A trio of new releases are vying for the #1 spot this weekend as musical biopic Springsteen: Deliver Me from Nowhere, romantic drama Regretting You and anime fantasy Chainsaw Man: The Movie – Reze Arc are unveiled. You can peruse my detailed prediction posts on the trio here:
Potential over or under performances by the newbies make this an uncertain weekend. As mentioned, any of them could place 1st or Black Phone 2 could repeat atop the charts. I’m giving the slight edge to Springsteen with Jeremy Allen White as The Boss though my mid teens estimate means it would fall short of the eventual grosses of recent genre fare like Bohemian Rhapsody, Elvis and A Complete Unknown.
Regretting You has a shot of exceeding expectations since it’s based on source material from Colleen Hoover. The adaptation of her novel It Endswith Us was a smash last year. Yet my low teens take puts it in second as this doesn’t seem to have the buzz of the aforementioned.
As for Chainsaw, anime features (especially the most recent Demon Slayer) have been hot commodities, but this isn’t expected to reach anywhere that pic’s $70 million start. I’m going low double digits though it could surprise.
After a stellar start, Black Phone 2 should lose around its opening weekend audience with Tron: Ares shedding more than that and rounding out the top five.
Here’s how it see it shaking out:
1. Springsteen: Deliver Me from Nowhere
Predicted Gross: $16.1 million
2. Regretting You
Predicted Gross: $14 million
3. Black Phone 2
Predicted Gross: $13.7 million
4. Chainsaw Man: The Movie – Reze Arc
Predicted Gross: $12.8 million
5. Tron: Ares
Predicted Gross: $5 million
Box Office Results (October 17-19)
Black Phone 2 rang up decent business and outdid its 2022 predecessor with $27.3 million. That managed to top my $25.5 million prediction.
Tron: Ares fell 67% for $11.1 million in second, rising slightly ahead of my $10.2 million call. The flop of a threequel stands at $54 million after two weeks and this won’t be reaching nine digits domestically.
Aziz Ansari’s comedy Good Fortune couldn’t find it despite the star power of Seth Rogen and Keanu Reeves. It was third with $6.1 million, a shade below my $7.3 million estimate.
One Battle After Another was fourth with $3.8 million compared to my $4.9 million projection. The four-week total is $61 million.
Roofman took fifth with $3.7 million (I said $4.6 million) and it’s shackled with only $15 million in two weekends of play.
Finally, critically drubbed After the Hunt from Luca Guadagnino and starring Julia Roberts was ninth in wide release with a paltry $1.5 million. I was more generous at $3.5 million.
At the 95th Academy Awards honoring the movies and performances of 2022, Darren Aronofsky directed Brendan Fraser to a Best Actor victory for The Whale. The runner-up that year was probably Austin Butler as Elvis. Aronofosky’s Whale follow-up is NYC crime thriller Caught Stealing (out Friday) and he snagged Butler for the lead role. Costars include Regina Hall, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Bad Bunny, and Carol Kane.
Several early reviews indicate this is a 90s throwback that properly entertains. Rotten Tomatoes is at 81% with Metacritic at 69. Unlike The Whale, this does not appear to have awards aspirations. The late August release basically indicates that. Some critics point out its comedic aspects and it will be interesting to see if Sony campaigns Butler in Best Actor in a Musical or Comedy at the Golden Globes. He won that race in the Drama competition (over Fraser) at that ceremony in early 2023. I doubt he’ll be a Globe nominee this time around, but it’s worthy of mention. My Oscar Prediction posts will continue…
It’s been three weeks since I’ve updated my predictions for the 98th Academy Awards and a little thing called the Cannes Film Festival has happened since then. The French extravaganza has become increasingly important when figuring out your eventual Oscar ballots. To what extent? Last year’s winner Anora premiered there and took the Palme d’Or while fellow nominees Emilia Pérez and The Substance were also unveiled. In 2023, Anatomy of a Fall‘s Palme victory translated to a BP nomination while The Zone of Interest and Killers of the Flower Moon were also on the slate. 2022 Palme recipient Triangle of Sadness was part of the Academy’s BP ten while Elvis and Top Gun: Maverick premiered out of competition. You get the idea.
This year’s proceedings bestowed top prize to Jafar Panahi’s It Was Just an Accident. And while a Palme d’Or certainly increases a picture’s chances in BP, I’m not ready to vault it into the Oscar top 10. As for the Grand Prix winner (essentially runner-up), I already had Joachim Trier’s Sentimental Value in my ten and the Cannes premiere solidified that projection.
There were performances that gained momentum like Value’s quadrology of Renate Reinsve, Stellan Skarsgård, Elle Fanning, and Inga Ibsdotter Lilleass. Same goes for Jennifer Lawrence in Die, My Love and Cannes Best Actor Wagner Moura for The Secret Agent, who goes from unranked to my top 5.
Per usual, there were movies whose awards consideration hopes faded. That list includes The History of Sound, Alpha, Eddington, and The Phoenician Scheme.
Yet for all the Cannes chatter, my new #1 in BP has nothing to do with that event. I’ve had Luca Guadagnino’s After the Hunt slotted atop that chart over the last few weeks. Truth be told, that’s plain ole guesswork since it has yet to screen. I’m replacing it with Ryan Coogler’s vampire tale Sinners, the box office phenomenon that opened in April. Do I think it’s going to win BP? Probably not though it’s obviously far too early for that call. I do think that it and Sentimental Value (also rising) are the two pics that have been viewed that will not miss the cut.
Best Picture
Predicted Nominees:
1. Sinners (Previous Ranking: 3) (+2)
2. After the Hunt (PR: 1) (-1)
3. Marty Supreme (PR: 2) (-1)
4. Sentimental Value (PR: 6) (+2)
5. Wicked: For Good (PR: 4) (-1)
6. Jay Kelly (PR: 8) (+2)
7. Hamnet (PR: 7) (E)
8. The Rivals of Amziah King (PR: 5) (-3)
9. Avatar: Fire and Ash (PR: 10) (+1)
10. The Life of Chuck (PR: 9) (-1)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Deliver Me from Nowhere (PR: 13) (+1)
13. Bugonia (PR: 12) (-1)
14. It Was Just an Accident (PR: Not Ranked)
15. The Secret Agent (PR: Not Ranked)
16. Frankenstein (PR: 14) (-2)
17. Sound of Falling (PR: Not Ranked)
18. The Ballad of a Small Player (PR: 17) (-1)
19. No Other Choice (PR: 15) (-4)
20. Die, My Love (PR: 16) (-4)
21. Ann Lee (PR: 19) (-2)
22. Rental Family (PR: 22) (E)
23. F1 (PR: 21) (-2)
24. The Smashing Machine (PR: 23) (-1)
25. Kiss of the Spider Woman (PR: Not Ranked)
Dropped Out:
Highest 2 Lowest
Michael – the Michael Jackson biopic is reportedly moving to 2026
Is This Thing On?
Alpha
Best Director
Predicted Nominees:
1. Ryan Coogler, Sinners (PR: 2) (+1)
2. Luca Guadagnino, After the Hunt (PR: 1) (-1)
3. Joachim Trier, Sentimental Value (PR: 4) (+1)
4. Josh Safdie, Marty Supreme (PR: 3) (-1)
5. Andrew Patterson, The Rivals of Amziah King (PR: 5) (E)
Other Possibilities:
6. Chloé Zhao, Hamnet (PR: 7) (+1)
7. Jon M. Chu, Wicked: For Good (PR: 6) (-1)
8. Noah Baumbach, Jay Kelly (PR: 10) (+2)
9. Paul Thomas Anderson, One Battle After Another (PR: 8) (-1)
10. Yorgos Lanthimos, Bugonia (PR: 9) (-1)
11. Jafar Panahi, It Was Just an Accident (PR: Not Ranked)
12. Guillermo del Toro, Frankenstein (PR: 11) (-1)
13. Kieber Mendonça Filho, The Secret Agent (PR: Not Ranked)
14. Scott Cooper, Deliver Me from Nowhere (PR: 14) (E)
15. James Cameron, Avatar: Fire and Ash (PR: 13) (-2)
Dropped Out:
Park Chan-wook, No Other Choice
Lynne Ramsay, Die, My Love
Best Actress
Predicted Nominees:
1. Julia Roberts, After the Hunt (PR: 1) (E)
2. Renate Reinsve, Sentimental Value (PR: 3) (+1)
3. Cynthia Erivo, Wicked: For Good (PR: 2) (-1)
4. Jennifer Lawrence, Die, My Love (PR: 6) (+2)
5. Jessie Buckley, Hamnet (PR: 4) (-1)
Other Possibilities:
6. Amanda Seyfried, Ann Lee (PR: 5) (-1)
7. Rose Byrne, If I Had Legs I’d Kick You (PR: 8) (+1)
8. Emma Stone, Bugonia (PR: 7) (-1)
9. Tessa Thompson, Hedda (PR: 10) (+1)
10. Emma Mackey, Ella McCay (PR: 11) (+1)
11. June Squibb, Eleanor the Great (PR: 9) (-2)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)
13. Amy Adams, At the Sea (PR: Not Ranked)
14. Lucy Liu, Rosemead (PR: 13) (-1)
15. Eva Victor, Sorry, Baby (PR: 14) (-1)
Dropped Out:
Margot Robbie, A Big Bold Beautiful Journey
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. Jeremy Allen White, Deliver Me from Nowhere (PR: 3) (+1)
3. George Clooney, Jay Kelly (PR: 4) (+1)
4. Matthew McConaughey, The Rivals of Amziah King (PR: 2) (-2)
5. Wagner Moura, The Secret Agent (PR: Not Ranked)
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)
7. Michael B. Jordan, Sinners (PR: 7) (E)
8. Jesse Plemons, Bugonia (PR: 5) (-3)
9. Daniel Day-Lewis, Anemone (PR: 9) (E)
10. Denzel Washington, Highest 2 Lowest (PR: Not Ranked – moved from supporting)
11. Colin Farrell, The Ballad of a Small Player (PR: 10) (-1)
12. Dwayne Johnson, The Smashing Machine (PR: 12) (E)
13. Willem Dafoe, Late Fame (PR: 11) (-2)
14. Brendan Fraser, Rental Family (PR: Not Ranked)
15. Matthew McConaughey, The Lost Bus (PR: Not Ranked)
Dropped Out:
Paul Mescal, Hamnet (moved to supporting)
Jaafar Jackson, Michael
Lee Byung-hun, No Other Choice
Andrew Scott, Pressure
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good (PR: 1) (E)
2. Ayo Edebiri, After the Hunt (PR: 4) (+2)
3. Angelina LookingGlass, The Rivals of Amziah King (PR: 3) (E)
4. Gwyneth Paltrow, Marty Supreme (PR: 2) (-2)
5. Teyana Taylor, One Battle After Another (PR: 5) (E)
Other Possibilities:
6. Elle Fanning, Sentimental Value (PR: 9) (+3)
7. Laura Dern, Jay Kelly (PR: 6) (-1)
8. Jennifer Lopez, Kiss of the Spider Woman (PR: 8) (E)
9. Hailee Steinfeld, Sinners (PR: 7) (-2)
10. Inga Ibsdotter Lilleass, Sentimental Value (PR: Not Ranked)
11. Regina Hall, One Battle After Another (PR: 11) (E)
12. Emily Blunt, The Smashing Machine (PR: 10) (-2)
13. Emily Watson, Hamnet (PR: 13) (E)
14. Tilda Swinton, The Ballad of a Small Player (PR: Not Ranked)
15. Wunmi Mosaku, Sinners (PR: Not Ranked)
Dropped Out:
Thomasin McKenzie, Ann Lee
Glenn Close, Wake Up Dead Man: A Knives Out Mystery
Greta Lee, Late Fame
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly (PR: 1) (E)
2. Andrew Garfield, After the Hunt (PR: 2) (E)
3. Stellan Skarsgård, Sentimental Value (PR: 3) (E)
4. Jeremy Strong, Deliver Me from Nowhere (PR: 5) (+1)
5. Delroy Lindo, Sinners (PR: 4) (-1)
Other Possibilities:
6. Paul Mescal, Hamnet (PR: Not Ranked – moved from lead actor)
7. Mark Hamill, The Life of Chuck (PR: 7) (E)
8. Sean Penn, One Battle After Another (PR: 8) (E)
9. Jonathan Bailey, Wicked: For Good (PR: 10) (+1)
10. Robert Pattinson, Die, My Love (PR: Not Ranked)
11. Stephen Graham, Deliver Me from Nowhere (PR: Not Ranked)
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
Let’s begin with Best Actress as it might be the most tricky of all to figure out (though the supporting competitions are up there too). I believe there are three performers whose nominations you can write down in pen.
For months, I’ve had Mikey Madison (Anora) listed in 1st place for her work in Anora. She’s been nominated everywhere she needs to be – Golden Globes, SAG, Critics Choice, the BAFTA long list. The film is definitely in the top 5 of Best Picture hopefuls. In other words, she’s in.
That said, just yesterday, I slid her from 1st to 2nd in favor of Demi Moore in The Substance. That’s mainly because Moore was victorious over Madison at the Golden Globes in the Actress (Musical or Comedy) category. Furthermore, Hollywood loves a comeback story. That is present with Demi. She managed all the aforementioned precursors that Madison has and there’s a win in her favor. I do believe the Oscar could go to either of them, but this seems reminiscent of Best Actor in 2022. Austin Butler (Elvis) was the young upstart like Madison. Brendan Fraser (The Whale) was the once major movie star in a comeback vehicle that also involved heavy makeup work. Fraser got the gold.
I would put Moore and Madison’s chances of making the final five at 100% or at least 99.9999999%. The third “pen” pick is Karla Sofia Gascón in Emilia Pérez. She would make history as the Academy’s first trans nominee. Gascón also made the cut at the key precursors and shared a Cannes victory for Best Actress with her costars. Some prognosticators have started wondering whether she’s a guaranteed nominee. While she’s maybe not a total certainty like our previous actresses, I’d say it’s really close. After all, Emilia Pérez might get the most nominations of any picture this time around. I don’t see that occurring without Emilia Pérez being in contention.
And then… it gets complicated. Before we move to the several performers jockeying for two spots, let’s pour one out for these actresses whose campaigns never got off the ground. In some cases, the films underperformed significantly with critics and audiences. In others, their studios didn’t mount an offensive drive for their inclusion. Some examples are Florence Pugh (We Live in Time), Jodie Comer (The Bikeriders), Ryan Destiny (The Fire Inside), Daisy Ridley (Young Woman and the Sea), Regina King (Shirley), Lily-Rose Depp (Nosferatu), and Marisa Abela (Back to Black). Julianne Moore (The Room Next Door) and June Squibb (Thelma) received a little more attention. However, they failed to show up in any significant other awards lists.
After that lengthy group, there’s a next level. These are actresses who may have shown up in some precursors or long lists, but aren’t expected to materialize in the Oscar quintet. Their chances aren’t completely out of reach like those in the previous paragraph. Yet it’s close. I would put Julianne Moore’s The Room Next Door costar Tilda Swinton in this class. Same with Zendaya (Challengers) and Saoirse Ronan (The Outrun).
This leaves us with eight performances vying for two spots: Amy Adams (Nightbitch), Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Fernanda Torres (I’m Still Here), and Kate Winslet (Lee). Let’s walk through them one by one, shall we?
Amy Adams has the narrative of being long overdue for an Oscar. Despite six nominations, she’s yet to hear her name called. On paper, this seemed like a strong possibility but so-so reviews for Nightbitch have not helped. Despite a Globe nod and being in the BAFTA long list, I have her 8th of these 8 possibilities.
I might be more inclined to put Anderson in my five if it weren’t for Demi Moore’s comeback narrative. The Baywatch starlet is getting career best notices for this indie drama even if the film itself is drawing more mixed reactions. Her Globe nomination in Actress (Drama) wasn’t a huge surprise. The SAG nod this week was and it does increase her viability. I have her 5th of these 8 possibilities.
Cynthia Erivo is starring in one of the year’s largest blockbusters with Globe, SAG, Critics Choice, and the BAFTA long list preceding a potential Oscar nod. If she were to win, Erivo would achieve EGOT status as she already has an Emmy, Grammy, and Tony on her resume. The only question mark is whether the amount of performers could squeeze her out. I doubt it. Erivo is ranked 1st of these 8 possibilities.
Marianne Jean-Baptiste is receiving plenty of critics prizes for her role in Mike Leigh’s Hard Truths. Critics Choice and the BAFTA long list are in her corner though she notably missed SAG and the Globes. Leigh has a history of getting his actors nominated. Seeing her in the eventual quintet would not surprise, but she’s 4th of my 8 possibilities at press time.
Angelina Jolie’s inclusion for Pablo Larrain’s Maria seemed assured at one point after the picture premiered in Venice. In hindsight, the troubling signs could have been evident immediately. She did not take Best Actress at that festival. Since then, she’s missed SAG and the BAFTA long list while competing for the Globe and being nominated for Critics Choice. Her most notable blow came at the Globes. She was favored to win Best Actress in a Drama but fell short to Fernanda Torres. I still think she could get in though I have her just on the outside looking in and 3rd of my 8 possibilities.
For her performance in Babygirl, Nicole Kidman did win Best Actress at Venice and Globe and BAFTA long list spots followed. The recent snubs at Critics Choice and SAG are hard to ignore. She’s 6th among these 8 possibilities.
Fernanda Torres in I’m Still Here had no major other precursors to her credit besides the Globe. No BAFTA long list. No Critics Choice. And no SAG attention this week. That win at the Globes, though, looms large and it occurred just as Academy voting was underway. That’s why she’s 2nd of these 8 possibilities.
Finally, Kate Winslet as Lee showed up at the Globes and BAFTA long list. Reviews for the project itself aren’t overly impressive. Winslet could get in because, well, she’s Kate Winslet. Nevertheless she’s 7th of these 8 possibilities.
Whew. OK. There you have it. My microscope analysis of Best Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actor up next!
Focus Features is hoping audiences wanna take a ride with The Bikeriders on June 21st. The 1960s set crime drama comes is written and directed by Jeff Nichols with a cast including Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Mike Faist, and Norman Reedus.
The pic was first seen at Telluride nearly ten months ago and delayed from its original December release date due to the actors strike. It stands to reason that the studio wanted their leads out promoting the project which scored mostly positive reviews (84% on RT).
That star power of Elvis and Venom may not be enough to give this a wide audience. I’m not convinced this will make its reported $40 million budget back with the eventual domestic gross. That might mean a low double digits start and I’m a bit skeptical it even reaches the teens.
The Bikeriders opening weekend prediction: $10.5 million
Two months after it premiered at the Venice Film Festival, Priscilla rolls out in wide release on November 3rd. Based on her mid-80s memoir, the biopic of Priscilla Presley stars Cailee Spaeny in the title role with Jacob Elordi as Elvis. Sofia Coppola directs.
Reviews have been satisfactory with a 94% Rotten Tomatoes rating. While Spaeny could contend at the Oscars in Best Actress (though it’s a crowded field), this has not generated much awards buzz outside of that. The A24 title is out in limited fashion October 27th. While it might play decently on the coasts, I suspect there’s not much demand across the country.
Part of its diminished prospects could be attributed to Elvis, Baz Luhrmann’s flashy biopic which rocked the box office in the summer of 2022. It picked up 8 Academy nominations as well.
If this were to manage high single digits, A24 should consider that a success. I am skeptical about that and I question whether it even gets to $5 million.
Priscilla opening weekend prediction: $3.9 million
The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.
Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).
I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.
For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.
The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.
In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.
Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.
My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.
Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Color Purple (PR: 6) (+1)
6. Past Lives (PR: 5) (-1)
7. Maestro (PR: 8) (+1)
8. The Holdovers (PR: 7) (-1)
9. Anatomy of a Fall (PR: 9) (E)
10. The Zone of Interest (PR: 11) (+1)
Other Possibilities:
11. American Fiction (PR: 10) (-1)
12. Air (PR: 12) (E)
13. Napoleon (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Origin (PR: 13) (-2)
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)
Other Possibilities:
6. Justine Triet, Anatomy of a Fall (PR: 6) (E)
7. Celine Song, Past Lives (PR: 5) (-2)
8. Bradley Cooper, Maestro (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 7) (-2)
10. Blitz Bazawule, The Color Purple (PR: 10) (E)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Greta Lee, Past Lives (PR: 7) (+2)
Other Possibilities:
6. Fantasia Barrino, The Color Purple (PR: 6) (E)
7. Margot Robbie, Barbie (PR: 5) (-2)
8. Cailee Spaeny, Priscilla (PR: 9) (+1)
9. Annette Bening, Nyad (PR: 8) (-1)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 1) (E)
2. Bradley Cooper, Maestro (PR: 5) (+3)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)
4. Colman Domingo, Rustin (PR: 3) (-1)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Joaquin Phoenix, Napoleon (PR: 9) (+1)
9. Barry Keoghan, Saltburn (PR: 10) (+1)
10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)
Dropped Out:
Teo Yoo, Past Lives
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 4) (+1)
4. Taraji P. Henson, The Color Purple (PR: 3) (-1)
5. Viola Davis, Air (PR: 5) (E)
Other Possibilities:
6. Penelope Cruz, Ferrari (PR: 6) (E)
7. Julianne Moore, May December (PR: 7) (E)
8. Jodie Foster, Nyad (PR: 9) (+1)
9. Rosamund Pike, Saltburn (PR: 8) (-1)
10. America Ferrera, Barbie (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Mark Ruffalo, Poor Things (PR: 3) (E)
4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)
5. Charles Melton, May December (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Colman Domingo, The Color Purple (PR: 8) (+1)
8. John Magaro, Past Lives (PR: 5) (-3)
9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Dropped Out:
Sterling K. Brown, American Fiction
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Past Lives (PR: 2) (E)
3. The Holdovers (PR: 3) (E)
4. Anatomy of a Fall (PR: 4 ) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. May December (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Poor Things (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. All of Us Strangers (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 8) (+2)
7. Hit Man (PR: 6) (-1)
8. The Color Purple (PR: 7) (-1)
9. Origin (PR: 9) (E)
10. Spider-Man: Across the Spider-Verse (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. About Dry Grasses (PR: 5) (-1)
5. Fallen Leaves (PR: 4) (+1)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. The Peasants (PR: Not Ranked)
8. The Settlers (PR: Not Ranked)
9. The Delinquents (PR: 8) (-1)
10. The Promised Land (PR: 9) (-1)
Dropped Out:
The Teachers’ Lounge
Io capitano
Best Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)
Dropped Out:
“High Life” from Flora and Son
Best Production Design
Predicted Nominees:
1. Barbie (PR: 3) (+2)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 2) (-1)
4. Oppenheimer (PR: 4) (E)
5. Asteroid City (PR: 6) (+1)
Other Possibilities:
6. The Color Purple (PR: 5) (-1)
7. Napoleon (PR: 7) (E)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: Not Ranked)
10. Saltburn (PR: 10) (E)
Dropped Out:
Wonka
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Ferrari (PR: 3) (+1)
3. Napoleon (PR: 4) (+1)
4. The Color Purple (PR: 2) (-2)
5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)
Other Possibilities:
6. Killers of the Flower Moon (PR: 5) (-1)
7. The Creator (PR: Not Ranked)
8. Barbie (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Maestro (PR: 7) (-3)
Dropped Out:
The Killer
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 3) (E)
4. Napoleon (PR: 6) (+2)
5. Rebel Moon (PR: 5) (E)
Other Possibilities:
6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)
7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)
8. Poor Things (PR: 4) (-4)
9. Barbie (PR: 10) (+1)
10. Killers of the Flower Moon (PR: 8) (-2)
That means I’m projecting these movies will garner these numbers of nominations:
12 Nominations
Killers of the Flower Moon, Oppenheimer
10 Nominations
Poor Things
9 Nominations
Barbie
6 Nominations
The Color Purple, Maestro
5 Nominations
Past Lives
4 Nominations
The Holdovers, The Zone of Interest
3 Nominations
Anatomy of a Fall
2 Nominations
Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish
1 Nomination
About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol
One year after Elvis landed 8 Oscar nominations (but no wins), your mind might be suspicious that this year’s Priscilla could also attract awards voters. Based on reaction from its Venice, you might be wrong. Sofia Coppola’s biopic casts Cailee Spaeny as The King’s young bride with Jacob Elordi as the legendary entertainer. The A24 release hits theaters on October 27th.
With a Rotten Tomatoes score of 95%, Priscilla enters what it clearly already a crowded BP and Actress race. The film and Spaeny are certainly not guaranteed to make the cuts (especially the former). Elordi could contend, but Supporting Actor inclusion might be a reach. Based on a 1985 memoir cowritten by the title subject, Coppola’s adapted screenplay could also struggle in a bustling field. Unlike her Lost in Translation from 20 years ago, don’t count on her making the director or writing races.
I suspect A24 will need to mount expert campaigns for anything beyond Spaeney in Actress and she’s already competing with the likes of Emma Stone (Poor Things), Sandra Hüller (Anatomy of a Fall), Fantasia Barrino (The Color Purple), Carey Mulligan (Maestro), Greta Lee (Past Lives), and Annette Bening (Nyad) to name a few. My Oscar Prediction posts will continue…
Just as some potential awards heavy hitters are screening at the Venice Film Festival, the same holds true for Telluride over this Labor Day weekend. That includes The Bikeriders from Jeff Nichols (out December 1). Based on the 1968 book by Danny Lyon, the impressive cast includes Austin Butler (fresh off his Elvis nod), Jodie Comer, Tom Hardy, Michael Shannon, Mike Faist, Boyd Holbrook, and Norman Reedus.
The 60s and 70s set tale of a gang of outcasts marks the latest from critical favorite Nichols. Despite acclaim for Take Shelter, Mud, and Midnight Special, his only Oscar mention came with Ruth Negga’s Best Actress nod for 2016’s Loving. That category might be the only hope for The Bikeriders.
Some reviews are solid, but I don’t envision this as a player in Best Picture, Director, or Adapted Screenplay. Jodie Comer is getting the bulk of attention. She likely came close to an Actress slot for 2021’s The Last Duel. This could be a chance for the Academy to give her a first nomination. 20th Century Studios faces a decision whether to campaign for her in lead or supporting. No matter which race they choose, Comer’s inclusion may ride on whether voters are even thinking of The Bikeriders a few months down the road. My Oscar Prediction posts will continue…
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
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