Best Picture 2024: The Final Five

As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted two years and in 2011, it switched from anywhere from 5-10 with 8 or 9 as the magic number for several years. In 2021, the number reverted back to a set 10.

What if that hadn’t happened? What if the BP derby had stayed a quintet? What pictures would have made the cut?

On the eve of the 98th Academy Awards, let’s ponder what five would have done so at the 97th. One is for certain. We know that Sean Baker’s Anora has a reserved slot. It won five out of six awards it was up for – Picture, Director, Actress (Mikey Madison), Original Screenplay, and Film Editing.

Picking the other 4 of 9 for the final five is less clear. Here’s my best speculation.

The Brutalist

Brady Corbet’s epic immigrant drama scored ten nods and won three for Adrien Brody’s lead performance, Original Score, and Cinematography. Other nods went to the director, Supporting Actress (Felicity Jones), Supporting Actor (Guy Pearce), Original Screenplay, Film Editing, and Production Design.

Does It Make the Final Five?

Yes and it can certainly be argued that it was second in the BP voting.

A Complete Unknown

James Mangold’s Bob Dylan biopic starring Timothée Chalamet landed a laudable eight nominations – BP, Director, Actor, Monica Barbaro in Supporting Actress, Edward Norton in Supporting Actor, Adapted Screenplay, Costume Design, and Sound. It was one of two BP nominees that went home empty-handed.

Does It Make the Final Five?

I don’t think it’s automatic but yes. Despite the 0 for 8 tally, the fact that it made the directing five puts it over the edge.

Conclave

Edward Berger’s drama about the search a new Pope also landed eight mentions with the others coming in Actor (Ralph Fiennes), Supporting Actress (Isabella Rossellini), Adapted Screenplay, Costume Design, Film Editing, Original Score, and Production Design. It won for the script.

Does It Make the Final Five?

Like Unknown, not automatic but I’m going with yes because of the screenplay victory.

Dune: Part Two

The Denis Villeneuve sequel managed five nominations with two victories in Sound and Visual Effects and at bats for Cinematography and Production Design.

Does It Make the Final Five?

No. That handful is nods is only half of what the 2021 predecessor achieved and Villeneuve’s omission is telling.

Emilia Pérez

Jacques Audiard’s crime musical easily led the ceremony with 13 nominations. There were victories in Supporting Actress (Zoe Saldaña) and Original Song. Other noms were for directing, Actress (Karla Sofia Gascón), Adapted Screenplay, International Feature Film, Cinematography, Film Editing, Makeup and Hairstyling, Original Score, another Original Song, and Sound.

Does It Make the Final Five?

Yes. As you may recall, Gascón’s controversial comments likely sunk the pic’s chances at International Feature Film where I’m Still Here would emerge. However, at the time of the nominations, I feel Pérez still would’ve made it in the top half of contention.

I’m Still Here

The Brazilian political drama from Walter Salles was the beneficiary of Emilia backlash when it took the IFF prize. It was also up for Actress (Fernanda Torres).

Does It Make the Final Five?

No. Even with the late breaking international prize, the three noms are second lowest of the lot.

Nickel Boys

RaMell Ross’s drama is the only pic with two nominations with the other coming in Adapted Screenplay.

Does It Make the Final Five?

No and the question was pretty much answered above.

The Substance

Coralie Fargeat was nominated for director in her wild anti-aging body horror saga that won Makeup and Hairstyling and was up for Actress (Demi Moore) and Original Screenplay.

Does It Make the Final Five?

This was the toughest one to leave off, but no. I’d have it sixth. Had Moore received Best Actress, it might be a different story.

Wicked

With 10 noms, the adaptation of the acclaimed Broadway musical won Costume Design and Production Design. It additionally made the ballot for Actress (Cynthia Erivo), Supporting Actress (Ariana Grande), Film Editing, Makeup and Hairstyling, Original Score, Sound, and Visual Effects.

Does It Make the Final Five?

The case could certainly be made, but I’m going no. No direction or screenplay inclusions make the call a bit easier.

That means my 2024 final five consists of the alphabetically top heavy:

Anora

The Brutalist

A Complete Unknown

Conclave

Emilia Pérez

The 98th Academy Awards air tomorrow and down the line, I’ll give you my top 5 for that show!

Oscar Nominations: The Case of Timothée Chalamet in Marty Supreme

As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP posts are readily available for your perusing pleasure. Our first contender in the Best Actor five is on the table and it’s Timothée Chalamet for Marty Supreme.

Previous Acting Nominations:

2017 – Actor (Call Me by Your Name) – lost to Gary Oldman for Darkest Hour; 2024 – Actor (A Complete Unknown) – lost to Adrien Brody for The Brutalist

The Case for Timothée Chalamet:

After likely being runner-up last year, Chalamet has drawn career best reviews as the singularly focused ping pong player in Josh Safdie’s sports drama. Precursor appreciation has followed with victories at the Golden Globes and Critics Choice while he awaits the BAFTAs and SAG Actor. While he’s only 30, Chalamet’s body of work in recent years is seen as worthy of recognition and Marty is a supreme vehicle for it.

The Case Against Timothée Chalamet:

The Academy left his costars out of contention including Odessa A’Zion (who I predicted for inclusion). A domino effect for either One Battle After Another or Sinners could create an opening for Leonardo DiCaprio or Michael B. Jordan, respectively.

The Verdict:

Unless one of the upcoming precursors provides an upset, it appears the third time is probably going to be the charm for Chalamet.

My Case Of posts will continue with the first hopeful in Supporting Actress and that’s Elle Fanning in Sentimental Value…

Oscar Predictions: Mercy

Out this weekend, Chris Pratt is a cop on trial for murder with Rebecca Ferguson as his AI judge in Timur Bekmambetov’s sci-fi thriller Mercy. The Amazon MGM offering hopes to be the first 2026 title to debut at #1. Costars include Kali Reis, Annabelle Wallis, Chris Sullivan, and Kylie Rogers.

With Oscar nominations due tomorrow morning, January usually provides some titles that won’t be in contention for the next ceremony. This appears to be no exception with a troubling 21% on Rotten Tomatoes and 35 Metacritic. The only category worth mentioning is Visual Effects where Pratt has had a presence with the Guardians of the Galaxy franchise. Same goes for Ferguson with the two Dune‘s and Mission: Impossible – Dead Reckoning. The subpar reviews indicate that isn’t realistic. My Oscar Prediction posts will continue…

Mercy Box Office Prediction

Originally slated for release last summer, Chris Pratt and Rebecca Ferguson headline Amazon MGM’s sci-fi action pic Mercy on January 23rd. Directed by Timur Bekmambetov (Abraham Lincoln: Vampire Hunter, the recently lambasted Ice Cube version of War of the Worlds), costars include Annabelle Wallis, Kylie Rogers, Kali Reis, and Chris Sullivan.

Despite their combined participation in mega-franchises Guardians of the Galaxy, Jurassic World, Mission: Impossible, and Dune, this pairing of Pratt and Ferguson seems like it just as easily could have premiered on a streaming service. Pratt has gone that route recently with The Tomorrow War and The Electric State. Buzz is far from electric. Forecasts have this in the low double digits and I’m not confident it even gets there.

Mercy opening weekend prediction: $9.3 million

Oscars – The Case of Dune: Part Two

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first four features for BP and if you missed them, they are linked at the bottom of the post. The fifth is Dune: Part Two.

The Case for Dune: Part Two:

If the Academy wants to honor one of the most widely seen pics, Dune is second only to Wicked in that particular race. The sci-fi sequel stands at $714 million worldwide compared to Wicked‘s $718 million (and growing). Denis Villeneuve’s epic continuation of Frank Herbert’s novels made the BP cut at PGA, Critics Choice, and Golden Globes.

The Case Against Dune: Part Two:

The misses are more glaring. Dune‘s additional Academy nods (Cinematography, Production Design, Sound, Visual Effects) bring its total to five compared to the original’s 10. For perspective, part one from 2021 won six golden guys. Villeneuve didn’t get in Best Director (like with its predecessor) and the screenplay isn’t honored. Beyond what the Academy did, Dune failed to get into the BAFTA derby and Villeneuve was snubbed at the Directors Guild (unlike what occurred three years ago).

The Verdict:

In my previous Case Of posts for Anora, The Brutalist, A Complete Unknown, and Conclave, I’ve given them all at least a shot at taking the top prize. Dune: Part Two is the first entry where I don’t believe winning is a possibility.

My Case Of posts will continue with Emilia Pérez…

Oscars: The Case of Anora

Oscars: The Case of The Brutalist

Oscars: The Case of A Complete Unknown

Oscars: The Case of Conclave

97th Academy Awards: The FINAL State of the Best Director Race

My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The fifth post in this series is Best Director. If you missed my write-ups for the acting derbies, you can access them here:

97th Academy Awards: The FINAL State of the Best Actress Race

97th Academy Awards: The FINAL State of the Best Actor Race

97th Academy Awards: The FINAL State of the Best Supporting Actor Race

97th Academy Awards: The FINAL State of the Best Supporting Actress Race

Similar to Best Actor, I believe there are four hopefuls represented here that you don’t want to bet against. There is a quartet of filmmakers who have been nominated in the four most significant precursors (DGA, Golden Globes, BAFTA, Critics Choice). They are Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), and Brady Corbet (The Brutalist). Mr. Corbet won the Globe while the other races are TBD. I wouldn’t leave any of them out of your predictions.

So it all comes down to the fifth slot and I will discuss seven possibilities that I feel are viable. Before we get to that, there are the directors who might’ve had a shot before their pictures premiered. The movies either became non-contenders due to poor buzz and reviews or just never properly caught on in the awards chatter. This list includes Francis Ford Coppola (Megalopolis), Todd Phillips (Joker: Folie à Deux), Yorgos Lanthimos (Kinds of Kindness), Ridley Scott (Gladiator II), George Miller (Furiosa: A Mad Max Saga), Joshua Oppenheimer (The End), Pablo Larrain (Maria), Pedro Almodóvar (The Room Next Door) and Steve McQueen (Blitz).

The next level includes makers of movies that didn’t quite reach BP consideration and even some that could make the cut at BP. I’m looking at Tim Fehlbaum (September 5), Greg Kwedar (Sing Sing), Jesse Eisenberg (A Real Pain), Walter Salles (I’m Still Here), Robert Eggers (Nosferatu) and Luca Guadagnino for Challengers and Queer.

Now let’s get to the 7 individuals fighting for the 5th spot, shall we?

Jon M. Chu directed one of the year’s largest blockbusters in Wicked. However, he has only picked up a Critics Choice precursor mention in which there were eight nominees. I’d rank him 6th of these 7 possibilities.

Coralie Fargeat’s behind the camera work for The Substance has yielded her Globe, Critics Choice, and BAFTA noms. The notable omission is DGA, but DGA/Oscar seldom match completely. I have her 1st of these 7 possibilities.

Payal Kapadia (All We Imagine as Light) got in the Globes mix but couldn’t make it anywhere else. She’s 5th of the 7 possibilities.

James Mangold (A Complete Unknown) was the surprise fifth contender at DGA and Unknown has been exceeding expectations at precursors as we arrive at Oscar nominations. Under the same logic seen above with Fargeat, I have Mangold 3rd of the 7 possibilities.

Mohammad Rasoulof’s direction of The Seed of the Sacred Fig was once seen a strong hopeful. Fig has, however, seemingly fallen out of BP contention and Rasoulof has not been nominated at any of the aforementioned shows. He’s 7th of the 7 possibilities.

RaMell Ross (Nickel Boys) made the octet of Critics Choice contestants and has been absent elsewhere. Boys is a question mark for BP inclusion and I have Ross 4th of the 7 possibilities.

Finally, Denis Villeneuve was a shocking snub in 2021 with Dune. For Dune: Part Two, he’s missed DGA and the Globes but was included in Critics Choice and BAFTA. The Academy might seek to rectify their ’21 activity. At the moment, I have him 2nd of the 7 possibilities for the last slot.

OK. There you have it. My microscope analysis of Director for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do final picks. I’ll have that all-important dive into Best Picture up next!

77th Directors Guild of America Awards Nomination Predictions

This Wednesday (01/08), the Directors Guild of America reveals their five nominees for behind the camera achievement in 2024. The DGA is normally a reliable barometer to project 4 of the 5 eventual Oscar nominees. Over the past decade, the match has been that margin in eight of the years. For two of the years, the match was 3 for 5. That includes last year when Greta Gerwig (Barbie) and Alexander Payne (The Holdovers) made the DGA cut but Jonathan Glazer (The Zone of Interest) and Justine Triet (Anatomy of a Fall) received Academy attention.

I believe there are two shoo-in nominees for the 77th ceremony in Brady Corbet for The Brutalist and Sean Baker for Anora. Furthermore, I see Edward Berger (Conclave) as really close to being an automatic pick.

Then it gets interesting. The DGA often prioritizes American pictures over foreign entries or foreign directors. We certainly saw that last year with Gerwig/Payne over Glazer/Triet. In 2021, Denis Villeneuve was in the DGA quintet for Dune while Ryusuke Hamaguchi (Drive My Car) replaced him in the Academy five. In 2022, it was Ruben Östlund (Triangle of Sadness) vying for Oscar instead of DGA selection Joseph Kosinski for Top Gun: Maverick.

That’s why I wouldn’t pencil in Mohammad Rasoulof (The Seed of the Sacred Fig) or Payal Kapadia (All We Imagine as Light) here. And that’s why being skeptical about Jacques Audiard (Emilia Pérez) or Coralie Fargeat (The Substance) is warranted. Both could get in and both movies are over performing in various precursors. Pérez, it could be argued, is doing so by an even more impressive margin. That’s why I’m leaving Audiard in while Fargeat is barely on the outside looking in.

So who gets the fifth slot? I wouldn’t count out RaMell Ross for Nickel Boys or even James Mangold for A Complete Unknown or Jon M. Chu for Wicked (though I’m finding that one increasingly unlikely). I’m reminded that DGA also selects some filmmakers for blockbuster fare the Academy ignores. Gerwig for Barbie and Kosinski for Top Gun. Ridley Scott for The Martian.

And… Denis Villeneuve for Dune. I think history could repeat itself with Villeneuve in contention for the sequel and that’s the direction I’m going for DGA.

DGA Predicted Nominees

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Edward Berger, Conclave

Brady Corbet, The Brutalist

Denis Villeneuve, Dune: Part Two

Runner-Up: Coralie Fargeat, The Substance

Will the Bob Dylan Movie Electrify Oscar Voters?

The past few days for awards prognosticators like me have been eventful as the Venice and Toronto Film Festival have unveiled their lineups. Many of the expected 2024 heavy hitters have confirmed their premieres up north and across the ocean. That includes Conclave, The Piano Lesson, Queer, Joker: Folie à Deux, Maria, Nightbitch, The End, Hard Truths, and The Room Next Door to name a few. The NY Festival features Nickel Boys as its debut screening while Blitz will play London.

None of that information is particularly surprising. There was a rather unexpected development today courtesy of Fox Searchlight. The studio premiered the first look at their Bob Dylan biopic A Complete Unknown and announced a release date of December. Directed by James Mangold, Timothée Chalamet stars as the legendary folk singer and the Dune/Wonka actor does his own crooning that you can hear in the trailer.

So will the picture be a golden ticket for Oscar attention? The December drop would indicate that Fox thinks so. Mangold is no stranger to this genre as he made 2005’s Walk the Line with Joaquin Phoenix as Johnny Cash. He was nominated for Best Actor while Reese Witherspoon won Actress as June Carter Cash. Chalamet has been killing it lately at the box office, but his sole Academy nom was for 2017’s Call Me by Your Name (losing to Gary Oldman for Darkest Hour). This is obviously a high profile turn and he joins an Actor competition that is quite unclear. Only one thing seems certain(ish) and that’s Colman Domingo making the final five for the acclaimed Sing Sing. Since I started my forecasts in May, there’s been two other performers I’ve had slotted in the quintet: Ralph Fiennes (Conclave) and Daniel Craig (Queer). We’ll know soon enough if they are legit contenders. The other two spots have fluctuated between hopefuls like Sebastian Stan (for either The Apprentice or A Different Man), John David Washington (The Piano Lesson), and Glen Powell (Hit Man). And we can’t discount Mr. Phoenix for his second stint as Joker.

I do suspect that Chalamet will materialize in my top 5 for recognition when I update my predictions in the coming days. Where else could Unknown get in? Well, there’s Best Picture and Mangold’s direction. Walk the Line missed the cut for BP nearly 20 years ago. If there were 10 nominees back then like there is now, it probably would’ve gotten in. Mangold is a well-respected filmmaker with varied works including Cop Land, Girl, Interrupted, Logan, and Ford v Ferrari. While his co-scripting of Logan gave him an Adapted Screenplay nomination, he’s never received a directing mention.

Walk the Line did nab three other noms for Costume Design, Film Editing, and Sound Mixing. All three of those (though Sound is now just Sound since it combined Sound Mixing and Sound Editing) could be Unknown inclusions. Adapted Screenplay is also a possibility.

As for the rest of the cast, we simply don’t know if Edward Norton as Pete Seeger, Elle Fanning as Sylvie Russo, or Monica Barbaro as Joan Baez are substantial enough for supporting recognitions. I would anticipate at least Fanning being listed as a possibility in my next update.

Fox Searchlight also has Nightbitch and A Real Pain as awards bait releases. The former is mostly being discussed for Amy Adams and an Actress nod (where I currently have her ranked #1). The latter is seen as a vehicle for a Kieran Culkin Supporting Actor try (where I have him ranked fourth). Both could be in the BP mix. However, on paper, A Complete Unknown might be Fox’s most electrifying prospect. This is, of course, a complete unknown until it screens. We do now that it’ll be in this cycle.

Oscar Predictions – A Quiet Place: Day One

Horror prequel A Quiet Place: Day One is out this weekend with a fresh creative team behind and in front of the camera. Michael Sarnoski, best known for Pig with Nicolas Cage, directs with Lupita Nyong’o, Joseph Quinn, and Alex Wolff entering the franchise. Djimon Hounsou reprises his turn from A Quiet Place Part II.

The review embargo is up and it is slightly behind its two predecessors. 2018’s original posted 96% on RT with 2021’s follow-up at 91%. Day One currently stands at 86%. There is particular praise for Nyong’o who probably came close to a Best Actress nom in this genre with 2019’s Us.

At the 91st Academy Awards, A Quiet Place was up for Sound Editing (this was right before Sound Editing and Sound Mixing were combined into Best Sound). It ultimately lost to Bohemian Rhapsody and was its sole nod. Side note: Emily Blunt took home a surprise Supporting Actress SAG prize for the pic while missing the Oscar cut.

Part II did not get a Sound mention three years later as Dune was the victor. Day‘s only shot on Oscar night is Sound and it’s a coin flip whether it gets in. You’re safe to assume it won’t take the statue even if it makes the quintet thanks to Dune: Part Two. My Oscar Prediction posts will continue…

Challengers Review

Luca Guadagnino’s Challengers swings and lands and swings and misses and misses and lands and repeats. Strengths become flaws as the EDM score from Trent Reznor and Atticus Ross is a charge to hear until it isn’t. The non-linear structure of the love triangle provides glimpses of high-powered melodrama, but it’s also distractingly messy in at least equal measure. Where I find no fault was in the performances even if I wish the script from Justin Kuritzkes served them better.

Volleying between 2006 and 2019 and significant points in between, we are introduced to BFF’s Art (Mike Faist) and Patrick (Josh O’Connor) as tennis juniors champs at the US Open. Along with the rest of the sports world, they are smitten by highly touted prospect Tashi (Zendaya) who is biding her going pro jump until the right moment. A late night meeting at a hotel on the day of the boys’ introduction to her provides fireworks that will complicate and influence their dynamic for the next decade plus.

It is 13 years after that encounter that Art and Patrick, long estranged, hurdle toward a match at a Challenger event. Tashi’s go pro unveiling never came into focus, but she and Art have formed a potent partnership while Patrick’s career has stalled. Flashbacks fill in other pertinent details and haphazardly at times. Despite its 131 minutes of action, characterizations of the players can run frustratingly thin.

Tashi seems to hold a lot of power over the gents and Zendaya’s work sells it. She cannot impose her will on the court and strives to do so with those competing on it via other methods. Kudos to the Dune heroine for nailing this unlikable character that should have been more fleshed out. O’Connor and Faist also excel with the former perhaps more of a breakout.

There’s really no one to root for in Challengers by design as this less than holy trinity think far more about themselves than others. You may find yourself calculating who among them is the worst offender. Guadagnino turns the aforementioned score and soap opera vibes up loudly. It works often as a pure guilty pleasure. By its conclusion, however, I might’ve been laughing at the stylistic flourishes and not with it.

**1/2 (out of four)