Mickey Mouse Blinks

Today marked even more release shifting in the wake of the ongoing COVID-19 pandemic and it’s a lot of news of Disney. The Mouse Factory, to no one’s surprise, has moved their live-action remake of Mulan from August 21st to that date we’re all growing accustomed to… (say it together now) TBD.

That’s not all. Two of the studio’s biggest franchises saw their anticipated sequels, spin-offs, and reboots pushed back one year. The as yet untitled next episodes of Star Wars will not begin until December 2023 (with follow-up pics now slated for 2025 and 2027).

James Cameron’s four (yes, four) sequels to Avatar are delayed yet again. Part two is now pegged for December 2022 with parts 3, 4, and 5 now planned for December 2024, 2026, and 2028.

And… that’s not all. Kenneth Branagh’s Death on the Nile (his follow-up to Murder on the Orient Express) has been pushed back two weeks from October 9th to October 23rd of this year (we’ll see it that holds). Mr. Branagh has already seen a COVID change a few weeks back when his critically reviled Artemis Fowl scrapped its theatrical bow in favor of a Disney+ debut.

Some other developments: Ridley Scott’s The Last Duel changed from Christmas 2020 to October 2021. Wes Anderson’s eagerly awaited (and potential Oscar contender) The French Dispatch saw its October 2020 premiere altered to… (say it again) TBD.

This follows the announcement from Warner Bros. earlier this week that Christopher Nolan’s Tenet (long seen as the first real COVID test for theaters) is now a TBD property after its hoped for August rollout. After the Tenet news, the ball was passed to Mulan. Not anymore.

Now the paradigm shifts again… to Disney. One could say that the MCU’s Black Widow is now the first massive blockbuster scheduled to debut on November 6th. Let’s see if it stays that way in our new cinematic universe.

Oscar Watch: Hope Gap

Alongside Glenn Close and Amy Adams, Annette Bening could be the most high profile and acclaimed actress that has yet to win Oscar gold despite multiple nominations. She is a four time nominee – once for Supporting Actress in 1990’s The Grifters and thrice nominated in the lead race with 1999’s American Beauty, 2004’s Being Julia, and 2010’s The Kids Are All Right. In both 1999 and 2004, Bening was likely the runner-up and lost both awards to Hilary Swank (for Boys Don’t Cry and Million Dollar Baby, respectively).

There’s a feeling that her time may come, but this year’s Hope Gap is unlikely to get her there. The drama premiered last fall at the Toronto Film Festival. Focusing on her strained marriage with Bill Nighy, Gap is directed by William Nicholson. He’s known most for his screenwriting with credits including the Oscar winning Gladiator as well as Shadowlands, Nell, and Les Miserables (2012 version).

So while the Oscar pedigree is certainly present, reviews are decidedly more mixed. The Rotten Tomatoes rating stands at a so-so 63% after Gap forewent a theatrical release and went straight to VOD. Perhaps Bening will have a bite at the Supporting Actress apple with October’s Death on the Nile, the follow-up to Murder on the Orient Express. As for Gap, there’s scant hope. My Oscar Watch posts will continue…