The Cannes Film Festival is underway and you can expect to see a few Oscar Predictions write-ups coming your way! It begins with Final Cut which opened the French shindig yesterday.
Known as Coupez! in its native country, this is the latest feature from Oscar winning director Michel Hazanavicius. Back in 2011, he was the big winner when his silent pic The Artist took Best Picture and Director (as well as three other gold trophies).
Since that time, his follow-up efforts have attracted zero Oscar buzz. This zombie comedy is a remake of the 2017 Japanese pic One Cut of the Dead. Don’t expect this Cut to get Mr. H back on the Academy’s radar. The Rotten Tomatoes score stands at a so-so 63% and it simply doesn’t sound like an awards player. My Oscar Prediction posts will continue…
Top Gun: Maverick was supposed to arrive a mere 34 years after its iconic predecessor. Due to numerous COVID delays, it now hits theaters on May 27th and some 36 years behind the original. By nearly all accounts, Tom Cruise and the filmmakers have landed the plane.
Ahead of its Cannes premiere, the review embargo has lapsed for Maverick and the Rotten Tomatoes score is a sizzling 96%. Nearly all critics are calling it an improvement over the ’86 blockbuster and it could be in line to give Cruise his largest opening and overall hit of his career (my box office prediction will arrive next week).
Three and a half decades back, part one caught the attention of Academy voters in four categories. The Berlin theme “Take My Breath Away” won Best Song and Gun nabbed nods for Film Editing, Sound, and Sound Effects Editing. All those races are in play again in one form or another.
Best Sound has been condensed to one category and it’s a near lock that the sequel will play there. Film Editing, Cinematography, and Visual Effects are also possibilities. Then there’s the sound of Lady Gaga’s voice. The superstar contributed the track “Hold My Hand” and it could be hard to beat. Ms. Gaga is poised for her third Song nomination behind 2015’s “Til It Happens to You” from The Hunting Ground and “Shallow” from A Star Is Born (which won). She also shares Score credit with Hans Zimmer (who just won a trophy for Dune) and Harold Faltermeyer (best known for his Beverly Hills Cop tune “Axel F”).
Let’s assume Sound and Song are gimmes. With the aforementioned others, we could be looking at a handful of mentions. Will the Academy go beyond the tech derbies? It looks like Maverick will be a gigantic earner and crowdpleaser. I have no doubt there will be a push from Paramount for Best Picture recognition and Cruise in Best Actor. If so, it would be his fourth acting nod. There were two in lead for 1989’s Born on the Fourth of July and 1996’s Jerry Maguire and a supporting mention for 1999’s Magnolia. He’s never made a victorious trip to the podium.
I’m skeptical about it playing in the major leagues, but wins in Sound and Song are doable. My Oscar Prediction posts will continue…
Welcome to the first ranked Oscar predictions of the 2022 season for the 95th Academy Awards! I’ll be doing these every few days (once a week or every two weeks) for the high-profile races of Picture, Director, and the four acting derbies. In the fall (maybe earlier), this will expand to all categories covering feature lengths films.
For BP, I will list 25 possibilities with 15 hopefuls in the others. Some quick caveats that always apply – titles of the pictures will change. Just this week, David O. Russell’s Canterbury Glass became Amsterdam and Avatar 2 is now Avatar: The Way of Water.
Actors listed in lead will become supporting players and vice versa. Some movies will be pushed to 2023. And, of course, titles listed on the first day of May will become commercial and critical disappointments and drop off the list. Some pics and performances I’m not even considering at the moment will rise during festivals like Cannes, Toronto, Telluride, and Venice.
So let’s get to it, shall we?
Best Picture
Predicted Nominees:
1. Babylon
2. Killers of the Flower Moon
3. The Fabelmans
4. The Son
5. Women Talking
6. She Said
7. Bardo
8. Everything Everywhere All at Once
9. The Whale
10. Rustin
Other Possibilities:
11. Amsterdam
12. White Noise
13. Poor Things
14. Tar
15. Till
16. Empire of Light
17. Avatar: The Way of Water
18. Don’t Worry Darling
19. Next Goal Wins
20. Thirteen Lives
21. The Banshees of Inisherin
22. Elvis
23. The Woman King
24. Three Thousand Years of Longing
25. Armageddon Time
Best Director
Predicted Nominees:
1. Damien Chazelle, Babylon
2. Martin Scorsese, Killers of the Flower Moon
3. Steven Spielberg, The Fabelmans
4. Sarah Polley, Women Talking
5. Alejandro Gonzalez Inarritu, Bardo
Other Possibilities:
6. Dan Kwan and Daniel Scheinert, Everything Everywhere All at Once
7. Florian Zeller, The Son
8. Darren Aronofsky, The Whale
9. Maria Schrader, She Said
10. George C. Wolfe, Rustin
11. Yorgos Lanthimos, Poor Things
12. James Cameron, Avatar: The Way of Water
13. Noah Baumbach, White Noise
14. David O. Russell, Amsterdam
15. Sam Mendes, Empire of Light
Best Actress
Predicted Nominees:
1. Margot Robbie, Babylon
2. Regina King, Shirley
3. Michelle Yeoh, Everything Everywhere All at Once
4. Carey Mulligan, She Said
5. Danielle Deadwyler, Till
Other Possibilities:
6. Cate Blanchett, Tar
7. Olivia Colman, Empire of Light
8. Naomi Ackie, I Wanna Dance with Somebody
9. Emma Stone, Poor Things
10. Laura Dern, The Son
11. Viola Davis, The Woman King
12. Greta Gerwig, White Noise
13. Saoirse Ronan, See How They Run
14. Florence Pugh, Don’t Worry Darling
15. Tilda Swinton, Three Thousand Years of Longing
It’s been an entire week since The Slap… check that, the 94th Academy Awards where CODA parlayed its Sundance buzz from January 2021 all the way to a Best Picture victory.
That also means I’ve managed to wait a whole week without speculation for the next Academy Awards which will hopefully be a slap free zone. So what are some titles that could be vying for attention?
On May 27th and after numerous delays, Top Gun: Maverick will find Tom Cruise returning to his iconic role some 36 years after the original. There’s a decent chance it could be up for similar prizes that its predecessor landed like Sound, Film Editing, and Song (courtesy of Lady Gaga apparently). Visual Effects is a possibility as well.
My weekly Oscar prediction posts won’t begin until mid to late August. In the meantime, you’ll get individualized write-ups for pics that open or screen at festivals.
Yet for today – I feel the need. The need to identify 21 other 2022 titles that might end up on the Academy’s radar. Enjoy!
Armageddon Time
Despite acclaimed movies like The Lost City of Z and Ad Astra, James Gray has yet to connect with awards voters. This drama, rumored to be centered on his Queens upbringing, is the next hopeful and features a stellar cast including Anne Hathaway, Anthony Hopkins, and Jeremy Strong. Release Date: TBD
Avatar 2
The 2009 original amassed nine nominations and won took home three. The first sequel (there’s three more on the way) arrives in December from James Cameron. Will it capture the critical and box office magic of part one? That’s impossible to know at this juncture, but one can safely assume it’ll be up for some tech categories like Sound and Visual Effects. Release Date: December 16th
Babylon
Damien Chazelle is no stranger to the big dance. Whiplash was a BP nominee and J.K. Simmons won Supporting Actor. Chazelle took Director for his follow-up La La Land along with Emma Stone’s Actress victory and it almost famously took BP. First Man nabbed four nominations, but missed the top of the line races. Babylon is a period drama focused on Hollywood’s Golden Age and should be right up the Academy’s alley. The cast includes Brad Pitt, Margot Robbie, and Tobey Maguire. Release Date: December 25th
Canterbury Glass
Robbie also turns up in David O. Russell’s latest ensemble piece. Anytime he’s behind the camera, Oscar nods typically follow (think The Fighter, Silver Linings Playbook, American Hustle). Slated for November, the dramedy also features Christian Bale, John David Washington, Rami Malek, Zoe Saldana, Robert De Niro, Mike Myers, and… Chris Rock. Release Date: November 4th
Elvis
Arriving in June but with a Cannes unveiling in May, Baz Luhrmann’s musical bio of The King stars Austin Butler in the title role and Tom Hanks as The Colonel. If this doesn’t contend for the major awards, I would still anticipate potential tech recognition (Production Design, Sound, etc…). Release Date: June 24th
Empire of Light
Sam Mendes was likely in the runner-up position in 2019 for Picture and Director (behind Parasite) with 1917. His follow-up is an English set romance starring Olivia Colman (who would be going for her fourth nomination in five years), Michael Ward, and Colin Firth. Release Date: TBD
Everything Everywhere All at Once
From two filmmakers known collectively as Daniels, Once is already out in limited release with spectacular reviews (97% on RT). The sci-fi action comedy might be too bizarre for the Academy, but I wouldn’t count it out as its admirers are vocal. Picture, Director, Actress (Michelle Yeoh), and Original Screenplay are all on the table. Release Date: out in limited release, opens wide April 8th
The Fabelmans
Steven Spielberg directs a semi-autobiographical tale and cowrites with his Lincoln and West Side Story scribe Tony Kushner. The cast includes Michelle Williams, Seth Rogen, and Paul Dano. Needless to say, this is a major contender on paper. Release Date: November 23rd
Killers of the Flower Moon
Alongside The Fabelmans, this might be the most obvious nominee from a personnel standpoint. Martin Scorsese helms this western crime drama featuring Jesse Plemons, Lily Gladstone, and his two frequent collaborators Leonardo DiCaprio and Robert De Niro. Apple TV just became the first streamer to get a BP victory with CODA. This could be the second in a row. Release Date: November
Poor Things
In 2018, The Favourite scored a whopping ten nominations. Based on an acclaimed 1992 novel, Poor Things is Yorgos Lanthimos’s follow-up and it reunites him with Emma Stone along with Willem Dafoe, Ramy Youssef, and Mark Ruffalo. The plot sounds bizarre but it could also be an Oscar bait role for Stone and others. Release Date: TBD
Rustin
One of Netflix’s contenders is George C. Wolfe’s profile of gay civil rights activist Bayard Rustin (played by Colman Domingo). In 2020, Wolfe directed Viola Davis and Chadwick Boseman to nods for Ma Rainey’s Black Bottom. Look for Domingo to be a competitor and the supporting cast includes Chris Rock (maybe he will be back at the show), Glynn Turman, and Audra McDonald. Release Date: TBD
See How They Run
The 1950s set murder mystery could provide 27-year-old Saoirse Ronan with an opportunity to land her fifth nomination. Sam Rockwell, David Oyelowo, Adrien Brody, and Ruth Wilson are among the supporting players. Tom George directs. Release Date: TBD
She Said
Five years after the scandal rocked Hollywood, She Said from Maria Schrader recounts the New York Times sexual misconduct investigation into Harvey Weinstein. Zoe Kazan, Carey Mulligan, and Patricia Clarkson lead the cast. Release Date: November 18th
The Son
Florian Zeller won Best Adapted Screenplay in 2020 for The Father along with Anthony Hopkins taking Best Actor. This follow-up (based on the director’s play) finds Hopkins reprising his Oscar-winning part in supporting fashion. Other cast members seeking awards attention include Hugh Jackman, Laura Dern, and Vanessa Kirby. Release Date: TBD
TAR
It’s been a while since we’ve seen Todd Field behind the camera. Previous efforts In the Bedroom and Little Children received 8 nominations between them. A decade and a half following Children comes this Berlin set drama with Cate Blanchett, Noemie Merlant, and Mark Strong. Release Date: October 7th
Three Thousand Years of Longing
Scheduled for a Cannes bow in May, Longing is a fantasy romance from the legendary mind of George Miller (who last made Mad Max: Fury Road which won six tech Oscars). Idris Elba and Tilda Swinton star. Release Date: TBD
The Whale
Darren Aronofsky directed Mickey Rourke to a comeback narrative nod for 2008’s The Wrestler. Two years later, his follow-up Black Swan earned Natalie Portman a statue. Brendan Fraser is hoping for the same treatment with The Whale as he plays a 600 pound man attempting to reconnect with his daughter. Costars include Sadie Sink, Hong Chau, and Samantha Morton. I’d expect Makeup and Hairstyling could also be in play with this. Release Date: TBD
White Noise
Not a remake of the Michael Keaton supernatural thriller from 2005, this is Noah Baumbach’s follow-up to Marriage Story. Based on a 1985 novel, it’s the filmmaker’s first picture based on other source material. Marriage landed three acting nods (with Laura Dern winning Supporting Actress). The cast here includes frequent Baumbach collaborator Adam Driver, real-life partner Greta Gerwig, Raffey Cassidy, Andre Benjamin, Alessandro Nivola, and Don Cheadle. This could be Netflix’s strongest contender. Release Date: TBD
The Woman King
Expect this West Afrian set historical epic from Gina Prince-Bythewood to be heavily touted by Sony with awards bait roles for leads Viola Davis and Thuso Mbedu. The supporting cast includes John Boyega and Lashana Lynch. Release Date: September 16th
Women Talking
Based on a 2018 novel, Sarah Polley writes and directs this drama focused on eight Mennonite women and their story of abuse. The sterling cast includes Frances McDormand, Jessie Buckley, Ben Whishaw, Claire Foy, and Rooney Mara. Release Date: TBD
And that’s just a small preview of the features that could materialize for the 95th Academy Awards! As always, the speculation on this site will continue throughout the year and into the next. Stay tuned…
Ryusuke Hamaguchi’s three hour Japanese drama Drive My Car is the next Case Of post covering the 10 Best Picture nominees for this year’s Academy Awards. If you didn’t catch the first three, they’re right here:
Since premiering at the Cannes Film Festival last summer where it won Best Screenplay, Hamaguchi’s import is one of the critical darlings of 2021. It holds the best Rotten Tomatoes score of the bunch at 98%. Car performed better than expected with a total of four nods: Picture, Director, Adapted Screenplay, and International Feature Film,.
The Case Against Drive My Car
The film’s inclusion into the BP derby was a question mark going into nomination morning. While it hopes to become the second non-English language pic to win the big prize (two years after Parasite), its real possibility for a victory lies with the international race.
The Verdict
Drive My Car is an easy pick to take International Feature Film and anything else being called would constitute a major upset. However, do not expect the raves to put it in gear for one in Best Picture.
The French language animated effort The Summit of the Gods premiered at the Cannes Film Festival this summer and is in limited release prior to its Netflix bow on November 30th. From director Patrick Imbert, Summit is based on a Japanese manga series and is receiving praise from critics across the board with a 100% Rotten Tomatoes score.
The mountaineering tale set around Mount Everest could be a trendy spoiler pick to make the five selections competing for Best Animated Feature at the Oscars. It’s certainly doable, but it will need to climb past several other viable contenders. Disney has three potential hopefuls with Encanto, Luca, and Raya and the Last Dragon. Foreign competitors Flee and Belle may both make the cut and Netflix also has The Mitchells vs. the Machines.
That competition makes it a challenge for Summit‘s inclusion, but the solid reviews could assist in nabbing it a spot. My Oscar Prediction posts for the films of 2021 will continue…
The Best International Feature Film derby for 2021’s Academy Awards looks to be a tough competition. There’s a quintet of selections that, at the moment, stand as the probable nominees: Denmark’s Flee (which could also make history by garnering mentions in Animated and Documentary Feature and even Best Picture), The Hand of God out of Italy, Iran’s A Hero (which may be the soft frontrunner), France’s much discussed Titane, and The Worst Person in the World from Norway (which certainly has its ardent admirers).
Yet as we know with Oscar voters, there are often surprises that upset the general consensus. Following its premiere at the Cannes this summer, Ryusuke Hamaguchi’s three hour Japanese drama Drive My Car was up for the Palme d’Or and took home the festival’s Best Screenplay award. Some critics have pointed out the lengthy runtime, but the reviews still resulted in a 100% Rotten Tomatoes score.
Two weeks ago, I had Car parked in the five spot over The Hand of God in my Oscar projections. On Wednesday, I had it just on the outside looking in at the #6 position after putting God back in. If any picture manages to disrupt the favored five, this might be the one to do it. I don’t foresee it having a chance to actually take the trophy. My Oscar Prediction posts for the films of 2021 will continue…
Wes Anderson’s latest comedy The French Dispatch is being delivered to 52 theaters on October 22nd before its wide release the following weekend. The anthology pic arrives a year after its COVID delay. It received a premiere at the Cannes Film Festival over the summer.
Like most of his unique tales, Dispatch features a massive cast (many of whom have appeared in multiple previous works from the director). That list includes Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothee Chalamet, Lyna Khoudri, Mathieu Amalric, Stephen Park, Owen Wilson, Anjelica Huston, Elisabeth Moss, Liev Schrieber, Willem Dafoe, Edward Norton, Fisher Stevens, Henry Winkler, Bob Balaban, Rupert Friend, Griffin Dunne, and three actors from No Time to Die (Lea Seydoux, Jeffrey Wright, and Christoph Waltz).
There is no question that Anderson has an ardent fanbase. However, there’s some drawbacks. Reviews are not quite up to the level of other features like Moonrise Kingdom or The Grand Budapest Hotel. The Rotten Tomatoes score is 79% and it is not thought to be an awards contender. That’s unlike his previous live-action film Hotel, which was nominated for nine Oscars and won four. It ended up with $59 million domestically after a long and leggy run in multiplexes. This might be fortunate to nab a couple of tech nods from the Academy.
Dispatch‘s wide release on October 29th comes with caveats in terms of my prediction. I have yet to see a theater count and that could easily alter my projection once known. However, I’m leaning towards this being one of Anderson’s lesser earning titles. This is somewhat of a placeholder estimate, but I’ll say $3-5 million seems likeliest.
The French Dispatch opening weekend prediction: $3.8 million
French director Celine Sciamma’s 2019 historical romance Portrait of a Lady on Fire turned plenty of heads upon its release. Its accolades included the Palme d’Or at the Cannes Film Festival and a nod for Best Foreign Language Film at the Golden Globes.
Her follow-up is the family drama Petite Maman, which premiered this spring in Berlin and was released overseas in the summer. Reviews for the feature are mostly glowing and it stands at 96% on Rotten Tomatoes.
If France selects Maman for representation in International Feature Film, it could achieve something that Portrait did not – a nomination in that category. Two years ago, the French chose to go with Les Miserables instead and it did make the final cut (losing to juggernaut Parasite).
A nod is certainly feasible, though this race has plenty of major contenders including A Hero, Flee, The Worst Person in the World, and The Hand of God. Whether there’s room for Sciamma’s latest is certainly a question mark at the moment. My Oscar Prediction posts for the films of 2022 will continue…
It’s a wrap for the Toronto Film Festival as prognosticators awaited the naming of the People’s Choice Award. Why? It has become one of the most reliable indicators for a movie nabbing a Best Picture nomination from the Academy.
As in – 12 of the latest 13 victors have done so. Five have gone onto win the big prize: 2008’s Slumdog Millionaire, 2010’s The King’s Speech, 2013’s 12 Years a Slave, 2018’s Green Book, and last year’s Nomadland. That’s one heckuva track record.
When Kenneth Branagh’s black and white coming-of-age drama Belfast premiered at Telluride and reached Toronto, it became somewhat of a surprise awards contender. Yet coming into today, it was not an unexpected development for it to take the People’s trophy.
Belfast was listed at #4 in my BP possibilities last Sunday. I can guarantee it will rank higher when I update my projections tomorrow. Simply put, Belfast can be written in pen with your ten nominees in the BP derby.
Toronto also has runners-up. They were the Canadian drama Scarborough (which shouldn’t factor into Oscar chatter) and Jane Campion’s The Power of the Dog (which certainly will). Campion already took directing honors at Cannes for Dog and the Toronto appreciation solidifies her latest as a major player. Don’t be shocked if Belfast and Dog are listed at 1-2 tomorrow and perhaps not in that order.
Bottom line: Belfast has been moving up the charts and what occurred this evening keeps it moving in the right direction.
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