Oscar Watch: Wind River

Taylor Sheridan has been quite the hot screenwriter as of late with 2015’s Sicario and last year’s Hell or High Water, for which he received an Oscar nomination in Original Screenplay. His latest is Wind River, a thriller involving a murder case at an Indian reservation. It also marks his directorial debut and its buzz from both the Sundance and Cannes Film Festivals could receive awards attention.

Jeremy Renner, Elizabeth Olsen, and Jon Bernthal headline River, which rolls in stateside in August. Reviews have been solid thus far and it stands at 85% on Rotten Tomatoes. I would say it stands a fair, but not overwhelming shot at being this year’s Hell or High Water – which scored four Academy nods including Best Picture.

Wind River very likely won’t reach that number, but the possibility exists for a second straight Original Screenplay recognition for Mr. Sheridan.

My Oscar Watch posts will continue…

Captain America: Civil War Movie Review

The Marvel Cinematic Universe continues to expand in often thrilling and impressive ways in Captain America: Civil War, which is by all intents and purposes a third Avengers pic where Hulk and Thor are apparently on a well-deserved vacation. It walks the tightrope of introducing new characters and finding new dynamics for the old ones without seeming gimmicky or overloading the audience with all its activity. To that end, director Joel and Anthony Russo are to be commended for mostly succeeding in this latest effort where our heroes are often unmasked and sometimes emasculated.

Civil War presents a chasm in the MCU that centers on Bucky Barnes (Sebastian Stan) aka The Winter Solider from this trilogy’s slightly better second movie. His history with Captain America (Chris Evans) garners understandable sympathy from our title character. That isn’t the case with Tony Stark/Iron Man (Robert Downey Jr.) when it appears Bucky may be responsible for an attack on the United Nations.

There’s also the question of whether The Avengers actions across the globe are worth the collateral damage that sometimes comes with it. The U.S. government proposes to put some serious checks on their powers. Tony agrees. Cap does not. And the rest of the crew (minus Hulk/Thor sipping Mai tai’s somewhere) must choose which side to join. This include Scarlett Johansson’s Black Widow, Jeremy Renner’s Hawkeye (who comes out retirement from his boring home life Age of Ultron subplot), Anthony Mackie’s Falcon, Don Cheadle’s War Machine, and Elizabeth Olsen’s Scarlet Witch. We also have Paul Rudd in the mix less than a year after his debut in Ant-Man, which was the other underwhelming MCU summer 2015 experience (along with Ultron). And then there’s the two newbies introduced who will soon have their own stand-alone features: Chadwick Boseman’s Black Panther and Tom Holland’s Spider-Man. Spidey is good for some solid one-liners and I enjoyed Holland’s take on Peter Parker. This budding franchise should hopefully eclipse what we saw the last time around with Andrew Garfield and company. That said, I actually found Black Panther’s plot line to be a bit more interesting here and I equally anticipate that solo pic.

Civil War also continues the tradition of rather forgettable central villains, with the exception of Tom Hiddleston’s Loki. Here it’s Daniel Bruhl as Zemo, whose motives are murky for most of the running time and who stands as just another baddie in a world where the heroes are the focal point. This entry isn’t really about a main villain, however. Rather it’s about deciding if you’re on Team Cap or Team Iron Man and the screenplay is smartly written enough that the answer isn’t automatic.

The MCU continues to build on itself and this one does so in the most entertaining way since Winter Soldier. By the time we get to the final Avengers pictures, Hulk and Thor will return. Guardians of Galaxies will be in the mix. And with the Mouse Factory behind this with their extensive array of characters, who knows who else we shall see? Will Rey and Finn cross star systems to appear? Which team will Mowgli align with? Will Kermit and Miss Piggy agree to follow Cap or Tony or split? As long as it’s satisfying like Civil War, I’m still curious to find out.

*** (out of four)

Captain America: Civil War Box Office Prediction

Summer 2016 kicks off in grand Disney/Marvel fashion when Captain America: Civil War debuts next Friday. It is the first weekend of May’s only wide release, as no other studio would dare try counter programming against this surefire juggernaut. This is the third entry in the Captain America franchise, but it is essentially a third Avengers feature as Robert Downey Jr.’s Iron Man, Paul Rudd’s Ant-Man, Jeremy Renner’s Hawkeye, Scarlett Johansson’s Black Widow, Don Cheadle’s War Machine, Anthony Mackie’s Falcon, Elizabeth Olsen’s Scarlet Witch, and the debuts of Chadwick Boseman’s Black Panther and Tom Holland’s Spider-Man all join Chris Evans’ Cap for this extravaganza. Sebastian Shaw, William Hurt, and Daniel Bruhl also appear. Essentially, only Thor and Hulk are missing here.

The Marvel Cinematic Universe has been a multi-billion dollar bonanza for Disney and Marvel Studios. This 13th picture in the MCU has been greeted with terrific buzz and trailers and its critical response stands at 98% on Rotten Tomatoes. Some critics have gone as far to call it the best MCU movie thus far and this has led to expectations for its opening being understandably sky-high.

How high are we talking? Civil War seems primed to have at least the fifth largest domestic debut of all time. To do so, it would need to top Iron Man 3 and its $174 million opening and $175M seems to be on the lower end of expectations. The current #4 record belongs to summer 2015’s first flick, Avengers: Age of Ultron, which made $191 million. #3 is the original Avengers at $207 million with last summer’s Jurassic World second at $208 million.

The only record I don’t see this competing for is the big daddy – Star Wars: The Force Awakens, which earned $247 million in December. I believe Civil War, with buzz hotter than Ultron, will manage have a larger start and I really wouldn’t be surprised if it does indeed top $200 million. I’m going to peg it at just below what 2012’s Avengers accomplished to make it the second largest MCU debut and fourth highest all-time opening.

Captain America: Civil War opening weekend prediction: $205.6 million

 

Avengers: Age of Ultron Movie Review

Avengers: Age of Ultron moves the Marvel Cinematic Universe onwards while answering the questions we’ve been pondering for years. How is the romantic relationship going between Hulk and Black Widow? What’s going on with Hawkeye’s wife and children out on their family farm?

Wait, what?

These two out of nowhere subplots are emblematic of a pervasive problem with the sequel to the 2012 mega blockbuster. When Joss Whedon made the original three years ago, it was hard to imagine him combining Iron Man, Thor, Captain America, Hulk, Black Widow and Hawkeye into a cohesive and satisfactory experience. Did he ever though and it resulted in one of the greatest superhero tales to reach the screen. With Ultron, many of the fears that were assuaged the first time are present. Here, the struggle is real and Whedon can’t manage to recapture the magic the second time around.

The pic dives headfirst into Avengers action in Eastern Europe with our protagonists obtaining Loki’s old scepter and Tony Stark (Robert Downey Jr.) discovering its artificial intelligence capabilities. This results in the creation of Ultron (voiced by James Spader), a robotic monster hell bent on ending the world… you know, like all MCU villains. We’re also introduced to Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen), characters played by different actors in last year’s in X-Men: Days of Future Past. Incidentally, Quicksilver was used much more effectively in the latter.

Of course, we have most of the Marvel crew back. Scarlett Johannson’s Black Widow, who’s turned into one of the more interesting characters even though her aforementioned romance with Dr. Bruce Banner aka Hulk (Mark Ruffalo) seems to be a forced concoction to earn them more screen time. Same goes for Jeremy Renner’s Hawkeye, who isn’t one of the more interesting players and his previously unseen family history doesn’t help. And there’s Chris Hemsworth’s Thor and Chris Evans’s Captain America, both coming off sequels that improved upon their predecessors. Not the case here. Samuel L. Jackson’s Nick Fury, Don Cheadle’s War Machine and Anthony Mackie’s Falcon appear in more limited fashion. The girlfriends of Iron Man and Thor (Oscar winners Gwyneth Paltrow and Natalie Portman, respectively) are missing.

Where Ultron serviceably succeeds is its action sequences, including a humdinger battle between Hulk and Iron Man. The Marvel team obviously know how to make these glorious battle sequences and they acquit themselves fine here, though nothing matches the brilliance of the 2012 edition’s breathtaking climactic sequence. The issues I had are several and not just the needless subplots. Ultron is not an especially compelling villain. Many of the humorous quips fall flatter than normal. Even Downey Jr. (truly an example of the perfect actor in the perfect role) isn’t as fun this time around.

In a way, I found Age of Ultron comparable to the third Hunger Games entry, Mockingjay – Part 1. It’s necessary to view it so we can move on to the rest. With the MCU, that includes two more Avengers pics and forthcoming Thor and Captain America threequels. Ultron is “must see” viewing for that reason and that reason alone. Yet I hope what comes next elevates beyond the material we are given this time.

**1/2 (out of four)

Oscar Watch: I Saw the Light

As you may have noticed on the blog over the past couple of weeks, the array of recent film festivals that includes Toronto, Telluride and Venice has assisted in making the 2015 Oscar race a bit clearer. These fests have vaulted such titles as The Danish Girl, Carol, Steve Jobs, The Martian, Suffragette, Spotlight and Black Mass into the conversation for various nominations. On the flip side, these festivals can also pretty much crush the hopes of other pictures that are screened and receive a negative reaction.

That appears to be the case with I Saw the Light, the biopic of country singer Hank Williams that has been mentioned as an Oscar contender. Then it screened and critical reaction has not been kind. In fact, it currently sits at a troubling 14% on Rotten Tomatoes. While the pic itself has been met negatively by reviewers, the performances are receiving high marks. Tom Hiddleston (known to most as Loki in the Marvel Cinematic Universe) stars as Williams. His work has gotten high marks but the bad reaction to the film itself probably means he won’t make the cut in the Best Actor race. Playing his wife, Elizabeth Olsen has had even better notices from critics. In my initial round of predictions a couple of weeks back, I included her as a nominee for Supporting Actress. She could still make the cut, but I’m far less certain than I was before. Don’t be surprised to see her name left out when I do my second round of predictions.

Bottom line: while these festivals do a great job at showcasing future Academy contenders, they can bury others. I Saw the Light appears to be just such a casualty.

2015 Early Oscar Predictions: Best Supporting Actress

It’s hard to believe but we are two thirds of the way through the calendar year and that means my first round of incredibly early Oscar predictions are making their way to the blog! Some caveats: it’s early. Real early. Truth be told, most of the main contenders in all the major categories will be rolling out in the fall. Many will be screening at the upcoming film fests like Toronto and New York, among others. As always, those festivals will help the picture become clearer over the next couple of months. Usually by Thanksgiving or early December, we’ve got a pretty good idea on how things are looking.

That said, I started my predictions for 2014 at the same time last year. In the Supporting Actress race, which I’m covering today, my impossibly early predictions yielded two of the five eventual nominees, Laura Dern for Wild and winner Patricia Arquette in Boyhood. It’s also worth noting that I predicted Felicity Jones for The Theory of Everything, who was nominated in the Lead Actress category. Let’s talk about how things look right now:

BEST SUPPORTING ACTRESS

Already we seem to have one performer who appears to be a shoo in for a nod: Rooney Mara for Todd Haynes’s 1950s set lesbian romance Carol, which premiered to raves at the Cannes Film Festival earlier this summer. It would be very shocking not to see Mara included, unless she’s campaigned for in the Actress race. That seems unlikely because the studio should be putting her costar Cate Blanchett in that race.

After that – much uncertainty. The Irish immigration drama Brooklyn hit the festival circuit to a rapturous response and that could bode well for Julie Walters. Director Quentin Tarantino knows how to get his actors nominated which could mean a nom for The Hateful Eight’s Jennifer Jason Leigh. Director David O. Russell is exceptional at seeing his performers gets nods and his December release Joy could see kudos for either Virginia Madsen or Diane Ladd (I’m leaving both off, for now).

Elizabeth Olsen has had some critically applauded roles and her performance as Hank Williams’ wife in the biopic I Saw the Light could garner attention. So could Kate Winslet in the upcoming Steve Jobs biopic.

The rest of the large field is filled with familiar names and some not. Remember the name Emayatzy Corinealdi for her work in the Don Cheadle/Miles Davis biopic Miles Ahead. And we have previous winners like Blanchett, Jane Fonda, Julia Roberts, Meryl Streep, Nicole Kidman and Rachel Weisz in the mix.

TODD’S FIRST PREDICTIONS – BEST SUPPORTING ACTRESS

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Elizabeth Olsen, I Saw the Light

Julie Walters, Brooklyn

Kate Winslet, Steve Jobs

 

Other Possibilities:

Elizabeth Banks, Love and Mercy

Cate Blanchett, Truth

Helena Bonham Carter,  Suffragette

Jessica Chastain, The Martian

Emayatzy Corinealdi, Miles Ahead

Marion Cotillard, Macbeth

Ann Dowd, Our Brand is Crisis

Jane Fonda, Youth

Nicole Kidman, Genius

Diane Ladd, Joy

Melanie Laurent, By the Sea

Laura Linney, Genius

Virginia Madsen, Joy

Helen Mirren, Trumbo

Ellen Page, Freeheld

Julia Roberts, The Secret in their Eyes

Amy Ryan, Bridge of Spies

Meryl Streep, Suffragette

Rachel Weisz, Youth

And there’s part one of my early Oscar picks. Supporting Actor coming your way tomorrow…

http://youtu.be/gnRbXn4-Yis

Avengers: Age of Ultron Box Office Prediction

The 2015 Summer Movie Season kicks off in grand fashion as Avengers: Age of Ultron debuts and looks to Hulk smash records. The mystery surrounding how it performs in its opening is centered on one question: will it have the biggest domestic debut in movie history? In order to do so, it’ll need to top the record currently held by its 2012 predecessor. That magic number is $207.4 million.

All the favorites are back, including director Joss Whedon with Iron Man, Captain America, Thor, Black Widow, Hulk, Hawkeye, and more returning. Newbies include James Spader voicing the title character villain and Aaron Taylor-Johnson and Elizabeth Olsen as Quicksilver and Scarlet Witch. There are two more Avengers features already planned for 2018 and 2019. While a number of reviews say it doesn’t quite match the original, its 80% Rotten Tomatoes rating is solid.

There is little doubt that Ultron is highly primed to become summer’s largest grosser. Whether or not it reaches the $623M eventual mark of The Avengers remains to be seen (that’s good for the 3rd biggest hit ever behind Avatar and Titanic).

Some prognosticators are estimating it may not quite reach the heights of 2012 in its opening. The floor would seem to be in the $180M range, which would be just fine but still $25M under the first. While that’s certainly possible, I do believe Ultron will debut with around the same number of its predecessor… and a bit higher. That means I’m predicting Ultron will set a new benchmark in the category of all-time record openings and Disney and Marvel will be popping the champagne corks come next weekend.

Avengers: Age of Ultron opening weekend prediction: $212.7 million

Godzilla (2014) Movie Review

Let’s say you got invited to a party and were told that Godzilla, the king of movie monsters, was going to be in attendance. You get there and for a while, you hear quite a bit of backstory about him. There’s even a celebrated TV actor who you’re so happy is appearing, even though he overacts almost laughably from time to time. Also, other monsters show up who you’re not as familiar with and feel a little ambivalent towards. Godzilla doesn’t even bother showing up until halfway through the event. Yet when he does it’s pretty cool. You decide that it was worth it.

And so it is with Godzilla and that’s the kind of party director Gareth Edwards chose to throw bringing back the iconic character to the screen. The last time an American studio featured the jolly green giant, it was with Roland Emmerich behind the camera and Matthew Broderick starring in the summer of 1998. That flick was a “disaster movie” in more ways than one and despite its $379 million worldwide total, it was considered a huge critical and commercial disappointment.

The glass is more half full sixteen years later. That celebrated TV actor is Walter Freaking White himself, Bryan Cranston! And, yes, his performance is a touch over the top. Contrary to what its TV spots might lead you to believe, he doesn’t even stick around the party as long as you’d think either. Cranston plays an engineer at a Japanese nuclear power plant who’s been monitoring troubling seismic activity. One of his coworkers is his wife (Juliette Binoche) and she tragically perishes when the seismic activity turns into a full-on disaster at the plant.

Flash forward to fifteen years later when Cranston’s son (Aaron Taylor-Johnson) is now a military bomb technician with a family of his own, while overacting Daddy is still in Japan trying to track what killed his wife. Circumstances bring them together and in contact with other scientists, led by Ken Watanabe and Sally Hawkins. And after about an hour – not only is Godzilla checked in at the party, but so are two MUTOs (Massive Unidentified Terrestrial Organisms). And as scientist Watanabe waxes philosophical about, our title character might be around to stop those other monsters from wreaking even more havoc. The military, led by David Strathairn, naturally disagree.

Godzilla does take its time to get going, but when it does we’re rewarded with some ultra cool action sequences. A MUTO in Las Vegas is a fun sight to see, as is Godzilla’s initial appearance in Hawaii where vacationers are treated to far more than they paid for.

Tayl0r-Johnson (of Kick-Ass fame) is the human star of these proceedings and we get some familiar scenes of him keeping in touch with his wife at home (Elizabeth Olsen) and young son. Home is San Francisco and that means an action set piece located at the Golden Gate Bridge, which brings me to an important point. Can we get a moratorium on the Golden Gate Bridge for big action spectacles??? After X-Men: The Last Stand and Rise of the Planet of the Apes – enough already. There are other bridges in this country.

Nevertheless, director Edwards brings to the table what Roland Emmerich didn’t – a genuine respect and understanding of the monster genre he’s playing in. And the second half of this party in particular has lots of solid moments that make it worthwhile. For the first time in a long time, we have a Godzilla done mostly right.

*** (out of four)

Godzilla Box Office Prediction

The giant green monster is back in theaters this Friday with Godzilla from director Gareth Edwards. This is certainly being seen as one of summer 2014s’s tent pole releases and Warner Bros. is certainly hoping for massive results.

Godzilla has been assisted from some truly terrific trailers and a healthy marketing campaign. Obviously, the name recognition of the title character is off the charts. The real people cast includes Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe, Juliette Binoche, Sally Hawkins, and, yes… Walter freaking White himself… Bryan Cranston! Not everything Godzilla related over the recent past was met with positive results. Sixteen summers ago, Roland Emmerich’s highly publicized Godzilla pic was widely expected to be a huge blockbuster, especially after the director had hit gold with Independence Day two years prior. Instead, it managed only an OK $136 million gross and was widely panned by critics and audiences alike.

The 2014 version is unlikely to suffer the same fate. Reviews so far have generally been fairly positive to mixed. I don’t see Godzilla opening in the neighborhood of the Captain America or Amazing Spider-Man sequels which both topped $90 million. For Godzilla, anything below $70M would likely be seen as disappointing. It is worth noting that much of Godzilla‘s total gross will come from international markets. The most sensible scenario domestically  is a gross just north of $75M, though it could certainly surprise. However, I’ll play it rather safe with this pick.

Godzilla opening weekend prediction: $77.3 million

For my Million Dollar Arm prediction, click here:

https://toddmthatcher.com/2014/05/11/million-dollar-arm-box-office-prediction/

This Day in Movie History: February 16

Seven years ago Today in Movie History – February 16 – Ghost Rider got off to a hot start at the box office. Mark Steven Johnson, director of Daredevil, was behind the camera with Nicolas Cage in the role of Johnny Blaze. The comic book adaptation took in an impressive $52 million over President’s Day weekend and earned a total of $115 million domestically. That was enough to earn it a less successful sequel in 2012.

As for birthdays, rapper/actor Ice-T is 56 today. He broke out in film in 1991 with New Jack City. His other notable films include Trespass, Surviving the Game, and Johnny Mnemonic. His most known acting role has been on TV with “Law&Order: SVU”.

Elizabeth Olsen is 25 today. The younger sister of the Olsen twins, Elizabeth garnered rave reviews for her performance in 2011’s indie flick Martha Marcy May Marlene and has since appeared in Kill Your Darlings and Oldboy. There’s no doubt she’s about to become much more known with upcoming parts in the Godzilla reboot and summer 2015’s Avengers sequel.

As for Six Degrees of Separation between the two:

Ice-T was in Trespass with William Sadler

William Sadler was in Die Hard 2 with Bruce Willis

Bruce Willis was in Pulp Fiction with Samuel L. Jackson

Samuel L. Jackson was in Oldboy with Elizabeth Olsen

And that’s today – February 16 – in Movie History!