 8)

7. Mark Rylance, Dunkirk (PR: 5)

8. Michael Stuhlbarg, Call Me by Your Name (PR: 6)

9. Laurence Fishburne, Last Flag Flying (PR: 9)

10. James Franco, The Disaster Artist (PR: 10)

11. Richard Jenkins, The Shape of Water (PR: Not Ranked)

12. Patrick Stewart, Logan (PR: 12)

13. Will Poulter, Detroit (PR: 14)

14. Jamie Bell, Film Stars Don’t Die in Liverpool (PR: Not Ranked)

15. Harrison Ford, Blade Runner 2049 (PR: Not Ranked)

Dropped Out:

Idris Elba, Molly’s Game

Woody Harrelson, The Glass Castle

Christoph Waltz, Downsizing

Best Supporting Actress

Predicted Nominees:

1. Melissa Leo, Novitiate (PR: 1)

2. Hong Chau, Downsizing (PR: 2)

3. Allison Janney, I, Tonya (PR: Not Ranked)

4. Octavia Spencer, The Shape of Water (PR: 4)

5. Kristin Scott Thomas, Darkest Hour (PR: 3)

Other Possibilities:

6. Margot Robbie, Goodbye Christopher Robin (PR: 6)

7. Mary J. Blige, Mudbound (PR: 5)

8. Michelle Pfeiffer, mother! (PR: 7)

9. Laurie Metcalf, Lady Bird (PR: 11)

10. Julianne Moore, Suburbicon (PR: 13)

11. Holly Hunter, The Big Sick (PR: 14)

12. Brooklyn Prince, The Florida Project (PR: Not Ranked)

13. Kirsten Dunst, The Beguiled (PR: 9)

14. Tatiana Maslany, Stronger (PR: Not Ranked)

15. Millicent Simmonds, Wonderstruck (PR: 10)

Dropped Out:

Michelle Williams, The Greatest Showman

Lesley Manville, Phantom Thread

Juno Temple, Wonder Wheel

Best Adapted Screenplay

Predicted Nominees:

1. The Post (PR: 1)

2. Mudbound (PR: 2)

3. Call Me by Your Name (PR: 3)

4. Last Flag Flying (PR: 4)

5. Wonderstruck (PR: 6)

Other Possibilities:

6. Molly’s Game (PR: 5)

7. Stronger (PR: 12)

8. Victoria and Abdul (PR: 8)

9. The Beguiled (PR: 9)

10. You Were Never Really Here (PR: 7)

11. The Disaster Artist (PR: 10)

12. Blade Runner 2049 (PR: 11)

13. Wonder (PR: 13)

14. My Cousin Rachel (PR: 14)

15. Logan (PR: 15)

Best Original Screenplay

Predicted Nominees:

1. Darkest Hour (PR: 1)

2. Battle of the Sexes (PR: 2)

3. The Shape of Water (PR: 3)

4. Three Billboards Outside Ebbing, Missouri (PR: 6)

5. Wonder Wheel (PR: 4)

Other Possibilities:

6. Get Out (PR: 7)

7. Phantom Thread (PR: 8)

8. Dunkirk (PR: 9)

9. Downsizing (PR: 5)

10. Goodbye Christopher Robin (PR: 15)

11. Lady Bird (PR: 11)

12. The Big Sick (PR: 10)

13. mother! (PR: 13)

14. The Greatest Showman (PR: 14)

15. The Florida Project (PR: 12)

And there you have it, folks! Expect more Oscar Watch posts to come your way and my next full predictions next Thursday…

Todd’s Top 10 Most Awaited Fall 2017 Movies

Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.

Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):

Blade Runner 2049

Release Date: October 6

35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.

Downsizing

Release Date: December 22

It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.

NO TRAILER AT PRESS TIME

It

Release Date: September 8

Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.

Justice League

Release Date: November 17

DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).

mother!

Release Date: September 15

Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.

Murder on the Orient Express

Release Date: November 10

Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.

The Papers

Release Date: December 22

As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.

NO TRAILER AT PRESS TIME

Phantom Thread

Release Date: December 27

Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.

NO TRAILER AT PRESS TIME

The Shape of Water

Release Date: December 8

Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.

Star Wars: The Last Jedi

Release Date: December 15

Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.

And there you have it, folks! Let us look forward to a hopefully glorious autumn season…