Tag: Green Book

Oscars 2019: The Case of The Irishman

Continuing with my Oscar series outlining the cases for and against nominees in the top six categories, we arrive at Martin Scorsese’s The Irishman. This is my second of (gulp) 34 posts for films and individuals picked in the Picture, Director, and the acting races. If you missed yesterday’s writeup about Ford v Ferrari, you can find it here:

https://toddmthatcher.com/2020/01/14/oscars-2019-the-case-of-ford-v-ferrari/

Let’s get to it!

The Case for The Irishman

Scorsese’s latest is an epic unification of screen legends Robert De Niro, Al Pacino, and Joe Pesci in the genre they’re known best for… the gangster tale. The three and a half hour opus certainly has awards gravitas. It was pegged as a likely nominee from the moment it was announced. Both Pacino and Pesci were named in Supporting Actor and the pic sports 10 nominations, which is tied for second along with 1917 and Once Upon a Time in Hollywood. Scorsese is obviously a legendary figure and this is his ninth effort to get a Picture nod (the only winner being 2006’s The Departed).

The critics have been on its side and it has a 96% Rotten Tomatoes score. Several critics group named it as the year’s best.

The Case Against The Irishman

That attention has not translated to the big awards shows yet. The Golden Globes surprised most when they picked 1917 over this in Best Drama. The Critics Choice Awards chose Hollywood. Some have griped about its length. De Niro, unlike Pacino and Pesci, couldn’t manage a nod with the Globes, SAG, or the Academy. And then there’s the still unsettled notion that the Academy could have a Netflix problem, despite the streamer leading this year’s studios in total number of nominations. In 2018, Roma appeared to be the front runner until that Netflix property lost to Green Book. 

The Verdict

There was little doubt that The Irishman would garner plenty of attention in various categories, including here. Yet viability as a winner is much in question. Scorsese’s latest could still take the top prize, but it appears to be a bit of a long shot at the moment.

Up next in my Case of posts… Jojo Rabbit!

The Producers Take Their Stab

In a day that saw numerous Oscar precursors unveil their nominees (get ready for DGA and BAFTA posts later this evening), the Producers Guild of America named their ten nominated pictures of 2019. The winner will be named January 18.

Before we get to the analysis, let’s take a gander at the nominees:

1917

Ford v Ferrari

The Irishman

Jojo Rabbit

Joker

Knives Out

Little Women

Marriage Story

Once Upon a Time in Hollywood

Parasite

In short, there are no true surprises here. What does this mean for these film’s chances at a Best Picture nod? It means a lot based on odds. Over the past five years, there’s never been less than seven PGA pics that didn’t score a Best Picture nomination from the Academy. There’s an asterisk in 2017 when 11 movies got PGA attention.

This means you can count on 70% of the movies above to hear their names called on Monday. And I’ll give you those seven right now: 1917, The Irishman, Jojo Rabbit, Joker, Marriage Story, Once Upon a Time in Hollywood, Parasite. I suspect there will be at least eight or nine for 2019.

In my latest round of Oscar estimates Monday (before final predictions this weekend), I also have Ford v Ferrari and Little Women landing spots. It’s worth noting that the PGA nod for Women might have been needed as it has missed some key earlier precursors. As for Knives Out, it’s certainly got a shot but I’m a bit skeptical it makes the final cut (pun intended).

The PGA picks in 2016 and 2018 encapsulated all of the eventual Oscar nominees. For 2014, 2015, and 2017, here is the full list of Best Picture nominees from the Academy that weren’t named by PGA: Selma, Room, Darkest Hour, Phantom Thread. In other words… small list. So it could be said that today is bad news from an oddsmakers perspective for the following hopefuls: Bombshell, The Farewell, Pain and Glory, Rocketman, The Two Popes, and Uncut Gems.

Three out of the previous five PGA winners went on to win Best Picture, including 2017’s The Shape of Water and last year’s Green Book. That victor will not be announced for 11 days, but the PGA has granted us plenty to speculate about in the meantime.

2019: The Year of Netflix

Today kicks off my posts on the performers who will be remembered for having a strong 2019 and making an impact on the silver screen. However, as I have in previous years, my first writeup goes to a studio. And while Disney could be named every year nowadays (and they certainly had a terrific year), we turn to Netflix in 2019.

It’s hard to believe now, but it was a few short years ago that their big budget TV series House of Cards was considered a risk. Could this streaming service provide truly quality original content? Times have changed, ladies and gents.

Netflix has become an undeniable hub for high profile directors and actors. 2019 saw the studio give us successful comedies such as Murder Mystery with Adam Sandler and Jennifer Aniston and the acclaimed rom com Always Be My Maybe. 

Action directors like Michael Bay turned to the service with 6 Underground starring Ryan Reynolds. We have filmmakers like Steven Soderbergh making Netflix a home with both High Flying Bird and The Laundromat. Millions of eyeballs were tuned to the Breaking Bad continuation El Camino. 

Most notably, 2019 seems destined to be the year when Oscar voters won’t be able to ignore it. The conversation about Netflix being able to garner multiple Academy nods is about to become a moot one. 2017 and 2018 saw voters nibble around the edges. Two years ago, Mudbound managed a Supporting Actress nod for Mary J. Blige and Adapted Screenplay. 2018’s Roma received a number of nominations and Alfonso Cuaron won for Best Director. It was considered a frontrunner for Picture, but lost to Green Book. Some blamed it on bias against the biggest streamer.

This year, we have two films that could win the largest prize of all – Martin Scorsese’s The Irishman and Noah Baumbach’s Marriage Story. Other contenders for a nomination include The Two Popes and Dolemite Is My Name, which returned to Eddie Murphy to form. Between those four pictures, you could see as many as a dozen acting nominations.

There’s little doubt that 2019 gave us a shifting in the tide of Netflix’s credibility. And that’s likely to stay. My Year Of posts will continue soon with some of the actors who had a lot to celebrate…

The Irishman Takes The NBR

The National Board of Review announced its victors this afternoon for their best of 2019. For the pictures and performers who were named as winners, you could say that it’s a double edged sword.

Allow me to explain. In this 2010’s, only one of their Best Film recipients took home Best Picture at the Oscars. That was last year with Green Book. This year, the award goes to Martin Scorsese’s The Irishman. So from an odds perspective, that could mean it faces an uphill battle for the big gold statue. On the other hand, all of the NBR Film winners from this decade, with the exception of 2014’s A Most Violent Year, have scored an Academy nod. This isn’t really in doubt for The Irishman so expect that trend to continue.

The Board always goes on to name their additional favorite 10 motion pictures and this year they are: 1917, Dolemite Is My Name, Ford v Ferrari, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, Richard Jewell, Uncut Gems, and Waves. In 2018, only three of the ten additional NBR selections got Picture noms: Black Panther, Roma and A Star Is Born. Some notable titles that didn’t make the NBR cut for 2019: A Beautiful Day in the Neighborhood, Bombshell, The Farewell, Joker, Little Women, Parasite, and The Two Popes. 

When it comes to Best Director, the news is even worse for the NBR recipient. No movie this decade has seen that winner match with Oscar. In fact, the last direct match was in 2006 for… Irishman maker Scorsese for The Departed. The NBR named Quentin Tarantino today for Once Upon a Time in Hollywood. He’s got history against his side for a walk up the Academy steps.

In Best Actor, it’s the same story as only Casey Affleck for 2016’s Manchester by the Sea won NBR and Oscar in the 2010s. Adam Sandler is the winner for Uncut Gems. He’s part of a packed Best Actor race where there’s about a dozen viable candidates looking for five spots. This victory could at least help him get in as only Oscar Isaac (Violent Year in 2014) and Tom Hanks (2017’s The Post) didn’t land nods.

The numbers improve only slightly for Best Actress with two matches: Julianne Moore for 2014’s Still Alice and Brie Larson for 2015’s Room. The NBR bestowed the award this year to Renee Zellweger for Judy, who could be considered a soft front-runner for Oscar.

This brings us to Brad Pitt, winner today for Supporting Actor in Once Upon a Time in Hollywood. He also holds the status of apparent favorite to win the Academy’s love. Yet there’s just two matches this decade between them and NBR: Christian Bale in 2010’s The Fighter and Christopher Plummer from 2011’s Beginners. 

Last year was the only match of the decade for Supporting Actress: Regina King in If Beale Street Could Talk. Kathy Bates took the NBR for Richard Jewell. I don’t see her winning the Oscar, but it could help her nomination odds.

In Original Screenplay, it’s interesting to note that 7 of the past nine NBR winners didn’t even get an Oscar nomination. Could that be a sign of trouble for honoree Uncut Gems? Time will tell…

And for Adapted Screenplay, the NBR went with The Irishman. Par for the course, just two matches here: 2010’s The Social Network and 2011’s The Descendants. 

Bottom line: the NBR announcements might help with fleshing out who certain nominees will be. As far as winners, that’s a whole different story…

Jojo Takes Toronto

Buckle up Oscar prognosticators because we are in for a heckuva awards season over the next few months!

One week after Joker took the Golden Lion at the Venice Film Festival and increased its Oscar chances for Best Picture, Taika Waititi’s Jojo Rabbit has emerged victorious in the People’s Choice Award in Toronto.

A very solid argument can be made that this particular designation is even more key in determining an eventual BP nod. Why? The odds are certainly in its favor. 10 out of the last 11 winners have received a nod in the big race come Oscar time. Four of them – 2008’s Slumdog Millionaire, 2010’s The King’s Speech, 2013’s 12 Years a Slave and last year’s Green Book – ended up winning BP.

What makes the Jojo victory surprising is the mixed critical reaction it’s garnered. The buzz for this award was centered on titles like Parasite (which was a runner-up), Marriage Story (another runner-up), and A Beautiful Day in the Neighborhood. Conventional wisdom in the last few days has been that Jojo is an on the bubble BP contender at best. The Toronto audience love shows that its admirers are passionate. And that might be enough to overcome the naysayers.

There is no doubt that this is exactly the kind of prize Jojo needed to keep its Oscar viability alive. And now Jojo and Joker have more in common than their alphabetical proximity. They’re contenders.

My Jojo Rabbit review can be found here:

https://toddmthatcher.com/2019/09/10/jojo-rabbit-movie-review/

2019 Oscar Predictions: August 29th Edition

Welcome to my first edition of my weekly Oscar predictions where I’ll be ranking my top 25 Best Picture possibilities and 15 contenders in the directing, acting, and screenplay categories!

The dawn of my rankings coincides with the start of film festival season as Venice is in full swing with Telluride and Toronto on deck. Noah Baumbach’s Marriage Story has already screened in Italy and solidified its status as a serious contender in numerous races. There’s a whole bunch of movies premiering in the coming days so expect the picture to become a wee bit clearer. That said, I’ve learned a lot of things from years of past predicting when it comes to this time of the year:

  • Movies thought to be contenders will fail to live up to their buzz
  • Movies will be pushed back to 2020 and render them ineligible
  • Leading actor and actress candidates will be moved to supporting and vice versa
  • Screenplays considered Adapted will become Original and vice versa
  • Sleepers not currently on the radar will rise up… think last year’s Best Picture winner Green Book

With all those caveats, let’s get to it! And expect updates every Thursday on the blog…

BEST PICTURE

Predicted Nominees:

1. The Irishman

2. Marriage Story

3. Once Upon a Time in Hollywood

4. 1917

5. Little Women

6. The Farewell

7. Parasite

8. The Laundromat

9. The Report

Other Possibilities:

10. Jojo Rabbit

11. Ford v Ferrari

12. A Beautiful Day in the Neighborhood

13. Bombshell

14. Harriet

15. Joker

16. Pain and Glory

17. Dark Waters

18. Booksmart

19. A Hidden Life

20. Just Mercy

21. The Lighthouse

22. Rocketman

23. Ad Astra

24. Avengers: Endgame

25. The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman

2. Quentin Tarantino, Once Upon a Time in Hollywood

3. Sam Mendes, 1917

4. Noah Baumbach, Marriage Story

5. Bong Joon-Ho, Parasite

Other Possibilities:

6. Greta Gerwig, Little Women

7. Steven Soderbergh, The Laundromat

8. Pedro Almodovar, Pain and Glory

9. Lulu Wang, The Farewell

10. Taika Waititi, Jojo Rabbit

11. Terrence Malick, A Hidden Life

12. James Mangold, Ford v Ferrari

13. Marielle Heller, A Beautiful Day in the Neighborhood

14. Todd Haynes, Dark Waters

15. Kasi Lemmons, Harriet

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story

2. Leonardo DiCaprio, Once Upon a Time in Hollywood

3. Antonio Banderas, Pain and Glory

4. Robert DeNiro, The Irishman

5. Taron Egerton, Rocketman

Other Possibilities:

6. Joaquin Phoenix, Joker

7. Eddie Murphy, Dolemite Is My Name

8. Christian Bale, Ford v Ferrari

9. Jonathan Pryce, The Two Popes

10. Adam Driver, The Report

11. Michael B. Jordan, Just Mercy

12. Mark Ruffalo, Dark Waters

13. Ian McKellen, The Good Liar

14. Adam Sandler, Uncut Gems

15. Daniel Kaluuya, Queen and Slim

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story

2. Cynthia Erivo, Harriet

3. Saoirse Ronan, Little Women

4. Awkwafina, The Farewell

5. Renee Zellweger, Judy

Other Possibilities:

6. Charlize Theron, Bombshell

7. Alfre Woodard, Clemency

8. Lupita Nyong’o, Us

9. Helen Mirren, The Good Liar

10. Jodie Turner-Smith, Queen and Slim

11. Elisabeth Moss, Her Smell

12. Natalie Portman, Lucy in the Sky

13. Felicity Jones, Aeronauts

14. Beanie Feldstein, Booksmart

15. Kristen Stewart, Seberg

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood

2. Willem Dafoe, The Lighthouse

3. Gary Oldman, The Laundromat

4. Al Pacino, The Irishman

5. Jamie Foxx, Just Mercy

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood

7. Joe Pesci, The Irishman

8. Taika Waititi, Jojo Rabbit

9. John Lithgow, Bombshell

10. Jamie Bell, Rocketman

11. Ray Liotta, Marriage Story

12. Matthew Rhys, A Beautiful Day in the Neighborhood

13. Wesley Snipes, Dolemite Is My Name

14. Leslie Odom, Jr., Harriet

15. Timothee Chalamet, Little Women

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Annette Bening, The Report

2. Laura Dern, Marriage Story

3. Shuzhen Zhou, The Farewell

4. Margot Robbie, Once Upon a Time in Hollywood

5. Meryl Streep, The Laundromat

Other Possibilities:

6. Anne Hathaway, Dark Waters

7. Meryl Streep, Little Women

8. Florence Pugh, Little Women

9. Nicole Kidman, Bombshell

10. Janelle Monae, Harriet

11. Scarlett Johansson, Jojo Rabbit

12. Anna Paquin, The Irishman

13. Jennifer Hudson, Cats

14. Catherine Deneuve, The Truth

15. Nicole Kidman, The Goldfinch

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman

2. The Laundromat

3. Little Women

4. Jojo Rabbit

5. Dark Waters

Other Possibilities:

6. A Beautiful Day in the Neighborhood

7. Joker

8. Toy Story 4

9. Just Mercy

10. Ford v Ferrari

11. The Goldfinch

12. The Good Liar

13. Judy

14. Motherless Brooklyn

15. Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story

2. Once Upon a Time in Hollywood

3. The Farewell

4. The Report

5. Parasite

Other Possibilities:

6. Booksmart

7. Pain and Glory

8. 1917

9. Bombshell

10. Dolemite Is My Name

11. Harriet

12.  The Lighthouse

13. Ad Astra

14. Us

15. Queen and Slim

And that does it for my inaugural ranked predictions! Keep an eye on the blog daily for ongoing developments…

Early 2019 Oscar Predictions: Best Picture

We’ve arrived at the biggest contest of all in my inaugural Oscar predictions for 2019 – Best Picture! If you missed my first takes on director and the acting categories, you can read them right here:

https://toddmthatcher.com/2019/08/26/early-2019-oscar-predictions-best-director/

https://toddmthatcher.com/2019/08/25/early-2019-oscar-predictions-best-actor/

https://toddmthatcher.com/2019/08/25/early-2019-oscar-predictions-best-actress/

https://toddmthatcher.com/2019/08/24/early-2019-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2019/08/24/early-2019-oscar-predictions-best-supporting-actress/

As a reminder, Picture is the only race where the number of nominees can fluctuate anywhere from 5 to 10. In recent years, the magic number is normally 9. However, there were 8 movies up in 2018. My initial late August projections last year yielded three of the eventual 8: BlacKkKlansman, A Star Is Born, and Roma. Three other flicks nominated were mentioned in my other possibilities: Black Panther, The Favourite, and Vice. Interestingly, eventual winner Green Book wasn’t quite on my radar screen at that time.

I’ll go with nine for the time being. The multitude of film festivals starting Thursday and over the coming weeks will shape all races tremendously. My first ranked predictions in the top 6 categories will start this Thursday and be updated weekly.

Let’s get to it!

EARLY OSCAR PREDICTIONS: BEST PICTURE

1917

Bombshell

The Farewell

The Irishman

Little Women

Marriage Story

Once Upon a Time in Hollywood

Parasite

The Report

Other Possibilities:

A Beautiful Day in the Neighborhood

Ad Astra

A Hidden Life

Avengers: Endgame

Dark Waters

Ford v Ferrari

The Goldfinch

Harriet

Jojo Rabbit

Joker

Just Mercy

The Laundromat

The Lighthouse

Pain and Glory

Rocketman

The Two Popes

And there you have it! Expect a whole bunch of Oscar Watch posts stemming from Toronto, Telluride, Venice, and New York in the near future…

Early 2019 Oscar Predictions: Best Supporting Actor

Continuing with my initial Oscar predictions for the 2019 season, we arrive at Best Supporting Actor! If you happened to miss Supporting Actress, you can find it here:

https://toddmthatcher.com/2019/08/24/early-2019-oscar-predictions-best-supporting-actress/

As mentioned in the previous posts, these are the pre-festival projections where there’s a whole lot of guesswork involved. However, my five performers that I called out in my initial 2018 predictions yielded a strong three of the eventual five nominees: Adam Driver in BlacKkKlansman, Sam Elliot in A Star Is Born, and Sam Rockwell in Vice. In the ten other possibilities, I did name nominee Richard E. Grant in Can You Ever Forgive Me? The only actor I didn’t list was eventual winner Mahershala Ali for Green Book.

A couple of quick notes: Brad Pitt is likely a shoo-in for a nod. There seems to be a question as to whether Tom Hanks will be classified as lead or supporting for his role as Mr. Rogers in A Beautiful Day in the Neighborhood. I’m listing him as a possibility for both categories until it’s official.

Let’s get to it!

EARLY OSCAR PREDICTIONS: BEST SUPPORTING ACTOR

Alan Alda, Marriage Story

Willem Dafoe, The Lighthouse

Jamie Foxx, Just Mercy

John Lithgow, Bombshell

Brad Pitt, Once Upon a Time in Hollywood

Other Possibilities:

Christian Bale, Ford v Ferrari

Jamie Bell, Rocketman

Tom Hanks, A Beautiful Day in the Neighborhood

Anthony Hopkins, The Two Popes

Leslie Odom, Jr., Harriet

Gary Oldman, The Laundromat

Al Pacino, The Irishman

Joe Pesci, The Irishman

Wesley Snipes, Dolemite Is My Name

Taika Waititi, Jojo Rabbit

Best Actress is next!

Green Book Movie Review

Green Book does represent Driving Miss Daisy in reverse with its story. Like that 1989 film, it also has a Best Picture Oscar and an unexpected one at that. This isn’t in the top-tier of movies to receive that honor, but it is an often effective and very well-acted tale of an unlikely friendship.

Viggo Mortensen is Tony “Lip” Vallelonga, a bouncer at the famed Copacabana in New York City circa 1962. The club is closing for renovations over the holidays. Hungry for work (and literally hungry all the time), he accepts a job as chauffeur for notable concert pianist Don Shirley (Mahershala Ali). Doctor Shirley lives above another Big Apple landmark – Carnegie Hall.

This union of an unrefined Italian-American and erudite African-American brings them to the Deep South. The era often puts the boss in Colored Only hotels and the employee in nicer ones. The title refers to an actual book which instructed black travelers where they could stay.

Tony and Shirley are real life figures as well. As portrayed by Mortensen and Ali, the actors form a genuine chemistry. The eight week tour is scheduled to end just before Christmas and Tony is determined to make it home for the holiday with his wife (Linda Cardellini) and large brood. Shirley is a loner with loose connections to family. In this sense, the plot actually resembles Planes, Trains, and Automobiles – albeit with less comedic overtones.

Green Book is directed by Peter Farrelly, who’s only known for material meant to make you laugh (Dumb and Dumber and There’s Something About Mary are the best of them). There are light moments, especially in the first half. The screenplay grows gradually more serious as the duo’s trek takes them to Alabama for the finale and the racist traditions become more pronounced.

This picture doesn’t break any new ground with its subject matter. It’s more of an amiable concentration on this alliance with two fine performers playing them. Those looking for something more weighty might be disappointed, but I felt the leads cause this to be a ride worth taking.

*** (out of four)

The Best of Enemies Box Office Prediction

Taraji P. Henson and Sam Rockwell headline true life drama The Best of Enemies, out this Friday. Set in 1971, the film casts Henson as a civil rights activist tasked with co-chairing a community meeting with Rockwell’s KKK leader. Robin Bissell directs with a supporting cast including Babou Ceesay, Anne Heche, Wes Bentley, and Bruce McGill.

Enemies hopes to bring in a similar audience that caused Green Book to nearly make $90 million domestically. However, this doesn’t have Oscar buzz and while its two leads are certainly highly respected, neither can open a movie.

Considering that, I see $10 million as too high a bar for this. Mid single digits is more likely.

The Best of Enemies opening weekend prediction: $5.9 million

For my Shazam! prediction, click here:

https://toddmthatcher.com/2019/03/27/shazam-box-office-prediction/

For my Pet Sematary prediction, click here:

https://toddmthatcher.com/2019/03/28/pet-sematary-box-office-prediction/