Tag: Ex Machina

Todd’s Weekly Oscar Predictions: December 18th Edition

We arrive at my weekly Oscar predictions and a new wrinkle has been added. I’m predicting every category with the exception of Foreign and Documentary (those will eventually be added).

As with last week, I’ll ranking according to my feelings on likelihood of the films and performers being nominated and let you know what’s changed since last week. The pluses and minuses and no changes indicated their ranking from last week to this week.

Let’s get to it!

Best Picture

  1. Spotlight (No Change)
  2. The Revenant (No Change)
  3. Room (No Change)
  4. Brooklyn (+3)
  5. Carol (-1)
  6. The Martian (No Change)
  7. Mad Max: Fury Road (-2)
  8. Bridge of Spies (No Change)
  9. The Big Short (+2)

Other Possibilities:

10. Inside Out (No Change)

11. The Hateful Eight (-2)

12. Star Wars: The Force Awakens (+11)

13. Trumbo (+6)

14. Son of Saul (+3)

15. The Danish Girl (+1)

16. Sicario (+5)

17. Beasts of No Nation (-3)

18. Steve Jobs (-5)

19. Straight Outta Compton (-4)

20. Creed (-8)

21. Joy (-2)

22. Love and Mercy (-1)

23. Anomalisa (-6)

What’s Changed Since Last Week – IN: The Big Short. OUT: The Hateful Eight.

Best Director

  1. Tom McCarthy, Spotlight (No Change)
  2. Alejandro Gonzalez Inarritu, The Revenant (No Change)
  3. George Miller, Mad Max: Fury Road (No Change)
  4. Ridley Scott, The Martian (No Change)
  5. Todd Haynes, Carol (No Change)

Other Possibilities:

6. Steven Spielberg, Bridge of Spies (+1)

7. Lenny Abrahamson, Room (-1)

8. J.J. Abrams, Star Wars: The Force Awakens (+9)

9. John Crowley, Brooklyn (No Change)

10. Quentin Tarantino, The Hateful Eight (-2)

11. Adam McKay, The Big Short (+1)

12. Laszlo Nemes, Son of Saul (+1)

13. Jay Roach, Trumbo (Previously Not Ranked)

14. Tom Hooper, The Danish Girl (+2)

15. Danny Boyle, Steve Jobs (-1)

16. Cary Fukunaga, Beasts of No Nation (-5)

17. Ryan Coogler, Creed (-7)

DROPPED OUT: David O. Russell, Joy

What’s Changed Since Last Week: NO CHANGES

Best Actor

  1. Leonardo DiCaprio, The Revenant (No Change)
  2. Michael Fassbender, Steve Jobs (+1)
  3. Eddie Redmayne, The Danish Girl (-1)
  4. Bryan Cranston, Trumbo (+1)
  5. Johnny Depp, Black Mass (-1)

Other Possibilities:

6. Matt Damon, The Martian (No Change)

7. Will Smith, Concussion (No Change)

8. Michael Caine, Youth (+3)

9. Ian McKellen, Mr. Holmes (No Change)

10. Tom Hanks, Bridge of Spies (No Change)

11. Geza Rohrig, Son of Saul (+2)

12. Steve Carell, The Big Short (No Change)

13. Michael B. Jordan, Creed (-5)

What’s Changed Since Last Week: No Changes

Best Actress

  1. Brie Larson, Room (No Change)
  2. Saoirse Ronan, Brooklyn (No Change)
  3. Cate Blanchett, Carol (No Change)
  4. Charlotte Rampling, 45 Years (No Change)
  5. Jennifer Lawrence, Joy (No Change)

Other Possibilities:

6. Charlize Theron, Mad Max: Fury Road (+1)

7. Helen Mirren, Woman in Gold (+2)

8. Blythe Danner, I’ll See You in My Dreams (-2)

9. Sarah Silverman, I Smile Back (-1)

10. Maggie Smith, The Lady in the Van (No Change)

11. Carey Mulligan, Suffragette (+1)

12. Lily Tomlin, Grandma (-1)

What’s Changed Since Last Week: No Changes

Best Supporting Actor

  1. Mark Rylance, Bridge of Spies (No Change)
  2. Michael Keaton, Spotlight (+1)
  3. Paul Dano, Love and Mercy (+1)
  4. Idris Elba, Beasts of No Nation (+1)
  5. Sylvester Stallone, Creed (-3)

Other Possibilities:

6. Michael Shannon, 99 Homes (+4)

7. Mark Ruffalo, Spotlight (-1)

8. Tom Hardy, The Revenant (No Change)

9. Christian Bale, The Big Short (-2)

10. Jacob Tremblay, Room (+1)

11. Benicio del Toro, Sicario (-2)

What’s Changed Since Last Week: No Changes

Best Supporting Actress

  1. Alicia Vikander, The Danish Girl (No Change)
  2. Rooney Mara, Carol (No Change)
  3. Jennifer Jason Leigh, The Hateful Eight (No Change)
  4. Kate Winslet, Steve Jobs (No Change)
  5. Helen Mirren, Trumbo (+2)

Other Possibilities:

6. Rachel McAdams, Spotlight (+4)

7. Jane Fonda, Youth (-2)

8. Kristen Stewart, Clouds of Sils Maria (-2)

9. Elizabeth Banks, Love and Mercy (No Change)

10. Joan Allen, Room (-2)

DROPPED OUT: Alicia Vikander, Ex Machina

What’s Changed Since Last Week – IN: Helen Mirren, OUT: Jane Fonda.

Best Original Screenplay 

  1. Spotlight (No Change)
  2. Inside Out (+1)
  3. The Hateful Eight (-1)
  4. Bridge of Spies (No Change)
  5. Love and Mercy (+1)

Other Possibilities:

6. Son of Saul (-1)

7. Mad Max: Fury Road (Previously Not Ranked)

8. 99 Homes (No Change)

9. Sicario (+1)

10. Ex Machina (+1)

11. Straight Outta Compton (-4)

12. Youth (Previously Not Ranked)

13. Joy (-4)

14. Trainwreck (-2)

What’s Changed Since Last Week – IN: Love and Mercy. OUT: Son of Saul.

Best Adapted Screenplay

  1. Room (+2)
  2. Brooklyn (+2)
  3. Carol (-2)
  4. The Big Short (+1)
  5. Steve Jobs (-3)

Other Possibilities:

6. The Martian (+1)

7. Trumbo (+3)

8. The Revenant (-2)

9. Beasts of No Nation (No Change)

10. Anomalisa (-2)

11. The Danish Girl (+1)

DROPPED OUT: Creed

What’s Changed Since Last Week: No Changes

Best Animated Feature (First Time Predictions)

  1. Inside Out
  2. Anomalisa
  3. Kahlil Gobran’s The Prophet
  4. Shaun the Sheep Movie
  5. The Good Dinosaur

Other Possibilities:

6. The Peanuts Movie

7. When Marnie Was There

8. Home

Best Cinematography (First Time Predictions)

  1. The Hateful Eight
  2. The Revenant
  3. Mad Max: Fury Road
  4. The Martian
  5. Sicario

Other Possibilities:

6. Carol

7. Bridge of Spies

8. The Danish Girl

Best Production Design (First Time Predictions)

  1. Carol
  2. The Danish Girl
  3. Mad Max: Fury Road
  4. Cinderella
  5. Bridge of Spies

Other Possibilities:

6. The Revenant

7. Brooklyn

8. The Martian

9. The Hateful Eight

10. Star Wars: The Force Awakens

11. MacBeth

Best Editing (First Time Predictions)

  1. Spotlight
  2. Mad Max: Fury Road
  3. The Revenant
  4. The Big Short
  5. Steve Jobs

Other Possibilities:

6. The Hateful Eight

7. The Martian

8. Bridge of Spies

9. Room

Best Costume Design (First Time Predictions)

  1. Carol
  2. Cinderella
  3. Brooklyn
  4. The Danish Girl
  5. Far from the Madding Crowd

Other Possibilities:

6. Mad Max: Fury Road

7. Suffragette

8. Trumbo

9. The Hateful Eight

10. MacBeth

Best Makeup and Hairstyling (First Time Predictions)

  1. The Danish Girl
  2. Carol
  3. Star Wars: The Force Awakens

Other Possibilities:

4. Mad Max: Fury Road

5. Black Mass

6. Pan

7. The Hateful Eight

8. The Revenant

Best Visual Effects (First Time Predictions)

  1. Mad Max: Fury Road
  2. The Martian
  3. Star Wars: The Force Awakens
  4. Jurassic World
  5. The Walk

Other Possibilities:

6. The Revenant

7. In the Heart of the Sea

8. Ex Machina

Best Sound Mixing (First Time Predictions)

  1. Mad Max: Fury Road
  2. The Martian
  3. Star Wars: The Force Awakens
  4. The Revenant
  5. Sicario

Other Possibilities:

6. Jurassic World

7. The Hateful Eight

8. In the Heart of the Sea

Best Sound Editing (First Time Predictions)

  1. Mad Max: Fury Road
  2. The Revenant
  3. The Martian
  4. Star Wars: The Force Awakens
  5. In the Heart of the Sea

Other Possibilities:

6. Sicario

7. The Hateful Eight

8. Jurassic World

Best Original Score (First Time Predictions)

  1. The Hateful Eight
  2. Carol
  3. Spotlight
  4. Star Wars: The Force Awakens
  5. The Danish Girl

Other Possibilities:

6. The Revenant

7. Bridge of Spies

8. Sicario

9. Brooklyn

10. Mad Max: Fury Road

11. Southpaw

Best Original Song (First Time Predictions)

  1. “Til It Happens To You” from The Hunting Ground
  2. “See You Again” from Furious 7
  3. “Love Me Like You Do” from Fifty Shades of Grey
  4. “Writing’s on the Wall” from Spectre
  5. “Earned It” from Fifty Shades of Grey

Other Possibilities:

6. “Simple Song #3” from Youth

7. “One Kind of Love” from Love and Mercy

8. “So Long” from Concussion

Whew! Those predictions reflect a current belief of the following films garnering nominations with number included:

9 Nominations

Carol

8 Nominations

Mad Max: Fury Road

7 Nominations

The Revenant

6 Nominations

The Danish Girl, The Martian, Spotlight

5 Nominations

Star Wars: The Force Awakens

4 Nominations

Bridge of Spies, Brooklyn, The Hateful Eight, Steve Jobs

3 Nominations

The Big Short, Room

2 Nominations

Cinderella, Fifty Shades of Grey, Inside Out, Love and Mercy, Sicario, Trumbo

1 Nomination

Anomalisa, Beasts of No Nation, Black Mass, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, In the Heat of the Sea, Joy, Jurassic World, Kahlil Gabron’s The Prophet, Shaun the Sheep Movie, Spectre, The Walk

 

2015: The Year of Alicia Vikander

Prior to 2015, not many knew the name Alicia Vikander but that has certainly changed and the 27 year old Swedish actress looks primed for Oscar attention and stateside stardom. In the spring, her role as robot Ava in Alex Garland’s science fiction sleeper hit Ex Machina garnered Vikander well deserved attention.

The momentum has kept up this fall with her role in Tom Hooper’s The Danish Girl, in which Vikander is expected to land (and potentially win) the Supporting Actress category at the Academy Awards. There’s even a long shot possibility that she could be nominated for both of the aforementioned pictures.

Ms. Vikander did also appear in two other high profile efforts that failed to perform well – The Man from U.N.C.L.E. and Burnt. Yet her exposure this year has led to choice projects in 2016: 17th century drama Tulip Fever with Dane DeHaan and Christoph Waltz, The Light Between Oceans alongside Michael Fassbender, and what will surely be her most mainstream pic to date, the untitled fifth Jason Bourne flick with Matt Damon.

All in all, Vikander made a big impression in 2015 that is bound to carry on.

Todd’s Weekly Oscar Predictions: December 11 Edition

And now we’ve arrived at my weekly Oscar predictions for the eight biggest categories and yes, things have changed in one week. Most notably, many critics precursor awards have been announced and just in the last 48 hours, nominations for the SAG and Golden Globe awards have been revealed. The past week’s activity has given a huge boost to Mad Max: Fury Road‘s inclusion into the Best Picture race and I’m including it for the first time. Other pics that have received some momentum: Carol, Trumbo (in acting races), and possibly The Big Short.

For the first time, I’m ceasing to list my predicted nominees and other possibilities alphabetically. We are now switching to where I’m listing according to my thoughts on their probability of being nominated.

And here we go, my friends:

Best Picture

  1. Spotlight
  2. The Revenant
  3. Room
  4. Carol
  5. Mad Max: Fury Road
  6. The Martian
  7. Brooklyn
  8. Bridge of Spies
  9. The Hateful Eight

Other Possibilities:

10. Inside Out

11. The Big Short

12. Creed

13. Steve Jobs

14. Beasts of No Nation

15. Straight Outta Compton

16. The Danish Girl

17. Son of Saul

18. Anomalisa

19. Trumbo

20. Joy

21. Sicario

22. Love and Mercy

23. Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Mad Max: Fury Road, Out: Inside Out

Best Director

  1. Tom McCarthy, Spotlight
  2. Alejandro Gonzalez Inarritu, The Revenant
  3. George Miller, Mad Max: Fury Road
  4. Ridley Scott, The Martian
  5. Todd Haynes, Carol

Other Possibilities:

6. Lenny Abrahamson, Room

7. Steven Spielberg, Bridge of Spies

8. Quentin Tarantino, The Hateful Eight

9. John Crowley, Brooklyn

10. Ryan Coogler, Creed

11. Cary Fukanaga, Beasts of No Nation

12. Adam McKay, The Big Short

13. Laszlo Nemes, Son of Saul

14. Danny Boyle, Steve Jobs

15. David O. Russell, Joy

16. Tom Hooper, The Danish Girl

17. J.J. Abrams, Star Wars: The Force Awakens

What’s Changed Since Last Week – In: Todd Haynes. Out: Lenny Abrahamson

Best Actor

  1. Leonardo DiCaprio, The Revenant
  2. Eddie Redmayne, The Danish Girl
  3. Michael Fassbender, Steve Jobs
  4. Johnny Depp, Black Mass
  5. Bryan Cranston, Trumbo

Other Possibilities:

6. Matt Damon, The Martian

7. Will Smith, Concussion

8. Michael B. Jordan, Creed

9. Ian McKellen, Mr. Holmes

10. Tom Hanks, Bridge of Spies

11. Michael Caine, Youth

12. Steve Carell, The Big Short

13. Geza Rohrig, Son of Saul

What’s Changed Since Last Week – In: Bryan Cranston. Out: Matt Damon

Best Actress

  1. Brie Larson, Room
  2. Saoirse Ronan, Brooklyn
  3. Cate Blanchett, Carol
  4. Charlotte Rampling, 45 Years
  5. Jennifer Lawrence, Joy

Other Possibilities:

6. Blythe Danner, I’ll See You in My Dreams

7. Charlize Theron, Mad Max: Fury Road

8. Sarah Silverman, I Smile Back

9. Helen Mirren, Woman in Gold

10. Maggie Smith, The Lady in the Van

11. Lily Tomlin, Grandma

12. Carey Mulligan, Suffragette

What’s Changed Since Last Week – NO CHANGES

Best Supporting Actor

  1. Mark Rylance, Bridge of Spies
  2. Sylvester Stallone, Creed
  3. Michael Keaton, Spotlight
  4. Paul Dano, Love and Mercy
  5. Idris Elba, Beasts of No Nation

Other Possibilities:

6. Mark Ruffalo, Spotlight

7. Christian Bale, The Big Short

8. Tom Hardy, The Revenant

9. Benicio del Toro, Sicario

10. Michael Shannon, 99 Homes

11. Jacob Tremblay, Room

What’s Changed Since Last Week – In: Paul Dano and Idris Elba. Out: Tom Hardy and Mark Ruffalo

Best Supporting Actress

  1. Alicia Vikander, The Danish Girl
  2. Rooney Mara, Carol
  3. Jennifer Jason Leigh, The Hateful Eight
  4. Kate Winslet, Steve Jobs
  5. Jane Fonda, Youth

Other Possibilities:

6. Kristen Stewart, Clouds of Sils Maria

7. Helen Mirren, Trumbo

8. Joan Allen, Room

9. Elizabeth Banks, Love and Mercy

10. Rachel McAdams, Spotlight

11. Alicia Vikander, Ex Machina

What’s Changed Since Last Week: NO CHANGES

Best Original Screenplay

  1. Spotlight
  2. The Hateful Eight
  3. Inside Out
  4. Bridge of Spies
  5. Son of Saul

Other Possibilities:

6. Love and Mercy

7. Straight Outta Compton

8. 99 Homes

9. Joy

10. Sicario

11. Ex Machina

12. Trainwreck

What’s Changed Since Last Week – IN: Son of Saul. Out: Love and Mercy

Best Adapted Screenplay

  1. Carol
  2. Steve Jobs
  3. Room
  4. Brooklyn
  5. The Big Short

Other Possibilities:

6. The Revenant

7. The Martian

8. Anomalisa

9. Beasts of No Nation

10. Trumbo

11. Creed

12. The Danish Girl

What’s Changed Since Last Week – In: The Big Short. Out: Anomalisa. 

And that’ll do it for this week’s predictions! Stay tuned for next Friday’s picks…

Los Angeles and Boston Shine a Spotlight

As critics organizations have started handing out their year end best of honors starting last week, two stories have stood in the forefront: the love fest enveloping Mad Max: Fury Road and the lack of attention to what many consider to be Oscar’s soft front runner. That would be Tom McCarthy’s Spotlight, the true life story of Boston Globe reporters exposing the Catholic Church priest sex abuse scandal. In fact, when Boston’s online critics organization bestowed their awards over the weekend, many assumed they would select Spotlight due to the geographic factor alone. They went with Max.

Today, however, two organizations from both coasts feted Spotlight with some love. It also finally got some hometown attention as the Boston Society of Film Critics named it their Best Picture. Just a few hours later, the Los Angeles Film Critics Association followed suit, making it a very good day for Spotlight.

Director McCarthy, on the other hand, was not picked by either coast in the Director race. Boston went with Todd Haynes for Carol and Los Angeles picked George Miller for Mad Max with Haynes as their runner up.

Truth be told, Spotlight winning the L.A. award may not be the greatest harbinger. In the 21st century, only one feature that won its top category went onto win the Oscar: 2009’s The Hurt Locker. The Los Angeles group is also known for making some out of left field choices in the acting races and they did with their supporting choices. Michael Shannon took Supporting Actor for the little seen 99 Homes and he’s not considered much of a threat in the Academy hunt. Runner up: Mark Rylance, whose chances are considerably better for Bridge of Spies. For Supporting Actress, they went with Alicia Vikander and she is widely expected to be nominated come Oscar time. Yet L.A. honored her for Ex Machina and not the film everyone expects her nomination for, The Danish Girl. Runner up: Kristen Stewart for Clouds of Sils Maria and Ms. Stewart won in Boston today. Her previously thought to be improbable Oscar nod keeps growing more probable everyday.

For Best Actress, it was a nice day for Charlotte Rampling, who won on both coasts. Her performance in little seen drama 45 Years has also been gaining attention and that could well translate into an Academy notice. L.A.’s runner up was Brooklyn’s Saoirse Ronan and her Oscar chances are excellent.

Los Angeles may have provided a lifeline to Michael Fassbender who took Actor for Steve Jobs. That film’s Oscar chances have taken a hit due to its dismal box office performance and some have begun speculating whether that factor could affect even Fassbender getting noticed. These critics awards help. The runner up was Geza Rohrig for foreign feature Son of Saul. In Boston, there was a tie between Leonardo DiCaprio in The Revenant and Paul Dano in Love and Mercy. DiCaprio is seen by many as the current Academy front runner while Dano is being campaigned for in Supporting Actor at the Oscars (where his inclusion is definitely a question mark).

As always, I’ll keep updating you on these precursors as they continue. Today’s bottom line: a true spotlight on Spotlight.

http://youtu.be/tb_WgKDqPsE

Ex Machina Movie Review

Alex Garland’s Ex Machina shares similar themes of romance with an artificial intelligence being to that of Spike Jonze’s Her. Oh, but the tone is quite different. This low budget sci-fi feature announces a director with a visual style not unlike Kubrick and one suspects we’ll be seeing lots more from Garland in the future. We’ve seen similar material before, but never presented in the manner it is here and that makes Ex Machina an exciting experience.

The pic gets right into the plot as computer programmer Caleb (Domhnall Gleeson) is selected by his boss Nathan (Oscar Isaac) to travel to his gorgeous remote estate. Nathan is the founder and CEO of Bluebook, the largest search engine site in the world. Caleb is unsure of why he’s given this assignment but soon finds out that is to judge whether Nathan’s AI design Ava (Alicia Vikander) passes the Turing test. In other words, Caleb is to determine whether Ava passes for a human.

We witness their interaction through a series of sessions, with the eccentric, alcoholic, and probably dangerous Nathan monitoring their every moment of conversation. Almost. Intermittent periods of power blackouts allow Caleb and Ava to speak more frankly and Caleb soon discovers than Nathan’s intentions could be more sinister than he’s leading his employee to believe. As their sessions grow, Caleb develops an attraction for Ava and she becomes more and more human to him. She reciprocates his feelings.

The themes of the human race dealing with artificial intelligence in a sexual way are, once again, becoming a more common theme in cinema. Where Ex Machina succeeds is generating considerable tension in the dynamic between its two test subjects (there’s never much doubt Caleb is being tested too) and Nathan. Some of the movie’s most significant developments occur in the blackout periods generated by lost power and by Nathan’s love of hard liquor. We are constantly second guessing Nathan’s motives and soon begin to question Ava’s.

Isaac is given the juicy role here and he delivers another terrific performance once again. Gleeson is the straight man who convincingly plays the truly strange new world he’s found himself in. Yet Ex Machina hinges on the work of Vikander, who excels at creating this manufactured woman who quickly tugs at Caleb’s emotions.

There is no doubt that Garland is a real talent and he delivers a tight and often claustrophobic universe to let his three main players interact in (the only other major supporting player is Sonoyo Mizuno as Nathan’s non English speaking housemaid). With each subsequent session, the suspense escalates and we’re never quite sure where it’s all leading up to. When it does, the ending feels a tad predictable but also feels appropriate. This is not the sci-fi experience we’ve grown used to with an over reliance of effects. They’re here, but Ex Machina earns its worthiness from a director who confidently knows how to tell this story.

***1/2 (out of four)

Box Office Predictions: May 1-3

The 2015 Summer Movie Season officially kicks off this Friday and there’s a rather big release to start things off: Avengers: Age of Ultron, Marvel’s sequel to the third highest grossing picture of all time. The event film stands a very legitimate shot at scoring the largest opening weekend in domestic box office history (breaking its predecessor’s record) and I’m predicting it will – barely. You can read my detailed prediction post on it here:

https://toddmthatcher.com/2015/04/24/avengers-age-of-ultron-box-office-prediction/

No other new release would dare stand in the way of Iron Man, Captain America, and their superhero compadres – so the rest of the top five will be populated by spring leftovers. Furious 7 will fall to the runner-up spot with Paul Blart: Mall Cop 2, The Age of Adaline, and Home behind it.

And with that, my predictions for the weekend:

1. Avengers: Age of Ultron

Predicted Gross: $212.7 million

2. Furious 7

Predicted Gross: $9.6 million (representing a drop of 46%)

3. Paul Blart: Mall Cop 2

Predicted Gross: $8.7 million (representing a drop of 41%)

4. The Age of Adaline

Predicted Gross: $8 million (representing a drop of 40%)

5. Home

Predicted Gross: $5.8 million (representing a drop of 29%)

Box Office Results (April 24-26)

As expected, Furious 7 led the box office for the fourth weekend in a row with $17.8 million, a bit higher than my $15.6M estimate. The massive hit has taken in $320 million so far.

Paul Blart: Mall Cop 2 also managed to surpass my prediction in its second weekend with $14.7 million as compared to my $12M projection. The Kevin James sequel won’t reach the heights of the original, but it’s grossed a solid $43 million in ten days of release.

The romantic drama The Age of Adaline had a fairly decent roll out with $13.2 million, right on target with $13.3M prediction. It may hold up OK in subsequent weekends.

The animated Home took fourth with $8 million, outpacing my $6.5M estimate and its total is at $153M. #5 belonged to horror pic Unfriended in weekend two with $6.1 million, just under my $6.9M prediction and it stands at $25 million.

Critically acclaimed British sci-fi import Ex Machina opened sixth with $5.4 million (below my $7.1M projection, but still a pretty impressive start).

Finally, war drama Little Boy tanked in 13th place with just $2.7 million, just ahead of my $2.1M estimate.

And that’s all for now, folks! Until next time…

Ex Machina Box Office Prediction

A legitimate wild card this weekend at the box office could be Ex Machina, a British science fiction tale that’s been on the receiving end of positive reviews and impressive per screen averages in limited release. It opens nationwide Friday, though I’ve yet to see a screen count which makes a prediction a little more complicated. Domhnall Gleeson and Oscar Isaac are among the cast in the directorial debut of Alex Garland, writer of 28 Days Later and Dredd.

The critically acclaimed feature (it sits at 88% on Rotten Tomatoes) made nearly $800,000 on just 39 screens last weekend for a sparkling $20k per screen average. That could bode well for filmgoers looking for a more serious sci fi offering before the summer onslaught begins with Avengers next weekend.

Again, without a screen count, it’s a tricky projection but I’ll estimate Ex Machina finds its way into the top five.

Ex Machina opening weekend prediction: $7.1 million

Box Office Predictions: April 24-26

The final weekend at the box office in 2015 will likely be memorable only as “the weekend before Avengers: Age of Ultron comes out” as that summer season kick off blockbuster may be poised for the largest domestic opening of all time.

As for this weekend, the romance The Age of Adaline with Blake Lively and Harrison Ford comes out. You can read my detailed prediction post on it here:

https://toddmthatcher.com/2015/04/19/the-age-of-adaline-box-office-prediction/

Adaline does have a shot at the top spot, but I’m projecting it will fall a bit short of Furious 7, allowing that enormous hit to have its fourth weekend at #1.

The real wild card this weekend is Ex Machina, a critically acclaimed British science entry starring Domhnall Gleeson and Oscar Isaac. My prediction post on it is here and I’m estimating it’ll land in fourth place:

https://toddmthatcher.com/2015/04/21/ex-machina-box-office-prediction/

Paul Blart: Mall Cop 2 got off to a healthy start last weekend and should lose about half its audience in its sophomore frame. Horror flick Unfriended should drop over 50%, as most pics of its genre in their second weekends do. Home, Dreamworks animated solid performer, should round out the top five.

There’s also Little Boy, a World War II comedic drama with Kevin James. Huh? I don’t expect much out of it as it should fall far outside of the top six:

https://toddmthatcher.com/2015/04/21/little-boy-box-office-prediction/

And with that, my predictions for the weekend:

1. Furious 7

Predicted Gross: $15.6 million (representing a drop of 46%)

2. The Age of Adaline

Predicted Gross: $13.3 million

3. Paul Blart: Mall Cop 2

Predicted Gross: $12 million (representing a drop of 49%)

4. Ex Machina

Predicted Gross: $7.1 million

5. Unfriended

Predicted Gross: $6.9 million (representing a drop of 56%)

6. Home

Predicted Gross: $6.5 million (representing a drop of 39%)

Box Office Results (April 17-19)

In its third weekend, Furious 7 was tops again with $29.1 million, just under my $30.4M estimate. The Universal juggernaut stands at $294 million.

Kevin James surpassed most expectations as his critically drubbed Paul Blart: Mall Cop 2 earned $23.7 million, a bit higher than my $21.4M prediction. The sequel couldn’t match the $31 million accomplished by the original, but it wasn’t expected to and this is a solid result.

Similarly, the low budget horror entry Unfriended had a commendable $15.8 million debut, outpacing my $12.6M projection.

In fourth, Home’s $10.6 million haul came in below my $12.3M estimate and its total is at $142 million. In its second weekend, romantic drama The Longest Ride was fifth with $7 million. My prediction? Exactly that! It’s made $23 million in its ten days of release.

Disney’s nature documentary Monkey Kingdom made just $4.5 million for a weak 8th place showing, not reaching my $5.9M guess. Even further down the chart and outside the top ten, the James Franco/Jonah Hill drama True Story opened on around 800 screens and managed a paltry $1.9 million (under my generous $3.7M prediction). Even worse, Child 44 with Tom Hardy premiered on just over 500 screens. I thought it would eek out a $2.1 million gross, yet it bombed badly with just $621,000 for a 17th place debut.

And that’ll do it for now, friends! Until next time…