Nearly four years after the original performed above expectations at the box office, the dark fairy tale sequel The Huntsman Winter’s War invades theaters next weekend and hopes to reach the levels of its predecessors. That could turn out to a fairy tale wish for Universal Pictures.
In the summer of 2012, Snow White and the Huntsman cast Kristen Stewart (still hot off the Twilight franchise) as the former title character with Liam Hemsworth costarring as the latter. Charlize Theron also was in the mix as the Evil Queen alongside Sam Chaflin and Nick Frost. Everyone with the exception of Stewart is back with Emily Blunt and Jessica Chastain included this time around. Snow White director Rupert Sanders has been replaced with Cedric Nicolas-Troyan.
While reviews for the original were mixed, it blasted out of the gate with a $56 million opening weekend and $155 million eventual domestic gross. Yet its reviews practically look glowing compared to this follow-up. Snow White ended up with 48% on Rotten Tomatoes. Winter’s War currently sits at just 18%. Even audiences who went to see the predecessor gave it only a middling “B” Cinemascore grade.
This begs the question: are audiences clamoring for this sequel, which reportedly cost $115 million to produce? I suspect the answer is no. Winter’s War arrives during the second weekend of The Jungle Book, which should still be doing big business and two weeks before the juggernaut likely to be Captain America: Civil War. This could be somewhat lost in the shuffle.
I believe this will struggle to make even half of what Snow White made during its roll-out and will end up as a large-scale disappointment that many moviegoers won’t be bashful about sleeping on.
The Huntsman Winter’s War opening weekend prediction: $26.3 million
Here we are folks! After numerous posts prognosticating on what and whom will be nominated for the Academy Awards honoring 2015’s best, we will all collectively find out tomorrow morning. This Oscar season has been filled with much intrigue and a great deal of uncertainty.
Many questions abound:
Will the performances of Rooney Mara (Carol) and Alicia Vikander (The Danish Girl) be recognized in lead Actress or Supporting Actress? That query alone makes predicting both of those races tricky this year. I will go with both being recognized in Supporting, but if Oscar voters go lead with one or both, it changes the whole dynamic. There’s also the possibility that Vikander could be honored in Supporting for Ex Machina and not Danish, which adds to the confusion.
Will the Academy nominate their first Star Wars pic (The Force Awakens) since the original 38 years ago? It’s already become the highest grossing film of all time and could certainly lead to even more eyeballs watching the telecast. That said, I have it narrowly missing the cut.
Will Leonardo DiCaprio finally win the gold statue for his work in The Revenant? Precursor awards including the Golden Globes point to yes. A nomination seems assured.
Is Spotlight truly the front runner or not? Many other possibilities are out there for an “upset” win. It is, at best, a soft front runner.
I’ll finally note that my predictions reflect a belief that Straight Outta Compton will be shut out. This goes against what several other predictors are saying and many have it being recognized in Best Picture. Another high profile offering that I have coming up empty: Black Mass.
As I’ve done for the last several weeks, I’m listing my predicted nominees and other possibilities in each category by likelihood of being nominated. Just because I have something listed as #1 doesn’t mean I’m predicting it to win (I’ll have my first blog post up predicting the winners this weekend). In parentheses after each entry is how far each predicted nominee/possibility has fallen from my previous predictions last week. On Thursday evening, I’ll have a post up letting you know how well (or not so much) I did.
Let’s get to it, shall we? My FINAL predictions:
Best Picture
As I see it, there are 21 films vying for anywhere from 5-10 spots. The magic number is usually 9 (last year it was 8). I’m going with 9 this year, though I believe 10 is more probable than 8. And strangely enough, my predicted nine has stayed the same over the course of the last month or so. Straight Outta Compton, Sicario, and even The Force Awakens have made some waves of late, but I still have them narrowly missing.
Spotlight (No Change)
The Big Short (No Change)
The Revenant (+3)
Mad Max: Fury Road (-1)
The Martian (No Change)
Carol (+1)
Bridge of Spies (+1)
Room (-4)
Brooklyn (No Change)
Other Possibilities:
10. Straight Outta Compton (No Change)
11. Star Wars: The Force Awakens (No Change)
12. The Hateful Eight (No Change)
13. Sicario (+1)
14. Inside Out (-1)
15. Steve Jobs (+1)
16. Ex Machina (+2)
17. Trumbo (No Change)
18. Beasts of No Nation (-3)
19. Son of Saul (+1)
20. The Danish Girl (-1)
21. Creed (No Change)
Best Director
Tuesday’s Directors Guild of America usually provides a reasonably reliable snap shot of at least three or four of the nominees that will end up being recognized here. Their picks were Tom McCarthy, Ridley Scott, George Miller, Alejandro Gonzalez Inarritu, and Adam McKay. Of those, McKay seems the most vulnerable (with Miller and Scott behind). I’ll keep my prediction for Todd Haynes in and there’s certainly a chance there’s a shocker nominee as we sometimes see in this category.
Tom McCarthy, Spotlight (+1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (+1)
George Miller, Mad Max: Fury Road (-3)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Steven Spielberg, Bridge of Spies (+1)
7. Adam McKay, The Big Short (-1)
8. Denis Villenueve, Sicario (+5)
9. Lenny Abrahamson, Room (-1)
10. F. Gary Gray, Straight Outta Compton (+1)
11. John Crowley, Brooklyn (-2)
12. Quentin Tarantino, The Hateful Eight (-2)
13. J.J. Abrams, Star Wars: The Force Awakens (-1)
14. Jay Roach, Trumbo (Previously Unranked)
15. Cary Fukanaga, Beasts of No Nation (-1)
16. Alex Garland, Ex Machina (Previously Unranked)
17. Laszlo Nemes, Son of Saul (-2)
18. Ryan Coogler, Creed (Previously Unranked)
19. Danny Boyle, Steve Jobs (Previously Unranked)
20. Tom Hooper, The Danish Girl (Previously Unranked)
Best Actor
This race is increasingly looking like ‘The Leo Show” with Mr. DiCaprio likely to nab (finally) his first Oscar. Only Leo seems to be a totally safe bet (though it would be a surprise to me if Redmayne and Fassbender don’t get in and probably Cranston too). I would say numbers 5-8 are practically interchangeable while anything 9 or below would be a fairly big surprise.
Leonardo DiCaprio, The Revenant (No Change)
Eddie Redmayne, The Danish Girl (No Change)
Michael Fassbender, Steve Jobs
Bryan Cranston, Trumbo (No Change)
Matt Damon, The Martian (+1)
Other Possibilities:
6. Steve Carell, The Big Short (-1)
7. Will Smith, Concussion (No Change)
8. Johnny Depp, Black Mass (No Change)
9. Ian McKellen, Mr. Holmes (No Change)
10. Michael Caine, Youth (No Change)
11. Michael B. Jordan, Creed (+1)
12. Geza Rohrig, Son of Saul (-1)
Best Actress
As previously discussed, all the rules go out the window if either Rooney Mara or Alicia Vikander are recognized here instead of in Supporting Actress. That said, I feel pretty confident about Larson, Ronan, and Blanchett. The rest? Not so much.
Brie Larson, Room (No Change)
Saoirse Ronan, Brooklyn (No Change)
Cate Blanchett, Carol (No Change)
Jennifer Lawrence, Joy (+1)
Charlotte Rampling, 45 Years (-1)
Other Possibilities:
6. Charlize Theron, Mad Max: Fury Road (+1)
7. Helen Mirren, Woman in Gold (+1)
8. Emily Blunt, Sicario (+3)
9. Blythe Danner, I’ll See You in My Dreams (+1)
10. Sarah Silverman, I Smile Back (-1)
11. Maggie Smith, The Lady in the Van (Previously Unranked)
Best Supporting Actor
Bottom line: I feel like Rylance and Stallone are the only safe bets here. This category has been wide open for quite some time and all 12 performers listed here could get in. Very curious to see how this works out come tomorrow.
Mark Rylance, Bridge of Spies (No Change)
Sylvester Stallone, Creed (+1)
Idris Elba, Beasts of No Nation (-1)
Paul Dano, Love and Mercy (+1)
Christian Bale, The Big Short (-1)
Other Possibilities:
6. Michael Keaton, Spotlight (No Change)
7. Michael Shannon, 99 Homes (No Change)
8. Mark Ruffalo, Spotlight (No Change)
9. Tom Hardy, The Revenant (No Change)
10. Jacob Tremblay, Room (+1)
11. Benicio del Toro, Sicario (-1)
12. Jason Mitchell, Straight Outta Compton (Previously Unranked)
Best Supporting Actress
Rooney Mara and Alicia Vikander seem like safe bets – as long as they’re nominated here and not in Actress. Kate Winslet (fresh off a Globe win) and Jennifer Jason Leigh should play here, too. The fifth slot is truly up for grabs, I feel.
Alicia Vikander, The Danish Girl (No Change)
Rooney Mara, Carol (No Change)
Kate Winslet, Steve Jobs (+1)
Jennifer Jason Leigh, The Hateful Eight (-1)
Helen Mirren, Trumbo (+1)
Other Possibilities:
6. Jane Fonda, Youth (-1)
7. Kristen Stewart, Clouds of Sils Maria (No Change)
8. Rachel McAdams, Spotlight (+1)
9. Joan Allen, Room (-1)
10. Alicia Vikander, Ex Machina (No Change)
11. Elizabeth Banks, Love and Mercy (No Change)
12. Marion Cotillard, MacBeth (Previously Unranked)
Best Original Screenplay
Spotlight (No Change)
Inside Out (No Change)
Bridge of Spies (+1)
The Hateful Eight (-1)
Sicario (+1)
Other Possibilities:
6. Ex Machina (-1)
7. Straight Outta Compton (No Change)
8. Love and Mercy (No Change)
9. Son of Saul (+2)
Best Adapted Screenplay
The Big Short (No Change)
Carol (No Change)
Room (No Change)
Steve Jobs (+1)
Brooklyn (-1)
Other Possibilities:
6. The Martian (No Change)
7. The Revenant (+1)
8. Beasts of No Nation (+1)
9. Trumbo (-2)
10. Mad Max: Fury Road (Previously Unranked)
11. Anomalisa (No Change)
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (No Change)
The Peanuts Movie (+1)
Other Possibilities:
6. The Good Dinosaur (-1)
7. When Marnie Was There (No Change)
8. Minions (Previously Unranked)
Best Documentary Feature (First Time Predictions)
Amy
The Look of Silence
Winter on Fire
Going Clear: Scientology and the Prison of Belief
He Named Me Malala
Other Possibilities:
6. Listen to Me Marlon
7. Best of Enemies
8. The Hunting Ground
9. Where to Invade Next
10. Heart of the Dog
Best Foreign Language Film (First Time Predictions)
Son of Saul
Mustang
A War
The Brand New Testament
Embrace of the Serpent
Other Possibilities:
6. The Fencer
7. Labyrinth of Lies
8. Theeb
9. Viva
Best Production Design
The Danish Girl (No Change)
Mad Max: Fury Road (+1)
Bridge of Spies (+1)
Carol (-2)
The Revenant (+4)
Other Possibilities:
6. Brooklyn (-1)
7. The Martian (Previously Unranked)
8. Star Wars: The Force Awakens (+3)
9. The Hateful Eight (-3)
10. Cinderella (-3)
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (No Change)
The Hateful Eight (No Change)
Bridge of Spies (+1)
Sicario (-1)
Other Possibilities:
6. Carol (+1)
7. Son of Saul (+2)
8. The Martian (-2)
9. The Assassin (-1)
10. Spotlight (Previously Unranked)
Best Costume Design
The Danish Girl (No Change)
Carol (No Change)
Cinderella (+1)
Brooklyn (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. Mad Max: Fury Road (+6)
7. The Hateful Eight (-1)
8. Suffragette (-1)
9. The Revenant (No Change)
10. Mr. Holmes (Previously Unranked)
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (No Change)
Spotlight (+2)
The Revenant (No Change)
Bridge of Spies (+2)
Other Possibilities:
6. The Martian (-3)
7. Sicario (+3)
8. Steve Jobs (-2)
9. Star Wars: The Force Awakens (+3)
10. The Hateful Eight (-1)
11. Room (-3)
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
The Revenant (No Change)
The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+1)
Other Possibilities:
4. Black Mass (-1)
5. Mr. Holmes (No Change)
6. Concussion (No Change)
7. Legend (No Change)
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Revenant (+3)
Star Wars: The Force Awakens (No Change)
Sicario (No Change)
The Martian (-3)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Bridge of Spies (Previously Unranked)
8. Jurassic World (-1)
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
The Revenant (No Change)
The Martian (No Change)
The Hateful Eight (+1)
Other Possibilities:
6. Sicario (-1)
7. Jurassic World (+1)
8. Bridge of Spies (Previously Unranked)
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (No Change)
The Martian (No Change)
The Revenant (Previously Unranked)
Other Possibilities:
6. Ex Machina (-1)
7. The Walk (No Change)
8. Ant-Man (Previously Unranked)
9. Avengers: Age of Ultron (-1)
10. In the Heart of the Sea (-4)
Best Score
The Hateful Eight (No Change)
Carol (+1)
Star Wars: The Force Awakens (+2)
Bridge of Spies (-2)
The Danish Girl (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Mad Max: Fury Road (+1)
Best Original Song
“See You Again” from Furious 7 (+2)
“Til It Happens to You” from The Hunting Ground (-1)
“Writing’s on the Wall” from Spectre (+4)
“Simple Song #3” from Youth (No Change)
“So Long” from Concussion (-3)
Other Possibilities:
6. “Love Me Like You Do” from Fifty Shades of Grey (-1)
7. “Earned It” from Fifty Shades of Grey (-1)
These FINAL predictions reflect a belief that the following pictures will receive this number of nominations:
10 Nominations
The Revenant
9 Nominations
Mad Max: Fury Road
8 Nominations
Carol
7 Nominations
Bridge of Spies
6 Nominations
The Martian
5 Nominations
The Danish Girl, The Hateful Eight
4 Nominations
The Big Short, Brooklyn, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room, Sicario, Steve Jobs
2 Nominations
Inside Out, Trumbo
1 Nomination
Beasts of No Nation, Cinderella, Concussion, Creed, Far from the Madding Crowd, 45 Years, Furious 7, The Hunting Ground, Joy, Jurassic World, Love and Mercy, The 100 Year Old Man Who Climbed Out of the Window and Disappeared, Spectre, Youth
And there you have it, folks! My final Oscar predictions! I’ll have an update posted tomorrow. Until then…
We have arrived at my weekly Friday predictions for who and what will be nominated for the Oscars honoring 2015 pictures. This will be the last Friday I’ll be doing so because the nominations themselves come out this Thursday, January 14th. I will have one final post of predictions either on Tuesday or Wednesday next week.
One consistent source of consternation is whether Rooney Mara will be nominated in lead Actress or Supporting Actress for Carol (same goes, to a lesser degree, for Alicia Vikander’s work in The Danish Girl). Last week, I had her in Actress, but now I’m switching back to Supporting. We shall see. As with my posts every week, it will show where the movers and shakers have shifted around with chances of nomination.
So here goes… my penultimate Oscar predictions…
Best Picture
Spotlight (No Change)
The Big Short (+1)
Mad Max: Fury Road (+1)
Room (-2)
The Martian (+1)
The Revenant (+1)
Carol (-2)
Bridge of Spies (+1)
Brooklyn (-1)
Other Possibilities:
10. Straight Outta Compton (+3)
11. Star Wars: The Force Awakens (-1)
12. The Hateful Eight (No Change)
13. Inside Out (-2)
14. Sicario (+4)
15. Beasts of No Nation (-1)
16. Steve Jobs (No Change)
17. Trumbo (+2)
18. Ex Machina (Previously Unranked)
19. The Danish Girl (+1)
20. Son of Saul (-5)
21. Creed (-4)
DROPPED OUT: Anomalisa
WHAT’S CHANGED: No Changes
Best Director
George Miller, Mad Max: Fury Road (+1)
Tom McCarthy, Spotlight (-1)
Alejandro Gonzalez Inarritu, The Revenant (+1)
Ridley Scott, The Martian (-1)
Todd Haynes, Carol (No Change)
Other Possibilities:
6. Adam McKay, The Big Short (No Change)
7. Steven Spielberg, Bridge of Spies (+1)
8. Lenny Abrahamson, Room (-1)
9. John Crowley, Brooklyn (+3)
10. Quentin Tarantino, The Hateful Eight (-1)
11. F. Gary Gray, Straight Outta Compton (Previously Unranked)
12. J.J. Abrams, Star Wars: The Force Awakens (-1)
DROPPED OUT: Creed, Mad Max: Fury Road (moved to Original)
WHAT’S CHANGED: No Changes
Best Animated Feature
Inside Out (No Change)
Anomalisa (No Change)
Shaun the Sheep Movie (No Change)
Kahlil Gabran’s The Prophet (+1)
The Good Dinosaur (+1)
Other Possibilities:
6. The Peanuts Movie (-2)
7. When Marnie Was There (No Change)
DROPPED OUT: Minions
WHAT’S CHANGED – In: The Good Dinosaur. Out: The Peanuts Movie.
Best Production Design
The Danish Girl (+1)
Carol (-1)
Mad Max: Fury Road (No Change)
Bridge of Spies (No Change)
Brooklyn (+2)
Other Possibilities:
6. The Hateful Eight (-1)
7. Cinderella (-1)
8. MacBeth (+3)
9. The Revenant (-1)
10. Far From the Madding Crowd (No Change)
11. Star Wars: The Force Awakens (-2)
WHAT’S CHANGED – In: Brooklyn. Out: The Hateful Eight.
Best Cinematography
The Revenant (No Change)
Mad Max: Fury Road (+1)
The Hateful Eight (-1)
Sicario (No Change)
Bridge of Spies (No Change)
Other Possibilities:
6. The Martian (No Change)
7. Carol (+1)
8. The Assassin (Previously Unranked)
9. Son of Saul (-2)
DROPPED OFF: Star Wars: The Force Awakens
WHAT’S CHANGED: No Changes
Best Costume Design
The Danish Girl (+1)
Carol (-1)
Brooklyn (+1)
Cinderella (-1)
Far from the Madding Crowd (No Change)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Suffragette (+3)
8. Trumbo (Previously Unranked)
9. The Revenant (No Change)
10. MacBeth (-2)
11. Star Wars: The Force Awakens (No Change)
12. Mad Max: Fury Road (-5)
WHAT’S CHANGED: No Changes
Best Editing
Mad Max: Fury Road (No Change)
The Big Short (+5)
The Martian (+1)
The Revenant (-2)
Spotlight (-2)
Other Possibilities:
6. Steve Jobs (-1)
7. Bridge of Spies (+1)
8. Room (+4)
9. The Hateful Eight (No Change)
10. Sicario (-4)
11. Straight Outta Compton (Previously Unranked)
12. Star Wars: The Force Awakens (-2)
DROPPED OUT: Carol
WHAT’S CHANGED – In: The Big Short. Out: Steve Jobs.
Best Makeup and Hairstyling
Mad Max: Fury Road (No Change)
Black Mass (+1)
The Revenant (-1)
Other Possibilities:
4. The 100 Year Old Man Who Climbed Out of the Window and Disappeared (+2)
5. Concussion (-1)
6. Mr. Holmes (-1)
7. Legend (No Change)
WHAT’S CHANGED: No Changes
Best Sound Mixing
Mad Max: Fury Road (No Change)
The Martian (+2)
Star Wars: The Force Awakens (-1)
Sicario (+1)
The Revenant (-2)
Other Possibilities:
6. The Hateful Eight (No Change)
7. Jurassic World (+1)
8. In the Heart of the Sea (-1)
WHAT’S CHANGED: No Changes
Best Sound Editing
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (+1)
The Revenant (-1)
The Martian (No Change)
Sicario (+1)
Other Possibilities:
6. The Hateful Eight (+1)
7. In the Heart of the Sea (-2)
8. Jurassic World (No Change)
WHAT’S CHANGED – In: Sicario. Out: In the Heart of the Sea.
Best Visual Effects
Mad Max: Fury Road (No Change)
Star Wars: The Force Awakens (No Change)
Jurassic World (+1)
The Martian (-1)
Ex Machina (No Change)
Other Possibilities:
6. In the Heart of the Sea (No Change)
7. The Walk (No Change)
8. Avengers: Age of Ultron (Previously Unranked)
9. Everest (-1)
DROPPED OFF: The Revenant
WHAT’S CHANGED: No Changes
Best Original Score
The Hateful Eight (No Change)
Bridge of Spies (No Change)
Carol (No Change)
The Danish Girl (+1)
Star Wars: The Force Awakens (-1)
Other Possibilities:
6. Spotlight (No Change)
7. Steve Jobs (No Change)
8. Mad Max: Fury Road (+1)
DROPPED OFF: Inside Out, The Revenant
WHAT’S CHANGED: No Changes
Best Original Song
“Til It Happens to You” from The Hunting Ground (No Change)
“So Long” from Concussion (+1)
“See You Again” from Furious 7 (-1)
“Simple Song #3” from Youth (No Change)
“Love Me Like You Do” from Fifty Shades of Grey (+2)
Other Possibilities:
6. “Earned It” from Fifty Shades of Grey (-1)
7. “Writing’s on the Wall” from Spectre (-1)
WHAT’S CHANGED – In: “Love Me Like You Do”. Out: “Earned It”.
These current predictions reflect the following breakdown of films getting these numbers:
9 Nominations
Mad Max Fury Road
8 Nominations
Carol, The Revenant
6 Nominations
Bridge of Spies, The Martian
5 Nominations
The Big Short, Brooklyn, The Danish Girl
4 Nominations
The Hateful Eight, Spotlight, Star Wars: The Force Awakens
3 Nominations
Room. Sicario, Steve Jobs
2 Nominations
Ex Machina, Inside Out
1 Nomination
Anomalisa, Beasts of No Nation, Black Mass, Cinderella, Concussion, Creed, Far from the Madding Crowd, Fifty Shades of Grey, 45 Years, Furious 7, The Good Dinosaur, The Hunting Ground, Joy, Jurassic World, Kahlil Gabran’s The Prophet, Love and Mercy, Shaun the Sheep Movie, Trumbo, Youth
That’ll do it for now, folks! I’ll have my FINAL Oscar predictions up next week…
Denis Villeneuve’s Sicario gives us a trifecta of characters who firmly believe they are doing what is right when it comes to our country’s war on drugs. They are frequently diverging opinions yet this is a picture smart enough to let the audience decide who is right. It’s also a technical masterpiece with its direction and screenplay sometimes reaching close to that level.
Meaning “hitman” in Spanish, Sicario plucks FBI agent Kate Macer (Emily Blunt) from her current stateside activities to teaming with shadowy government officials (CIA?) to combat the brutal Mexican drug cartels. She believes her work in our borders isn’t making much of a difference and the prospect of this new venture is enticing. Kate is soon introduced to the cocky Matt (Josh Brolin) and Alejandro (Benicio del Toro), who head up a squad that also consists of military operatives who’ve seen action in the Middle East. The team is tasked with obtaining results and Kate and her partner Reggie (Daniel Kaluuya) soon learn just how far they’ll go to get them. Kate serves as the film’s moral compass in many ways, but Matt and Alejandro’s reasonings are not without merit. As they see it, nothing they do can possibly compare to the vicious acts of those they hunt and the end justifies the means.
As Sicario unfolds, we are witness to some brutal violence that is quick, realistic, and not at all glamorized. Viewers who have watched Villeneuve’s previous effort, 2013’s Prisoners, should know what they’re in for. With much credit to cinematographer Roger Deakins, this includes some startling set pieces including a showdown at the US/Mexican border that is intensely breathtaking. Even a convoy ride through Juarez is hair raising. There’s another sequence in an underground tunnel that is a triumph of camera work and lighting.
Taylor Sheridan’s script is not overly concerned with character development and we don’t know much about its lead subjects. Blunt is able to fashion her determined and lonely agent into a fascinating individual. We may have some trouble at first accepting the notion that her character would be placed in the situation she’s in, but this material is solid enough that I quickly forgave that. del Toro elevates his role into something even more special. His mysterious character’s motivations are revealed slowly to the audience and the screenplay smartly develops him this way to maximum effect. He’s not a man who wastes words and you hang on the ones he expresses. In many ways, Brolin has the least to work with but his swagger along with occasionally needed humor provide a bit of levity.
We have seen Steven Soderbergh’s 2000 pic Traffic take a more expansive look at this subject (it also earned Mr. del Toro a Supporting Actor Oscar). Sicario is more limited in its approach, but that does not take away from its power. Villeneuve and company know this war on drugs is complex at best and not winnable at worst. The primary trio here are working their way through it. Some have their tunnel vision set while another is attempting to make sense of it all.
We are a bit over a month away from Oscar nominations coming out (January 14th) and it’s time to ramp up my predictions for what and whom will be nominated in the eight top races. I’m adding the two Screenplay categories (Original and Adapted) for the first time and the plan is to make weekly Oscar predictions each weekend until nominations come out. With each race, I’ll inform you what’s changed since the previous predictions post.
And with that, let’s get to predicting, shall we?
Best Picture
Bridge of Spies
Brooklyn
Carol
The Hateful Eight
Inside Out
The Martian
The Revenant
Room
Spotlight
Other Possibilities:
Beasts of No Nation
The Big Short
Creed
The Danish Girl
Joy
Mad Max: Fury Road
Star Wars: The Force Awakens
Steve Jobs
Straight Outta Compton
Changes Since Last Predictions: Bridge of Spies, Inside Out (IN), Joy, Steve Jobs (OUT)
Best Director
Lenny Abrahamson, Room
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Other Possibilities:
Danny Boyle, Steve Jobs
Ryan Coogler, Creed
John Crowley, Brooklyn
Cary Fukanaga, Beasts of No Nation
Todd Haynes, Carol
Tom Hooper, The Danish Girl
David O. Russell, Joy
Steven Spielberg, Bridge of Spies
Quentin Tarantino, The Hateful Eight
Changes Since Last Predictions: George Miller (IN), David O. Russell (OUT)
Best Actor
Matt Damon, The Martian
Johnny Depp, Black Mass
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Other Possibilities:
Michael Caine, Youth
Bryan Cranston, Trumbo
Tom Hanks, Bridge of Spies
Michael B. Jordan, Creed
Ian McKellen, Mr. Holmes
Will Smith, Concussion
Changes Since Last Predictions: NONE
Best Actress
Cate Blanchett, Carol
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn
Other Possibilities:
Emily Blunt, Sicario
Blythe Danner, I’ll See You in My Dreams
Carey Mulligan, Suffragette
Maggie Smith, The Lady in the Van
Charlize Theron, Mad Max: Fury Road
Lily Tomlin, Grandma
Changes Since Last Predictions: Charlotte Rampling (IN), Blythe Danner (OUT)
Best Supporting Actor
Tom Hardy, The Revenant
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Other Possibilities:
Christian Bale, The Big Short
Paul Dano, Love and Mercy
Benicio del Toro, Sicario
Joel Edgerton, Black Mass
Idris Elba, Beasts of No Nation
Harvey Keitel, Youth
Jacob Tremblay, Room
Changes Since Last Predictions: Tom Hardy (IN), Idris Elba (OUT)
Best Supporting Actress
Jane Fonda, Youth
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs
Other Possibilities:
Joan Allen, Room
Elizabeth Banks, Love and Mercy
Rachel McAdams, Spotlight
Kristin Stewart, Clouds of Sils Maria
Julie Walters, Brooklyn
Changes Since Last Predictions: Jane Fonda (IN), Joan Allen (OUT)
Best Original Screenplay (first prediction in category)
Bridge of Spies
The Hateful Eight
Inside Out
Love and Mercy
Spotlight
Other Possibilities:
Joy
Sicario
Straight Outta Compton
Youth
Best Adapted Screenplay (first prediction in category)
Anomalisa
Brooklyn
Carol
Room
Steve Jobs
Other Possibilities:
The Big Short
Creed
The Martian
The Revenant
And there you have it – folks! The next update will come next weekend…
We have arrived at my third round of Oscar predictions for the month of November. Some has changed, some has stayed the same. We’ll go through each of the six major categories one by one…
Let’s go!
BEST SUPPORTING ACTRESS
This is the one category where I’ve made no changes, though any of the others listed as possibilities could find their way in. Most have Jane Fonda in the mix already, but I’m not quite there yet.
TODD’S PREDICTIONS in SUPPORTING ACTRESS
Joan Allen, Room
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs
Other Possibilities:
Elizabeth Banks, Love and Mercy
Jane Fonda, Youth
Diane Ladd, Joy
Rachel McAdams, Spotlight
Isabella Rossellini, Joy
Julie Walters, Brooklyn
BEST SUPPORTING ACTOR
And here we have the most changes of any category! Coming out of nowhere last week was Sylvester Stallone’s acclaimed performance in Creed and as of now, here appears to be a strong contender for a nod and maybe even the win. I’m also including Mark Ruffalo and re-including Idris Elba. Falling out are Benicio del Toro, Robert De Niro, and Tom Hardy, though they all remain possibles. This category has a whole lot of potential nominees, but only five slots available.
TODD’S PREDICTIONS for SUPPORTING ACTOR
Idris Elba, Beasts of No Nation
Michael Keaton, Spotlight
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
Other Possibilities:
Christian Bale, The Big Short
Bradley Cooper, Joy
Paul Dano, Love and Mercy
Benicio del Toro, Sicario
Robert De Niro, Joy
Joel Edgerton, Black Mass
Harrison Ford, Star Wars: The Force Awakens
Tom Hardy, The Revenant
Samuel L. Jackson, The Hateful Eight
Harvey Keitel, Youth
Jason Mitchell, Straight Outta Compton
Kurt Russell, The Hateful Eight
Jacob Tremblay, Room
BEST ACTRESS
Four slots seem to be rather safe and have been for awhile: Cate Blanchett, Brie Larson, Jennifer Lawrence, and Saoirse Ronan. The fifth slot could legitimately be any of the others listed, but for now I’ve removed Carey Mulligan and replaced her with Blythe Danner.
TODD’S PREDICTIONS for ACTRESS
Cate Blanchett, Carol
Blythe Danner, I’ll See You in My Dreams
Brie Larson, Room
Jennifer Lawrence, Joy
Saoirse Ronan, Brooklyn
Other Possibilities:
Emily Blunt, Sicario
Carey Mulligan, Suffragette
Charlotte Rampling, 45 Years
Maggie Smith, The Lady in the Van
Charlize Theron, Mad Max: Fury Road
Lily Tomlin, Grandma
BEST ACTOR
Only one change here as I currently feel the massive box office success of The Martian will get Matt Damon in. That takes Michael Caine out. Watch out for Will Smith, though, even though I don’t yet have him in the final cut.
TODD’S PREDICTIONS for ACTOR
Matt Damon, The Martian
Johnny Depp, Black Mass
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Other Possibilities:
Michael Caine, Youth
Bryan Cranston, Trumbo
Tom Hanks, Bridge of Spies
Michael B. Jordan, Creed
Will Smith, Concussion
BEST DIRECTOR
Two changes here as I believe Danny Boyle may miss out and George Miller won’t be the wild card pick I predicted in October. This puts David O. Russell and Ridley Scott in.
TODD’S PREDICTIONS for DIRECTOR
Lenny Abrahamson, Room
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
David O. Russell, Joy
Ridley Scott, The Martian
Other Possibilities:
Danny Boyle, Steve Jobs
Ryan Coogler, Creed
John Crowley, Brooklyn
Cary Fukanaga, Beasts of No Nation
Todd Haynes, Carol
Tom Hooper, The Danish Girl
George Miller, Mad Max: Fury Road
Steven Spielberg, Bridge of Spies
Quentin Tarantino, The Hateful Eight
BEST PICTURE
I am still predicting nine nominees out of the possible five-ten and I’ve made two changes. I’m putting Carol back in the mix and The Martian in for the first time. That leaves out Bridge of Spies and The Danish Girl, though both remain major contenders. It’s worth noting that Steve Jobs, due to its disastrous box office performance, is not even close to a shoo in and it could fall off.
TODD’s PREDICTIONS for PICTURE
Brooklyn
Carol
The Hateful Eight
Joy
The Martian
The Revenant
Room
Spotlight
Steve Jobs
Other Possibilities:
Beasts of No Nation
The Big Short
Bridge of Spies
Creed
The Danish Girl
Inside Out
In the Heart of the Sea
Mad Max: Fury Road
Sicario
Star Wars: The Force Awakens
Straight Outta Comption
And that does it for my November Oscar predictions, folks! I’ll have the December predictions up shortly before Christmas…
Joe Johnston’s The Wolfman is so gloriously rich in its late 19th century English atmosphere that you’ll wish a better film had been placed in it. This is a loose remake of the 1941 Lon Chaney monster affair and finds Universal back in the creature feature business. I simply love the idea of horror flicks set in this Bram Stoker’s Dracula/Sleepy Hollow/From Hell type world. Unfortunately they are all superior to this, but this iteration of The Wolfman is not without its occasional merits.
The pic casts Benicio del Toro as Lawrence Talbot, a famous Shakespearean actor who is summoned to return to his childhood English village after his brother is brutally murdered by some sort of creature that’s terrorizing the area. He gets reacquainted with his strange father (Anthony Hopkins) and meets his brother’s widow (a perpetually sullen looking Emily Blunt). The family dynamic is a focus here, especially with daddy and there’s as much father/son wolfery issues since maybe 1985’s Teen Wolf. Of course, it turns out that a werewolf is doing the damage around town and soon Lawrence finds himself the victim of a bite. Full moons become a problem for him and that means he’s the subject of attention from Hugo Weaving’s Inspector character. This sets up one of The Wolfman’s very well constructed sequences when Lawrence escapes an insane asylum in grand and bloody fashion. By the way, you know when the doctor at a loony bin speaks of the advancements of their medical treatments during a movie set in this era, you’re about to watch something old school and barbaric.
When the freaks come out at night as Whodini would say (the 1980s hip hop group, not the magician), The Wolfman follows the tenets of the genre closely and doesn’t offer up much new. There’s CG special effects that veer between acceptable and shoddy. Del Toro is surprisingly dull in his role, though props go to the filmmakers for keeping his hairy makeup design close to that of Chaney’s from the 40s. It’s really Hopkins who gets to have the fun part and there are glimpses of just how menacing he can be.
The Wolfman also takes awhile to get its motor running and I never shook the feeling that there’s a number of other examples in this genre that worked better. For a lazy night on the couch, this is fairly acceptable entertainment but not much more save for the lovely ambience.
After a successful limited run in theaters and following very positive buzz stemming from the film festival circuit, the border crime thriller Sicario expands nationwide this Friday. From Prisoners director Denis Villeneuve, the acclaimed pic stars Emily Blunt, Benicio del Toro, and Josh Brolin. As mentioned, reviews have been strong and it currently sits at 92% on Rotten Tomatoes. There’s even some Oscar buzz going for it and there’s already been a spin-off film greenlit based on del Toro’s character.
While all these signs are encouraging, there will be serious competition from Ridley Scott’s The Martian for adult moviegoers and it’s an open question as to how well Sicario performs when it ventures out of larger metro markets.
I believe a debut is most likely in the low to mid teens and the pic could perform well with minor declines in subsequent weekends.
This weekend, crime thriller Sicario played on six screens and posted the highest theater per screen average so far in 2015. The film, which stars Emily Blunt, Benicio del Toro and Josh Brolin has been riding on a wave of solid buzz since it debuted on the festival circuit. Sicario comes from director Denis Villeneuve, who made 2013’s acclaimed Prisoners and will soon helm the Blade Runner sequel.
If Sicario continues its impressive box office performance (it opens wide October 2), it could be in the conversation for a Best Picture nomination. The same could be said for Blunt in the Actress race and del Toro (who won in 2000 for Traffic) in Supporting Actor. As has been discussed on this blog before, while Blunt is getting raves – the category of Actress is especially crowded this year and it could hinder her. I would say that as it currently stands, it may be a long shot for any nominations to occur, but it’s certainly a possibility. It also may not hurt that its border patrol theme is in the news a lot thanks to certain Presidential candidates.
This evening on the blog, we continue on with my very early and first predictions for the 2015 Oscars and we’ve come to Best Actress. This category, just like Supporting Actor and Actress, yielded two out of the five nominees when I made my predictions in 2014 with 1 other that was nominated being mentioned as an other possibility.
Astonishingly, the group of actresses that could be honored in 2015 encompasses seven out of the eight past winners of the award. 2007 winner Marion Cotillard is getting buzz for Macbeth, though it’s unclear whether she’ll be campaigned for here or in supporting. 2008 winner Kate Winslet has this fall’s The Dressmaker. 2009 winner Sandra Bullock headlines this October’s Our Brand is Crisis. 2011’s Meryl Streep had Ricki and the Flash last month. It’s always foolish to count her out, but the film’s low box office and mixed critical response could hinder her chances. 2012’s Jennifer Lawrence teams with David O. Russell again for Joy and her two previous films with him both landed her Oscar nods and a win for Silver Linings Playbook. 2013’s Cate Blanchett seems practically guaranteed a nod for Todd Haynes’s Carol, which premiered to raves at Cannes. 2014’s Julianne Moore has Freeheld out soon and it could make her a contender again.
Ultimately, however, my early predictions only have two of these women ending up with nominations. Alicia Vikander (who made a splash already this year with Ex Machina) is bound to get attention for Tom Hooper’s The Danish Girl. Carey Mulligan stars in the womens voting rights drama Suffragette. Saoirse Ronan has already gotten raves on the festival circuit for this autumn’s immigration tale Brooklyn.
More possibilities abound. Veteran comedian/actress Lily Tomlin is being praised for the indie pic Grandma. Emily Blunt stars in the action drama Sicario this September. Angelina Jolie directs and stars in By the Sea. And we can’t count out Charlize Theron in this summer’s Mad Max: Fury Road, even though it’s difficult for the action genre to give us acting nominees. It is worth noting that it happened with Sigourney Weaver nearly 30 years ago with Aliens.
This race looks to be one of the most competitive with a whole lot of huge stars going for the prize. And here’s my first take:
TODD’S EARLY PREDICTIONS – BEST ACTRESS
Cate Blanchett, Carol
Jennifer Lawrence, Joy
Carey Mulligan, Suffragette
Saoirse Ronan, Brooklyn
Alicia Vikander, The Danish Girl
Other Possibilities:
Emily Blunt, Sicario
Sandra Bullock, Our Brand is Crisis
Marion Cotillard, Macbeth
Angelina Jolie, By the Sea
Julianne Moore, Freeheld
Meryl Streep, Ricki and the Flash
Charlize Theron, Mad Max: Fury Road
Lily Tomlin, Grandma
Kate Winslet, The Dressmaker
For my previous posts with early predictions on Supporting Actor and Actress, click here:
