Denis Villeneuve’s Dune arrives nearly three decades after David Lynch’s oft criticized version of Frank Herbert’s mid 60s sci-fi novel. It is source material that I’m frankly not familiar with so take that for what it’s worth. With the director of Arrival and Blade Runner 2049 at the controls, this is a technically masterful and consistently stunning looking experience. I also must admit that I didn’t get swept up in it no matter how amazing the desert landscapes appear (and do they ever).
Set 10,000 years in the future, the dense plot (as in often hard to follow) introduces us to the royal family of Caladan. Duke Leto (Oscar Isaac) is the leader of House Atreides, a land with a plentiful supply of water and bagpipes. His concubine is Lady Jessica (Rebecca Ferguson) who possesses the powers of Bene Gesserit, a sisterhood of mystical beings thought to bear children with God-like abilities. Their offspring is Paul (Timothee Chalamet). One problem: the Lady was supposed to have a girl who eventually delivers this story’s version of The One, but she skipped a step.
The Atreides are ordered by Empirical decree to take over Arrakis, a planet with hardly any water (I’m uncertain about bagpipes). However, it is the only land with spice and that substances serves many purposes. First, it gets you high and gives one visions that might play into the plot later. Most importantly, it fuels interstellar travel and is therefore an extraordinarily valuable commodity. It’s what Gollum would be droning on endlessly about if this were another epic adventure. House Harkonnen and their rotund ruler (Stellan Skarsgard), the current Arrakis deed holders, are not going to give up those property rights without a fight.
We sense where all this is heading due to Paul’s visions of Chani (Zendaya). She’s a native of Arrakis and their citizens called the Fremen have learned to use their planet’s sandy and almost unlivable terrain to their advantage. They will need to accept Paul as their captain and that development… will or won’t happen in part two. Yes, part one is a subtitle here. Like some Marvel products that preceded this, you may find yourself realizing that not a lot really happens in this origin tale by the time two and a half hours has lapsed.
I recognize this may sound like sacrilege to the book’s devotees. There is plenty to praise in this immensely gifted director’s adaptation. The cast is uniformly top notch from Chalamet on down (FYI – Zendaya is a part II kinda thing because her participation is limited). Ferguson is perhaps the standout in a sprawling ensemble that includes Josh Brolin (as a trusted Atreides warrior), Javier Bardem (as a Fremen warrior), and Charlotte Rampling as a Reverend Mother of the Bene Gesserit.
Dune worshipers forgive me. While I spent time marveling at the look and anticipating the unearthing of giant sandworms, I would put this behind Arrival and the Blade Runner follow-up without hesitation. Saying it feels like half a movie is easy criticism. That doesn’t mean it’s not true. It is tempting to recommend Dune based on spectacular work of composer Hans Zimmer and cinematographer Greig Fraser and the sound and visual effects artists. Yet I often found myself a bit shocked by my lack of awe in the story itself.
**1/2 (out of four)
