Film Festival Season Approaches: The 2018 Hopefuls

We may be smack dab in the middle of the summer movie season, but Oscar season will be taking shape before we know it. This week, the organizers of the Toronto and Venice Film Festivals have unveiled lineups for the pictures that will be premiering at their events in a few weeks. Many of them are awards hopefuls.

To give you an idea of the importance of festivals when it comes to Oscar nominees, six of last year’s nine nominees premiered at some combination of Toronto, Venice, Telluride, New York, Sundance, or Cannes. Every Best Picture winner from this decade and beyond played at one of them. The last one that didn’t was The Departed back in 2006.

The months of September-December are the fertile ground for most nominated features. Last year, seven of the nine Picture nominees came out in that time frame. In 2016 – it was 8 out of 9.

Beginning in late August/early September, I will begin my weekly Oscar prediction columns. It works like this:

Late August/Early September – first posting of predictions in the categories of Best Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress

Months of September and October – weekly Oscar predictions column post covering those 6 categories, as well as Adapted Screenplay and Original Screenplay. For Best Picture, I will be ranking possibilities numbered 1-25. For other categories, it will be numbered 1-15.

Months of November through announcement of nominations – weekly Oscar predictions column covering every category involving feature films. For Best Picture, I will be ranking possibilities numbered 1-15. For other categories, it will be numbered 1-10.

While these posts are a month away, today I bring you 25 fall awards hopefuls that I suspect I’ll be mentioning frequently. Most of these are premiering at the high-profile quartet of upcoming fests (Venice, Toronto, New York, Telluride). Some aren’t, but could certainly be added to Telluride or New York especially (as they’re more known for surprise screenings).

Let’s get to it!

A Star is Born

The third remake of the musical drama marks the directorial debut of Bradley Cooper and features a potential showcase role for his costar Lady Gaga. Early word of mouth is already strong.

At Eternity’s Gate

He received a nomination for his supporting work last year for The Florida Project and Willem Dafoe plays Vincent Van Gogh in what could be another awards bait role.

**NO TRAILER AT PRESS TIME

Backseat

Expect Adam McKay’s follow-up to The Big Short to receive plenty of attention. Christian Bale is Cheney with Amy Adams as wife Lynne and last year’s Supporting Actor winner Sam Rockwell as George W. Bush.

**NO TRAILER AT PRESS TIME

Beautiful Boy

Steve Carell plays the father of a meth addict played by Timothee Chalamet, who was nominated last year for Call Me by Your Name.

Ben is Back

Lucas Hedges and Julia Roberts headline this family drama that premieres at Toronto.

**NO TRAILER AT PRESS TIME

Bohemian Rhapsody

Despite some behind the scenes drama in its filming, all eyes will be on Rami Malek’s work as Queen front man Freddie Mercury.

Boy Erased

Perhaps an even larger showcase role for Lucas Hedges is this drama where he plays a homosexual sent to conversion camp. Joel Edgerton directs and costars along with Nicole Kidman and Russell Crowe.

Can You Ever Forgive Me?

Melissa McCarthy received an Academy Award nomination with her breakthrough role in Bridesmaids. This drama about writer Lee Israel could muster attention for her yet again.

First Man

Director Damien Chazelle has seen both of his efforts (Whiplash, La La Land) nominated for Best Picture and he’s the youngest filmmaker to ever win Best Director. His third pic is a Neil Armstrong biopic starring Ryan Gosling. It opens the Venice Film Festival.

If Beale Street Could Talk

The follow-up to his Oscar winning Moonlight, Barry Jenkins directs this drama set in 1970s Harlem.

July 22

United 93 and Captain Phillips director Paul Greengrass brings his latest to Netflix and it focuses on the 2011 terrorist attacks in Norway.

**NO TRAILER AT PRESS TIME

Life Itself

Premiering at Toronto, this ensemble drama includes Oscar Isaac, Olivia Munn, Annette Bening, and Antonio Banderas.

Mary Poppins Returns

She’s already a contender for A Quiet Place and Emily Blunt could face competition from herself with Disney’s expected monster hit.

Mary Queen of Scots

They were both nominated for Best Actress last year and now Saoirse Ronan and Margot Robbie star in this historical drama about the title character and Queen Elizabeth I.

Old Man & The Gun

David Lowery directs Robert Redford in the true life tale of a prison escape artist. Sissy Spacek and Casey Affleck costar.

On the Basis of Sex

The documentary RBG could get noticed by the Documentary branch, as could this biopic which casts Felicity Jones as Supreme Court Justice Ruth Bader Ginsburg.

Peterloo

Acclaimed British director Mike Leigh returns with this historical 19th century drama.

Roma

This Mexican family drama is Alfonso Cuaron’s first directorial effort since his acclaimed Gravity.

Suspiria

Call Me by Your Name maker Luca Guadagnino shifts gears for this remake of the 1970s horror classic. Don’t be surprised if this receives attention in some technical categories.

The Favourite

The Lobster director Yorgos Lanthimos is behind this historical drama featuring Olivia Colman, Emma Stone, and Rachel Weisz.

The Front Runner

Jason Reitman directs this biopic of failed Presidential candidate Gary Hart with Hugh Jackman cast in the role.

**NO TRAILER AT PRESS TIME

The Sisters Brothers

John C. Reilly, Joaquin Phoenix, and Jake Gyllenhaal are among the cast in this Western from acclaimed French director Jacques Audiard.

Welcome to Marwen

Steve Carell stars in this unique looking drama from Forrest Gump maker Robert Zemeckis.

Widows

It’s been five years between projects for Oscar winning 12 Years a Slave director Steve McQueen. This heist thriller stars recent winner Viola Davis.

And there’s your very early preview of some titles to keep an eye on over the coming months. Those Oscar posts will start rolling out weekly in about a month! Stay tuned…

Deepwater Horizon Box Office Prediction

The last time that director Peter Berg and Mark Wahlberg hooked up, their war drama Lone Survivor grossed a terrific $125 million domestically in early 2014. Nearly three years later, the pair have collaborated on Deepwater Horizon. This is another true-life tale focused on the 2010 BP oil rig explosion and the people who had to battle it. Costars include Kurt Russell, Kate Hudson, John Malkovich, Gina Rodriguez, and Dylan O’Brien.

With a reported budget of $156 million, Summit Entertainment better hope moviegoers flock to see the disaster pic… or they may have their own financial disaster on their hands. Early reviews have been mostly strong. It stands at 82% on Rotten Tomatoes with critics particularly praising its technical aspects.

Lone Survivor earned $37 million in its first weekend of wide release. That is probably the highest of bars for Horizon. One difference is that Survivor benefited from strong military interest that simply won’t come into play here. Still, the combination of Wahlberg with this well-known story could be enough to get this to mid 20s, in range with the opening of Captain Phillips from three years back or Fury from two years ago.

Deepwater Horizon opening weekend prediction: $24.7 million

For my Miss Peregrine’s Home for Peculiar Children prediction, click here:

https://toddmthatcher.com/2016/09/21/miss-peregrines-home-for-peculiar-children-box-office-prediction/

For my Masterminds prediction, click here:

https://toddmthatcher.com/2016/09/21/masterminds-box-office-prediction/

For my Queen of Katwe prediction, click here:

https://toddmthatcher.com/2016/09/23/queen-of-katwe-box-office-prediction/

 

My Love of Movies Part II: The Blog’s Second Anniversary

This week, Bill Murray spent an hour on Howard Stern’s radio show. Hearing these two true comedic icons shoot the breeze was an absolute pleasure. Filmmakers who try to recruit the indispensible Murray to even be in their movies have a tough time getting through to him. The actor is notorious for not having a manager or publicist or checking his cell phone (which he told Howard he has because his children only text and don’t answer calls).

At one point, the conversation turned to the late, brilliant film critic Roger Ebert and Murray told a fantastic anecdote about him. Earlier in his career, Murray was not known at all for dramatic work and Roger criticized him, stating that he should stick to comedy only. Years later, when Murray saw Ebert at an event, he quoted a famous critic for making that statement. Ebert didn’t know who would make such a claim since Murray was obviously a wonderful actor in any forum. Murray reminded Roger that it was him that said it years ago. As the actor recounted, Ebert gave him a look like, “Boy, was I wrong!” The Ebert conversation ended with Murray stating his love for the critic and Howard agreed. Bill Murray’s main point: Roger Ebert loved movies.

You see that deep affection for the world of cinema in the documentary Life Itself, which recounted Roger’s career and the last few months of his life. I’ve talked about it on the blog before when reviewing that documentary and in my post on the sad day that Roger died. My general feeling is this: you can tell when a person who writes about movies loves them and when they don’t. Let me make an important distinction – I’m not talking about loving a movie that you give four stars to and not liking a movie you award with two stars. I’m speaking of being able to determine whether or not a writer truly loves the craft they’re writing about. Roger Ebert did. Many more do. Other critics and bloggers seem to revel in trashing movies far too often, at least for my taste.

When I read a critic’s work or their blogs, I want to feel like they have a deep appreciation for the subject they spend so much time writing about. Frankly, it’s the main thing I strive to achieve on my blog – which will celebrate its 2nd anniversary officially on Saturday. Don’t get me wrong – I’ve written my share of negative reviews. So does every other critic and blogger on planet Earth. Many pictures, simply, don’t measure up to expectations, are a rehash of previous material, are badly paced, etc…

Yet here’s my philosophy when it comes to writing about movies – every time those theater lights go down or (more often) I hit play on the Blu Ray or On Demand, I hope that I’m going to like what I see. I hope to have that satisfactory or even profound film watching experience that us lovers of cinema seek out again and again and again and again. I’ve had it recently with that Ebert documentary. I had it when Little Groot danced to the Jackson 5 in Guardians of the Galaxy. I had it watching the delicious twists and turns of David Fincher’s Gone Girl. I had it watching Leo DiCaprio on speaker phone suckering in a client in Martin Scorsese’s The Wolf of Wall Street. I had it watching Tom Hanks remind me that he’s one of the most astonishing actors in the world during the last five minutes of Captain Phillips.

And that was all in the last year! Now let’s go to just last night when I reviewed Seth MacFarlane’s A Million Ways to Die in the West. I’m a fan of his work – both “Family Guy” and 2012’s Ted. I found his sophomore directorial effort to be pretty darn disappointing. Guess what? I loved writing my review of that just as much as writing a highly positive post – the kinds I recently wrote for Her or Fruitvale Station. 

Now here’s the irony: two years ago when I began this little venture, I stated that I wouldn’t write movie reviews on the blog. Boy, was I wrong! Just like I’ve been wrong about many of my box office predictions that remain the most read entries on this site. For every time I nail a prediction (or close to nail) on The Equalizer or Gone Girl, I grossly underestimate the potential of Annabelle or grossly overestimate the performance of the Sin City sequel.

I’ve now been writing movie reviews for about 23 years since I was a preteen. It took my snap decision to start the blog to rediscover my love for that exercise. Yet the movie reviews are just one part of that aforementioned love of movies. There’s plenty more posts – whether box office related or Oscar prediction related. Hell, I’ve even found myself posting about music and TV more often than I could have imagined.

In the two years since the blog began and much to the assistance of WordPress, I’ve been able to discover other movie bloggers. They may have different writing styles than myself, but they have one thing in common: they love movies too. Joe Giuliano, who predicts box office results with freakish accuracy. Thy Critic Man, Daniel Prinn and Justine B, whose reviews are a joy to read. Trevor and Jason from boxofficeace.com and their fine podcast… I just wish they did it every week! And there’s many more.

As I said on my year anniversary of the site, I sincerely cannot thank you enough for reading this site. I would love writing this blog regardless, but it means a heckuva lot more knowing that eyeballs actually see it. I appreciate each and every one of the thousands of blog views and readers in 142 countries (!) who’ve read some of my 777 (!) posts. For those who take their time to check my box office predictions or read my Oscar forecast or peruse my reviews and so forth, I can tell you what I strive for everyday on this wonderful hobby of mine. The goal is for the reader to come away with this general feeling – that guy loves movies and writing about them. And if I’ve been able to direct you in the path of something great that you haven’t seen, that’s a feeling I cherish.

Back to the beginning:

Bill Murray. Roger Ebert.

For movie lovers like me and you, think about the joy that someone like Bill Murray has brought into your lives. Caddyshack. Ghostbusters. Groundhog Day. Lost in Translation and so forth. I’ll have that feeling of excitement soon when St. Vincent premieres. Maybe it’ll be great. Or maybe not, but I love anticipating finding out and I’ll love writing about it.

For movie writers and bloggers like me and some of you, think about how Roger Ebert’s work may have influenced you. I know damn well he influenced me. He helped teach me how to put that indescribable affection for this world of movies into words. Don’t get me wrong – I am no Roger Ebert and never will be. I’m just trying my best to put my perspective on movies before the reader and hope you enjoy it.

The thing about movies is this – as I described in an earlier post, it’s a Never Ending Story. There’s always more to discover. There’s always something new to write about. There’s always the joy of revisiting older titles and or rediscovering something about a favorite that you hadn’t noticed before. There’s always box office predictions to make for this blogger. There’s always Oscar predictions as the race takes shape.

And there is always, always, always the love that I hold for the subject I choose to write about and the joy that those making and writing about movies give to us, the audience. Whether it’s Bill Murray in front of the camera or Roger Ebert at that typewriter.

Mr. Ebert might be gone, but his words are here for us to enjoy forever. In the last year, we’ve been saddened to learn that Robin Williams and Philip Seymour Hoffman are gone. Yet their work will live on for us to savor – from Truman Capote to a British nanny to a cult religious leader to a therapist telling his pupil that “It’s not his fault” to the Big Lebowski’s socially awkward assistant to that inspirational teacher telling his students to “Seize The Day!” For us movie lovers, the medium gives us these special moments and performances and memories to seize on those days when we might need it.

And I’ll close by saying that it’s a real pleasure to write about it.

2014 Oscar Predictions: Best Picture

After five posts predicting the other major categories for this year’s Academy Awards, we’ve arrived at the biggest race of all: Best Picture. Here are the nine nominees:

American Hustle

Captain Phillips

Dallas Buyers Club

Gravity

Her

Nebraska

Philomena

12 Years a Slave

The Wolf of Wall Street

As I see it, there are three films that stand a realistic chance at taking home the gold. Those three do not include Captain Phillips, Dallas Buyers Club, Her, Nebraska, Philomena, or The Wolf of Wall Street.

That leaves us with American Hustle, Gravity, and 12 Years a Slave.

While I have predicted that Alfonso Cuaron will win Best Director for Gravity (a pick I’m highly confident in), the chances of his picture winning are much more slim. While it was a hit with audiences and critics – the sci-fi epic has won no major precursors to speak of. Its recognition should come to Cuaron and in various technical categories.

American Hustle certainly has plenty of fans and director David O. Russell has been on a heckuva hot streak. The pic stands the second best chance of being the victor.

However, the fact is that Steve McQueen’s 12 Years a Slave is undeniably the frontrunner and it has been for awhile. Slave has won a slew of precursors, including the Golden Globe for Best Drama. From an odds perspective, I’d put it this way:

12 Years a Slave: 75% chance of winning

American Hustle: 20% chance of winning

Gravity: 5% chance of winning

Predicted Winner: 12 Years a Slave

For a full breakdown of my picks, here ya go:

Picture – 12 Years a Slave

Director – Alfonso Cuaron, Gravity

Actor – Matthew McConaughey, Dallas Buyers Club

Actress – Cate Blanchett, Blue Jasmine

Supporting Actor – Jared Leto, Dallas Buyers Club

Supporting Actress – Lupita Nyong’o, 12 Years a Slave

Next weekend – I’ll have my final predictions in all categories before the big show. If any of the six major ones change in the next week (unlikely), I’ll act accordingly. Until then!

2014 Oscars: Best Supporting Actor Prediction

Tonight I continue on with my Oscar predictions in the six major categories as to who/what I think will win. A couple of days ago, I forecasted Supporting Actress and predicted a win for 12 Years a Slave‘s Lupita Nyong’o. We move forward with Supporting Actor. Let us recap the nominees:

Barkhad Abdi, Captain Phillips

Bradley Cooper, American Hustle

Michael Fassbender, 12 Years a Slave

Jonah Hill, The Wolf of Wall Street

Jared Leto, Dallas Buyers Club

This category was of interest due to the high number of people who could have been nominated. Those mentioned in prediction circles that didn’t make the final cut include James Gandolfini in Enough Said, Daniel Bruhl in Rush, Tom Hanks in Saving Mr. Banks and Will Forte in Nebraska.

While the net was wide for could have been honored with a nomination, the list is considerably shorter as to who will win. And that list pretty much comes down to one name: Jared Leto. The actor/musician’s work in Dallas Buyers Club represented a major movie comeback for him and he’s been rewarded with just about precursor there is – Golden Globe, SAG, Critics Choice, and several regional critics associations.

If anyone else were to take home the gold statue, it would be a huge upset. I see Fassbender as the only one with a remote shot at the upset, but Leto is easily one of the safest bets in the top categories.

Predicted winner: Jared Leto, Dallas Buyers Club

I’ll be back soon with my prediction for Best Actress!

2014 Oscar Predictions: Todd’s FINAL Predictions

The time has come to make my FINAL predictions for the Oscars. Nominations will be out on Thursday and I’m predicting every category that involves feature films. Therefore, the animated and documentary short films will not be predicted. I have written extensively about why I’m predicting certain movies, performers, and so on. That time is over. Here is my final listing of what and who I believe will be honored. The predictions are written by order of chances of nomination and I am listing runner-ups for each race in case some of my picks don’t pan out (which is guaranteed to happen). And here we go:

BEST PICTURE

1. 12 Years a Slave

2. Gravity

3. American Hustle

4. Nebraska

5. Inside Llewyn Davis

6. Her

7. Captain Phillips

8. The Wolf of Wall Street

9. Dallas Buyer’s Club

Runner-Ups:

10. Saving Mr. Banks

11. Philomena

12. Blue Jasmine

13. Lee Daniels’ The Butler

14. August: Osage County

15. Lone Survivor

16. Fruitvale Station

BEST DIRECTOR

1. Alfonso Cuaron, Gravity

2. Steve McQueen, 12 Years a Slave

3. David O. Russell, American Hustle

4. Alexander Payne, Nebraska

5. Martin Scorsese, The Wolf of Wall Street

Runner-Ups:

6. Spike Jonze, Her

7. Paul Greengrass, Captain Phillips

8. Joel and Ethan Coen, Inside Llewyn Davis

BEST ACTOR

1. Chiwetel Ejiofor, 12 Years a Slave

2. Bruce Dern, Nebraska

3. Matthew McConaughey, Dallas Buyer’s Club

4. Robert Redford, All is Lost

5. Leonardo DiCaprio, The Wolf of Wall Street

Runner-Ups:

6. Tom Hanks, Captain Phillips

7. Christian Bale, American Hustle

8. Joaquin Phoenix, Her

9. Forest Whitaker, Lee Daniels’ The Butler

BEST ACTRESS

1. Cate Blanchett, Blue Jasmine

2. Sandra Bullock, Gravity

3. Judi Dench, Philomena

4. Emma Thompson, Saving Mr. Banks

5. Meryl Streep, August: Osage County

Runner-Ups:

6. Amy Adams, American Hustle

7. Adele Exarchopoulos, Blue is the Warmest Colour

8. Brie Larson, Short Term 12

BEST SUPPORTING ACTOR

1. Jared Leto, Dallas Buyer’s Club

2. Michael Fassbender, 12 Years a Slave

3. Bradley Cooper, American Hustle

4. Daniel Bruhl, Rush

5. Will Forte, Nebraska

Runner-Ups:

6. Barkhad Abdi, Captain Phillips

7. Tom Hanks, Saving Mr. Banks

8. James Gandolfini, Enough Said

9. Jonah Hill, The Wolf of Wall Street

BEST SUPPORTING ACTRESS

1. Lupita Nyong’o, 12 Years a Slave

2. Jennifer Lawrence, American Hustle

3. June Squibb, Nebraska

4. Oprah Winfrey, Lee Daniels’ The Butler

5. Julia Roberts, August: Osage County

Runner-Ups:

6. Sally Hawkins, Blue Jasmine

7. Margo Martindale, August: Osage County

8. Octavia Spencer, Fruitvale Station

BEST ORIGINAL SCREENPLAY

1. American Hustle

2. Nebraska

3. Inside Llewyn Davis

4. Her

5. Blue Jasmine

Runner-Ups:

6. Dallas Buyer’s Club

7. Gravity

8. Fruitvale Station

9. Lee Daniels’ The Butler

10. Saving Mr. Banks

BEST ADAPTED SCREENPLAY

1. 12 Years a Slave

2. Philomena

3. Before Midnight

4. The Wolf of Wall Street

5. Captain Phillips

Runner-Ups:

6. August: Osage County

7. The Book Thief

BEST ANIMATED FEATURE

1. Frozen

2. The Wind That Rises

3. Ernest&Celestine

4. Monsters University

5. Despicable Me 2

Runner-Ups:

6. The Croods

7. A Letter to Mono

BEST PRODUCTION DESIGN

1. 12 Years a Slave

2. The Great Gatsby

3. The Hobbit: The Desolation of Smaug

4. Gravity

5. The Invisible Woman

Runner-Ups:

6. Saving Mr. Banks

7. Inside Llewyn Davis

8. Oz the Great and Powerful

BEST CINEMATOGRAPHY

1. Gravity

2. 12 Years a Slave

3. Rush

4. Inside Llewyn Davis

5. Captain Phillips

Runner-Ups:

6. Nebraska

7. All is Lost

8. Prisoners

BEST COSTUME DESIGN

1. The Great Gatsby

2. American Hustle

3. 12 Years a Slave

4. The Invisible Woman

5. The Book Thief

Runner-Ups:

6. Saving Mr. Banks

7. Oz the Great and Powerful

BEST FILM EDITING

1. Gravity

2. 12 Years a Slave

3. American Hustle

4. Captain Phillips

5. Rush

Runner-Ups:

6. The Wolf of Wall Street

7. Inside Llewyn Davis

8. Lone Survivor

BEST MAKEUP AND HAIRSTYLING

1. American Hustle

2. The Lone Ranger

3. The Great Gatsby

Runner-Ups:

4. Dallas Buyer’s Club

5. Jackass Presents Bad Grandpa

BEST SOUND MIXING

1. Gravity

2. Rush

3. The Hobbit: The Desolation of Smaug

4. Captain Phillips

5. Lone Survivor

Runner-Ups:

6. All is Lost

7. Inside Llewyn Davis

8. 12 Years a Slave

BEST SOUND EDITING

1. Gravity

2. Captain Phillips

3. Rush

4. Pacific Rim

5. All is Lost

Runner-Ups:

6. The Hobbit: The Desolation of Smaug

7. Lone Survivor

8. Man of Steel

9. World War Z

BEST VISUAL EFFECTS

1. Gravity

2. The Hobbit: The Desolation of Smaug

3. Pacific Rim

4. Iron Man 3

5. World War Z

Runner-Ups:

6. Star Trek Into Darkness

7. Elysium

8. Oblivion

BEST ORIGINAL SCORE

1. 12 Years a Slave

2. Gravity

3. The Book Thief

4. Saving Mr. Banks

5. Her

Runner-Ups:

6. Monsters University

7. All is Lost

BEST ORIGINAL SONG

1. “Let It Go” from Frozen

2. “Ordinary Love” from Mandela: Long Walk to Freedom

3. “Young and Beautiful” from The Great Gatsby

4. “In the Middle of the Night” from Lee Daniels’ The Butler

5. “The Moon Song” from Her

Runner-Ups:

6. “So You Know What It’s Like” from Short Term 12

7. “Rise Up” from Epic

8. “Sweeter than Fiction” from One Chance

I’m not listing alternates for the final two predicted categories, mostly because I’m supremely not confident with my limited knowledge for these races.

BEST FOREIGN LANGUAGE FILM

The Broken Circle Breakdown

The Grandmaster

The Great Beauty

The Hunt

Omar

BEST DOCUMENTARY FEATURE

The Act of Killing

Blackfish

The Square

Stories We Tell

20 Feet from Stardom

This means my predictions would garner the following number of nominations for these pictures:

10 Nominations – 12 Years a Slave, Gravity

8 Nominations – American Hustle

6 Nominations – Captain Phillips, Nebraska

5 Nominations – Rush

4 Nominations – The Great Gatsby, Her, The Wolf of Wall Street

3 Nominations – Dallas Buyer’s Club, The Hobbit: The Desolation of Smaug, Inside Llewyn Davis

2 Nominations – All is Lost, August: Osage County, Blue Jasmine, The Book Thief, Frozen, The Invisible Woman, Lee Daniels’ The Butler, Pacific Rim, Philomena, Saving Mr. Banks

1 Nomination – Iron Man 3, The Lone Ranger, Lone Survivor, Mandela: Long Walk to Freedom, World War Z

And there you have Todd’s final Oscar predictions. I will have reaction in a blog post Thursday once nominations are released and include a tally of how I did!

2014 Golden Globe Awards: Todd’s Predicted Winners

In four days, we’ll have the Hollywood Foreign Press bestow their honors to the film and television world at the Golden Globe Awards with return hosts Tina Fey and Amy Poehler. Readers of my blog will note that I’ve extensively and frequently been posting my Oscar predictions. I don’t pay nearly as much attention to the Globes, but I did want to put my two cents in and predict the winners in the picture, directing, and acting categories.

The Globes are different from the Oscars because categories are divided between Drama and Musical/Comedy categories for Picture, Actor, and Actress. Director and Supporting Actor and Actress are awarded regardless of genre. If you would like to read my detailed analysis of awards contenders, I suggest you look on the blog for my Oscar predictions posts. For the purposes of this post, I’ll simply predict who I think will Globes this Sunday and note the other nominees. I am noting my second choice if my primary choice doesn’t win in bold. I am not predicting the TV categories except for one: it should be an interesting showdown in Best Drama between the final season of “Breaking Bad” and first season of “House of Cards”, but ultimately I think Walter White and company win out.

And with that, my predictions:

BEST DRAMA

Predicted Winner: 12 Years a Slave

Other Nominees: Captain Phillips, Gravity, Philomena, Rush

BEST MUSICAL OR COMEDY

Predicted Winner: American Hustle

Other Nominees: Her, Inside Llewyn Davis, Nebraska, The Wolf of Wall Street

BEST DIRECTOR

Predicted Winner: Alfonso Cuaron, Gravity

Other Nominees: Paul Greengrass (Captain Phillips), Steve McQueen (12 Years a Slave), Alexander Payne (Nebraska), David O. Russell (American Hustle)

BEST ACTOR IN A DRAMA

Predicted Winner: Chiwetel Ejiofor, 12 Years a Slave

Other Nominees: Idris Elba (Mandela: Long Walk to Freedom), Tom Hanks (Captain Phillips), Matthew McConaughey (Dallas Buyer’s Club), Robert Redford (All is Lost)

BEST ACTRESS IN A DRAMA

Predicted Winner: Cate Blanchett, Blue Jasmine

Other Nominees: Sandra Bullock (Gravity), Judi Dench (Philomena), Emma Thompson (Saving Mr. Banks), Kate Winslet (Labor Day)

BEST ACTOR IN A MUSICAL OR COMEDY

Predicted Winner: Bruce Dern, Nebraska

Other Nominees: Christian Bale (American Hustle), Leonardo DiCaprio (The Wolf of Wall Street), Oscar Isaac (Inside Llewyn Davis), Joaquin Phoenix (Her)

BEST ACTRESS IN A MUSICAL OR COMEDY

Predicted Winner: Amy Adams, American Hustle

Other Nominees: Julie Delpy (Before Midnight), Greta Gerwig (Frances Ha), Julia Louis-Dreyfus (Enough Said), Meryl Streep (August: Osage County)

BEST SUPPORTING ACTOR

Predicted Winner: Jared Leto, Dallas Buyer’s Club

Other Nominees: Barkhad Abdi (Captain Phillips), Daniel Bruhl (Rush), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave)

BEST SUPPORTING ACTRESS

Predicted Winner: Jennifer Lawrence, American Hustle

Other Nominees: Sally Hawkins (Blue Jasmine), Lupita Nyong’o (12 Years a Slave), Julia Roberts (August: Osage County), June Squibb (Nebraska)

And there you have my predictions for your Golden Globe winners on Sunday!

2014 Oscar Predictions: Todd’s Picks for Early January

And we’re off with my next to last round of Oscar predictions before they’re announced on Thursday, January 16th. The plan is to do my final predictions, most likely either on Sunday the 12th or Monday the 13th. These new picks reflect changes in four of the six top categories. Let’s get to it shall we?

BEST PICTURE

I’ve stayed consistent with predicting that nine movies will get nominated. The change here is that I’m including Dallas Buyer’s Club for the first time as I believe it’s gotten enough precursor momentum to get in. That means I had to take something out and Saving Mr. Banks has been dropped. As I see it, the race is still a battle between 12 Years a Slave and Gravity for the win with American Hustle as a possible spoiler.

Predictions:

American Hustle

Captain Phillips

Dallas Buyer’s Club

Gravity

Her

Inside Llewyn Davis

Nebraska

12 Years a Slave

The Wolf of Wall Street

BEST DIRECTOR

One change here: I believe the polarizing reaction to The Wolf of Wall Street might leave Martin Scorsese out in this competitive category. So he’s out and Spike Jonze, riding a wave of momentum for Her, is in. Like Picture, this race should come down to Slave‘s Steve McQueen and Gravity‘s Alfonso Cuaron for the victory with yet again Hustle‘s Russell as possible spoiler.

Predictions:

Alfonso Cuaron, Gravity

Spike Jonze, Her

Steve McQueen, 12 Years a Slave

Alexander Payne, Nebraska

David O. Russell, American Hustle

BEST ACTOR

This is seriously such a loaded category. In any other year, I’d be predicting Christian Bale in American Hustle, Forest Whitaker in Lee Daniels’ The Butler or Joaquin Phoenix in Her. None of them make the cut. Conventional wisdom is that this is a six man race and only five make the cut. Last round of predictions, I had Tom Hanks’ work in Captain Phillips left out, but now he’s back in. This came down to a decision between whether to leave out Leonardo DiCaprio in Wolf of Wall Street or Robert Redford in All is Lost. For the first time in my predictions, it’s Redford that I’ve got drawing the short straw. I believe Chiwetel Ejiofor, Bruce Dern, or Matthew McConaughey could win.

Predictions:

Bruce Dern, Nebraska

Leonardo DiCaprio, The Wolf of Wall Street

Chiwetel Ejiofor, 12 Years a Slave

Tom Hanks, Captain Phillips

Matthew McConaughey, Dallas Buyer’s Club

BEST ACTRESS

Prediction wise, this category has remained the most stable and I have no changes this round either. As for who will win, Cate Blanchett is emerging as the clear favorite though Sandra Bullock has a shot.

Predictions:

Cate Blanchett, Blue Jasmine

Sandra Bullock, Gravity

Judi Dench, Philomena

Meryl Streep, August: Osage County

Emma Thompson, Saving Mr. Banks

BEST SUPPORTING ACTOR

This is likely the most unpredictable category that is capable of producing a surprise and my new picks reflect that. Jared Leto is the frontrunner to win and Michael Fassbender appears a lock for nomination. After that, all bets are off. I’m taking out Jonah Hill for The Wolf of Wall Street and Tom Hanks for Saving Mr. Banks. I’m keeping in my Bradley Cooper for American Hustle prediction. Additions to my list: Daniel Bruhl, who’s picked up momentum for his role in Rush. As for the fifth slot, it could have been Hanks, Hill, the late James Gandolfini in Enough Said, Barkhad Abdi in Captain Phillips, or Harrison Ford in 42. Like I said, I believe a real surprise nomination could surface here and that’s why I’m picking former SNL alum Will Forte in Nebraska.

Predictions:

Daniel Bruhl, Rush

Bradley Cooper, American Hustle

Michael Fassbender, 12 Years a Slave

Will Forte, Nebraska

Jared Leto, Dallas Buyer’s Club

BEST SUPPORTING ACTRESS

Like the lead actress race, I’ve got no changes to report here either. This should still come down to Lupita Nyong’o and Jennifer Lawrence for the win.

Predictions:

Jennifer Lawrence, American Hustle

Lupita Nyong’o, 12 Years a Slave

Julia Roberts, August: Osage County

June Squibb, Nebraska

Oprah Winfrey, Lee Daniels’ The Butler

I’ll be back with last round of nomination picks soon enough!

2013: The Year of Tom Hanks

In 1993, Tom Hanks literally made a dramatic shift to more serious projects with Philadelphia, which brought the AIDS epidemic front and center to a more mainstream audience. For his performance, Hanks won an Oscar and forever changed moviegoers perceptions of him from a comedic actor to a jack of all trades.

The following year, Forrest Gump turned into a smash hit and Hanks would win his second Best Actor trophy in a row (a feat that hadn’t been accomplished since Spencer Tracy in the late 1930s). The rest of the 1990s would see the performer headlining one prestige project after another that connected with critics and audiences alike. Apollo 13. Saving Private Ryan. The Green Mile. Cast Away. In addition, he starred in a pair of hit rom coms with Meg Ryan – Sleepless in Seattle and You’ve Got Mail.

The last decade or so for Hanks could be described as spotty at best. After a mostly well-received turn in Sam Mendes’ Prohibition era pic Road to Perdition (where he cast against type as a hitman), there was Steven Spielberg’s The Terminal, which failed to make a major impression with audiences. The actor’s biggest financial successes were with adaptations of Dan Brown novels, 2006’s The Da Vinci Code and 2009’s Angels and Demons. Neither pictures were particularly beloved by critics. Of course, there was also the animated smash hit Toy Story 3 in 2010. And a supporting turn in Catch Me If You Can, another collabo with Spielberg that turned out well. However, there were disappointments as well. 2004’s Coen Bros remake The Ladykillers was a box office disappointment. 2007’s Charlie Wilson’s War was expected to be an Oscar player, but wasn’t. His directorial effort Larry Crowne costarring Julia Roberts didn’t resonate with audiences or critics. And last year’s Cloud Atlas was a financial dud domestically.

Two decades after Hanks achieved double Oscar glory, 2013 will be seen as a return to form. October’s Captain Phillips (the tale of the 2009 Somali hijacking incident) earned the actor his best reviews in years. The project (from director Paul Greengrass) gives Hanks his greatest chance for an Oscar nod in the last 13 years. He hasn’t been recognized by the Academy since 2000’s Cast Away. Audiences responded well to Phillips, too. It’s earned $102 million domestically at press time.

Captain Phillips would probably be enough to earn Hanks a spot in this blog series, but there’s another feature coming this month that should only add to his solid year. John Lee Hancock’s Saving Mr. Banks casts Hanks (recently named America’s most trusted person in America) as iconic studio head Walt Disney. The film focuses on the making of 1964’s Mary Poppins and stars Emma Thompson as author P.L. Travers. Attention is already focused on Hanks receiving a Best Supporting Actor nod for his turn as Disney. If that happens, the performer may well be a double nominee as this year’s ceremony. Banks also seems likely to be a commercial hit.

While the last few years have been a mixed bag commercially and critically for Mr. Trustworthy, audiences and critics (and probably Oscar voters) entrusted Hanks at a level in 2013 not seen in a while. Hanks has no projects lined up for release in 2014, though expect Toy Story 4 and The Lost Symbol (another Dan Brown adaptation) in the future.

Part three of my six-part series on performers who had a profound impact in the movies in 2013 continues tomorrow with an actress who gave a performance that was literally out of this world.

Box Office Results: October 25-27

The three-week domination of Alfonso Cuaron’s Gravity is over and it is Jackass Presents: Bad Grandpa becoming the only other #1 film in the month of October with an impressive debut. Grandpa earned $32 million in its debut, above my $28.3M prediction. This marks the second highest opening in the Jackass franchise and shows that the series hasn’t even come close to losing any steam.

Gravity fell to the #2 spot with $20.3 million in its fourth frame, slightly below my $21.2M prediction. It currently stands at $199 million and the possibility of reaching $300M domestic is still alive (especially when it starts earning Oscar nominations in the beginning of 2014).

In its third weekend, Paul Greengrass’s Captain Phillips with Tom Hanks was third with $11.8 million, slightly higher than my $10.9M estimate. Phillips stands at $70M and should cross the century mark later on.

Ridley Scott’s The Counselor could not capitalize on its all-star cast that included Michael Fassbender, Brad Pitt, Cameron Diaz, Penelope Cruz, and Javier Bardem. Riding a wave of mostly negative reviews, The Counselor flopped with only $8 million for a fourth place showing, well below my $13.8M prediction. Moviegoers were simply ambivalent about the pic and I have no doubt that the weak reviews certainly didn’t help.

The Carrie remake received zero help from the Halloween time frame and tumbled 63% in its sophomore frame with only $5.9 million – below my $7.6M estimate. This actually put the horror flick in sixth place and allowed the animated Cloudy with a Chance of Meatballs 2 to be #5 with $6.1M.

Outside of the top five, the acclaimed 12 Years a Slave was #8, grossing a robust $2.1 million on only 123 screens. The picture, which is looked at as an Oscar front runner, expands to more screens this Friday.

Be sure to check the blog later today when I’ll have prediction posts up for next weekend’s trio of newbies: Ender’s Game, Last Vegas, and Free Birds.