There are times when these Oscar Predictions posts quickly morph into Golden Globe Predictions entries. Such is the case for No Hard Feelings. The raunchy comedy hits theaters this Friday with Jennifer Lawrence starring. Good Boys director Gene Stupnitsky is behind the camera and the supporting cast includes Andrew Barth Feldman, Laura Benanti, Natalie Morales, and Matthew Broderick.
The hard R-rated flick is generating mixed notices with a 61% Rotten Tomatoes score. The Sony Release isn’t meant to be an awards player. However, even the bulk of negative reviews have kind words for Lawrence. In her first theatrical headlining role since 2018’s Red Sparrow, J-Law has been with a fixture at the Globes. She’s a five-time nominee and three of them were for Best Actress in a Musical/Comedy. Two were victories for 2012’s Silver Linings Playbook and 2015’s Joy. She also made the cut for 2021’s Don’t Look Up.
A sixth GG nod is not out of the question, but it will depend on how stacked the race is. That remains to be seen. My Oscar (Globe) Prediction posts will continue…
Jennifer Lawrence enters new genre territory with No Hard Feelings on June 23rd. The raunchy comedy casts the Oscar winner as a down on her luck Uber driver hired to teach a 19-year-old (Andrew Barth Feldman) the birds and bees. Gene Stupnitsky, who made the 2019 sleeper hit Good Boys, directs. Costars include Matthew Broderick, Laura Benanti, Natalie Morales, Scott MacArthur, and Ebon Moss-Bachrach.
It’s been a minute since Lawrence has graced the big screen. She was in the supporting cast as Mystique for Dark Phoenix four years ago, but you have to go back five years to Red Sparrow since her last headlining multiplex appearance. Her last two features (Don’t Look Up, Causeway) went the streaming route. Audiences are accustomed to seeing her in action flicks and dramas so this is certainly a test.
As I’ve mentioned a lot over the past few years, it’s a challenge for original comedies to break out. Plenty of viewers may simply wait until it’s ready for home consumption. If this had come out at the height of Lawrence’s bankability, I might be offering a different outlook.
Sony Pictures won’t like this comp, but Rough Night with Scarlett Johansson was another example of a popular actress branching out to this type of movie. Debuting in June six years ago, the result was a soft $8 million start. I’ll say this gets over that figure, but not by too much.
No Hard Feelings opening weekend prediction: $11.7 million
Yes, there’s an apt comparison to be made between Good Boys and 2007’s Superbad. This is kind of the middle school version of that movie from over a decade ago. Seth Rogen and Evan Goldberg wrote the latter and they serve as producers here. Both involve young boys with their dirty minds trying to make it to a party that they view as potentially life changing (all events are greatly elevated in status at these ages).
What both get right is portraying the naïveté of their central characters. They may talk a good game in their minds, but there’s a whole lot about sex and drugs that they simply don’t understand yet. There’s inherent humor in that. Plenty of raunchy youth comedies are simply in it for the gross out humor. Another layer exists here and it’s one of sweetness to occasionally balance out the R rated aspects.
Max (Jacob Tremblay), Lucas (Keith L. Williams), and Thor (Brady Noon) have just entered the wild world of middle school. Their curiosity level when it comes to girls, beer, and after school get togethers is in peak form. They christen themselves The Beanbag Boys since a good chunk of their lives are spent playing games and conversing while sitting on them. Max has a crush on a fellow student and might have an opportunity to make his move at a party that the cool kids invite him to. Thor is more interested in excelling at the school musical (an ill conceived pint size rendering of Rock of Ages), but struggles with that since the cool kids don’t think that’s cool. Lucas has a happy life that’s disrupted by parental divorce. He’s unlikely to ever be the cool kid and doesn’t quite know that yet.
The boys friendship is tested over a long day where they skip school, steal Max’s dad’s fancy drone, and turn into amateur ecstasy dealers so they don’t get in deeper trouble (it all makes sense in context). The laugh ratio here is pretty high as the trio must learn about kissing (the porn sites they go don’t help much) and dealing with college kids to score drugs.
Tremblay is the famous kid of the bunch as he’s known for his impressive serious work in Room and Wonder. He gets to drop some F bombs for the first time and he looks precocious doing it. I would say it’s Williams, however, that shines the brightest. The couple scenes with his splitting parents are comedic highlights. They display what makes Good Boys work best. It’s funny, but with an undertone of these kids learning the real world for the first time. Like Superbad, the central figures come to discover life will exist beyond their childhood friendships. It takes plenty of crass jokes to get them there, but those gags work more often than they don’t.
Well… this could be one fascinating weekend as three new titles open in the general same money-making range with two holdovers also anticipated to be in that ballpark. We have Sylvester Stallone returning as his #2 signature character in Rambo: LastBlood, Brad Pitt in the sci fi drama AdAstra, and the cinematic rendering of the beloved PBS British period piece program DowntonAbbey. You can peruse my detailed prediction posts on each of them here:
If you’d told me even a week ago that I’d be forecasting Abbey to take the #1 spot over Sly and Brad, I probably wouldn’t have believed it. Yet its approximate 3000 plus screen count (higher than I assumed) and the dedication of its fan base has gotten me there.
I have Abbeyever so slightly topping Rambo. As for Astra, I’m a bit skittish about my projection. It’s received solid reviews and Pitt is coming off the blockbuster Once Upon a Time in Hollywood. Considering the competition, however, I see it debuting just slightly higher than last fall’s First Man.
That puts Astra in fourth behind the third weekend of It Chapter Two and just ahead of the sophomore outing for Hustlers (which performed fantastically for its start).
Here’s how I have the top five shaking out:
1. Downton Abbey
Predicted Gross: $20.8 million
2. Rambo: Last Blood
Predicted Gross: $20.4 million
3. It Chapter Two
Predicted Gross: $18.9 million
4. Ad Astra
Predicted Gross: $16.9 million
5. Hustlers
Predicted Gross: $16.2 million
Box Office Results (September 13-15)
Despite a terrific start for Hustlers, It Chapter Two managed to stay atop the charts for the second time with $39.6 million. That’s just ahead of my $38.4 million forecast and it’s scared up $152 million thus far.
Jennifer Lopez easily achieved the best premiere of her career (with Oscar buzz attached) as Hustlers made $33.1 million. I was close at $31.5 million. Word-of-mouth and critical appreciation clearly assisted it in reaching that pole position.
Angel Has Fallen was third with $4.4 million (I said $3.4 million) for $60 million overall while Good Boys followed at #4 with $4.2 million (I said $3.2 million). It’s up to $73 million.
The Lion King rounded out the top five and I incorrectly didn’t have it there. The Disney smash earned $3.6 million for a tally of $534 million.
This brings us to The Goldfinch. Once an awards hopeful, poor reviews grounded it to an awful eight place showing with $2.6 million. I was more generous with a $5.7 million prediction.
ItChapterTwo looks to stay atop the charts as Hustlers could surprisingly give it a run for its money. We also have John Crowley’s drama TheGoldfinch with Ansel Elgort and Nicole Kidman debuting. Both newbies premiered at the Toronto Film Festival over the weekend to vastly differing results. You can peruse my detailed prediction posts on the newcomers here:
Hustlers has been showered with major critical acclaim and reviews suggesting costar Jennifer Lopez could be in line for her first Oscar nomination. I believe it has a legitimate chance at hitting $30 million or over, but I’m putting it just a tad under. We shall see if this gets revised up as buzz continues to build.
TheGoldfinch had the opposite reaction. It looked like Oscar bait (unlike Hustlers), but critics have not been kind. My estimate for it has steadily dwindled down. It should secure third place, but with a quiet start.
Pennywise’s return to the silver screen opened on the lower end of expectations. Our first It chapter dipped 51% in its sophomore frame. I believe the sequel will experience a drop more in the mid 50s range.
And with that, my take on the top five:
1. ItChapterTwo
Predicted Gross: $38.4 million
2. Hustlers
Predicted Gross: $31.5 million
3. TheGoldfinch
Predicted Gross: $5.7 million
4. AngelHasFallen
Predicted Gross: $3.4 million
5. GoodBoys
Predicted Gross: $3.2 million
BoxOfficeResults (September6–8)
ItChapterTwo dominated our first autumn movie weekend. The lengthy horror sequel took in $91 million. As mentioned, that is at the lower end of projections and below my take of $109.7 million. The pic still managed to grab the second biggest September haul and #2 overall horror starting gross of all time behind… It (which floated to $123.4 million out of the gate).
AngelHasFallen was second with $5.9 million. My prediction? $5.9 million! Total is $53 million.
GoodBoys took third at $5.4 million (I said $4.9 million) and it stands at a solid $66 million.
TheLionKing was fourth with $4.3 million compared to my $3.8 million estimate for an overall massive tally of $529 million.
Hobbs&Shaw rounded out the top five with $3.8 million, ahead of my $3 million forecast. It’s up to $164 million.
It’s all about It this weekend as the fall box office kicks off and Pennywise returns to terrorize The Losers Club in ItChapterTwo. The Stephen King adapted sequel looks to dominate the marketplace with a potential nine figure debut. You can peruse my detailed prediction post here:
Two years ago on the same post Labor Day frame, It blew away expectations with a massive $123.4 million premiere. Breaking the opening records for September and the horror genre, anticipation is certainly present for the follow up. Reviews aren’t quite as strong this time around and that could mean a slight dip. Yet I’m still going with a starting gross of over $100 million.
No studio bothered to provide direct competition, so the rest of the top 5 will be made up of summer holdovers. None of them should register in the double digits as the demonic clown will be the main attraction.
Here’s how I have the top five playing out:
1. ItChapterTwo
Predicted Gross: $109.7 million
2. AngelHasFallen
Predicted Gross: $5.9 million
3. GoodBoys
Predicted Gross: $4.9 million
4. TheLionKing
Predicted Gross: $3.8 million
5. Hobbs&Shaw
Predicted Gross: $3 million
BoxOfficeResults (August30–September2)
Before the It arrival, it was a typically quiet Labor Day weekend as AngelHasFallen kept its place atop the charts with a four day gross of $15.3 million, a tad under my $16.1 million estimate. The two week total is $44 million.
GoodBoys remained in second with $12.1 million (I said $13.1 million) for $59 million overall.
The summer season ruler Disney had TheLionKing in third with $9.3 million, on par with my $9.8 million projection for $523 million in the coffers.
Hobbs & Shaw was fourth with $8.4 million compared to my $9.2 million prediction. Tally is $159 million.
Overcomer rounded out the top five at $7.7 million. I went higher with $9 million. The faith based sports drama has earned $19 million.
Finally, the David Oyelowo Blumhouse thriller Don’tLetGo tanked in 15th place with a meager $2.9 million. I was more generous at $4.5 million.
It’s Labor Day weekend as the summer movie season draws to a close. This is typically one of the more unexceptional holiday frames at the box office and 2019 should be no different. Blumhouse is putting out the supernatural thriller Don’tLetGo with David Oyelowo and you can peruse my detailed prediction post on it here:
My four-day forecast for $4.5 million for Go takes it well out of top 5 contention. Instead we should see AngelHas Fallen managing a second weekend atop the charts after it rose above expectations, including my own.
GoodBoys should stay put in second. The rest of the top five could get interesting. This past weekend, we saw numbers 3-6 separated by a mere $100k. I expect that to continue here. Worthy of note is that these holdover summer offerings often see an increase in their grosses due to the extra day.
And with that, my take on the top 5 and take note that these are Friday to Monday numbers:
1. AngelHasFallen
Predicted Gross: $16.1 million
2. GoodBoys
Predicted Gross: $13.1 million
3. TheLionKing
Predicted Gross: $9.8 million
4. Hobbs&Shaw
Predicted Gross: $9.2 million
5. Overcomer
Predicted Gross: $9 million
BoxOfficeResults (August23–25)
As mentioned, action threequel AngelHasFallen exceeded projections with a solid $21.3 million, easily ahead of my $15.2 million forecast. That’s only $300k under predecessor LondonHasFallen, reversing this season’s trend of follow-ups falling short of what came before.
GoodBoys was second with $11.6 million (I said $12.5 million) for a pleasing two week tally of $41 million.
Faith based sports drama Overcomer topped its entire budget in third with $8.1 million, slightly overcoming my $7.4 million prediction.
Hobbs& Shaw was fourth with $8 million, on pace with my guesstimate of $7.9 million. Total is $147 million.
TheLionKing rounded out the high five and also made $8 million (I said $7.5 million) for a massive haul of $510 million.
ReadyorNot debuted in sixth with… $8 million. The acclaimed horror comedy slashed past my $5.8 million estimate. Since its Wednesday rollout, earnings are $11 million and that’s above my $7.7 million projection.
Expect a rather sleepy weekend at the box office as the dog days of August roll along. We have three releases ahead of us as action threequel AngelHasFallen, sports themed Christian drama Overcomer, and critically hailed black comedy ReadyorNot debut. You can peruse my detailed prediction posts on each of them here:
While I do have Angel flying to the top spot, I have performing under the premieres of predecessors Olympus and LondonHasFallen. I think there’s a chance it goes even lower and finds itself in a race for #1 with the second weekend of GoodBoys (which surpassed all prognoses this weekend).
Overcomer is an interesting one. It’s from the director of WarRoom, which performed spectacularly four summers ago. These faith based pics have a history to over perform, though that’s not always guaranteed. I’m giving it the five spot behind the fourth weekend of Hobbs&Shaw and sixth weekend of TheLionKing.
I am not seeking an impressive gross for ReadyorNot despite its solid reviews. It’s out on Wednesday. My $5.8 million traditional Friday to Sunday estimate and $7.7 million five-day projection leaves it outside my top five.
And with that, my take on the weekend ahead:
1. AngelHasFallen
Predicted Gross: $15.2 million
2. GoodBoys
Predicted Gross: $12.5 million
3. Hobbs&Shaw
Predicted Gross: $7.9 million
4. TheLionKing
Predicted Gross: $7.5 million
5. Overcomer
Predicted Gross: $7.4 million
BoxOfficeResults (August16–18)
It was a frame that saw five new releases and if it wasn’t named GoodBoys, it didn’t do well. The aforementioned preteen comedy took in $21.4 million, way beyond my $14.3 million prediction. Boys is the first R rated comedy to hit #1 in over three years and it should manage to leg out decently.
Hobbs&Shaw was second with $14.1 million, a touch more than my $12.8 million estimate. It’s at $133 million.
TheLionKing took third at $12.3 million (I said $11.1 million) for a whopping $496 million overall.
TheAngryBirdsMovie2, which I said would be #1, struggled in fourth with just $10.3 million from Friday to Sunday and $16 million since its Tuesday opening. That’s well below my expectations of $17.2 million and $25.4 million, respectively.
ScaryStoriestoTellintheDark rounded out the top five in weekend #2 with $10 million. My prediction? $10 million! Tally is $40 million.
DoraandtheLostCityofGold mined $8.5 million in its sophomore outing for sixth (I said $9.3 million). The unimpressive total is $33 million.
47MetersDown: Uncaged was lost at sea in seventh place with $8.4 million. I was higher at $10.2 million. The shark sequel couldn’t match the $11 million plus earned by its predecessor two summers ago.
OnceUponaTimeinHollywood was eighth with $7.6 million, in line with my $7.1 million estimate. The Quentin Tarantino flick stands at $114 million.
I incorrectly had TheArtofRacingintheRain outside the top ten, but it was ninth with $4.5 million. Two-week gross is $17 million.
The Bruce Springsteen inspired dramedy BlindedbytheLight failed to find an audience in tenth with $4.3 million (I gave it more at $5.8 million).
Finally, Richard Linklater’s Where’dYouGo, Bernadette performed even weaker in 11th with a measly $3.4 million compared to my $5.6 million forecast.
For the second weekend in a row, we have a quintet of new titles populating the marketplace. And like those previous five pictures, all could struggle to break the $20 million mark with some failing to reach double digits. We have the animated sequel TheAngryBirdsMovie2, raunchy preteen comedy GoodBoys, shark sequel 47MetersDown: Uncaged, British musical dramedy BlindedbytheLight, and Richard Linklater directed mystery comedy Where’dYouGo, Bernadette with Cate Blanchett all out. You can peruse my detailed prediction posts on each of them here:
The Birds follow-up debuts tomorrow in theaters. Even with that early start, I believe the Friday to Sunday traditional gross should be enough for it to fly into the top spot. That said, I have it well under the $33 million debut of its 2016 predecessor.
The earnings of Boys and Meters might be similar, but my projection puts the former ahead. There could be a legit battle between these two newcomers with the third frame of Hobbs & Shaw, the sophomore frame of ScaryStoriestoTellintheDark, and the fifth weekend of TheLionKing. In other words, the placing of the top five could be extremely fluid.
I’m anticipating mid single digits for both Blinded and Bernadette, leaving them well outside the top five and behind DoraandtheLostCityofGold and OnceUponaTimeinHollywood.
So while this column is normally estimating the top half of the top 10, I’m doubling it given all the new product:
1. TheAngryBirdsMovie2
Predicted Gross: $17.2 million (Friday to Sunday); $25.4 million (Tuesday to Sunday)
2. GoodBoys
Predicted Gross: $14.3 million
3. Hobbs & Shaw
Predicted Gross: $12.8 million
4. TheLionKing
Predicted Gross: $11.1 million
5. 47MetersDown: Uncaged
Predicted Gross: $10.2 million
6. ScaryStoriestoTellintheDark
Predicted Gross: $10 million
7. DoraandtheLostCityofGold
Predicted Gross: $9.3 million
8. OnceUponaTimeinHollywood
Predicted Gross: $7.1 million
9. BlindedbytheLight
Predicted Gross: $5.8 million
10. Where’dYouGo, Bernadette
Predicted Gross: $5.6 million
BoxOfficeResults (August9–11)
Hobbs&Shaw parked in first for the second weekend with $25.2 million, a smidge below my $27.5 million forecast. The two week tally stands at $108 million.
In a weekend where I assumed DoraandtheLostCityofGold would fare best among the five newcomers, it was ScaryStoriestoTellintheDark achieving that status. It exceeded most expectations at $20.9 million, well beyond my $14.3 million take.
TheLionKing was third with $20.2 million. My prediction? $20.2 million! It now is Disney’s largest earning live action title at $473 million.
Aforementioned Dora was fourth with a middling $17.4 million, falling below my projection of $19.7 million.
OnceUponaTimeinHollywood hit the century mark and rounded out the top five. Earning $11.6 million (I said $11.3 million), the total is a cool $100 million.
TheArtofRacingintheRain premiered in sixth with a meh $8.1 million. Good news for me for the second time as I said $8.1 million.
Melissa McCarthy and Tiffany Haddish learned audiences wouldn’t turn out for them in a crime thriller. The poorly reviewed TheKitchen was seventh with just $5.5 million compared to my more generous $8.3 million prediction.
Finally, BrianBanks opened in 11th with $2.1 million. I was close at $2.3 million.
GoodBoys is looking to become this summer’s Superbad when the raunchy comedy debuts next weekend. Marking the directorial debut of Gene Stupnitsky, the film centers on three preteens doing R rated shenanigans. The kids are played by Jacob Tremblay of Room and Wonder fame, as well as unknowns Keith L. Williams and Brady Noon. Costars include Will Forte, Molly Gordon, and Lil Rel Howery.
Keeping with the Superbad theme, Boys comes from Seth Rogen and Evan Goldberg’s production company, who wrote that 2007 hit. The pic was first unveiled in March at the South by Southwest Festival to positive reaction. The Rotten Tomatoes score is at 78%.
That said, the buzz for this doesn’t seem as high. The chance for this to over perform is there. Yet I’m skeptical this earns half of the $33 million achieved by Superbad, which premiered over the same late summer weekend a dozen years ago. In fact, its debut might be in the preteens just like its stars.
GoodBoys opening weekend prediction: $14.3 million
For my TheAngryBirdsMovie2 prediction, click here:
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