Tag: Emilia Pérez

The NBR Gets Wicked

The National Board of Review often marches to the beat of its own awards drum when it comes to selecting their annual pictures and performers. In 2014, only four of their eleven top movies ended up generating an Academy nomination for Best Picture. In the past decade, there’s been one other year with just four and three years where it was five and two where it was six. There’s three other years where it’s seven and that’s as high as it gets. In most years, NBR names a Best Film with ten other favorite movies listed alphabetically. During that time period, here’s just a sampling of NBR top films that probably never came close to an Oscar BP nod: Fury, The LEGO Movie, Hail, Caesar!, Patriots Day, Baby Driver, Downsizing, Waves, The Forty-Year-Old Version, Red Rocket, and Ferrari.

I give all that context because there were some unexpected selections in their list today… but not really given their history. Jon M. Chu’s Wicked is Best Film. That one is anticipated to generate an Academy BP slot. This particular group often goes with blockbuster material like Wicked for their winner. Recent examples include Mad Max: Fury Road in 2015 (guess we should’ve seen that Furiosa nod coming) and Top Gun: Maverick in 2022.

Some others… not so much. The other ten are as follows: Anora, Babygirl, A Complete Unknown, Conclave, Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, and Sing Sing. Only half of those features (Wicked, Anora, Conclave, A Real Pain, Sing Sing) are currently in my Oscar BP ten. Babygirl, Furiosa, Juror #2, and Queer likely stand little chance at the big dance while A Complete Unknown and Gladiator II have better shots.

There are some notable omissions from the list like The Brutalist, Emilia Pérez, and Dune: Part Two. That said, recent BP victors The Shape of Water, Parasite, and CODA were nowhere to be found with NBR.

The Wicked love continued in Director with Jon M. Chu being named. You have to go all the way to Martin Scorsese and 2006’s The Departed for the last NBR/Oscar match.

Nicole Kidman is your Best Actress for Babygirl and Daniel Craig is Best Actor for Queer. Both are considered bubble candidates for Oscar (I currently have Craig in and Kidman out). I will note that 8 of the last 10 NBR Actress winners have achieved an Academy spot. In Actor, it’s also 8.

Kieran Culkin racked up another Supporting Actor prize (right after the New York Film Critics Circle) for A Real Pain and Elle Fanning is Supporting Actress (a bit of an out of nowhere pick) for A Complete Unknown. The previous 10 Supporting Actor victors for NBR received Oscar attention as Culkin is expected to. For Supporting Actress, it’s 8.

In other NBR news for categories that correlate to the Academy Awards, Hard Truths and Sing Sing are your respective Original and Adapted Screenplay recipients. Flow snatched another Animated Feature trophy while The Seed of the Sacred Fig is their #1 International Feature. The Documentary prize went to Sugarcane with Nosferatu triumphant in Cinematography.

Keep an eye on this blog for all precursor Oscar chatter!

Oscar Predictions: Vermiglio

Vermiglio premiered in its native country at the Venice Film Festival before making it to North America at Toronto’s fest. Written and directed by Maura Delpero, the drama stars Guiseppe De Domenico, Tommaso Ragno, Martina Scrinzi, and Roberta Rovelli.

The period piece has been announced at Italy’s hopeful for International Feature Film as they hope it’s their fifth pic to make the final five in the 21st century. The only winner in that time frame is 2013’s The Great Beauty while 2005’s The Beast in the Heart, 2021’s The Hand of God, and 2023’s lo capitano also vied for the prize.

With two nods in the three years, Vermiglio‘s chances are decent but far from assured. The Rotten Tomatoes score is 90% with 77 on Metacritic. Right now it seems like there will be plenty of pics fighting for the fourth and fifth spots in IFF behind Emilia Pérez, The Seed of the Sacred Fig, and I’m Still Here (though I should note this branch can be unpredictable). My Oscar Prediction posts will continue…

Oscar Predictions: Emmanuelle

Adapting the 1967 novel by Emmanuelle Arsan and arriving 50 years after the first cinematic rendering of the adult romance source material, Emmanuelle is the opening selection of the San Sebastián International Film Festival. It is Audrey Diwan’s follow-up to 2021’s Happening which won the Golden Lion at the 2021 Venice Film Festival. Noémie Merlant, Naomi Watts, Will Sharpe, and Jamie Campbell Bower lead the cast.

Following the fest premiere, Emmanuelle hits French screens later this week. The reviews trickling out of Spain are lukewarm. There was some intrigue about which movie France would pick as its hopeful for International Feature Film. The speculation centered on Emilia Pérez and The Count of Monte Cristo with Emmanuelle seen as a dark horse. Pérez ended up as their choice. Based on the early buzz for this, it’s easy to see why this was not a viable option. My Oscar Prediction posts will continue…

Oscar Predictions: The Life of Chuck

Silver Linings Playbook. 12 Years a Slave. The Imitation Game. Room. La La Land. Three Billboards Outside Ebbing, Missouri. Green Book. Jojo Rabbit. Nomadland. Belfast. The Fabelmans. American Fiction. What do those films have in common? They are the last 12 recipients of the Toronto Film Festival’s People’s Choice Award. Another commonality? Every one of them was nominated for Best Picture at the Academy Awards. Three (Slave, Green Book, Nomadland) won the top prize.

The surprise victor of People’s Choice at TIFF this morning is Mike Flanagan’s The Life of Chuck. Based on a novella by Stephen King, it finds the writer/director once again adapting the legendary author as he’s previously done with Gerald’s Game and Doctor Sleep. Chuck is said to be more of crowdpleaser sci-fi drama. Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay lead the ensemble.

Chuck managed to outpace runners-up Anora and Emilia Pérez (both expected BP hopefuls) in Toronto. With the stats given above, Chuck has immediately entered the awards chat. That said, there are issues to consider before placing it in your BP ten.

First and foremost, Chuck has yet to acquire a stateside distributor. That will surely occur quickly. Yet we don’t know at press time whether it will release in 2024. If it does, it’s hard to argue with the power of TIFF’s biggest trophy. In 2023, American Fiction essentially became a contender in Canada and went onto 5 Academy nods with an Adapted Screenplay victory.

With 88% on Rotten Tomatoes and 66 on Metacritic, Flanagan’s flick is generating nice notices. Frankly, though, I wasn’t really considering it a true contender until this TIFF announcement.

So what are Chuck‘s prospects now? In addition to Picture, Director and especially Adapted Screenplay are in the mix. If there’s an acting play, it might be Luke Skywalker himself Mark Hamill in supporting. If it continues to gain momentum, Editing, Original Score, and Visual Effects might be down ballot categories to keep an eye on. Toronto has potentially brought good luck to Chuck. It hasn’t been mentioned in my forecasts before. This will change at the next update later this week. My Oscar Prediction posts will continue…

Toronto Gives Awards Life to Chuck

The Toronto Film Festival has concluded its 2024 business with the reveal of its People’s Choice Award and the 1st and 2nd runners-up for the prize. This announcement is eagerly awaited by Oscar prognosticators and for good reason. Since the Academy expanded beyond 5 nominees for Best Picture (it now stands at a firm ten but has been 8 or 9 in other years), the People’s Choice recipient has received a BP nod in 14 of those 15 years. The exception was 2011 when Where Do We Go Now? was the victor. Therefore the past 12 winners were Oscar BP contenders.

In 2023, we saw Cord Jefferson’s American Fiction vaulted into contention and ended up with five total nominations, taking the statue for Adapted Screenplay. In 2010, there was only one runner-up. Since 2009, that means 44 features have been People’s Choice selections or runner-ups. Of those 44, 25 went onto Academy nominations for BP. This includes Best Picture winners The King’s Speech, Argo, 12 Years a Slave, Spotlight, Green Book, Parasite, and Nomadland. In recent years, it’s become the norm for 2 of the 3 movies that Toronto names to make the Oscar ten. In addition to Fiction last year, The Holdovers was 1st runner-up.

All that context is pretext to an obvious point… this is a key precursor to the Oscars. Much speculation centered on Sean Baker’s Anora taking TIFF’s highest honor. The acclaimed film already picked up the Palme d’Or at Cannes and is seen as a threat to not only be nominated for Best Picture, but win. Mikey Madison is among the frontrunners for Best Actress. Instead it was 2nd runner-up. That third place showing, by the way, has been shared by Spotlight, Call Me by Your Name, Roma, Parasite, and The Power of the Dog.

First runner-up went to another Cannes premiere: Jacques Audiard’s musical crime flick Emilia Pérez. It’s also widely assumed to be a BP hopeful a few months down the line with potential acting nominations for Karla Sofia Gascón, Zoe Saldaña, and Selena Gomez. Recent 1st runners-up include Argo, Marriage Story, and the aforementioned The Holdovers.

Had Anora or Pérez gotten first place, no one would have been surprised. Same logic applies to Jason Reitman’s Saturday Night which was picked by some to win, place, or show. The actual recipient was unexpected and it’s The Life of Chuck from Mike Flanagan. It joins fellow People’s Choice honorees Precious, The King’s Speech, Silver Linings Playbook, The Imitation Game, Room, La La Land, Three Billboards Outside Ebbing, Missouri, Green Book, Jojo Rabbit, Nomadland, Belfast, and The Fabelmans.

Mr. Flanagan is best known for his contributions to the horror genre. That includes adaptations of Stephen King novels Gerald’s Game and Doctor Sleep. His largest claim to fame is his show running work on Netflix series The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher.

Chuck is a departure… sort of. It’s adapted from a Stephen King novella, but is more of a sci-fi effort. Reviews were solid (87% on Rotten Tomatoes and 66 on Metacritic). However, this was not really seen as a BP contender. Distribution and the release date are still influx. There’s no trailer.

Its awards narrative has certainly changed as of today. You can expect the People’s Choice champ starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, and Jacob Tremblay to pick up a distributor in a hurry. An awards campaign will surely follow. I’ve yet to even consider Chuck in my top 25 possibilities for BP. That won’t be the case when I pen my next update. Even if it’s not ultimately up for BP, Adapted Screenplay seems like a strong possibility now. Make no mistake. Toronto has given unanticipated life to Chuck.

Oscar Predictions: Hard Truths

Marianne Jean-Baptiste was up for Supporting Actress 28 years ago in Mike Leigh’s Secrets & Lies, which received five total nominations including Best Picture, Director, Actress (Brenda Blethyn) and Original Screenplay. Leigh and Jean-Baptiste have collaborated again for Hard Truths which was unveiled at the Toronto Film Festival before its December 6th stateside bow. Costars include Michele Austin, David Webber, and Tuwaine Barrett. It could certainly put Jean-Baptiste in the mix again and this time for lead Actress.

The Metacritic score for the drama is 86 while some reviews say it’s not top-tier Leigh. The British filmmaker is a five-time hopeful for Original Screenplay (he’s never won). In addition to his Lies mention, the other nominated screenplays are Topsy-Turvy, Vera Drake, Happy-Go-Lucky, and Another Year. He could still make the Academy’s cut for Truths, but it’s no guarantee given the slightly more mixed reaction.

Based on buzz alone, Jean-Baptiste would be a slam dunk for Best Actress inclusion. Yet there’s the competition to consider. That includes a growing list that includes Angelina Jolie (Maria), Mikey Madison (Anora), Saoirse Ronan (The Outrun), Karla Sofia Gascón (Emilia Pérez), Nicole Kidman (Babygirl), and, yes, Amy Adams (Nightbitch). I also question whether distributor Bleecker Street is equipped to run an effective campaign. That said, she is certainly in the top 10 of competitors and likely close to making the quintet. My Oscar Prediction posts will continue…

Oscar Predictions – Joker: Folie à Deux

There are some genuine awards related surprises as it pertains to the Venice Film Festival debut for Joker: Folie à Deux today. It is not shocking that the Todd Phillips sequel to his billion plus 2019 grosser is garnering wildly divergent reactions. So did the original. I’m talking about some unexpected housekeeping items. For one, Lady Gaga’s performance as Harley Quinn is said to be a clear Supporting Actress play and not lead. In my updated Oscar predictions post yesterday, I slotted her for the first time (at #5) in Actress. That will obviously change. Another tidbit is that despite Deux being a musical, there doesn’t appear to be any original songs for consideration. I’ve listed a TBD tune in my quintet of forecasted contenders for several weeks. That, too, will be corrected when I updated Academy projections shortly (probably Sunday).

Prior to its October 4th stateside premiere (exactly five years after part one), the follow-up has premiered in Italy just like the last one did. The first Joker started its Oscar run by taking the Golden Lion (equivalent to Best Picture) in Venice. It ended up receiving a ceremony high 11 nominations at the 92nd Academy Awards including Picture, Director, Adapted Screenplay, and several tech races. Joaquin Phoenix received the gold statue in Best Actor eleven years after Heath Ledger won Supporting Actor as the same character in The Dark Knight. The Original Score by Hildur Guõnadóttit was also victorious.

Phoenix is back as the iconic comic book villain along with Gaga, a returning Zazie Beetz, Brendan Gleeson, and Catherine Keener supporting. Even more so than what took place a half decade ago, Folie appears to be drawing even more divisive word-of-mouth. The Metacritic score is 54 based on nearly 25 reviews thus far. Some are calling it brilliant while others are saying this is a huge misfire.

The Academy is unlikely to show the same affection that they did with Joker. BP, Director, and Actor seem improbable. I’ve yet to include Deux in my top 10 picks for BP and that doesn’t appear to be changing. Down the line races like Production Design, Costume Design, Makeup & Hairstyling, and Original Score (from Hildur again) could occur. Yet the Academy might just ignore this altogether or maybe throw it a bone in one or two of the aforementioned categories.

Back to Gaga. She was nominated in Actress for 2018’s A Star is Born and was expected to be up for 2021’s House of Gucci. She didn’t make the cut for Gucci. Supporting Actress could include heavy hitters like Zoe Saldaña and Selena Gomez from Emilia Pérez, Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), and Tilda Swinton (The Room Next Door), among others whose films have yet to be unveiled. Gaga is getting good ink as Quinn, but there may not be room for her to get in the door. My Oscar Prediction posts will continue…

Oscar Predictions: I’m Still Here

I’m Still Here, not to be confused with that 2010 mockumentary where Joaquin Phoenix become a rapper, is a Brazilian family drama from Walter Salles. It arrives more than a quarter century after Central Station, which was nominated for Best Foreign Language Film (now International Feature Film) and Actress (Fernanda Montenegro) and two decades behind his acclaimed The Motorcycle Diaries (which won a Best Original Song statue from the Academy).

His first Brazilian language feature in 16 years, Here has premiered at the Venice Film Festival to stellar reviews. Fernanda Torres is getting kudos in the lead role. We don’t know yet how competitive Best Actress will be and Torres could certainly get a push from distributor Sony Pictures Classics. I wouldn’t expect her to be in my projected quintet when I update my picks tomorrow, but I won’t leave her off my list of other possibilities. Torres’s mother happens to be Fernanda Montenegro (now in her 90s) and she appears in Here in what’s said to be a brief role.

Where Here has the best opportunity at Academy exposure is in International Feature Film (assuming it is Brazil’s pick). I’ve had it in my five for a few weeks and the Venice chatter solidifies the notion. I would put it behind Emilia Pérez (if France selects it) and The Seed of the Sacred Fig (Germany’s choice) as far as winning odds. My Oscar Prediction posts will continue…

Oscar Predictions: The Piano Lesson

The Piano Lesson is the third adaptation of an August Wilson play in the past decade seeking Oscar glory. This is a Washington family affair with siblings Malcolm directing and John David headlining. Their father Denzel is a producer. Piano has played at Telluride (with Toronto next) before its limited November 8th theatrical release and November 22nd Netflix premiere. Cast members include Samuel L. Jackson, Ray Fisher, Michael Potts, Erykah Badu, Corey Hawkins, and Danielle Deadwyler.

Early reviews are decent with some gripes about its stagey nature. Before we get to its awards chances, let’s take a look at how fellow Wilson adaptations Fences in 2016 and Ma Rainey’s Black Bottom in 2020 performed. Fences, directed by Denzel, landed four nominations: Picture, Denzel in Actor, Viola Davis in Supporting Actress for which she won, and Adapted Screenplay. Ma Rainey managed five mentions for Actor (Chadwick Boseman), Actress (Viola Davis), Costume Design (where it took gold), Makeup & Hairstyling (another victory), and Production Design.

With that track record, Piano has rightfully been viewed as a serious contender in numerous races. This weekend’s buzz solidifies some of that chatter while muddying other possibilities. Danielle Deadwyler appears to be the cast’s standout. It is not yet known if Netflix will campaign for her in lead or supporting though the latter seems more likely. If they do, a nod seems close to assured and that would come two years after she was snubbed in Actress for Till.

For weeks, I’ve had Samuel L. Jackson listed in 1st place in Supporting Actor. Despite a career with a lengthy list of highlights, his sole nom came 30 years ago for Pulp Fiction. Now I’m not even sure he makes the cut as his costar Ray Fisher is getting equally strong ink. Jackson could make the final quintet. However, I suspect I’ll at least drop him from the top slot. John David Washington faces longer odds in lead Actor, but let’s see how crowded that competition becomes.

Best Picture is a question mark. I think it could make it in though it would be at the bottom of the 10 hopefuls and may miss altogether. Down the line techs like Costume Design, Makeup & Hairstyling, and Production Design (the ones Rainey received) could happen with Adapted Screenplay in the mix. One must wonder if Netflix decides to push Emilia Pérez as their #1 option and the answer is probably yes. My Oscar Prediction posts will continue…

Oscar Predictions: Woman of the Hour

Anna Kendrick, a Supporting Actress nominee for 2009’s Up in the Air, makes her directorial debut with Woman of the Hour. The late 70s set crime thriller tells the true life tale of a struggling actress (played by Kendrick) who appears on The Dating Game and ends up selecting serial killer Rodney Alcala (Daniel Zovatto). Costars include Tony Hale and Nicolette Robinson.

Hour first drew eyeballs nearly a year ago at the Toronto Film Festival. The Rotten Tomatoes score is 90% with critics calling it an assured debut from the Pitch Perfect performer. Reviews are also praising Zovatto’s performance. Netflix quickly snatched up the rights and they’ve taken their time picking their own date. It finally streams beginning October 18th.

Despite high marks, Netflix should have their hands full with other campaigns including Emilia Pérez, The Piano Lesson, and Maria. This is unlikely to be a priority. My Oscar Prediction posts will continue…