Tag: Emmys

2023: The Year of the Video Game Movie

The trash heap of movie history is littered with a significant share of video game adaptations. It’s a genre devoid of well-regarded titles as evidenced by Double Dragon, Street Fighter, Wing Commander, Doom, and Max Payne, to name a few. That list also includes 1993’s Super Mario Bros., which tanked at the box office and drew the ire of critics.

30 years later, the tide seems to have shifted and that’s why the Video Game Movie is my second entry for trends and performers that popped in 2023. If you missed my first post on the phenomenon that was Barbenheimer, you can find it here:

2023: The Year of Barbenheimer

Mario and Luigi returned to multiplexes this year. This time around, it was in the form of Illumination animating the Nintendo legends. The results? The second biggest worldwide hit of the year behind Barbie ($1.3 billion across the globe and $574 million stateside). That easily makes it the largest grossing video game adaptation of all time and opens the door for projects to follow. You can count on sequels and spin-offs to this and The Legend of Zelda is already in development.

The successes didn’t stop with the heroic plumbers. Five Nights at Freddy’s, based on the game series with demonic bears in a Chuck E. Cheese type setting, wasn’t a hit with reviewers. It did bring out its fan base and then some to the tune of $137 million domestically with another $156 million elsewhere. Like Mario, a follow-up is in the pipeline.

HBO’s The Last of Us was one of TV’s significant successes of ’23 and the post-apocalyptic PlayStation adaptation has the Globe and Emmy nods (and a greenlit second season) to show for it.

Not every version of a cartridge title was a smash. Gran Turismo only managed to rev up $44 million in North America. However, Mario, Freddy’s, and The Last of Us made 2023 the most notable frame for VG product yet in the box office game. My Year Of posts will continue…

Oscars: The Case of Cate Blanchett in Tár

Cate Blanchett’s character in Todd Field’s Tár is an EGOT (Emmy, Grammy, Oscar, Tony) recipient. Can she nab a third O in her acclaimed filmography? She’s the first Best Actress hopeful up in my Case Of posts.

The Case for Cate Blanchett:

In 2004, Blanchett won Supporting Actress for The Aviator. Nine years later, it was a lead victory for Blue Jasmine. Nine years after that, Tár gave her plenty of career best notices. Rewards have been many from regional critics groups and the Critics Choice Awards and the Golden Globe in the Drama category.

The Case Against Cate Blanchett:

Michelle Yeoh in Everything Everywhere All at Once. She’s picked up a few regional mentions as well and was the Globes recipient among the Musical or Comedy quintet. If Everything is the big winner on Oscar night (and it certainly could be), Yeoh could be swept in.

Previous Nominations (*denotes WON):

Elizabeth (Actress, 1998); *The Aviator (Supporting Actress, 2004); Notes on a Scandal (Supporting Actress, 2006); Elizabeth: The Golden Age (Actress, 2007); I’m Not There (Supporting Actress, 2007); *Blue Jasmine (Actress, 2013); Carol (Actress, 2015)

The Verdict:

Yeoh is a serious competitor and this sure looks like a two-person race. I have Blanchett slightly out front, but not by much.

My Case Of posts will continue with the first Best Actor entry. That’s Austin Butler as Elvis!

Case of posts for the other Actress contenders can be accessed here:

Oscars: The Case of Ana de Armas in Blonde
Oscars: The Case of Andrea Riseborough in To Leslie
Oscars: The Case of Michelle Williams in The Fabelmans
Oscars: The Case of Michelle Yeoh in Everything Everywhere All at Once

80 for Brady Box Office Prediction

Between Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field, Tom Brady, and Guy Fieri – we have 12 Oscar nominations, 54 Emmy mentions, 38 Golden Globe nods, six Super Bowl championships, and hundreds of trips to Flavortown. All of them appear in 80 for Brady on February 3rd. Kyle Marvin directs the comedy which finds the aforementioned female quartet on a trek to watch the famed QB in the Super Bowl. Other costars include (in addition to Brady and Fieri as themselves) include Billy Porter, Harry Hamlin, Rob Corddry, Alex Moffat, Bob Balaban, and Glynn Turman. Some of Brady’s old teammates, such as Rob Gronkowski, Julian Edelman, and Danny Amendola also turn up.

The Paramount release looks to bring in an older female demographic and sports fans during the weekend between the NFL’s Conference Championships and the game where our leads travel to. Tomlin, Fonda, Moreno, and Field having been hitting the circuit hard in recent weeks to promote. I do believe there’s an opportunity for this to exceed expectations. Low to mid teens is where this likely touches down. That’s in line with what Book Club (also featuring Fonda) accomplished in 2018.

80 for Brady opening weekend prediction: $15.5 million

For my Knock at the Cabin prediction, click here:

Knock at the Cabin Box Office Prediction

Oscar Predictions: The Inspection

Basing his directorial debut on his own experiences, Elegance Bratton has premiered The Inspection at the Toronto Film Festival prior to its November 18th domestic release. The A24 title features Jeremy Pope as a Marine at boot camp whose homosexuality is revealed. Costars include Raul Castillo, McCaul Lombardi, Bokeem Woodbine, and Gabrielle Union.

Reviews out of Canada are looking good for the most part and the Rotten Tomatoes meter is at 87%. Yet I’m doubtful this could play in Best Picture or for Bratton’s original screenplay. On the other hand, many critics are calling this a star making performance from Pope. He’s a recent Emmy nominee for the Netflix miniseries Hollywood (he’s also received Tony and Grammy nods for his stage work).

The studio will need to really push Pope for any hope of making the final five. Some of the those slots – Brendan Fraser (The Whale), Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Hugh Jackman (The Son) – may already be spoken for. It remains The Inspection‘s most realistic hope. My Oscar Prediction posts will continue…

Oscar Predictions: Aftersun

Irish thespian Paul Mescal has received an Emmy nod and plenty of critical praise for his role on Hulu’s Normal People and he recently made his cinematic debut in Netflix’s The Lost Daughter. 

More kudos are coming his way via Cannes for Aftersun, a family drama currently holding at 100% on Rotten Tomatoes. The first feature from Charlotte Wells and produced by Moonlight auteur Barry Jenkins, the A24 acquisition is potentially the type of project that could generate awards chatter with the right campaign.

The issue could be that A24 will have other pics to focus on and there’s only so much promotion to go around. Time will tell, but there’s no doubt Mescal is an actor on the upswing. My Oscar Prediction posts will continue…

Oscar Predictions: The Bob’s Burgers Movie

Top Gun: Maverick isn’t the only Memorial Day weekend release currently holding at an impressive 97% on Rotten Tomatoes. The other is The Bob’s Burgers Movie, the cinematic version of the long running animated series. The Emmy winning series hopes that the big screen rendering serves up meaty box office numbers over the holiday.

Will Oscar voters take notice? Even with the impressive score, most reviews indicate it’s a generally pleasing Burgers episode with a longer runtime. If 2007’s The Simpsons Movie (which was a massive hit) couldn’t manage a Best Animated Feature nod, I doubt this will. However, if future animated titles for 2022 don’t meet expectations, that narrative could shift. My Oscar Prediction posts will continue…

Oscar Predictions – Downton Abbey: A New Era

After the original grossed nearly $200 million worldwide in 2019, the sequel to Downton Abbey subtitled A New Era arrives in theaters on May 20. It’s in UK cinemas this Friday with the majority of the cast from the series it’s based on (which ran domestically on PBS) returning.

With Simon Curtis (maker of My Week with Marilyn and Woman in Gold) taking over directorial duties from Michael Engler, early reviews for part II are in line with its predecessor. 2019’s Abbey has an 84% Rotten Tomatoes rating while Era‘s currently sits at 78%.

The TV show scored a heaping on Emmy nods with costar Maggie Smith winning Supporting Actress. However, despite Critics Choice nominations for Costume and Production Design, the cinematic rendering didn’t catch the attention of Academy voters. If it couldn’t do so, I’m doubtful its follow-up will manage to either. My Oscar Prediction posts will continue…

Oscar Predictions: Sharp Stick

Lena Dunham gained notoriety through her HBO series Girls and five years after its conclusion, she’s brought her directorial effort Sharp Stick to Sundance. The comedy stars Kristine Froseth, Taylour Paige, Jennifer Jason Leigh, Jon Bernthal, Scott Speedman, Tommy Dorfman, and Dunham herself.

Stick is measured at just 45% on Rotten Tomatoes and is one of the festival titles that drew a truly mixed to negative reaction. While Girls received plenty of Emmy nominations during its run, awards chatter is highly unlikely to materialize for Dunham’s cinematic project. My Oscar Prediction posts will continue…

2021: The Year of Jodie Comer

My fourth and final post regarding actors who had a memorable 2021 on the big screen brings us to the only performer that wasn’t in Spider-Man: No Way Home and that’s Jodie Comer.

Prior to this year, the English actress was primarily known for her small screen leading role on the BBC’s Killing Eve (for which she’s won an Emmy). While that work continues, she made waves with audiences and critics alike in the multiplexes.

While box office success did not greet Ridley Scott’s The Last Duel, Comer earned raves as Marguerite de Carrouges in the historical yet timely drama. In a cast that included Matt Damon, Adam Driver, and Ben Affleck, Comer garnered the lion’s share of awards buzz and deservedly so.

A couple of months before Duel, she was widely seen alongside Ryan Reynolds in the family friendly action comedy Free Guy (which took in over $300 million worldwide). A sequel is already being planned.

For Comer, 2021 succeeded in transitioning her success from TV to film. This concludes my Year Of write-ups and here’s to 2022!

2021: The Year of Zendaya

Going into 2021, Zendaya had already collected an Emmy for her leading role on HBO’s Euphoria and was known to moviegoers for her parts in the Spider-Man franchise and The Greatest Showman. She is the subject of my second write-up for performers who had a meaningful 2021 and it’s no coincidence that she’s the second that appeared in Spider-Man: No Way Home (currently breaking all pandemic era box office records). The first was Benedict Cumberbatch… and we might not be done yet with Home costars.

Her inclusion isn’t just due to her onscreen (and apparently offscreen) pairing with Spidey himself, Tom Holland. The actress/singer began the year garnering Oscar chatter for the Netflix drama Malcolm & Marie with John David Washington. While she didn’t ultimately nab an Academy mention, she was on the Critics Choice Awards radar for her acclaimed performance.

By summertime, she lent her voice to Space Jam: A New Legacy (voicing Lola Bunny). Her involvement with Warner Bros/HBO Max continued in the fall with the long awaited sci-fi epic Dune. It looks to be her first picture that will achieve plenty of award nominations and the sequel is already lined up for 2023.

And, of course, she capped it all off with her third appearance as MJ in the massive MCU series. Zendaya expanded her reach in 2021 as her films reached plenty of homes this year. My Year of posts will continue…