Tag: film

Oscar Predictions: Train Dreams

Netflix is banking on Train Dreams logging some awards chatter after primarily positive reaction at Sundance. The period piece drama casts Joel Edgerton as a railroad worker traveling across the United States. Felicity Jones (currently vying for Supporting Actress in The Brutalist), Kerry Condon, and William H. Macy provide support.

Dreams is the latest screenplay from Clint Bentley and Greg Kwedar (based on a novella by Denis Johnson). Bentley last directed Jockey in 2021 which probably came close to nabbing a Best Actor nod for Clifton Collins Jr. (who also costars here). Kwedar was behind the camera for Sing Sing where Colman Domingo is contending this year for the lead slot.

With 90% on Rotten Tomatoes and an 83 Metacritic, Netflix quickly snatched up distribution rights in Utah. Based on the buzz, they might give this a spirited campaign. That holds true particularly for Edgerton (who’s never been nominated) and the cinematography that is consistently being singled out. If Adapted Screenplay can be in play, BP attention could come along for the ride. My Oscar Prediction posts will continue…

Oscars – The Case of Dune: Part Two

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first four features for BP and if you missed them, they are linked at the bottom of the post. The fifth is Dune: Part Two.

The Case for Dune: Part Two:

If the Academy wants to honor one of the most widely seen pics, Dune is second only to Wicked in that particular race. The sci-fi sequel stands at $714 million worldwide compared to Wicked‘s $718 million (and growing). Denis Villeneuve’s epic continuation of Frank Herbert’s novels made the BP cut at PGA, Critics Choice, and Golden Globes.

The Case Against Dune: Part Two:

The misses are more glaring. Dune‘s additional Academy nods (Cinematography, Production Design, Sound, Visual Effects) bring its total to five compared to the original’s 10. For perspective, part one from 2021 won six golden guys. Villeneuve didn’t get in Best Director (like with its predecessor) and the screenplay isn’t honored. Beyond what the Academy did, Dune failed to get into the BAFTA derby and Villeneuve was snubbed at the Directors Guild (unlike what occurred three years ago).

The Verdict:

In my previous Case Of posts for Anora, The Brutalist, A Complete Unknown, and Conclave, I’ve given them all at least a shot at taking the top prize. Dune: Part Two is the first entry where I don’t believe winning is a possibility.

My Case Of posts will continue with Emilia Pérez…

Oscars: The Case of Anora
Oscars: The Case of The Brutalist
Oscars: The Case of A Complete Unknown
Oscars: The Case of Conclave

Oscars: The Case of Conclave

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora, The Brutalist, and A Complete Unknown for BP and if you missed those, they are linked at the bottom of the post. Our fourth hopeful is Conclave.

The Case for Conclave:

Edward Berger’s pulpy papal drama has been considered a top awards player since it debuted at Telluride in September. With 93% on Rotten Tomatoes, reviews are solid enough and it performed decently at the box office (over $30 million) for its genre. It is up for 8 statues including Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. Conclave has scored BP nods everywhere it needs to. It leads the BAFTAs with 12 nominations, is up at Critics Choice and PGA and for Best Ensemble at SAG, and contended at the Golden Globes in Best Drama where it won Best Screenplay. Berger’s behind the camera work also landed a DGA mention.

The Case Against Conclave:

Berger surprisingly missed the cut with the Academy in Best Director. Only three films in the 21st century (Argo, Green Book, CODA) have won BP without its maker being nominated. Berger can’t catch a break with the Academy as his 2022 war epic All Quiet on the Western Front received nine mentions but excluded his direction. The 79 Metacritic score is less than some competitors. It is possible that the only race where its the frontrunner is Adapted Screenplay and possibly Editing. Don’t expect either of its acting nominees to make podium walks. The Brutalist emerged victorious at the Globes in Best Drama.

The Verdict:

The snub of Berger looms large. I’d likely be more optimistic if he hadn’t been left out. Conclave has a slight chance in BP, but I wouldn’t put much faith in it.

My Case Of posts will continue with Dune: Part Two…

Oscars: The Case of Anora
Oscars: The Case of The Brutalist
Oscars: The Case of A Complete Unknown

Oscars: The Case of A Complete Unknown

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and The Brutalist for BP and if you missed those, they are linked at the bottom of the post. Our third hopeful is A Complete Unknown.

The Case for A Complete Unknown:

If you want to bet on the picture with some late breaking momentum, the Bob Dylan biopic from James Mangold might be your horse. Released in December, Unknown is doing healthy business at the box office and scored 8 total noms that include Director, Actor (Timothée Chalamet), Supporting Actress (Monica Barbaro), Supporting Actor (Edward Norton), Adapted Screenplay, Costume Design, and Sound. The journey to the better than expected nomination count began with over performances at the precursors. It really hasn’t missed anywhere with a Best Ensemble mention at SAG and BP noms at the Golden Globes, PGA, Critics Choice, BAFTA, and a DGA slot for Mangold.

The Case Against A Complete Unknown:

It didn’t win the Golden Globe in Drama (that went to The Brutalist). The 80% RT score and 71 Metacritic are below most of its competitors. There’s even a chance that it goes 0 for 8 on Oscar night. I wouldn’t say it is the favorite in any category.

The Verdict:

I don’t think it’s impossible for this to take the top prize, but I would need to see some victories at upcoming precursors such as Critics Choice or SAG.

My Case Of posts will continue with Conclave…

Oscars: The Case of Anora
Oscars: The Case of The Brutalist

Oscars: The Case of The Brutalist

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered Anora and if you missed that, it is linked at the bottom of the post. Our second contestant is Brady Corbet’s The Brutalist.

The Case for The Brutalist:

With the exception of SAG (where it wasn’t really expected to be a strong contender for Best Ensemble), the 215 minute epic immigration period piece has landed everywhere else. This includes BAFTA, PGA, Critics Choice, and DGA. The Golden Globe performance was particularly notable as it flexed its muscle with a Best Drama victory over competitors including A Complete Unknown and Conclave. Corbet took Director and Adrien Brody won Actor. The ten nominations are tied for 2nd best with Wicked. In addition to Pic, Corbet, and Brody, there are noms in Supporting Actress and Actor (Felicity Jones and Guy Pearce), Original Screenplay, Cinematography, Film Editing, Original Score, and Production Design. The timely subject matter doesn’t hurt. Critical appreciation is present with 93% on RT and a 90 Metacritic.

The Case Against The Brutalist:

Due to its runtime and subject matter, The Brutalist will not be as widely seen as some other options. Voters may want to go for something more popular and known. There’s been some subpar showings like at SAG where Pearce and Jones missed.

The Verdict:

I’ve had The Brutalist ranked in my top spot for months. It could take Director + Actor + some down the line competitions. That’s a solid mix for BP victory. However, this is a soft top ranking as half the field has BP winning potential.

My Case Of posts will continue with A Complete Unknown…

Oscars: The Case of Anora

Oscar Predictions: Kiss of the Spider Woman

Bill Condon has directed Ian McKellen to an Oscar nod for 1998’s Gods and Monsters and Eddie Murphy to a nom and Jennifer Hudson to a victory for 2006’s Dreamgirls. The headlining trio for Kiss of the Spider Woman is hoping for the same.

This is the second cinematic version of the musical stage play and it has premiered at Sundance before a TBD release date later this year. The Argentinian set drama features Jennifer Lopez, Diego Luna, and Tonatiuh in the primary roles.

Early reaction is uneven with 67% on Rotten Tomatoes and 55 on Metacritic. That’s different than some of the initial gushing social media reaction out of Park City. It begs the question of whether reviews are too mixed for it to be a Best Picture play and that is also TBD.

The cast, on the other hand, might stand stronger chances. This especially applies to Lopez and relative newcomer Tonatiuh (recently seen in Carry-On). One of the biggest surprises at the 92nd Academy Awards was J-Lo missing Supporting Actress for 2019’s Hustlers. Voters may look to rectify that snub here. As for Tonatiuh, the performer is inhabiting the same role that won William Hurt a Best Actor statue for Hector Babenco’s 1985’s first iteration. It will be interesting to see how category placement is determined by its eventual distributor as both could theoretically go lead or supporting.

Down-the-line competitions like Costume Design, Makeup & Hairstyling, Production Design, and Sound could be on the table with a dedicated campaign. That’s something this is likely to receive. My Oscar Prediction posts will continue…

Oscars: The Case of Anora

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

I will begin with the ten BP contenders and then alternate alphabetically between the hopefuls in the other five big races. Sean Baker’s Anora kicks it off!

The Case for Anora:

The dramedy from auteur Sean Baker has turned out to be his awards breakout. Nominations wise it has landed everywhere it needed to in the precursors. This includes the Golden Globes with 5 nods as well as DGA, SAG, PGA, Critics Choice, and BAFTA. With a 93% Rotten Tomatoes meter and 91 on Metacritic, it sports five other Academy mentions and Mikey Madison is a threat to win Best Actress. It is likely the frontrunner for Original Screenplay. The other three noms are for Baker’s direction, Yura Borisov in Supporting Actor, and Film Editing.

The Case Against Anora:

Anora surprisingly went 0 for 5 at the Oscars. In Best Musical or Comedy, it fell short to Emilia Pérez with Demi Moore (The Substance) emerging over Madison in Actress while Conclave took Screenplay. From a genre and content standpoint, it’s not your “typical” BP recipient.

The Verdict:

There is no doubt that a narrative exists where Anora could take the top prize. That especially holds true if it gets the combo of Actress + Original Screenplay. Yet I’ve never had Anora ranked 1st in my BP forecast while others have and I’m skeptical that’ll change.

My Case Of posts will continue with The Brutalist…

Oscar Predictions: Sly Lives! (aka The Burden of Black Genius)

Questlove, from the hip hop group The Roots and bandleader on The Tonight Show with Jimmy Fallon, took Sundance by storm four years ago with Summer of Soul. That documentary focused on 1969’s Harlem Cultural Festival won the Audience Award and Grand Jury Prize for its genre at the Utah event. Over a year later, it would emerge as Best Documentary Feature at the 94th Academy Awards.

The filmmaker’s follow-up is Sly Lives! (aka The Burden of Black Genius) and it too has kicked off in Park City. Centered on the life and career of the enigmatic Sly Stone of Sly and the Family Stone, it’s slated for a Hulu streaming bow in February.

Word-of-mouth is encouraging though some critics are not as effusive as they were with Soul. Academy voters may take that into consideration when evaluating whether to take Sly higher into the awards convo next year. My Oscar Prediction posts will continue…

Oscar Predictions: If I Had Legs I’d Kick You

Rose Byrne has been highly visible on the big screen in horror flicks like the Insidious franchise, superhero adventures such as X-Men: First Class, and multiple comedies including Bridesmaids, Spy, and Instant Family. The Australian actress received Emmy nods for her supporting role in the acclaimed Damages in 2009 and 2010.

She has yet to have a cinematic vehicle that’s driven significant awards talk. That may change this year with If I Had Legs I’d Kick You. Focused on the not so great aspects of motherhood (there are comparisons to Nightbitch), Byrne is being lauded in Mary Bronstein’s second directorial feature. The eclectic supporting cast includes Conan O’Brien (who’ll be hosting the Oscars in a few weeks), Danielle Macdonald, Delaney Quinn, A$AP Rocky, and Christian Slater.

Premiering at Sundance, critics are already proclaiming Byrne’s performance as a 2025 highlight. I would expect distributor A24 to mount a serious campaign for Best Actress. The frenetic energy of the pic is being likened to Uncut Gems. It’s worth noting that 2019 A24 title did not end up getting Adam Sandler his first Academy nod despite a major push.

Obviously we’ll need to see how competition is as the months roll along, but I could envision Byrne being in the conversation. My Oscar Prediction posts will continue…

Oscar Predictions – Diane Warren: Relentless

Diane Warren: Relentless is playing the festival circuit chronicling the prolific songwriter’s life. Directed by Bess Kargman, the documentary’s subject is no stranger to Oscar attention.

In 1987, Warren received her first Academy nod for Original Song with “Nothing’s Gonna Stop Us Now” from Mannequin (performed by Starship). Yesterday she nabbed her 16th (!) nomination with “The Journey” from The Six Triple Eight (performed by H.E.R.). In between there’s been well-known tunes like Celine Dion’s “Because You Loved Me” from Up Close & Personal and Aerosmith’s “I Don’t Wanna Miss a Thing” from Armageddon. In recent years, her tracks were nominated from pictures in 2014, 2015, 2017, 2018, 2019, 2020, 2021, 2022, 2023, and 2024. What do they all have in common? None of them took home the gold. The Academy did give Warren an honorary Oscar in 2022.

It would be quite a story if a doc about her life ended up earning Oscar glory. Apparently her well-known status as an Academy loser is covered. Don’t count on it happening. At 83% on Rotten Tomatoes, reviews are fine but not strong enough to be a contender. Yet there’s a caveat. “Dear Me” (sung by Kesha) is the main song in the pic and the full version was released today. You can hear snippets in the trailer. I wouldn’t be surprised based on history if it makes the cut in Original Song marking Warren’s 17th try. My Oscar Prediction posts will continue…