Seven of the last 10 PGA top prize winners ended up winning Best Picture at the Oscars. The 36th edition of their awards ceremony takes place Saturday and the guild also honors documentary and animated features.
Let’s walk through all 3 races with my predicted winner and a runner-up and some brief commentary.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, A Real Pain, September 5, The Substance, Wicked
In this wide open BP derby, this is where momentum could truly be achieved (coupled with Critics Choice this weekend). I believe Dune, Pain, September, and Substance are the only nominees with no real shot. I’ve been consistent with The Brutalist being slotted first in my BP rankings over the last several weeks. I’ll stay with that, but if it comes up short here… the narrative could change.
PREDICTED WINNER: The Brutalist
Runner-Up: Emilia Pérez
Outstanding Producer of Animated Theatrical Motion Pictures
Flow, Inside Out 2, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Like this category at other awards shows, this should come to Flow v. Robot and I’m giving the latter an edge (unlike the Globes where I correctly called Flow).
PREDICTED WINNER: The Wild Robot
Runner-Up: Flow
Outstanding Producer of Documentrary Theatrical Motion Pictures
Gaucho Gaucho, Mediha, Mountain Queen: The Summits of Lhakpa Sherpa, Porcelain War, Super/Man: The Christopher Reeve Story, We Will Dance Again
PGA often marches to their own drum with the docs. That’s true this year as Porcelain War is the only feature listed among this group that’s also up for Oscar. Therefore it might be the safer bet, but I’m going with Super/Man.
PREDICTED WINNER: Super/Man: The Christopher Reeve Story
The Critics’ Choice Awards hold their 30th ceremony this Friday after being delayed nearly a month due to the California wildfires. The Chelsea Handler hosted affair could certainly provide clues as to where Oscar could go in various competitions.
For some context, here’s how many times the CCA victor in some high profile races have matched with the Academy in the previous decade:
Picture: 5/10
Director: 8/10
Actress: 6/10
Actor: 6/10
Supporting Actress: 8/10
Supporting Actor: 9/10
Unlike the Oscars where my speculation goes on for months and across scores of posts, this is quick and to the point. Here are my winner predictions with a runner-up named. I’ll have a recap up shortly after the show.
Best Picture
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, Nickel Boys, Sing Sing, The Substance, Wicked
PREDICTED WINNER – The Brutalist
Runner-Up: Anora
Best Director
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Jon M. Chu (Wicked), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), RaMell Ross (Nickel Boys), Denis Villeneuve (Dune: Part Two)
PREDICTED WINNER – Brady Corbet, The Brutalist
Runner-Up: Sean Baker, Anora
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Mikey Madison (Anora), Demi Moore (The Substance)
PREDICTED WINNER – Mikey Madison, Anora
Runner-Up: Demi Moore, The Substance
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Hugh Grant (Heretic)
PREDICTED WINNER – Adrien Brody, The Brutalist
Runner-Up: Timothée Chalamet, A Complete Unknown
BEST SUPPORTING ACTRESS
Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), Ariana Grande (Wicked), Margaret Qualley (The Substance), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
PREDICTED WINNER – Zoe Saldaña, Emilia Pérez
Runner-Up: Ariana Grande, Wicked
BEST SUPPORTING ACTOR
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Denzel Washington (Gladiator II)
PREDICTED WINNER – Kieran Culkin, A Real Pain
Runner-Up: Edward Norton, A Complete Unknown
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, Challengers, A Real Pain, September 5, The Substance
PREDICTED WINNER – Anora
Runner-Up: The Brutalist
BEST ADAPTED SCREENPLAY
Conclave, Dune: Part Two, Emilia Pérez, Nickel Boys, Sing Sing, Wicked
PREDICTED WINNER – Conclave
Runner-Up: Nickel Boys
BEST FOREIGN LANGUAGE FILM
All We Imagine as Light, Emilia Pérez, Flow, I’m Still Here, Kneecap, The Seed of the Sacred Fig
PREDICTED WINNER – Emilia Pérez
Runner-Up: All We Imagine as Light
BEST ANIMATED FEATURE
Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
PREDICTED WINNER – The Wild Robot
Runner-Up: Flow
BEST COMEDY
Deadpool & Wolverine, Hit Man, My Old Ass, A Real Pain, Saturday Night, Thelma
PREDICTED WINNER – A Real Pain
Runner-Up: Saturday Night
BEST YOUNG ACTOR/ACTRESS
Alyla Browne (Furiosa: A Mad Max Saga), Elliot Heffernan (Blitz), Maisy Stella (My Old Ass), Izaac Wang (Dídi), Alisha Weir (Abigail), Zoe Ziegler (Janet Planet)
PREDICTED WINNER – Izaac Wang, Dídi
Runner-Up: Elliot Heffernan, Blitz
BEST ACTING ENSEMBLE
Anora, Conclave, Emilia Pérez, Saturday Night, Sing Sing, Wicked
PREDICTED WINNER – Wicked
Runner-Up: Conclave
BEST CINEMATOGRAPHY
The Brutalist, Conclave, Dune: Part Two, Nickel Boys, Nosferatu, Wicked
PREDICTED WINNER – The Brutalist
Runner-Up: Dune: Part Two
BEST COSTUME DESIGN
Conclave, Dune: Part Two, Gladiator II, Maria, Nosferatu, Wicked
PREDICTED WINNER – Wicked
Runner-Up: Dune: Part Two
BEST EDITING
Anora, The Brutalist, Challengers, Conclave, Dune: Part Two, September 5
PREDICTED WINNER – Anora
Runner-Up: The Brutalist
BEST HAIR AND MAKEUP
Beetlejuice Beetlejuice, A Different Man, Dune: Part Two, Nosferatu, The Substance, Wicked
PREDICTED WINNER – The Substance
Runner-Up: Wicked
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Gladiator II, Nosferatu, Wicked
PREDICTED WINNER – Wicked
Runner-Up: Dune: Part Two
BEST SCORE
The Brutalist, Challengers, Conclave, Dune: Part Two, Emilia Pérez, The Wild Robot
PREDICTED WINNER – Challengers
Runner-Up: The Brutalist
BEST SONG
“Beautiful That Way” from The Last Showgirl; “Compress/Repress” from Challengers; “El Mal” from Emilia Pérez; “Harper and Will Go West” from Will & Harper; “Kiss the Sky” from The Wild Robot; “Mi Camino” from Emilia Pérez
PREDICTED WINNER – “El Mal” from Emilia Pérez
Runner-Up: “Compress/Repress” from Challengers
BEST VISUAL EFFECTS
Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, The Substance, Wicked
PREDICTED WINNER – Dune: Part Two
Runner-Up: Better Man
That means I’m projecting that these pictures win these numbers of CCAs:
4 Wins
The Brutalist
3 Wins
Anora, Emilia Pérez, Wicked
2 Wins
A Real Pain
1 Win
Challengers, Conclave, Dídi, Dune: Part Two, The Substance, The Wild Robot
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered seven of the BP contenders and if you missed them, they are linked at the bottom of the post. The next entry is Nickel Boys from RaMell Ross.
The Case for Nickel Boys:
With 90% on Rotten Tomatoes and a 91 Metacritic, Nickel Boys has sat atop or near the top of many critics best of lists. Precursor attention in BP came from the Golden Globes and Critics Choice.
The Case Against Nickel Boys:
The Case for Nickel Boys above will be the shortest of the bunch. While it landed noms at the Globes and Critics Choice, victories are non-existent and it missed at BAFTA and didn’t make the PGA cut. It is up for only one more Oscar in Adapted Screenplay and therefore has the fewest nominations of all 10 BP hopefuls. That means no directing love for RaMell Ross and no acting contestants. This is not a recipe that equals BP.
The Verdict:
Don’t bet on Nickel as an argument could be made that it’s 10th of the 10 contenders in terms of winning possibility.
My Case Of posts will continue with The Substance…
Slasher flick Heart Eyes and action comedy Love Hurts hope to achieve audience affection this weekend while competing with holdovers and a little football game on Sunday. You can peruse my detailed prediction posts on the newcomers here:
Sony’s Heart Eyes looks to fright fest fans and teens and, in this genre, there’s always the possibility of exceeding expectations. It might get to the teens, but I have it in the lower double digits for a runner-up showing.
Recent supporting category Oscar winners Ke Huy Quan and Ariana DeBose (and Super Bowl victor Marshawn Lynch) tackle Love Hurts. Universal would heart a start in double digits and especially teens though I suspect it could struggle to get there. My estimate puts it in third.
As for holdovers, DreamWorks Animation’s Dog Man opened impressively (more on that below) and it should be top dog once again. The sophomore outing drop could be in the mid to high 40s.
Companion, despite a solid (at least for horror) B+ Cinemascore grade, may dip in the mid to high 40s as well with Mufasa: The Lion King and One of Them Days in a close call for fifth.
Here’s how I envision the top 6 shaking out:
1. Dog Man
Predicted Gross: $19.4 million
2. Heart Eyes
Predicted Gross: $10.8 million
3. Love Hurts
Predicted Gross: $7.1 million
4. Companion
Predicted Gross: $4.9 million
5. Mufasa: The Lion King
Predicted Gross: $4.6 million
6. One of Them Days
Predicted Gross: $4.4 million
Box Office Results (January 31-February 2)
Dog Man lapped all competitors with room to spare as the animated tale (tail?) based on Dav Pilkey’s works scored $36 million, well ahead of my $25.4 million projection. With an A Cinemascore grade, look for this to eye nine digits stateside.
Companion‘s second place showing was in line with expectations at $9.3 million, a tad under my $10.6 million call. The well-reviewed mix of horror, sci-fi, and satire only had a reported $15 million price tag so this is a decent result.
Mufasa: The Lion King was third with $6.3 million (I said $6.5 million), bringing the Disney property’s seven-week haul to $229 million.
Buddy comedy One of Them Days was fourth, holding up well in weekend #3 with $5.8 million (on target with my $6 million prediction). The total is $34 million,
Finally, as estimated, Flight Risk with Mark Wahlberg lost altitude in its second go-round. Plummeting from first to fifth, it made $5.4 million (a 53% ease). That’s close to my $5.7 million take as its ten-day earnings are $20 million.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered six of the BP contenders and if you missed them, they are linked at the bottom of the post. Next up is I’m Still Here from Walter Salles.
The Case for I’m Still Here:
The Brazilian drama has been a critics favorite ever since it debuted in Venice where it won the Best Screenplay prize. The love is evidenced by the 95% Rotten Tomatoes score coupled with its 99% Audience Score on that site. It is a threat to win its other two nominations for International Feature Film and Actress (Fernanda Torres) based on the growing momentum.
The Case Against I’m Still Here:
It was unquestionably the surprise nominee on nomination morning that few (including me) predicted. Here missed the BP cut with precursors including the Golden Globes, Critics Choice, and BAFTA. While it was up for Foreign Film at the Globes, it lost to Emilia Pérez. This could just as easily go for 0 for 3 on Oscar night and I’d say it’s the frontrunner in none of its competitions. The 3 nominations is the second lowest of the 10 hopefuls (ahead of 2 for Nickel Boys). Salles hasn’t been nominated anywhere for his direction and that rarely bodes well for BP viability.
The Verdict:
While I’m Still Here is generating increased visibility, I’d say International Feature Film and not Best Picture is where it could emerge over Pérez (which has faced unwanted headlines in recent days due to Karla Sofia Gascón’s past social media history).
Netflix is banking on Train Dreams logging some awards chatter after primarily positive reaction at Sundance. The period piece drama casts Joel Edgerton as a railroad worker traveling across the United States. Felicity Jones (currently vying for Supporting Actress in The Brutalist), Kerry Condon, and William H. Macy provide support.
Dreams is the latest screenplay from Clint Bentley and Greg Kwedar (based on a novella by Denis Johnson). Bentley last directed Jockey in 2021 which probably came close to nabbing a Best Actor nod for Clifton Collins Jr. (who also costars here). Kwedar was behind the camera for Sing Sing where Colman Domingo is contending this year for the lead slot.
With 90% on Rotten Tomatoes and an 83 Metacritic, Netflix quickly snatched up distribution rights in Utah. Based on the buzz, they might give this a spirited campaign. That holds true particularly for Edgerton (who’s never been nominated) and the cinematography that is consistently being singled out. If Adapted Screenplay can be in play, BP attention could come along for the ride. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first four features for BP and if you missed them, they are linked at the bottom of the post. The fifth is Dune: Part Two.
The Case for Dune: Part Two:
If the Academy wants to honor one of the most widely seen pics, Dune is second only to Wicked in that particular race. The sci-fi sequel stands at $714 million worldwide compared to Wicked‘s $718 million (and growing). Denis Villeneuve’s epic continuation of Frank Herbert’s novels made the BP cut at PGA, Critics Choice, and Golden Globes.
The Case Against Dune: Part Two:
The misses are more glaring. Dune‘s additional Academy nods (Cinematography, Production Design, Sound, Visual Effects) bring its total to five compared to the original’s 10. For perspective, part one from 2021 won six golden guys. Villeneuve didn’t get in Best Director (like with its predecessor) and the screenplay isn’t honored. Beyond what the Academy did, Dune failed to get into the BAFTA derby and Villeneuve was snubbed at the Directors Guild (unlike what occurred three years ago).
The Verdict:
In my previous Case Of posts for Anora, The Brutalist, A Complete Unknown, and Conclave, I’ve given them all at least a shot at taking the top prize. Dune: Part Two is the first entry where I don’t believe winning is a possibility.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora, The Brutalist, and A Complete Unknown for BP and if you missed those, they are linked at the bottom of the post. Our fourth hopeful is Conclave.
The Case for Conclave:
Edward Berger’s pulpy papal drama has been considered a top awards player since it debuted at Telluride in September. With 93% on Rotten Tomatoes, reviews are solid enough and it performed decently at the box office (over $30 million) for its genre. It is up for 8 statues including Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. Conclave has scored BP nods everywhere it needs to. It leads the BAFTAs with 12 nominations, is up at Critics Choice and PGA and for Best Ensemble at SAG, and contended at the Golden Globes in Best Drama where it won Best Screenplay. Berger’s behind the camera work also landed a DGA mention.
The Case Against Conclave:
Berger surprisingly missed the cut with the Academy in Best Director. Only three films in the 21st century (Argo, Green Book, CODA) have won BP without its maker being nominated. Berger can’t catch a break with the Academy as his 2022 war epic All Quiet on the Western Front received nine mentions but excluded his direction. The 79 Metacritic score is less than some competitors. It is possible that the only race where its the frontrunner is Adapted Screenplay and possibly Editing. Don’t expect either of its acting nominees to make podium walks. The Brutalist emerged victorious at the Globes in Best Drama.
The Verdict:
The snub of Berger looms large. I’d likely be more optimistic if he hadn’t been left out. Conclave has a slight chance in BP, but I wouldn’t put much faith in it.
My Case Of posts will continue with Dune: Part Two…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and The Brutalist for BP and if you missed those, they are linked at the bottom of the post. Our third hopeful is A Complete Unknown.
The Case for A Complete Unknown:
If you want to bet on the picture with some late breaking momentum, the Bob Dylan biopic from James Mangold might be your horse. Released in December, Unknown is doing healthy business at the box office and scored 8 total noms that include Director, Actor (Timothée Chalamet), Supporting Actress (Monica Barbaro), Supporting Actor (Edward Norton), Adapted Screenplay, Costume Design, and Sound. The journey to the better than expected nomination count began with over performances at the precursors. It really hasn’t missed anywhere with a Best Ensemble mention at SAG and BP noms at the Golden Globes, PGA, Critics Choice, BAFTA, and a DGA slot for Mangold.
The Case Against A Complete Unknown:
It didn’t win the Golden Globe in Drama (that went to The Brutalist). The 80% RT score and 71 Metacritic are below most of its competitors. There’s even a chance that it goes 0 for 8 on Oscar night. I wouldn’t say it is the favorite in any category.
The Verdict:
I don’t think it’s impossible for this to take the top prize, but I would need to see some victories at upcoming precursors such as Critics Choice or SAG.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and if you missed that, it is linked at the bottom of the post. Our second contestant is Brady Corbet’s The Brutalist.
The Case for The Brutalist:
With the exception of SAG (where it wasn’t really expected to be a strong contender for Best Ensemble), the 215 minute epic immigration period piece has landed everywhere else. This includes BAFTA, PGA, Critics Choice, and DGA. The Golden Globe performance was particularly notable as it flexed its muscle with a Best Drama victory over competitors including A Complete Unknown and Conclave. Corbet took Director and Adrien Brody won Actor. The ten nominations are tied for 2nd best with Wicked. In addition to Pic, Corbet, and Brody, there are noms in Supporting Actress and Actor (Felicity Jones and Guy Pearce), Original Screenplay, Cinematography, Film Editing, Original Score, and Production Design. The timely subject matter doesn’t hurt. Critical appreciation is present with 93% on RT and a 90 Metacritic.
The Case Against The Brutalist:
Due to its runtime and subject matter, The Brutalist will not be as widely seen as some other options. Voters may want to go for something more popular and known. There’s been some subpar showings like at SAG where Pearce and Jones missed.
The Verdict:
I’ve had The Brutalist ranked in my top spot for months. It could take Director + Actor + some down the line competitions. That’s a solid mix for BP victory. However, this is a soft top ranking as half the field has BP winning potential.
My Case Of posts will continue with A Complete Unknown…
