Tag: Emily Blunt

2023 Oscar Predictions: July 22nd Edition

It is the weekend of “Barbenheimer” as Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer are posting fantastic results at the box office. With their review embargoes lifted, the always to be inextricably linked pics have established themselves as Oscar players.

When I did my previous predictions two weeks ago, one of the questions centered on which performers could be singled out for recognition. Obviously we knew about Cillian Murphy and Margot Robbie and Ryan Gosling’s supporting turn, but what else? The answer it seems is Robert Downey Jr. and Emily Blunt for Oppenheimer and maybe America Ferrera for Barbie. Matt Damon is still worth mentioning for Oppenheimer, but Downey Jr. clearly has the most significant buzz.

And… surprise! This is the first write-up where I am including all races covering feature-length motion pictures. I do so at a precarious time. While “Barbenheimer” is viable in many competitions, the release calendar for the remainder of 2023 is unpredictable.

That is, of course, due to the SAG-AFTRA strike and a fear that it could drag on for weeks or months. On Friday, Luca Guadagnino’s Challengers gave up its prime spot opening the Venice Film Festival and moved from September to April 2024. If you believe it’ll be the last movie to do so, think again. There’s already rumors that Dune: Part Two and/or The Color Purple (two potential heavy hitters) could move to ’24. I am keeping all currently scheduled titles in the mix until I hear different. Just know that some of the projects listed below may not be here for long.

Sometimes a trailer can either boost your hopes for a film’s awards potential or dilute it. I could be wrong, but Alexander Payne’s The Holdovers is an example of the latter when its first look was revealed this week. Soon enough we’ll see if my first impression was on the money.

For these initial projections covering all races, I’ll keep it at 25 possibilities for BP and 15 for the other top of the line derbies (the four acting ones and two screenplay contests). For all others, I will list my top 10.

With all that said, let’s get into it!

Best Picture

Predicted Nominees:

1. Killers of the Flower Moon (Previous Ranking: 1) (E)

2. Past Lives (PR: 2) (E)

3. Oppenheimer (PR: 5) (+2)

4. Dune: Part Two (PR: 3) (-1)

5. The Color Purple (PR: 4) (-1)

6. The Zone of Interest (PR: 6) (E)

7. Saltburn (PR: 7) (E)

8. Anatomy of a Fall (PR: 12) (+4)

9. Air (PR: 10) (+1)

10. Maestro (PR: 11) (+1)

Other Possibilities:

11. Barbie (PR: 13) (+2)

12. Poor Things (PR: 9) (-3)

13. Spider-Man: Across the Spider-Verse (PR: 14) (+1)

14. The Holdovers (PR: 8) (-6)

15. Napoleon (PR: 16) (+1)

16. May December (PR: 15) (-1)

17. Asteroid City (PR: 18) (+1)

18. Next Goal Wins (PR: 20) (+2)

19. Rustin (PR: 21) (+2)

20. The Piano Lesson (PR: 19) (-1)

21. The Killer (PR: 25) (+4)

22. Ferrari (PR: 24) (+2)

23. BlackBerry (PR: Not Ranked)

24. The Nickel Boys (PR: 23) (-1)

25. The Book of Clarence (PR: 22) (-3)

Dropped Out:

Challengers

Best Director

Predicted Nominees:

1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)

2. Christopher Nolan, Oppenheimer (PR: 4) (+2)

3. Denis Villeneuve, Dune: Part Two (PR: 2) (-1)

4. Celine Song, Past Lives (PR: 3) (-1)

5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. Justine Triet, Anatomy of a Fall (PR: 10) (+4)

7. Blitz Bazawule, The Color Purple (PR: 6) (-1)

8. Emerald Fennell, Saltburn (PR: 7) (-1)

9. Bradley Cooper, Maestro (PR: 12) (+3)

10. Greta Gerwig, Barbie (PR: 11) (+1)

11. Yorgos Lanthimos, Poor Things (PR: 8) (-3)

12. Ridley Scott, Napoleon (PR: 14) (+2)

13. Alexander Payne, The Holdovers (PR: 9) (-4)

14. David Fincher, The Killer (PR: Not Ranked)

15. Wes Anderson, Asteroid City (PR: 15) (E)

Dropped Out:

Ben Affleck, Air

Best Actress

Predicted Nominees:

1. Fantasia Barrino, The Color Purple (PR: 1) (E)

2. Greta Lee, Past Lives (PR: 2) (E)

3. Sandra Hüller, Anatomy of a Fall (PR: 4) (+1)

4. Jessica Lange, Long Day’s Journey Into Night (PR: 6) (+2)

5. Emma Stone, Poor Things (PR: 3) (-2)

Other Possibilities:

6. Margot Robbie, Barbie (PR: 9) (+3)

7. Annette Bening, Nyad (PR: 8) (+1)

8. Natalie Portman, May December (PR: 5) (-3)

9. Carey Mulligan, Maestro (PR: 7) (-2)

10. Cailee Spaeny, Priscilla (PR: 11) (+1)

11. Kate Winslet, Lee (PR: 12) (+1)

12. Regina King, Shirley (PR: 13) (+1)

13. Teyana Taylor, A Thousand and One (PR: Not Ranked)

14. Helen Mirren, Golda (PR: 14) (E)

15. Judy Greer, Eric Larue (PR: 15) (E)

Dropped Out:

Zendaya, Challengers

Best Actor

Predicted Nominees:

1. Leonardo DiCaprio, Killers of the Flower Moon (PR: 1) (E)

2. Colman Domingo, Rustin (PR: 2) (E)

3. Cillian Murphy, Oppenheimer (PR: 4) (+1)

4. Bradley Cooper, Maestro (PR: 3) (-1)

5. Barry Keoghan, Saltburn (PR: 5) (E)

Other Possibilities:

6. Paul Giamatti, The Holdovers (PR: 6) (E)

7. Anthony Hopkins, Freud’s Last Session (PR: 8) (+1)

8. Joaquin Phoenix, Napoleon (PR: 10) (+2)

9. Kingsley Ben-Adir, Bob Marley: One Love (PR: 9) (E)

10. Teo Yoo, Past Lives (PR: 7) (-3)

11. Matt Damon, Air (PR: 14) (+3)

12. Michael Fassbender, Next Goal Wins (PR: 11) (-1)

13. Ed Harris, Long Day’s Journey Into Night (PR: Not Ranked)

14. David Strathairn, A Little Prayer (PR: 13) (-1)

15. Adam Driver, Ferrari (PR: Not Ranked)

Dropped Out:

Andre Holland, The Actor

Koji Yakusho, Perfect Days

Best Supporting Actress

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Emily Blunt, Oppenheimer (PR: Not Ranked)

5. Viola Davis, Air (PR: 5) (E)

Other Possibilities:

6. Da’Vine Joy Randolph, The Holdovers (PR: 4) (-2)

7. Julianne Moore, May December (PR: 6) (-1)

8. Rosamund Pike, Saltburn (PR: 7) (-1)

9. Jodie Foster, Nyad (PR: 10) (+1)

10. Aunjanue Ellis, The Nickel Boys (PR: 9) (-1)

11. Danielle Deadwyler, The Piano Lesson (PR: 8) (-3)

12. America Ferrera, Barbie (PR: Not Ranked)

13. Audra McDonald, Rustin (PR: 11) (-2)

14. Vanessa Kirby, Napoleon (PR: Not Ranked)

15. Rachel McAdams, Are You There God? Its Me, Margaret (PR: Not Ranked)

Dropped Out:

Florence Pugh, Oppenheimer

Tilda Swinton, The Killer

Lashana Lynch, Bob Marley: One Love

Rebecca Ferguson, Dune: Part Two

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Ryan Gosling, Barbie (PR: 7) (+5)

3. Robert Downey, Jr., Oppenheimer (PR: Not Ranked)

4. John Magaro, Past Lives (PR: 2) (-2)

5. Colman Domingo, The Color Purple (PR: 6) (+1)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 4) (-2)

7. Samuel L. Jackson, The Piano Lesson (PR: 3) (-4)

8. Charles Melton, May December (PR: 5) (-3)

9. Ben Affleck, Air (PR: 8) (-1)

10. Glynn Turman, Rustin (PR: 12) (+2)

11. Glenn Howerton, BlackBerry (PR: 14) (+3)

12. Jesse Plemons, Killers. of the Flower Moon (PR: 9) (-3)

13. Matt Bomer, Maestro (PR: 15) (+2)

14. Mark Ruffalo, Poor Things (PR: 10) (-4)

15. Dominic Sessa, The Holdovers (PR: 11) (-4)

Dropped Out:

Richard E. Grant, Saltburn

Best Original Screenplay

Predicted Nominees:

1. Past Lives (PR: 1) (E)

2. Saltburn (PR: 2) (E)

3. Anatomy of a Fall (PR: 6) (+3)

4. Air (PR: 4) (E)

5. May December (PR: 5) (E)

Other Possibilities:

6. Maestro (PR: 7) (+1)

7. The Holdovers (PR: 3) (-4)

8. Asteroid City (PR: 9) (+1)

9. Rustin (PR: 10) (+1)

10. Napoleon (PR: 14) (+4)

11. Drive Away Dolls (PR: 13) (+2)

12. The Book of Clarence (PR: 12) (E)

13. The Boy and the Heron (PR: Not Ranked)

14. Fair Play (PR: 11) (-3)

15. The Iron Claw (PR: 15) (E)

Dropped Out:

Challengers

Best Adapted Screenplay

Predicted Nominees:

1. Killers of the Flower Moon (PR: 1) (E)

2. Oppenheimer (PR: 3) (+1)

3. Dune: Part Two (PR: 4) (+1)

4. Barbie (PR: 7) (+3)

5. Poor Things (PR: 2) (-3)

Other Possibilities:

6. The Zone of Interest (PR: 5) (-1)

7. The Color Purple (PR: 6) (-1)

8. Spider-Man: Across the Spider-Verse (PR: 8) (E)

9. BlackBerry (PR: 14) (+5)

10. The Piano Lesson (PR: 9) (-1)

11. The Killer (PR: 15) (+4)

12. The Nickel Boys (PR: 11) (-1)

13. Next Goal Wins (PR: 10) (-3)

14. Dumb Money (PR: Not Ranked)

15. Freud’s Last Session (PR: 12) (-3)

Dropped Out:

Long Day’s Journey Into Night

Best International Feature Film

Predicted Nominees:

1. The Zone of Interest

2. Anatomy of a Fall

3. Monster

4. About Dry Grasses

5. The Pot-au-Feu

Other Possibilities:

6. The Boy and the Heron

7. Perfect Days

8. The Delinquents

9. Fallen Leaves

10. La Chimera

Best Animated Feature Film

Predicted Nominees:

1. Spider-Man: Across the Spider-Verse

2. The Boy and the Heron

3. Elemental

4. Wish

5. Chicken Run: Dawn of the Nugget

Other Possibilities:

6. Nimona

7. Teenage Mutant Ninja Turtles: Mutant Mayhem

8. Robot Dreams

9. The Magnificent Life of Marcel Pagnol

10. The Super Mario Bros. Movie

Best Documentary Feature

Predicted Nominees:

1. Beyond Utopia

2. Still: A Michael J. Fox Movie

3. The Eternal Memory

4. The Mother of All Lies

5. Wild Life

Other Possibilities:

6. 20 Days in Mariupol

7. Every Body

8. Kokomo City

9. Black Ice

10. It Ain’t Over

Best Cinematography

Predicted Nominees:

1. Oppenheimer

2. Dune: Part Two

3. Killers of the Flower Moon

4. Napoleon

5. The Color Purple

Other Possibilities:

6. The Killer

7. Poor Things

8. The Zone of Interest

9. Ferrari

10. Asteroid City

Best Costume Design

Predicted Nominees:

1. Barbie

2. Dune: Part Two

3. The Color Purple

4. Poor Things

5. Killers of the Flower Moon

Other Possibilities:

6. Napoleon

7. Chevalier

8. Oppenheimer

9. Wonka

10. Asteroid City

Best Film Editing

Predicted Nominees:

1. Dune: Part Two

2. Killers of the Flower Moon

3. Oppenheimer

4. Past Lives

5. Air

Other Possibilities:

6. The Color Purple

7. Saltburn

8. Maestro

9. The Killer

10. Napoleon

Best Makeup and Hairstyling

Predicted Nominees:

1. Dune: Part Two

2. Poor Things

3. Maestro

4. Guardians of the Galaxy Vol. 3

5. Barbie

Other Possibilities:

6. Killers of the Flower Moon

7. Golda

8. Beau is Afraid

9. The Color Purple

10. Priscilla

Best Original Score

Predicted Nominees:

1. Oppenheimer

2. Killers of the Flower Moon

3. Dune: Part Two

4. Elemental

5. Past Lives

Other Possibilities:

6. Poor Things

7. Spider-Man: Across the Spider-Verse

8. Napoleon

9. The Zone of Interest

10. The Killer

Best Original Song

Predicted Nominees:

1. TBD from “The Color Purple”

2. “The Wish” from Wish

3. “What Was I Made For?” from Barbie

4. “Just Ken” from Barbie

5. TBD from The Hunger Games: The Ballad of Songbirds and Snakes

Other Possibilities:

6. “Gonna Be You” from 80 for Brady

7. “Steal the Show” from Elemental

8. “Dance the Night” from Barbie

9. “Quiet Eyes” From Past Lives

10. “Am I Dreaming?” from Spider-Man: Across the Spider-Verse

Best Production Design

Predicted Nominees:

1. Killers of the Flower Moon

2. Dune: Part Two

3. Oppenheimer

4. Poor Things

5. Napoleon

Other Possibilities:

6. Barbie

7. Asteroid City

8. The Zone of Interest

9. The Color Purple

10. Wonka

Best Sound

Predicted Nominees:

1. Oppenheimer

2. Dune: Part Two

3. Napoleon

4. Killers of the Flower Moon

5. Spider-Man: Across the Spider-Verse

Other Possibilities:

6. Ferrari

7. The Color Purple

8. Maestro

9. The Zone of Interest

10. The Killer

Best Visual Effects

Predicted Nominees:

1. Dune: Part Two

2. Oppenheimer

3. Guardians of the Galaxy Vol. 3

4. The Creator

5. Wonka

Other Possibilities:

6. Napoleon

7. Killers of the Flower Moon

8. Poor Things

9. Indiana Jones and the Dial of Destiny

10. Spaceman

And that, ladies and gents, gives us the following number of nominations for these pictures:

12 Nominations

Killers of the Flower Moon, Oppenheimer

11 Nominations

Dune: Part Two

8 Nominations

The Color Purple

7 Nominations

Past Lives

6 Nominations

Barbie

5 Nominations

Poor Things

4 Nominations

Air, Anatomy of a Fall

3 Nominations

Maestro, Napoleon, Saltburn, The Zone of Interest

2 Nominations

Elemental, Guardians of the Galaxy Vol. 3, Spider-Man: Across the Spider-Verse, Wish

1 Nomination

About Dry Grasses, The Boy and the Heron, Beyond Utopia, Chicken Run: Dawn of the Nugget, The Creator, The Eternal Memory, The Hunger Games: The Ballad of Songbirds and Snakes, Long Day’s Journey Into Night, May December, Monster, The Mother of All Lies, The Pot-au-Feu, Rustin, Still: A Michael J. Fox Movie, Wild Life, Wonka

Oscar Predictions: Oppenheimer

When it comes to Academy love for Christopher Nolan and his filmography, the magic number appears to be 8. That’s how many nominations happened for 2008’s The Dark Knight, 2010’s Inception, and 2017’s Dunkirk. The filmmaker looks to exceed that figure with Oppenheimer. The three-hour epic biopic starring Cillian Murphy as the father of the atomic bomb opens this weekend and the review embargo lapsed today. The massive supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie (among others). Seriously when I say among others. As in, Gary Oldman plays Harry Truman and that’s far down on the Wiki list of familiar faces.

The Academy has a checkered history with Mr. Nolan. While The Dark Knight managed those eight mentions and won two, it famously missed Best Picture. Many believe the expansion to 10 features from five a year later was due to the Dark snub. Nolan himself has only been up for Best Director once with Dunkirk. His omission for Inception was a surprise. As far as actors who’ve competed in his works, that list consists of only one: Heath Ledger in The Dark Knight. He, of course, posthumously won.

Based on the critical reaction to Oppenheimer, Nolan’s record for nods may be broken and the acting list should expand. The Rotten Tomatoes meter is at 93% and while not all write-ups are raves, I believe enough are so that Best Picture and Director are likely happening. In fact, I see both of them occurring before an Adapted Screenplay spot (which could still materialize).

It’s no surprise that this should play in tech races. From Cinematography to Film Editing and Original Score and Production Design. Those might be givens as is Sound. Costume Design, Makeup and Hairstyling, and certainly Visual Effects are all feasible too.

If you’re keeping score, we’re already potentially above 8. Then there’s the performances. Murphy (obviously in lead) was assumed to be a surefire contender (his first at bat) and that’s bearing out. The bigger question was which supporting players would emerge. The answer it seems is Blunt and Downey Jr. For Blunt, it somehow would mark her first nomination. For Downey Jr., it would be the third – 31 years after Chaplin in lead and 15 years following Tropic Thunder in Supporting.

Bottom line: Oppenheimer appears positioned to be Nolan’s personal best showing at the big dance. It should be right up there with Killers of the Flower Moon and perhaps Dune: Part Two as far as numerical possibilities. My Oscar Prediction posts will continue…

Oppenheimer Box Office Prediction

Blogger’s Update (07/19): I’ve increased my prediction from $52.3M to $65.3M

As one of the few directors whose name can open a movie, Christopher Nolan’s epic biopic Oppenheimer reaches theaters on July 21st. Cillian Murphy headlines the three-hour historical epic as the title character, known as the father of the atomic bomb. The large supporting cast includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, and Benny Safdie.

Shot for a reported $100 million, the Oscar hopeful is targeting a second place showing by outpacing the second frame of Mission: Impossible – Dead Reckoning Part One. First place appears unreachable due to Barbie. The social media world has had a ball with memes and GIFs celebrating the premieres of these two huge projects on the same date. The term “Barbenheimer” has even been coined with thousands of moviegoers having already planned long days at the multiplex to view both.

Thanks in large part to his Dark Knight trilogy, Nolan serves as the biggest main draw for his own projects. He boasts a directorial bankability that few of his colleagues share (Tarantino is another example). Non-Batman projects have seen impressive starts. In 2010, Inception (hot on the heels of The Dark Knight) premiered with $62 million. Interstellar started with $47 million in 2014. Over Labor Day weekend in 2020, Tenet braved unfavorable COVID conditions and managed a $20 million beginning.

Oppenheimer faces its challenges. There’s obviously the competition from an iconic doll and Ethan Hunt. The subject matter may not be enticing to younger viewers who typically drive the summer box office. Still early indications including some sold out IMAX venues at considerably higher prices have me thinking it could top $50 million.

Oppenheimer opening weekend prediction: $65.3 million

For my Barbie prediction, click here:

Barbie Box Office Prediction

29th Screen Actors Guild Awards Nomination Predictions

Another significant piece of the Oscar prognosticating puzzle is put together on Wednesday when nominations for the 29th Screen Actors Guild (SAG) Awards are dropped. The ceremony’s main prize, it’s important to note, is not Best Picture but Best Ensemble. That means a correlation from the Oscar BP and the top race here is not apples to apples. It is worth noting that half of the last 10 SAG Ensemble victors (Argo, Birdman, Spotlight, Parasite, CODA) did go on to win BP from the Academy. On the other hand, three recent BPs (The Shape of Water, Green Book, Nomadland) didn’t make the SAG quintet at all.

Let’s go through all six categories one by one with my picks and a runner-up call, shall we?

Outstanding Performance by a Cast in a Motion Picture

There are plenty of possibilities including box office hits like Black Panther: Wakanda Forever, Elvis, and Top Gun: Maverick. For Panther, the original won Ensemble in 2018 so the sequel materializing is feasible. I wouldn’t discount the sprawling cast of Babylon though middling reviews could hurt it. It’s tempting to pick Glass Onion but I’m hesitant since Knives Out was snubbed in 2019.

Everything Everywhere All at Once and The Fabelmans seem safe. Despite the small call sheet for The Banshees of Inisherin (with just four significant roles), I could see the SAG branch honoring it. I’m also liking The Woman King‘s chances. Women Talking is perhaps the biggest question mark. It has underperformed with precursors. A couple of months ago, I’d have considered it a potential frontrunner to win. Now I wonder if it makes it at all. Nevertheless – here’s my take:

Predicted Nominees:

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

The Woman King

Women Talking

Runner-Up: Glass Onion: A Knives Out Mystery

Outstanding Performance by a Female Actor in a Leading Role

In the previous decade, SAG in Actress has matched the Academy 4/5 on six occasions and 3/5 on four. There are no perfect correlations. SAG has shown they will throw in a shocker – Jennifer Aniston in Cake, Sarah Silverman for I Smile Back or Emily Blunt in The Girl on the Train are recent examples. If there’s one here, look out for Naomi Ackie (Whitney Houston: I Wanna Dance with Somebody).

Margot Robbie (Babylon) is currently the one I’ve got in the Academy five (for the moment) that I don’t have here. Ana de Armas (Blonde) is a real threat. If she makes this quintet, look for her Oscar stock to soar. With those possibilities mentioned, my choices are…

Predicted Nominees:

Cate Blanchett, Tár

Viola Davis, The Woman King

Danielle Deadwyler, Till

Michelle Williams, The Fabelmans

Michelle Yeoh, Everything Everywhere All at Once

Runner-Up: Ana de Armas, Blonde

Outstanding Performance by a Male Actor in a Leading Role

Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), and Brendan Fraser (The Whale) should all be safe. Bill Nighy (Living) is fourth though I suspect there’s a better chance at SAG leaving him off than the Academy. Then there’s that five spot. It could be Tom Cruise (Top Gun: Maverick), Tom Hanks (A Man Called Otto), Hugh Jackman (The Son), or Paul Mescal (Aftersun). Take your pick. I’m leaning toward the star of the year’s biggest hit. On a side note, there’s been a SAG/Oscar match of 5/5 for the previous two cycles.

Predicted Nominees:

Austin Butler, Elvis

Tom Cruise, Top Gun: Maverick

Colin Farrell, The Banshees of Inisherin

Brendan Fraser, The Whale

Bill Nighy, Living

Runner-Up: Paul Mescal, Aftersun

Outstanding Performance by a Female Actor in a Supporting Role

Last year was an anomaly when just 2 of the SAG nominees (Ariana DeBose for West Side Story and The Power of the Dog‘s Kirsten Dunst) scored Oscar nods. The magic number is usually 3 or 4. The wide open nature of this race has been discussed a lot on the blog. Beyond my picks and runner-up, don’t discount Dolly De Leon (Triangle of Sadness), Claire Foy (Women Talking), Stephanie Hsu (Everything Everywhere All at Once), Janelle Monae (Glass Onion: A Knives Out Mystery), and Carey Mulligan (She Said).

Predicted Nominees:

Angela Bassett, Black Panther: Wakanda Forever

Jessie Buckley, Women Talking

Hong Chau, The Whale

Kerry Condon, The Banshees of Inisherin

Jamie Lee Curtis, Everything Everywhere All at Once

Runner-Up: Stephanie Hsu, Everything Everywhere All at Once

Outstanding Performance by a Male Actor in a Supporting Role

Like Supporting Actress last year, there was only a 2 for 5 match with Troy Kotsur in CODA and Kodi Smit-McPhee in The Power of the Dog. Usually it’s 4. For 2022, I believe only Ke Huy Quan and Brendan Gleeson are safe assumptions. The remaining three slots should be some combo of Paul Dano (The Fabelmans), Tom Hanks (Elvis), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Brian Tyree Henry (Causeway), Brad Pitt (Babylon), and Eddie Redmayne (The Good Nurse) sorting it out.

Predicted Nominees:

Paul Dano, The Fabelmans

Brendan Gleeson, The Banshees of Inisherin

Barry Keoghan, The Banshees of Inisherin

Ke Huy Quan, Everything Everywhere All at Once

Eddie Redmayne, The Good Nurse

Runner-Up: Brian Tyree Henry, Causeway

Outstanding Performance by a Stunt Ensemble

Don’t discount The Batman or Doctor Strange in the Multiverse of Madness, but my quintet is as follows…

Predicted Nominees:

The Batman

Black Panther: Wakanda Forever

Everything Everywhere All at Once

Top Gun: Maverick

The Woman King

Runner-Up: RRR

That equates to these movies generating these numbers:

5 Nominations

The Banshees of Inisherin, Everything Everywhere All at Once

3 Nominations

The Fabelmans, The Woman King

2 Nominations

Black Panther: Wakanda Forever, Top Gun: Maverick, The Whale, Women Talking

1 Nomination

The Batman, Elvis, The Good Nurse, Living, Tár, Till

On Wednesday evening you can expect a recap of what happens after noms are revealed!

August 13-15 Box Office Predictions

After a weekend where The Suicide Squad majorly performed under expectations, there are three titles opening Friday and the studios are hoping this isn’t a trend. Ryan Reynolds stars in the video game inspired sci-fi comedy Free Guy and it should manage to top the charts. We also have horror sequel Don’t Breathe 2 and the Aretha Franklin biopic Respect with Jennifer Hudson. You can peruse my detailed prediction posts on the trio here:

Free Guy Box Office Prediction

Don’t Breathe 2 Box Office Prediction

Respect Box Office Prediction

With Free Guy pegged in the low to mid 20s, there shouldn’t be much question that it kicks off in first. I have Breathe achieving less than half of what its 2016 predecessor accomplished and that should be good enough for second place.

The real battle could be for third. As mentioned, The Suicide Squad was a dud (more on that below). I’m assuming it drops about 60% which puts it just over $10 million. The third weekend of Jungle Cruise and premiere of Respect could be right behind that, but it could be close.

Here’s how I foresee the top five shaking out:

1. Free Guy

Predicted Gross: $21.3 million

2. Don’t Breathe 2

Predicted Gross: $11.2 million

3. The Suicide Squad

Predicted Gross: $10.1 million

4. Jungle Cruise

Predicted Gross: $8.9 million

5. Respect

Predicted Gross: $8.5 million

Box Office Results (August 6-8)

The underperformance of The Suicide Squad generated plenty of attention this weekend. The reboot of the DCEU franchise earned just $26.2 million and that’s well below my projection of $40.8 million. I could go on, but I already did a separate blog post on it. You can find it here:

Squad Goals Thwarted

Disney’s Jungle Cruise didn’t fall quite as much as other pics in their sophomore frames in recent weeks. The Dwayne Johnson/Emily Blunt family adventure made $15.8 million (in line with my $15.5 million prediction) for a $65 million ten day take.

M. Night Shyamalan’s Old was third with $4.1 million in its third frame -a bit more than my $3.5 million projection for $38 million total.

Black Widow was fourth with $3.9 million (I said $3.7 million) as it stands at a COVID era best $174 million.

Stillwater rounded out the top five in its second outing with $2.8 million. I incorrectly had it outside the high five. It’s at a mere $9 million.

Finally, The Green Knight was sixth with $2.5 million (I went with $2.7 million) for $12 million overall.

And that does it for now, folks! Until next time…

Jungle Cruise Review

Jungle Cruise, based on the at this point ancient Disney theme park ride, is stocked with bad puns, over plotting, and elaborate adventure set pieces that includes inexplicable Metallica infused orchestral cues. This is a big budget fantasy with two megawatt movie stars and animals that absolutely look CG. There are occasions where the screenwriters don’t feel the need to convince us that the two leads have fallen for each other. That’s just what happens in these thrill rides. That said, I found the picture to be an energetic ball of fun that kids will probably dig on several occasions. It comes close at times to matching the joyfulness of the first Pirates of the Caribbean and mostly avoids the tedium that cursed the sequels to varying degrees.

The film takes place in 1916, two years into World War I or The Great War at the time since the protagonists didn’t know a sequel was coming. Dr. Lily (Emily Blunt) is a botanist who believe she’s found the locale for the Tears of the Moon. That tree is said to break curses and offer healing powers for the ill. She wants to find it to advance medicine, but she lets her haughty yet stylish brother MacGregor (Jack Whitehall) try to sell potential funders. This is not a female friendly era after all. German royal Prince Joachim (Jesse Plemons) wants the Tears for more nefarious purposes. It involves using the Tears for fears and everybody wants to rule the world, don’t they? I can do bad puns too, folks!

Doc Lily and her brother need to find the Tree that is located deep in the Amazon River. Through a series of bumblings, her captain is Frank Wolff (Dwayne Johnson). He arrives with his rinky dink boat, his Jaguar avatar assistant Proxima, and a cast of supporting characters tasked with making the jungle seem more dangerous than it is. The real danger involves obtaining the life force that is the Tree with its magical petals. Not only is the deranged Prince pining for it, but so is the cursed and undead Pirates like Aguirre (Edgar Ramirez) and his minions.

By the time our two leads have been bitten by the love bug, Jungle Cruise gives us numerous action sequences on a majestic scale. Jaume Collet-Serra, best known for directing mid to low budget Liam Neeson genre exercises or horror flicks like The Shallows, accustoms himself well to the Mouse Factory machine. As mentioned, Frank and Lily’s romance might come off a bit shallow and forced. Yet the grand entertainment offered up by their surroundings makes up for it. And Johnson and Blunt certainly have the charisma to carry us on the journey. You could even say that we’re far from the shallow now (bad pun for the win!).

One could nitpick or pay admission to the notion that this mostly delivers on the rendering of its ride translated to the big screen (or wherever you may roam while viewing on Disney Plus). I found it fairly easy to go with the latter.

*** (out of four)

A Quiet Place Part II Review

The Abbott family is back in A Quiet Place Part II as they continue to hope that the sound of silence prevents acts of violence. John Krasinski continues to prove he’s quite adept at this horror/sci-fi genre. When I wrote my review for 2018’s predecessor, I stated that future sequels might be tempted to explore reasons why the creatures came to Earth in the first place. In my view, there’s really no pressing need to do that. Extraterrestrials are here. Keep your mouth shut or you’re getting pulverized. What more do you need?

The sequel doesn’t go down that potentially unnecessary route. Instead Part II expands its cinematic universe beyond the Abbott farmhouse. As you may recall (and spoilers ahead if you haven’t watched part I), we last left Evelyn (Emily Blunt) as a shotgun reloading widow who’d just given birth and was in full Mama Bear mode to her other children. Regan (Millicent Simmonds) is the deaf daughter responsible for cracking a code to kill the monsters.

The other child Marcus (Noah Jupe) is failing at cracking a baseball bat in the film’s prologue showing the last moments of normalcy before the invasion. This allows Krasinski’s patriarch to briefly return as idyllic small town life turns into a hostile takeover.

A year and change later, a radio transmission convinces Regan that hope for survival could exist elsewhere. The rest of the family unit is skeptical, but we’ve already learned in the original that this girl is determined. Another survivor Emmett (Cillian Murphy) finds himself as the partner on her journey. Evelyn, Marcus, and baby are stuck at a hideout in need of medical supplies.

A Quiet Place Part II is not the self contained unit that we witnessed before. The freshness of A Quiet Place‘s concept is gone. Yet this manages to produce some genuinely nifty and tense set pieces. Much of the credit goes to Michael P. Shawver and his tight editing. This includes the first few minutes at the ballpark as well as a train turned mortuary and especially at a marina that contains more threats than audibly superior aliens.

Simply put, this is better than most horror sequels. It broadens the story without bogging itself down in superfluous backstory. Blunt still exudes her fiercely protective demeanor though it’s Simmonds and Jupe who are the true all-stars. I’m not sure how long this franchise can continue to garner the vocal support of audiences and critics, but so far so good.

*** (out of four)

Oscar Watch: Jungle Cruise

Debuting in multiplexes and on Disney Plus, Jungle Cruise sails into theaters and couches on Friday hoping for smooth box office returns. Based on the longtime attraction at the Mouse Factory’s theme parks, Dwayne Johnson and Emily Blunt headline the fantasy adventure from director Jaume Collet-Serra.

The studio has, of course, made a boatload of cash with similar fare. The Pirates of the Caribbean franchise stands at over $4 billion worldwide. That series also earned some Oscar love. In addition to Johnny Depp’s nominated performance in the 2003 original, part 1 nabbed four tech nods in the sound races (when they were divided into categories), Makeup, and Visual Effects. Sequel Dead Men’s Chest earned four mentions in the two sound contests, Art Direction (now Production Design), and Visual Effects (where it won). Threequel At World’s End also won Visual Effects and was nominated in Makeup. The fourth and fifth editions garnered no Academy attention.

The early chatter for Jungle Cruise compares it to more to The Mummy (as in the Brendan Fraser one) and not Pirates. That adventure earned a lone Sound nod in 1999.

So where does Jungle Cruise stand? Reviews are decent with a 69% Rotten Tomatoes rating. Sound and Visual Effects are certainly possible. That said, even some of the positive critical reaction isn’t overly kind to the CG effects. I wouldn’t be surprised to see this make the shortlist for VE and not make the final five while Sound is a bit iffy as well. My Oscar Watch posts will continue…

July 30-August 1 Box Office Predictions

Dwayne Johnson and Emily Blunt’s theme ride based Disney adventure Jungle Cruise should have no trouble topping the charts as July rolls to August at the box office. It opens alongside the Matt Damon drama Stillwater and David Lowery’s medieval tale The Green Knight with Dev Patel and Alicia Vikander. You can peruse my detailed prediction posts on all of them here:

Jungle Cruise Box Office Prediction

Stillwater Box Office Prediction

The Green Knight Box Office Prediction

After a rather sluggish weekend where no newcomer topped $20 million, Jungle should easily cruise to that and more. Whether it tops $30 million is more of a question mark (especially with the Delta variant complicating matters). I’m putting it just under $30M while no other title should hit $10 million.

The jockeying for slots 2-5 could be interesting. Let’s get The Green Knight out of the way. While Lowery is an acclaimed indie filmmaker, I don’t see this having much initial crossover appeal. I have yet to see a theater count and my estimate of $3.4  million puts it well outside the top 5 (my estimate could change based on number of screens). **Blogger’s Update (07/28): the 2500 estimated screen count has revised my estimate for this up from $2.2M to $3.4M

Stillwater is a bit more of a head scratcher. It has solid reviews yet I can’t shake the feeling that this might have been better positioned for an autumn release. It could certainly open higher than my $5.2 million projection, but I also wouldn’t shocked if it went lower.

The position of Stillwater in the top 5 will be determined by the sophomore drops of Old and Snake Eyes and the fourth weekend performance of Black Widow. 

Widow and Space Jam: A New Legacy have experienced hefty declines in their second frames. With mixed to negative reviews, I see no reason why Old and Snake Eyes won’t suffer the same fate. Both could see their fortunes fall in the mid 50s (that could be best case) or 60% or more. I’m thinking the latter. There’s a chance that Space Jam could stay in the high five if Snake Eyes dips in the mid 60s (I think it’ll be awfully close)

Here’s how I have all the action playing out:

1. Jungle Cruise

Predicted Gross: $28.4 million

2. Old

Predicted Gross: $6.6 million

3. Black Widow

Predicted Gross: $5.6 million

4. Stillwater

Predicted Gross: $5.2 million

5. Snake Eyes

Predicted Gross: $4.7 million

6. Space Jam: A New Legacy

Predicted Gross: $4.5 million

Box Office Results (July 23-25)

Considering its low budget, the performance of M. Night Shyamalan’s Old isn’t necessarily bad news for Universal. However, it definitely came in on the low end of expectations with $16.8 million for a gold medal showing. I was more generous at $19.8 million. Word-of-mouth doesn’t seem very encouraging and I anticipate a sophomore drop in the 60% range.

There’s really no way to spin the Snake Eyes gross in a positive way for Paramount with its disappointing silver medal. The hoped for G.I. Joe reboot tanked with just $13.3 million compared to my $17.2 million projection. You could say it was a real American no show with audiences. With a budget in the reported $100 million range, this should easily put this franchise on the skids for some time.

Black Widow took the bronze in weekend #3 with $11.6 million (I went a little higher at $12.9 million). The MCU stand-alone feature has made $154 million thus far and will be one of the lowest performers of the MCU library.

Space Jam: A New Legacy plummeted from its #1 perch to fourth with a near 70 percent fall. The $9.5 million gross was way under my take of $15.8 million and the two-week tally is $51 million. There’s no chance the LeBron and Looney Tunes sequel will make $100 million stateside.

F9 was fifth with $4.8 million (I said $5.1 million) to bring its total to $163 million.

Escape Room: Tournament of Champions was sixth in its second outing with only $3.5 million (I went with $4.5 million) for $16 million overall.

And that does it for now, folks! Until next time…

Jungle Cruise Box Office Prediction

Disney has certainly had luck basing movies on their theme park quantities before and they hope it continues on July 30th with the release of Jungle Cruise. The adventure pic (with a reported budget north of $200 million) pairs Dwayne “The Rock” Johnson and Emily Blunt (fresh off her hit sequel A Quiet Place Part II) in the early 20th Century set tale. Costars include Jack Whitehall, Edgar Ramirez, Jesse Plemons, and Paul Giamatti. Jaume Collet-Serra, best known for Liam Neeson action flicks such as Unknown and Non-Stop or horror fare like The Shallows, directs.

As the studio has in 2021 with recent projects like Cruella and Black Widow, this will simultaneously premiere on Disney Plus for an extra viewing fee of $30. That strategy has been called into question in recent days considering the precipitous sophomore drop for Widow. Truth be told, the $30 doesn’t seem so high when factoring in families watching and that could negatively impact theatrical earnings.

The Pirates of the Caribbean franchise (and The Haunted Mansion to a lesser degree) has shown an appetite for these Mouse Factory ride based attractions turned films. The star power of Johnson and Blunt doesn’t hurt either and I wouldn’t be too surprised to see this swing to over $30 million. However, the streaming competition could easily prevent that and I’ll estimate high 20s as it sets sail at multiplexes and at home.

Jungle Cruise opening weekend prediction: $28.4 million

For my Stillwater prediction, click here:

Stillwater Box Office Prediction

For my The Green Knight prediction, click here:

The Green Knight Box Office Prediction