Tag: Christoph Waltz

Todd’s Top 10 Most Awaited Fall 2017 Movies

Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.

Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):

Blade Runner 2049

Release Date: October 6

35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.

Downsizing

Release Date: December 22

It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.

NO TRAILER AT PRESS TIME

It

Release Date: September 8

Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.

Justice League

Release Date: November 17

DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).

mother!

Release Date: September 15

Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.

Murder on the Orient Express

Release Date: November 10

Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.

The Papers

Release Date: December 22

As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.

NO TRAILER AT PRESS TIME

Phantom Thread

Release Date: December 27

Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.

NO TRAILER AT PRESS TIME

The Shape of Water

Release Date: December 8

Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.

Star Wars: The Last Jedi

Release Date: December 15

Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.

And there you have it, folks! Let us look forward to a hopefully glorious autumn season…

The Legend of Tarzan Movie Review

ME…

Another “re-imagining” of the Tarzan tale? Could this work at all?

YOU…

might be surprised by how some wise choices contribute to David Yates’s The Legend of Tarzan being a fairly satisfying experience.

The first solid choice is not to make this an origin story like we’ve seen repeatedly with franchises in recent years. When the proceedings begin, Tarzan (Alexander Skarsgard) is settled in London as Lord Greystoke with wife Jane (Margot Robbie). His childhood of growing up in the wild and being able to communicate with the jungle creatures is told as backstory and it doesn’t take up much screen time.

Of course, we know a plot point must return Greystoke to his native grounds. It involves bad guy Leon Rom (Christoph Waltz) collecting some precious diamonds from a tribe led by a Chief (Djimon Hounsou). In exchange for the stones, the Chief only wants Tarzan in return. You see – our title character had a run-in with the Chief’s only son years ago.

To the jungle we go with lots of CG animals that look fine, though maybe not quite as exquisite as in The Jungle Book or the revamped Apes franchise. Joining Big T on the adventure are his wife and American envoy George Washington Williams (Samuel L. Jackson).

The second welcome choice here is Robbie, who’s radiance has permiated everything she’s been in. Beyond her top-notch work, the screenwriters succeed in making her more than a Damsel in a White Dress. She’s tough, feisty, funny, and equal to her man.

Tarantino stalwarts Waltz and Jackson give you pretty much what you’d expect. Jackson gets a couple decent one-liners and Waltz could play the conniving villain role in his sleep (and has with superior writing). Skarsgard’s performance will be remembered more for his muscle tone and vine swinging than much else (he looks the part though).

Even though this legend has been around forever, you may find yourself recalling this year’s live-action version of Kipling’s Jungle Book from time to time and not just because of the CG. A scene where elephants are bowed to and treated as mystical creatures? Check. Overtones of colonialism that the filmmakers don’t really know how to deal with? Little bit. That said, we’ve got hungry hippos in Tarzan and they weren’t in Jon Favreau’s movie!

So while this may feel a bit familiar, the aforementioned pluses make this frequent return to this legend an entertaining enough time.

*** (out of four)

The Legend of Tarzan Box Office Prediction

Remember three summers ago when the mega-budgeted The Lone Ranger made just $29 million in its first weekend and was a huge disappointment? I give you what could be this year’s Ranger: Warner Bros The Legend of Tarzan, which swings into theaters over July 4th weekend with an estimated $180 million budget. I’m not convinced it’ll reach half its budget domestically when all is said and done.

Based on the iconic character created by Edgar Rice Burroughs, Tarzan is directed by David Yates – the man responsible for the last four Harry Potter pics and this fall’s Fantastic Beasts and Where to Find Them. Alexander Sarsgard is in the title role with Margot Robbie as Jane and Samuel L. Jackson, Christoph Waltz, Djimon Hounsou, and Jim Broadbent among the supporting players.

The biggest hurdle here could be the considerable competition for a family audience. Finding Dory will still be earning a lot in weekend #3 and Steven Spielberg’s The BFG opens the same day. There just doesn’t seem to be much excitement for this and it could get a bit lost in the shuffle. Luckily for Yates, his Beasts project is likely to be a smash. Luckily for Robbie, she’s a just over a month away from Suicide Squad probably doing bang-up business.

I’ll predict a three-day debut in the high teens and a low 20s four-day for the holiday frame. Considering its price tag, that’s bad news at Warner.

The Legend of Tarzan opening weekend prediction: $17.5 million (Friday to Sunday), $22 million (Friday to Monday)

For my The BFG prediction, click here:

https://toddmthatcher.com/2016/06/22/the-bfg-box-office-prediction/

For my The Purge: Election Year prediction, click here:

https://toddmthatcher.com/2016/06/22/the-purge-election-year-box-office-prediction/

Spectre Box Office Prediction

Three years after the triumphant box office performance of the 23rd 007 entry Skyfall, Daniel Craig is back for the fourth time as James Bond in Spectre, out next Friday. The big question is whether or not it will manage to top the franchise high debut of its predecessor. It could come close or surpass it, as I see it.

Let’s take a little trip down memory lane with Craig’s 007 filmography. His first, 2006’s Casino Royale, started with $40.8 million on its way to a $167M eventual domestic gross. The second, 2008’s Quantum of Solace, earned $67.5 million out of the gate and just edged its predecessor’s haul with $168M. Then – 2012’s Skyfall was a game changer. It made $88.3 million for its astonishing opening weekend and ended with $304M. Worldwide, it took in a cool $1.1 billion, easily setting the high bar for the now 53 year old series.

The studio clearly has employed the “if it ain’t broke, don’t fix it” rule as Skyfall director Sam Mendes has returned. Christoph Waltz joins the fray as the main villain with Ralph Fiennes and Naomie Harris returning as M and Moneypenny, respectively. Spectre has already set records in the United Kingdom, where it was already released this week. Reviews have been mostly strong and it stands at 79% on Rotten Tomatoes, though it’s worth noting that critics generally have stated it’s not quite at the level of what preceded it.

This 24th official Bond pic should debut with Skyfall like numbers. On the high end, it could possibly gather over $100M in its first weekend. It could also earn $75-$80M and that would certainly be on the lower end of expectations. My feeling is that it’ll be within about $5M of what the last one made on the same November weekend in 2012 and that Spectre will just manage to outdo it for the largest 007 premiere in U.S. history.

Spectre opening weekend prediction: $91.3 million

For my prediction on The Peanuts Movie, click here:

https://toddmthatcher.com/2015/10/29/the-peanuts-movie-box-office-prediction/

Oscar History: 2009

It’s been a little while, but this evening on the blog – we continue with my ongoing series of Oscar History posts and we’ve arrived at 2009. That year’s Academy Awards are notable for a couple of reasons. First, this was the year where the decision was made to expand the list of Best Picture nominees from five to ten. It’s likely not an accident that this occurred just one year after 2008’s commercial and critical smash The Dark Knight failed to make the five pic cut. This was the Academy’s way of including more commercially successful ventures. After all, there’s a direct correlation between hit pictures being nominated and the ratings of the telecast itself. Secondly, the real battle of nominated entries came down between the efforts of a couple that was married and divorced – James Cameron for his smash hit Avatar (which demolished all box office records) and ex wife Kathryn Bigelow for her war drama The Hurt Locker.

It would be Bigelow who would come out on top as The Hurt Locker would take Best Picture over her ex-husband’s blockbuster. The other eight nominated features: The Blind Side, District 9, An Education, Inglourious Basterds, Precious, A Serious Man, Up, and Up in the Air. The success of Hurt Locker would relegate Avatar to winning only the tech categories.

Up would mark the first animated flick nomination (and first and only Pixar one) since 1991’s Beauty and the Beast and it hasn’t happened since. Basterds would mark Quentin Tarantino’s second pic nod after Pulp Fiction fifteen years prior.

As for movies that might have made my personal cut, I advocate for Steven Soderbergh’s underrated and hilarious The Informant! And if the Academy wanted to include high profile pictures, why not consider the acclaimed Star Trek reboot or comedy smash of the year The Hangover? I’m also a big fan of Zack Snyder’s graphic novel adaptation of Watchmen.

Bigelow would go onto make history by becoming the first female Best Director winner in Oscar history over Cameron, Lee Daniels (Precious), Jason Reitman (Up in the Air), and Tarantino. I may have found room for Neill Blomkamp’s impressive work in District 9.

Beloved actor Jeff Bridges would score his first Best Actor win for Crazy Heart, beating out George Clooney (Up in the Air), Colin Firth (A Single Man), Morgan Freeman (Invictus), and Jeremy Renner (Hurt Locker). Firth would go onto win the prize the following year for The King’s Speech. Once again, my Informant! love would have meant an inclusion for Matt Damon’s terrific work in it.

Sandra Bullock would receive her first ever nomination and a win for her hit football drama The Blind Side. Other nominees: Helen Mirren (The Last Station), Carey Mulligan (An Education), Gabourey Sidibe (Precious), and Meryl Streep (Julie & Julia). Two names I would’ve considered: Alison Lohman’s great scared crapless work in Sam Raimi’s horror tale Drag Me to Hell and Zooey Deschanel in the rom com (500) Days of Summer.

Quentin Tarantino’s knack of finding the perfect actor in the perfect role landed an at the time unknown Christoph Waltz a win in Supporting Actor for Inglourious Basterds. Other nominees were Matt Damon for Invictus, Woody Harrelson for The Messenger, Christopher Plummer in The Last Station, and Stanley Tucci for The Lovely Bones. As I’ve mentioned in these posts before, the Academy usually ignores comedies and this race would have given them an excellent opportunity to nominate Zach Galifianakis in The Hangover. Also, I may have included Jackie Earle Haley for his work in Watchmen.

Mo’Nique would win Supporting Actress in Precious over previous year’s winner Penelope Cruz (Nine), Vera Farmiga and Anna Kendrick (both nominated for Up in the Air), and Maggie Gyllenhaal (Crazy Heart). I would have given consideration to either Melanie Laurent or Diane Kruger for their roles in Basterds.

And that’s 2009 for you, my friends! I’ll get to 2010 at same point in the future…

Big Eyes Movie Review

Early on in Tim Burton’s Big Eyes, Walter Keane (Christoph Waltz) pontificates that art is not about quality when it comes to whether it sells. It’s about being at the right place at the right time. For many years, Walter’s words couldn’t ring more true for himself. And he could’ve added meeting the right person.

That person is Margaret (Amy Adams) and she’s a recent divorcee in the late 1950s (when it was quite uncommon) with a talent for painting portraits of her young daughter. Her signature look is our movie title on the face of her work. When she meets Walter, he seduces her with his plentiful charm and they’re soon married. He presents himself as a fellow painter, but his Paris landscapes don’t interest anyone. Margaret’s, on the other hand, begin to capture some attention and soon a confluence of circumstances lead Walter to claim credit for her work. Those circumstances (most completely Walter’s doing and some not) additionally lead his wife to go along with the deceit for a long time. As the years roll by, Walter becomes a renowned and celebrated figure, while conflicted Margaret paints their fortune in her secret studio in homes that grow in size.

Big Eyes is based on true events and the art filled subject matter is right up Burton’s alley, though with a majorly smaller budget than he’s used to. The 50s and then 60s San Francisco setting provides a vibrant look to the proceedings. Unlike most of the director’s recent efforts, the only special effects is some big eyes superimposed on human faces from time to time. The focus is on the relationship of Walter and Margaret. Recognizable faces like Danny Huston, Jon Polito, Krysten Ritter, Terence Stamp and Jason Schwartzman pop up in small supporting roles. Truth be told, the relationship dynamic between our two leads is often treading familiar territory. Margaret lives in an era where challenging her husband’s word is not easy. She even attempts to tell her huge secret during confession and the priest basically tells her to obey him.

The work of primarily Adams is impressive, as it almost always is. Creating a sympathetic character who still is not totally innocent in all her actions, the actress is fascinating to watch. Waltz is an exciting performer who’s earned two Oscars for his mastery of Tarantino’s dialogue. The role of Walter is a tricky one. He is painted in broad strokes in the screenplay and the filmmakers insist they actually downplayed him from real life. It may all be the truth about Walter’s world of non truth, but it is difficult to view him as anything more than a caricature on occasion.

Adams’ work and the legitimately interesting real life tale we see here are enough to recommend Big Eyes.  It is also refreshing to see Burton doing commendable work without a $200 million budget remaking something, like he did 20 years back with Ed Wood. Speaking of that effort, Big Eyes comes from the same writers (Scott Alexander and Larry Karaszewski). This isn’t as memorable as that fine picture about a terrible director, but it’s a good film about a talented artist who is directed into a heckuva big scheme.

*** (out of four)

Horrible Bosses 2 Movie Review

2011’s Horrible Bosses was a better than average raunchy comedy that will most be remembered for showing a whole new side to Jennifer Aniston, which assisted in achieving some shock value. It helped that it was headlined by three highly talented comedic leads – Jason’s Bateman and Sudeikis and Charlie Day. When it turned into a surprise blockbuster with a $117 million domestic gross, the bosses at Warner Bros decided we needed a sequel.

We didn’t.

Horrible Bosses 2 contains only hints of what the original a reasonable success. The sequel pines to remind us of what we dug about its predecessor. Kevin Spacey and Jamie Foxx reprise their roles but their parts aren’t as humorous as the first go round. Aniston is back, but that aforementioned shock value is long gone. The three leads have an undeniable chemistry which again isn’t as strong as when they were dealing with their original nefarious employers.

It’s actually Chris Pine who turns in the most unexpectedly winning performance. Captain Kirk hasn’t had much opportunity to show his comedy skills and he has them. He plays the spoiled son of a rich investor (a totally wasted Christoph Waltz) who bilks our trio out of their new business venture called The Shower Buddy (not really worth explaining). He is really the only new and worthy addition to the proceedings. The rest is primarily stale sex jokes. Lots of them.

The contrived plot (you can bet a sequel for this was never planned) involves the leads setting up a scheme to kidnap Pine. Their plans necessitate conspiring with their old foes Spacey and Foxx and Aniston because star power is key. Yet those three contributed a lot to the 2011 pic and the same cannot be said now.

Even a less than desirable follow up is bound to have laugh inducing moments with this cast. The ratio isn’t horrible, but it’s not impressive either.

** (out of four)

Golden Globe Winner Predictions

We are deep into awards season with Oscar nominations coming Thursday and my final predictions arriving Tuesday. The second most notable awards show arrives tomorrow evening with trusty hosts Tina Fey and Amy Poehler returning to host the Golden Globes. Here are my guesses for what will win at that show in the major categories.

As you may know, unlike the Oscars, the Globes split the Picture and leading performance races between Drama and Musical/Comedy. Here we go!

Best Film (Drama)

Nominees

Boyhood

Foxcatcher

The Imitation Game

Selma

The Theory of Everything

PREDICTED WINNER: Boyhood

POTENTIAL SPOILER: The Imitation Game

 

Best Film (Musical/Comedy)

Nominees

Birdman

The Grand Budapest Hotel

Into the Woods

Pride

St. Vincent

PREDICTED WINNER: Birdman

POTENTIAL SPOILER: The Grand Budapest Hotel

 

Best Actor (Drama)

Nominees

Steve Carell, Foxcatcher

Benedict Cumberbatch, The Imitation Game

Jake Gyllenhall, Nightcrawler

David Oyelowo, Selma

Eddie Redmayne, The Theory of Everything

PREDICTED WINNER: Redmayne

POTENTIAL SPOILER: Cumberbatch

 

Best Actress (Drama)

Nominees

Jennifer Aniston, Cake

Felicity Jones, The Theory of Everything

Julianne Moore, Still Alice

Rosamund Pike, Gone Girl

Reese Witherspoon, Wild

PREDICTED WINNER: Moore

POTENTIAL SPOILER: Jones

 

Best Actor (Musical/Comedy)

Nominees

Ralph Fiennes, The Grand Budapest Hotel

Michael Keaton, Birdman

Bill Murray, St. Vincent

Joaquin Phoenix, Inherent Vice

Christoph Waltz, Big Eyes

PREDICTED WINNER: Keaton

POTENTIAL SPOILER: Fiennes

 

Best Actress (Musical/Comedy)

Nominees

Amy Adams, Big Eyes

Emily Blunt, Into the Woods

Helen Mirren, The Hundred-Foot Journey

Julianne Moore, Map to the Stars

Quvenzhane Wallis, Annie

PREDICTED WINNER: Blunt

POTENTIAL SPOILER: Adams

 

Best Supporting Actor

Nominees

Robert Duvall, The Judge

Ethan Hawke, Boyhood

Edward Norton, Birdman

Mark Ruffalo, Foxcatcher

J.K. Simmons, Whiplash

PREDICTED WINNER: Simmons

POTENTIAL SPOILER: Norton

 

Best Supporting Actress

Nominees

Patricia Arquette, Boyhood

Jessica Chastain, A Most Violent Year

Keira Knightley, The Imitation Game

Emma Stone, Birdman

Meryl Streep, Into the Woods

PREDICTED WINNER: Arquette

POTENTIAL SPOILER: Stone

 

Best Director

Wes Anderson, The Grand Budapest Hotel

Ana DuVernay, Selma

David Fincher, Gone Girl

Alejandro Gonzalez Inarritu, Birdman

Richard Linklater, Boyhood

PREDICTED WINNER: Inarritu

POTENTIAL SPOILER: Linklater

…. And there you have it friends! Let’s see how the Globes turn tomorrow!

 

A Spectre and a Joker

While moviegoers this weekend will be left with only Thanksgiving leftovers to munch on, it’s been quite a week for film news.

Just today, the title of the 24th James Bond picture was revealed: Spectre. Longtime 007 fans know what this means. SPECTRE (it stands for Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion) is the dastardly organization that has been run by Ernst Stavro Blofeld during the franchise including Dr. No, Thunderball, You Only Live Twice, On Her Majesty’s Secret Service, and Diamonds Are Forever. The group appears to be heading back into Bond lore with two time Oscar winner Christoph Waltz playing the bad guy (whether or not he plays Blofeld is still a mystery). The official announcement this morning lists him playing a different character, but many suspect it’s a head fake and he’ll be stepping into role of Bond’s most iconic villain. Spectre will be out in November 2015 with Daniel Craig returning for his fourth outing as 007 and Skyfall director Sam Mendes behind the camera.

Speaking of iconic villains, news was confirmed this week that The Joker will return in Suicide Squad, Warner Bros. 2016 pic focusing on villains in the DC Comics Universe. Jared Leto, fresh off his Dallas Buyer’s Club Oscar, steps into the part made famous by Jack Nicholson first and then the late Heath Ledger (who picked up a posthumous Academy Award for his work). David Ayer (director of Fury) is heading up the project that also stars Will Smith, Tom Hardy, and Margot Robbie.

So there we have it! Potentially two beloved baddies with two Oscar certified actors filling the roles. Also – ICYMI, there was a trailer for something called Star Wars: The Force Awakens. I’ve posted it already, but it never hurts to watch again… and again.

Horrible Bosses 2 Box Office Prediction

The Turkey Day box office frame showcases a sequel to a well regarded comedy that came out three and a half years ago as Horrible Bosses 2 opens Wednesday. Jason Bateman, Jason Sudeikis, and Charlie Day are back along with returnees Jennifer Aniston, Jamie Foxx, and Kevin Spacey. Newbies Christoph Waltz and Chris Pine join the fray as well.

In the summer of 2011, the original Bosses debuted to a robust $28 million on its way to a $117M domestic take. Those grosses were strong enough to warrant this sequel. Reviews have not been on its side as it currently holds a tepid 11% on Rotten Tomatoes (compared to its predecessor’s 69% rating). However, its opening weekend should be somewhat critic proof before lackluster word of mouth could cause large drop-offs in future weekends. After all, bad reviews didn’t hurt Dumb and Dumber To one bit.

I’ll predict Horrible Bosses 2 opens with just about what the first did for its Friday to Sunday frame while inching close to $40M for the five-day frame.

Horrible Bosses 2 opening weekend prediction: $28.6 million (Friday to Sunday), $38.3 million (Wednesday to Sunday)

For my Penguins of Madagascar prediction, click here:

https://toddmthatcher.com/2014/11/22/penguins-of-madagascar-box-office-prediction/