Over the past decade, Tom Cruise has concentrated mostly on sci-fi and action B movies in between the occasional Mission: Impossible franchise pic. Edge of Tomorrow resides on the higher end of the spectrum as far as quality. It does so mostly by featuring an aspect of Cruise that many of his latest films have not – the guy’s got a sense of humor and can use it well.

Tomorrow‘s plot is explained mostly by CNN anchors as the movie opens. An alien race called Mimics have wreaked havoc all over the world and Cruise’s character Major William Cage has the cushy position of explaining how things are going to talking heads on TV. He’s never actually seen battle and that’s perfectly OK with him. That is until he’s summoned by a general (Brendan Gleeson) to cover a real battle up close and when Cage refuses, he’s stripped of his rank and forced to actually fight in it.

This leads to a situation where Cage’s character is killed (no spoiler here) and the aliens blood is splattered on him. And that creates the Groundhog Day situation where he wakes up everyday on that battle morning until he figures out a way to prevail and eliminate the alien race. Emily Blunt is cast as a super soldier who is the only one that understands Cage’s unique predicament. If this all sounds a bit silly – I suppose it is. However, screenwriters Christopher McQuarrie, Jez Butterworth, and John-Henry Butterworth do a remarkable job at making this all make sense.

Most importantly, Cruise succeeds at bringing a sense of fun for most of Edge‘s running time. The script allows Cruise and Blunt to have some humorous interplay, particularly because its up to Blunt to “kill” him every time he screws up… which is often. Edge of Tomorrow doesn’t take itself too seriously for about two-thirds of its length. It’s only in the last act that it becomes humorless and therefore a more conventional and run-of-the-mill alien invasion flick.

Bill Paxton seems to be having a good time as a squadron leader and Noah Taylor turns up as a scientist who must explain important plot points to Cruise – just as he did over 12 years ago in Vanilla Sky. Blunt is certainly cast against type but she makes the most of her butt kicking role. Doug Liman’s direction is sturdy as you’d expect and The Bourne Identity director knows his well around an action sequence.

The so-so final act aside, Edge of Tomorrow stood out to me because Cruise seems to having more fun that he has in awhile. I would put it ahead of his latest lackluster fare such as Jack Reacher and Oblivion. If you’re looking for a decent summer popcorn watching experience, this fits the bill.

*** (out of four)