Bad Boys: Ride or Die Box Office Prediction

Nearly four and a half years ago, Will Smith and Martin Lawrence were riding high with Bad Boys for Life. The third entry in the buddy cop franchise that began nearly 30 years ago set series best marks with $73 million over the four-day MLK frame in January 2020. It ended up with just over $200 million domestically.

And then things got weird. Life was the last mega-grosser before the pandemic hit and stalled the industry for many months. Smith, meanwhile, became embroiled in the infamous Oscar slap controversy two years later with Chris Rock. The directors of part 3 – Adil El Arbi and Bilall Fallah – followed Life up with Batgirl which Warner Bros shockingly decided to shelve for eternity.

So it kind of feels like there’s a lot riding on Bad Boys: Ride or Die when it opens June 7th. Smith and Lawrence are back alongside Joe Pantoliano, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Jacob Scipio, and DJ Khaled. The Batgirl makers return as well. Newcomers to part 4 include Tiffany Haddish, Eric Dane, Ioan Gruffudd, Rhea Seehorn, Melanie Liburd, and Tasha Smith (pulling an Aunt Viv and replacing Theresa Randle as Lawrence’s wife).

Bad Boys hopes to shake up a summer season where plenty of titles have fallen below expectations. This is also the first test of Smith’s star power post slap. I do not expect it to match the earnings of its predecessor. Part 3 took in $62 million for the three-day portion of its premiere. Sony would probably be satisfied with that and it would quell any “Smith’s career is dead” chatter.

I’m estimating a start that might not totally quell that conversation in the mid to late 40s.

Bad Boys: Ride or Die opening weekend prediction: $47.3 million

For my The Watchers prediction, click here:

Spies in Disguise Box Office Prediction

Opening on Christmas Day, Will Smith and Tom Holland lend their vocal stylings to the animated comedy Spies in Disguise. The pic comes from Blue Sky Studios, who have successfully distributed the Ice Age and Rio franchises. Nick Bruno and Troy Quane make their directorial debuts and supporting mic work comes from Rashida Jones, Ben Mendelsohn, Reba McEntire, Rachel Brosnahan, Karen Gillan, and DJ KHALED!!! (I think I’m contractually obliged to type his name in caps with exclamation points).

Blue Sky’s previous effort was two years ago and it also opened over the holiday season. Ferdinand dared to debut directly against Star Wars: The Last Jedi and managed a $13.4 million opening (lower than the studio is accustomed to). In 2019, competition for Spies is equally fierce. The Rise of Skywalker will be in its second weekend while Jumanji: The Next Level should still be raking in cash in its third frame.

The star power should help a bit and so should the fact that there’s plenty of money to be spent by family audiences over its five-day release. I’ll say a gross in the low to mid teens for Friday to Sunday and that should be matched by a roughly equal amount on Wednesday and Thursday.

Spies in Disguise opening weekend prediction: $13.6 million (Friday to Sunday); $27.4 million (Wednesday to Sunday)

For my Little Women prediction, click here:

https://toddmthatcher.com/2019/12/17/little-women-box-office-prediction/

For my Uncut Gems prediction, click here:

https://toddmthatcher.com/2019/12/22/uncut-gems-box-office-prediction/

Oscar Watch: Spies in Disguise

In December of last year, the non Disney/Pixar animated hit Spider-Man: Into the Spider-Verse swooped in at the last minute to critical acclaim and took away Best Animated Feature from frontrunner Incredibles 2. 

So it’s at least worth keeping an eye on Spies in Disguise, the comedic kiddie flick from Blue Sky Studios. Could another last minute entry pop up and steal the thunder from another Pixar sequel, Toy Story 4?

Short answer: nope. While the Will Smith and Tom Holland voice led pic has garnered some decent reviews (79% on Rotten Tomatoes), I don’t even feel it’s enough to compete with other likely nominees including Frozen II, How to Train Your Dragon: The Hidden World, and Missing Link. For that matter, I’d rank it behind potential contenders that I’m not projecting for the final five like Abominable and Klaus. 

This marks Blue Sky’s 13th full-length feature. Only two (2002’s Ice Age and 2017’s Ferdinand) have gotten the attention of Academy voters. Don’t expect this to be the third. My Oscar Watch posts will continue…