The nominees for the Producers Guild of America (PGA) unveiled the ten nominees for their best motion picture and five contenders for an animated offering today. When it comes to BP nominees, the PGA has a mostly impressive track record matching with the Oscar list.
Most notably, there was a 10/10 correlation last year. It was 8/10 in 2021 and 7/10 in 2020 and 2022. Let’s walk through the nominated features with how I did in my predictions and some commentary.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, A Real Pain, September 5, The Substance, Wicked
How I Did: 8/10
When I made my projections for this race, I stated that I believe there to be 8 safe pictures for PGA and at Oscar: Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, The Substance, and Wicked. That certainly appears to hold true for the upcoming nods as the octet is up at PGA.
It’s the last two slots that are tricky to figure and the PGA just made it trickier. A Real Pain and September 5 are in over my picks of Challengers and Nickel Boys. I’ll also note that Nosferatu or Sing Sing being included here could have helped their fortunes.
This is certainly a boost for A Real Pain which has missed some key precursors lately and an unexpected slot for September 5 which has been largely absent in other lists.
Unlike last year, I don’t think we’re going to see a 10/10 match. 8 for 10 seems assured and 9 for 10 is certainly doable.
Outstanding Producer of Animated Theatrical Motion Pictures
Flow, Inside Out 2, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 4/5
Every Despicable Me predecessor made the cut at PGA, so I went with Despicable Me 4 over Wallace. It was not to be.
I’ll have winner predictions up shortly before the event which is slated for February 8th.
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
This third write-up brings us to Best Supporting Actress. If you missed the previous two posts covering Actress and Supporting Actor, you can find them here:
I often refer to the “pen” theory on this blog when discussing my Oscar forecasts. Those are performers and pictures whose nominations can be written in pen. For the 97th Academy Awards in Supporting Actress, I believe there’s two surefire selections.
Pop star Ariana Grande’s turn as Glinda has bewitched audiences worldwide. She’s received a key quartet of noms at the Golden Globes, Critics Choice, SAG, and the BAFTA long list. Her inclusion appears assured.
The same can be said for Zoe Saldaña in Emilia Pérez and I have her placed in 1st. That’s because Saldaña has also achieved the aforementioned precursors with a victory at the Globes.
And then it’s a bit of a free for all with 8 performers, in my view, vying for 3 slots. Before we discuss them, let’s take a moment to mention some actresses whose nods once seemed possible. Then their pictures debuted and either the movies were looked at as disappointments or their roles weren’t significant enough to warrant awards buzz. I’m talking about Lady Gaga from Joker: Folie à Deux, Toni Collettee in Juror #2, Lashana Lynch from Bob Marley: One Love, and Hong Chau in Kinds of Kindness, to name a few.
Despite making the BAFTA long list, don’t look for Adriana Paz in Emilia Pérez to contend with the focus on cast mates Karla Sofia Gascón in lead and Saldaña and Selena Gomez (we’ll get to her shortly) here. Emily Watson also made the BAFTA cut in Small Things like These but isn’t expected to factor into the Academy derby. Same with Michele Austin in Hard Truths.
The next group were once seen as viable and have not made it to the precursors. Their nominations are not totally impossible. However, they would be rightly seen as major spoilers. I would include Joan Chen (Dídi), Natasha Lyonne (His Three Daughters), Saoirse Ronan (Blitz), and Elle Fanning (A Complete Unknown) in this lot.
We return to the 8 performers circling three Oscar chairs. They are: Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), Selena Gomez (Emilia Pérez), Felicity Jones (The Brutalist), Margaret Qualley (The Substance), and Isabella Rossellini (Conclave). Let’s walk through them one by one, shall we?
Monica Barbaro’s performance as Joan Baez in A Complete Unknown has only popped up in one of the 4 previously discussed precursors. In her favor… it’s the most recent at SAG and Unknown has generally been over performing this season. I don’t have her predicted at press time and she’s 5th out of these 8 possibilities.
Jamie Lee Curtis, two years after winning this prize for Everything Everywhere All at Once, is in the mix once again for The Last Showgirl. She could also benefit from recency bias. While she didn’t factor in at the Globes or Critics Choice, her name has been called in the last few days with the BAFTA long list and SAG. I have her 6th out of the 8 possibilities.
Danielle Deadwyler has the disadvantage of The Piano Lesson not being a Best Picture contender or being a threat for a nomination anywhere else. The SAG nod this week kept her in the conversation and she also received Critics Choice. Two years ago, she was notably snubbed for her lead performance in Till and that could assist her now. I have her 3rd out of the 8 possibilities and just getting in.
Aunjanue Ellis-Taylor in Nickel Boys has only shown up at Critics Choice and the movie itself may or may not make the BP dance. While her standing in the eventual quintet looks shaky, I wouldn’t totally discount her and she’s 7th out of the 8 possibilities.
Selena Gomez is undoubtedly in the shadow of costar Saldaña though she’s in the BAFTA long list and was nominated at the Globes. A SAG nod would have caused her to be higher, but she’s 8th out of the 8 possibilities.
Felicity Jones made BAFTA and Globes and was a surprise no-show at Critics Choice and SAG. I suspect The Brutalist‘s eventual standing at Oscar helps and I have her 1st among these 8 possibilities.
Margaret Qualley is nowhere near as guaranteed an Academy invite as her Substance lead Demi Moore. Of the four precursors, she has only missed SAG. I didn’t predict her there and I currently have her 4th of these 8 possibilities. That would leave her barely on the outside looking in.
Finally, despite a short amount of screen time in Conclave, Isabella Rossellini also only missed SAG. Unlike Qualley, I have her 3rd of the 8 hopefuls and just making the quintet.
OK. There you have it. My microscope analysis of Best Supporting Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a deep dive into Best Actor up next!
The BAFTAs, the United Kingdom’s equivalent of the Academy Awards, unveil their nominees this Wednesday, January 15th. This comes after they revealed their long lists for contenders in their various races a little over a week ago.
Here are my picks for the nominees across the competitions with an alternate picked in each. I’ll have a recap with how I did and general thoughts mid-week!
Best Film
Anora, The Brutalist, Conclave, Emilia Pérez, The Substance
Alternate – A Complete Unknown
Outstanding British Film
Bird, Blitz, Civil War, Conclave, Gladiator II, Hard Truths, Kneecap, Lee, The Outrun, Wallace & Gromit: Vengeance Most Fowl
Alternate – Wicked Little Letters
Outstanding Debut by a British Writer, Director or Producer
Bring Them Down, Grand Theft Hamlet, Kneecap, Santosh, The Taste of Mango
Alternate – Monkey Man
Best Children’s and Family Film
Flow, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Young Woman and the Sea
Alternate – Piece by Piece
Best Film Not in the English Language
All We Imagine as Light, Emilia Pérez, I’m Still Here, Kneecap, La Chimera
Alternate – The Seed of the Sacred Fig
Best Documentary
Black Box Diaries, Daughters, No Other Land, Super/Man: The Christopher Reeve Story, Will & Harper
Alternate – Elton John: Never Too Late
Best Animated Feature
Flow, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Alternate – Inside Out 2
Best Director
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Payal Kapadia (All We Imagine as Light), Coralie Fargeat (The Substance)
Alternate – Denis Villeneuve (Dune: Part Two)
Best Original Screenplay
Anora, The Brutalist, Kneecap, A Real Pain, The Substance
Alternate – All We Imagine as Light
Best Adapted Screenplay
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Wicked
Alternate – Sing Sing
Best Actress
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Demi Moore (The Substance), Kate Winslet (Lee)
Alternate – Nicole Kidman, Babygirl
Best Actor
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)
Alternate – Hugh Grant (Heretic)
Best Supporting Actress
Michele Austin (Hard Truths), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Margaret Qualley (The Substance), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
Alternate – Selena Gomez (Emilia Pérez)
Best Supporting Actor
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice), Denzel Washington (Gladiator II)
Alternate – Clarence Maclin (Sing Sing)
Best Casting
Anora, Blitz, Conclave, Emilia Pérez, Wicked
Alternate – Kneecap
Best Cinematography
Anora, The Brutalist, Conclave, Dune: Part Two, Nosferatu
Alternate – Emilia Pérez
Best Costume Design
Beetlejuice Beetlejuice, Dune: Part Two, Gladiator II, Nosferatu, Wicked
Alternate – Blitz
Best Editing
Anora, Challengers, Conclave, Emilia Pérez, The Substance
Alternate – Dune: Part Two
Best Makeup and Hair
Beetlejuice Beetlejuice, Dune: Part Two, Nosferatu, The Substance, Wicked
Alternate – Emilia Pérez
Best Original Score
Blitz, The Brutalist, Conclave, Emilia Pérez, The Substance
Alternate – Wicked
Best Production Design
Conclave, Dune: Part Two, Gladiator II, Nosferatu, Wicked
Alternate – The Brutalist
Best Special Visual Effects
Alien: Romulus, Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes
Alternate – Wicked
Best Sound
Civil War, A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked
Alternate – The Substance
That works out to these pictures landing these numbers of nominations:
11 Nominations
Conclave
10 Nominations
Emilia Pérez
8 Nominations
Anora, The Brutalist, The Substance, Wicked
6 Nominations
Dune: Part Two
5 Nominations
Gladiator II
4 Nominations
A Complete Unknown, Kneecap, Nosferatu
3 Nominations
Blitz, Hard Truths, Wallace & Gromit: Vengeance Most Fowl
2 Nominations
All We Imagine as Light, The Apprentice, Beetlejuice Beetlejuice, Civil War, Flow, Lee, A Real Pain, The Wild Robot
1 Nomination
Alien: Romulus, Better Man, Bird, Black Box Diaries, Bring Them Down, Challengers, Daughters, Grand Theft Hamlet, I’m Still Here, Kingdom of the Planet of the Apes, La Chimera, Memoir of a Snail, Nickel Boys, No Other Land, The Outrun, Queer, Santosh, Sing Sing, Super/Man: The Christopher Reeve Story, The Taste of Mango, Will & Harper, Young Woman and the Sea
The Producers Guild of America (PGA) release their contenders for top film as well as animated offering this Sunday, January 12th. Last year, the PGA managed to match Oscar 10 for 10 in terms of Best Picture nominees.
That could certainly happen again and I believe eight movies are safe bets for PGA (and Oscar) inclusion: Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, The Substance, and Wicked.
After that it gets a little tricky. It is not out of the ordinary for PGA to nominate more mainstream material that the Academy ignores in BP. Examples over the past decade include Gone Girl, Straight Outta Compton, Deadpool, Wonder Woman, Crazy Rich Asians, Black Panther: Wakanda Forever, and Glass Onion: A Knives Out Mystery.
What could fit that description for PGA? There aren’t a lot of surefire contenders. I don’t see Furiosa: A Mad Max Saga or Gladiator II having enough juice to get into the 10. Same for Inside Out 2. I do think Challengers or Nosferatu could sneak in and I’m giving an edge to the former.
Films such as A Real Pain, September 5, The Seed of the Sacred Fig, or All We Imagine as Light could really benefit from a slot at PGA. So too could Nickel Boys and Sing Sing. Both of them are (currently) in my Oscar ten. I’ll give Nickel the slight edge over Sing at PGA.
PGA also honors animated pics and they often prioritize blockbuster fare over smaller titles. That’s why you could see Despicable Me 4, Moana 2, or TransformersOne represented here over Memoir of a Snail or even Flow.
Here’s my predictions in the two categories with an alternate in each:
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora
The Brutalist
Challengers
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
Nickel Boys
The Substance
Wicked
Alternate – Sing Sing
Outstanding Producer of Animated Theatrical Motion Pictures
The Directors Guild of America (DGA) is typically reliable for selecting four of the five eventual nominees at the Oscars. I suspect that might hold true this cycle. The filmmaking branch revealed their quintet of hopefuls today and they are:
Jacques Audiard, Emilia Pérez
Sean Baker, Anora
Edward Berger, Conclave
Brady Corbet, The Brutalist
James Mangold, A Complete Unknown
The quartet of alphabetically early contenders are expected to make the final cut at the 97th Academy Awards while Mangold’s inclusion is more unexpected. He gets in over my pick of Denis Villeneuve for Dune: Part Two and Coralie Fargeat (The Substance), my alternate.
I still wouldn’t rush to put Mangold in your Academy five, but it should be noted that Unknown is having an impressive run in the precursor season.
This is not good news for Villeneuve. If he can’t get DGA, the Academy might be an even larger hurdle. I suspect Fargeat may continue to be in my Oscar grouping. As for who wins this prize, Corbet looks to be the frontrunner.
Keep an eye on the blog for all major precursor action!
Nominations for the 31st Annual Screen Actors Guild (SAG) Awards roll out this Wednesday, January 8th. They are, of course, another key precursor before Oscar noms are unveiled January 17th. However, this branch can often go there own way and that’s especially true for lead Actress and the supporting fields. Let’s take a walk through all six feature film categories with my picks, a runner-up possibility, and some commentary.
Outstanding Performance by a Female Actor in a Leading Role
At the last five SAGs, 18 of the 25 nominees matched the Oscar selections. In none of the years did SAG and the Academy match 5 for 5. Therefore, I’m hesitant to project my current Oscar quintet of Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Angelina Jolie (Maria), Mikey Madison (Anora), and Demi Moore (The Substance). I would say Gascón, Madison, and Moore feel relatively safe with Erivo and Jolie (especially after missing the BAFTA long list) vulnerable. Who could spoil the party? I wouldn’t discount Kate Winslet (Lee), Nicole Kidman (Babygirl), or Amy Adams (Nightbitch). Yet I just can’t decide who to take out the original group so I’m (reluctantly) sticking with it.
Predicted Nominees:
Cynthia Erivo, Wicked
Karla Sofia Gascón, Emilia Pérez
Angelina Jolie, Maria
Mikey Madison, Anora
Demi Moore, The Substance
Runner-Up: Kate Winslet, Lee
Outstanding Performance by a Male Actor in a Leading Role
In this contest, SAG and the Academy is more synced up at 22/25 over the past five years and 5 for 5 matches in 2020, 2021, and 2023 and 4 for 5 for 2019 and 2022. That means I’m feeling confident about these four slots that most agree will achieve Oscar status – Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). It’s that fifth one that’s a question mark. I currently have Daniel Craig (Queer) clinging to the Academy spot. However, I could see SAG going for either Hugh Grant (Heretic) or Sebastian Stan (The Apprentice). I’ll go with the latter.
Predicted Nominees:
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Runner-Up: Hugh Grant, Heretic
Outstanding Performance by a Female Actor in a Supporting Role
Like Actress, there’s an 18 for 25 SAG/Oscar matchup over the previous half decade. In 2020, there was only a 2 for 5 match while it was 5/5 in 2022. I feel like only two performers are safe: Ariana Grande in Wicked and Zoe Saldaña for Emilia Pérez. Despite the short screen time, Isabella Rossellini in Conclave seems likely. For Danielle Deadwyler in The Piano Lesson, she needs to show up here and I have her barely making the cut. While I have Felicity Jones currently getting an Oscar nod for The Brutalist, she may be on the outside looking in here. The fifth slot could be Saldaña’s costar Selena Gomez, Margaret Qualley in The Substance, or either Elle Fanning or Monica Barbaro from A Complete Unknown. I’m going to roll the dice with Gomez on this one which would cause Pérez to probably lead all nominated pictures.
Predicted Nominees:
Danielle Deadwyler, The Piano Lesson
Selena Gomez, Emilia Pérez
Ariana Grande, Wicked
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez
Runner-Up: Margaret Qualley, The Substance
Outstanding Performance by a Male Actor in a Supporting Role
There’s a 17 for 25 SAG/Oscar match here. Kieran Culkin (A Real Pain) has a reserved spot in the five and I feel like SAG won’t ignore Denzel Washington from Gladiator II. Guy Pearce (The Brutalist) is probably close to a shoo-in. For the last two spots, I would think they’d go for Clarence Maclin in Sing Sing unless they figure an Ensemble nomination is recognition enough. For the five spot, I had it between Edward Norton (A Complete Unknown) and Yura Borisov (Anora) with the former having the edge. I’ll be honest. I hate that this is my current Oscar quintet but it is what it is. Keep an eye on surprisers like Stanley Tucci (Conclave), Jeremy Strong (The Apprentice), Adam Pearson (A Different Man), or Brian Tyree Henry (The Fire Inside)
Predicted Nominees:
Kieran Culkin, A Real Pain
Clarence Maclin, Sing Sing
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Denzel Washington, Gladiator II
Runner-Up: Jeremy Strong, The Apprentice
Best Performance by a Cast in a Motion Picture
As an annual reminder, SAG isn’t honoring “Best Picture”. It’s their favorite ensemble. Normally there’s at least one nominee that doesn’t get a BP nod from the Academy. Perhaps Saturday Night is that movie, but I’m skeptical. The top 7 possibilities here – Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Pérez, Sing Sing, Wicked – are all serious BP contenders. The Brutalist (despite being first in my Oscar mix at the moment) could be vulnerable due to its smaller cast. It’s a coin flip as to what else comes out, but I’m going with Sing Sing.
Predicted Nominees:
Anora
A Complete Unknown
Conclave
Emilia Pérez
Wicked
Runner-Up: Sing Sing
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Give credit to SAG as they give credit to stunt performers and this sure seems like a competition that’s tailor-made for The Fall Guy in 2024. Other possibilities include Dune: Part Two, Furiosa: A Mad Max Saga, Gladiator II, Kingdom of the Planet of the Apes, and maybe even Wicked. I also wouldn’t discount Dev Patel’s Monkey Man. That said, I’m forecasting Deadpool & Wolverine enough though Mr. Pool’s two predecessors didn’t get in here.
Predicted Nominees:
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Runner-Up: Monkey Man
That means I’m predicting the following numbers of nominations for these pictures:
4 Nominations
Emilia Pérez
3 Nominations
A Complete Unknown, Conclave, Wicked
2 Nominations
Anora, The Brutalist, Gladiator II, Sing Sing
1 Nomination
The Apprentice, Dune: Part Two, The Fall Guy, Furiosa: A Mad Max Saga, Maria, Monkey Man, The Piano Lesson, A Real Pain, The Substance
This Wednesday (01/08), the Directors Guild of America reveals their five nominees for behind the camera achievement in 2024. The DGA is normally a reliable barometer to project 4 of the 5 eventual Oscar nominees. Over the past decade, the match has been that margin in eight of the years. For two of the years, the match was 3 for 5. That includes last year when Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) made the DGA cut but Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) received Academy attention.
I believe there are two shoo-in nominees for the 77th ceremony in Brady Corbet for The Brutalist and Sean Baker for Anora. Furthermore, I see Edward Berger (Conclave) as really close to being an automatic pick.
Then it gets interesting. The DGA often prioritizes American pictures over foreign entries or foreign directors. We certainly saw that last year with Gerwig/Payne over Glazer/Triet. In 2021, Denis Villeneuve was in the DGA quintet for Dune while Ryusuke Hamaguchi (Drive My Car) replaced him in the Academy five. In 2022, it was Ruben Östlund (Triangle of Sadness) vying for Oscar instead of DGA selection Joseph Kosinski for Top Gun: Maverick.
That’s why I wouldn’t pencil in Mohammad Rasoulof (The Seed of the Sacred Fig) or Payal Kapadia (All We Imagine as Light) here. And that’s why being skeptical about Jacques Audiard (Emilia Pérez) or Coralie Fargeat (The Substance) is warranted. Both could get in and both movies are over performing in various precursors. Pérez, it could be argued, is doing so by an even more impressive margin. That’s why I’m leaving Audiard in while Fargeat is barely on the outside looking in.
So who gets the fifth slot? I wouldn’t count out RaMell Ross for Nickel Boys or even James Mangold for A Complete Unknown or Jon M. Chu for Wicked (though I’m finding that one increasingly unlikely). I’m reminded that DGA also selects some filmmakers for blockbuster fare the Academy ignores. Gerwig for Barbie and Kosinski for Top Gun. Ridley Scott for The Martian.
And… Denis Villeneuve for Dune. I think history could repeat itself with Villeneuve in contention for the sequel and that’s the direction I’m going for DGA.
Every year in December, we get a clearer picture of several races at the forthcoming Oscars when shortlists are unveiled. For feature-length categories, this applies to International Feature Film, Documentary Feature, Original Score, Original Song, Makeup and Hairstyling, Sound, and Visual Effects. In Score, we are given a list of 20 finalists in contention. For Song it’s 15. Same goes for the foreign and doc derbies. For the other 3 down-the-line competitions, we are given the standing 10 hopefuls. When nominations are eventually announced, all of these races will be whittled down to the final five.
Let’s walk through all seven of the shortlisted categories with some commentary, shall we?
Best International Feature Film
Shortlisted Movies: Armand, Dahomey, Emilia Pérez, Flow, From Ground Zero, The Girl with the Needle, How to Make Millions Before Grandma Dies, I’m Still Here, Kneecap, Santosh, The Seed of the Sacred Fig, Touch, Universal Language, Vermiglio, Waves
There weren’t any major surprises as my top 10 IFF contenders from my previous update all made the cut. The additional five are Armand (which has been in my 10 before), From Ground Zero, Santosh, Touch, and Waves. Mexico’s Sujo and Japan’s Cloud are somewhat notable omissions.
Best Documentary Feature
Shortlisted Movies: The Bibi Files, Black Box Diaries, Dahomey, Daughters, Eno, Frida, Hollywoodgate, No Other Land, Porcelain War, Queendom, The Remarkable Life of Ibelin, Soundtrack to a Coup d’Etat, Sugarcane, Union, Will & Harper
Nine of my previous ten docs are in with the other six being The Bibi Files, Eno, Frida, Hollywoodgate, Porcelain War, and Queendom. The only missing entry was my #9 from last weekend – Super/Man: The Christopher Reeve Story. It’s not out of character for the doc branch to leave off some of higher profile titles.
Best Original Score
Shortlisted Movies: Alien: Romulus, Babygirl, Beetlejuice Beetlejuice, Blink Twice, Blitz, The Brutalist, Challengers, Conclave, Emilia Pérez, The Fire Inside, Gladiator II, Horizon: American Saga – Chapter 1, Inside Out 2, Nosferatu, The Room Next Door, Sing Sing, The Six Triple Eight, Wicked, The Wild Robot, Young Woman and the Sea
Like in IFF, all ten of my contenders remain intact with another 10 in the mix. So while there’s no huge shockers, Queer and Saturday Night were expected to show up here.
Best Original Song
Shortlisted Songs: “Beyond” from Moana 2, “Compress/Repress” from Challengers, “El Mal” from Emilia Pérez, “Forbidden Road” from Better Man, “Harper and Will Go West” from Will & Harper, “The Journey” from The Six Triple Eight, “Kiss the Sky” from The Wild Robot, “Like a Bird” from Sing Sing, “Mi Camino” from Emilia Pérez, “Never Too Late” from Elton John: Never Too Late, “Out of Oklahoma” from Twisters, “Piece by Piece” from Piece by Piece, “Sick in the Head” from Kneecap, “Tell Me It’s You” from Mufasa: The Lion King, “Winter Coat” from Blitz
The songs that got in for Twisters, Kneecap, and Mufasa were not the tunes I would’ve predicted for that trio. In my top ten from last weekend, I had “Better Way to Live” from Kneecap. In a notable snub, Miley Cyrus’s “Beautiful That Way” from The Last Showgirl (a Globe nominee) is out.
Best Makeup and Hairstyling
Shortlisted Movies: The Apprentice, Beetlejuice Beetlejuice, A Different Man, Dune: Part Two, Emilia Pérez, Maria, Nosferatu, The Substance, Walking with Brando, Wicked
In one of the larger twists, the little-seen Waltzing with Brando dances into this category. My number 8 Sasquatch Sunset and 9 Furiosa: A Mad Max Saga don’t get in. Furiosa had a bad day as it was blanked from this, Score, and the next two categories.
Best Sound
Shortlisted Movies: Alien: Romulus, Blitz, A Complete Unknown, Deadpool & Wolverine, Dune: Part Two, Emilia Pérez, Gladiator II, Joker: Folie à Deux, Wicked, The Wild Robot
Here’s where I had the most misses and this is the only place where a predicted nominee fails to show. That would be my #4 The Brutalist. There’s also Nosferatu (8th), Furiosa (9th), and The Substance (10th) not in contention. Alien had a good day by the way while The Substance only made it in Makeup (which it could win).
Best Visual Effects
Shortlisted Movies: Alien: Romulus, Better Man, Civil War, Deadpool & Wolverine, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, Mufasa: The Lion King, Twisters, Wicked
I would’ve thought Civil War had a stronger chance in Sound, but it’s here along with Alien instead of my #7 The Substance and #10 Furiosa.
Bottom line: there’s no jaw dropping snubs in my view like there have been in some past years. Yet now we can probably safely assume Furiosa has no road to any Oscar nominations unless the Production Design branch bails it out (unlikely).
Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?
2009: 5/10 match
2010: 9/10
2011: 7/9
2012: 8/9
2013: 7/9
2014: 6/8
2015: 6/8
2016: 7/9
2017: 7/9
2018: 5/8
2019: 7/9
2020: 6/8
2021: 8/10
2022: 7/10
2023: 8/10
There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.
Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
Nickel Boys
A Real Pain
Sing Sing
Wicked
Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.
Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.
Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.
Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.
That said… we don’t expect this to be the Oscar top ten…
Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…
Keep an eye on this blog for all Oscar precursor chatter!
The National Board of Review often marches to the beat of its own awards drum when it comes to selecting their annual pictures and performers. In 2014, only four of their eleven top movies ended up generating an Academy nomination for Best Picture. In the past decade, there’s been one other year with just four and three years where it was five and two where it was six. There’s three other years where it’s seven and that’s as high as it gets. In most years, NBR names a Best Film with ten other favorite movies listed alphabetically. During that time period, here’s just a sampling of NBR top films that probably never came close to an Oscar BP nod: Fury, The LEGO Movie, Hail, Caesar!, Patriots Day, Baby Driver, Downsizing, Waves, The Forty-Year-Old Version, Red Rocket, and Ferrari.
I give all that context because there were some unexpected selections in their list today… but not really given their history. Jon M. Chu’s Wicked is Best Film. That one is anticipated to generate an Academy BP slot. This particular group often goes with blockbuster material like Wicked for their winner. Recent examples include Mad Max: Fury Road in 2015 (guess we should’ve seen that Furiosa nod coming) and Top Gun: Maverick in 2022.
Some others… not so much. The other ten are as follows: Anora, Babygirl, A Complete Unknown, Conclave, Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, and Sing Sing. Only half of those features (Wicked, Anora, Conclave, A Real Pain, Sing Sing) are currently in my Oscar BP ten. Babygirl, Furiosa, Juror #2, and Queer likely stand little chance at the big dance while A Complete Unknown and Gladiator II have better shots.
There are some notable omissions from the list like The Brutalist, Emilia Pérez, and Dune: Part Two. That said, recent BP victors The Shape of Water, Parasite, and CODA were nowhere to be found with NBR.
The Wicked love continued in Director with Jon M. Chu being named. You have to go all the way to Martin Scorsese and 2006’s The Departed for the last NBR/Oscar match.
Nicole Kidman is your Best Actress for Babygirl and Daniel Craig is Best Actor for Queer. Both are considered bubble candidates for Oscar (I currently have Craig in and Kidman out). I will note that 8 of the last 10 NBR Actress winners have achieved an Academy spot. In Actor, it’s also 8.
Kieran Culkin racked up another Supporting Actor prize (right after the New York Film Critics Circle) for A Real Pain and Elle Fanning is Supporting Actress (a bit of an out of nowhere pick) for A Complete Unknown. The previous 10 Supporting Actor victors for NBR received Oscar attention as Culkin is expected to. For Supporting Actress, it’s 8.
In other NBR news for categories that correlate to the Academy Awards, Hard Truths and Sing Sing are your respective Original and Adapted Screenplay recipients. Flow snatched another Animated Feature trophy while The Seed of the Sacred Fig is their #1 International Feature. The Documentary prize went to Sugarcane with Nosferatu triumphant in Cinematography.
Keep an eye on this blog for all precursor Oscar chatter!
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