Oscar Predictions – Predator: Badlands

Predator: Badlands is the ninth overall installment in the nearly 40-year-old franchise and the third in a row from director Dan Trachtenberg. Opening Friday, it follows up 2022’s Prey and this summer’s Predator: Killer of Killers. Elle Fanning stars alongside Dimitrius Schuster-Koloamatangi and Mike Homik.

Prey and Killers received impressive reviews with respective 94% and 95% Tomato meters and 71/78 scores on Metacritic. Badlands is lagging behind though not by much with 88% on RT and 69 for Meta.

In 1987, Predator starring the future Governors of California and Minnesota had a 50% chance to win Best Visual Effects, but lost to sole competitor Innerspace. VE is the only race where Badlands could materialize. If so, it would continue a recent trend of entries in long existing franchises (No Time to Die, Mission: Impossible – Dead Reckoning, Alien: Romulus) nabbing slots. I’ve yet to list this in my top 10 possibilities. So while I’m skeptical it makes the quintet, it is not an impossibility and don’t be surprised if it pops up in the bottom rungs of my VE hopefuls when I do my next update. My Oscar prediction posts will continue…

Predator: Badlands Box Office Prediction

Predator: Badlands looks to awaken a dormant box office when it debuts November 7th. It marks the ninth overall feature in the nearly 40-year-old franchise that began with the Arnold Schwarzenegger classic. Dan Trachtenberg directs his second pic in the series after helming the 2022’s Prey and the animated Predator: Killer of Killers back in June. Both were acclaimed and they premiered via streaming on Hulu. Elle Fanning stars alongside Dimitrius Schuster-Koloamatangi and Mike Homik.

Technically AVP: Alien vs. Predator holds the record for best start among the films at $38 million back in 2004. As far as Predator titles without an iconic sparring partner, 2010’s Predators and 2018’s The Predator experienced virtually identical openings of $24.7 and $24.6 million, respectively.

Early word-of-mouth for Badlands is solid yet some fans may choose to wait for to Disney+/Hulu. It could manage to top expectations because there’s not much else out there. I also wouldn’t be surprised at all if it sees a mid 20s output similar to what we witnessed in 2010 and 2018 and that would be considered a letdown. I’ll give it slightly more.

Predator: Badlands opening weekend prediction: $27.6 million

For my Christy prediction, click here:

Christy Box Office Prediction

Oscar Predictions – Predator: Killer of Killers

In 2022, Dan Trachtenberg took over the Predator franchise after invigorating the Cloverfield series with 10 Cloverfield Lane. The result was the acclaimed Hulu prequel Prey. This November, futuristic follow-up Predator: Badlands will touch down in theaters. In the meantime, Trachtenberg has helmed the R-rated animated Predator: Killer of Killers which is available for your streaming pleasure via Hulu and Disney+ this weekend.

Prey was a pleasantly bloody surprise to most critics and Killers can proclaim the same. The Rotten Tomatoes score is 98% with Metacritic at 78 with reviewers praising the anthology tale. Is it enough that the Academy would consider this for a Best Animated Feature slot? If so, it would mark the franchise’s second nom after the 1987 original was up for Visual Effects and lost to Innerspace.

Even with the high marks, I just don’t see this contending at the moment. Let’s see how the competition shakes out for the rest of the year though. My Oscar Prediction posts will continue…

Prey Review

Touching down 35 years after the glistening biceps and grisly kills of Predator, Prey puts the “pre” in prequel by taking us all the way back to 1719. Our setting is the Northern Great Plains in a mountainous region inhabited by a Comanche Indian tribe. The elements of the time are their own enemy and so is the wildlife roaming free. This includes lions and bears of the somewhat unconvincing CG variety. There’s also a gruesome scene where buffaloes earn their wings.

Dan Trachtenberg’s film poses the question – what if we dropped one of those Predators in this unique cinematic universe? The answer is a clever spin on the franchise that marks its own territory. It limits the callbacks to the original so that when they surface, they’re appreciated. The screenplay isn’t muddied by burying itself in nostalgia and that’s something plenty of other series can’t claim as of late.

There are no semiautomatic weapons or choppas for Naru (Amber Midthunder), a young warrior who longs to be a hunter. Her brother Taabe (Dakota Beavers) is considered one of the best. It’s clear that her community simply doesn’t view her as capable of doing the same. She gets the chance when that extraterrestrial entity (still a triumph of creature design) makes a visit. Her trusty hound Sarii joins her. Camouflaging itself to attack at the right moments and still giving its potential victims a fighting chance, this is indeed Predator’s best vehicle since part 1.

Predator 2 certainly had its guilty pleasures back in 1990 while 2010’s Predators was a mixed bag. By 2018, Shane Black’s The Predator fell apart as it went along and marked a low point. Prey‘s concept of taking the iconic monster back 300 years is simple and effective. Midthunder’s determined heroine is a huge plus and she’s easily the most engaging protagonist since Arnold. Predator isn’t the only predator around as French colonists surface to torment the Comanches. This group’s encounters with Naru and the beast are violent highlights.

Besides some occasionally questionable CG, it’s fair to say that Prey works on every level imaginable. I found myself immersed in the striking landscapes that its unwelcome guest crashes. Trachtenberg stages his action sequences with precision and there’s no time wasted in its 100 minutes. This is how you do a prequel. With this crew involved, I’d eagerly sign up for more predatory journeys through history.

***1/2 (out of four)

10 Cloverfield Lane Box Office Prediction

Is it a sequel? Is it not a sequel? Audiences will find out next Friday when the mysterious 10 Cloverfield Lane debuts. Producer J.J. Abrams (you may have heard of him) describes the picture as a “blood relative” to 2008’s Cloverfield, the sci fi found footage monster flick which scored with audiences to the tune of a $40 million opening. Its final domestic gross was $80M.

This kind of, sort of sequel is as steeped in mystery as its predecessor was eight years ago. Mary Elizabeth Winstead and John Goodman star and the effective survivalist bunker trailer and TV spots (including a Super Bowl ad) have genre lovers quite curious.

How that interest generates to its debut is a bit up in the air. As shown above, the original had a splashy opening but fell quickly (it’s not often a film’s opening weekend is responsible for half its overall take). 10 Cloverfield Lane is not expected to match what the 2008 iteration made, but it could still make a tidy sum.

My suspicion is that this will at least make half of the $40 million Cloverfield did out of the gate and could even threaten to top $30 million. I’ll predict it doesn’t quite get there and an opening in the mid to higher 20s seems more probable.

10 Cloverfield Lane opening weekend prediction: $28.3 million