Steve McQueen’s Occupied City, based on buzz out of Cannes, may not be the best documentary we’ll see in 2023. It certainly sounds like it’s the most documentary. Clocking in at about four and a half hours, it tells dual stories of Amsterdam from its Nazi occupation in WWII and its last few years during the pandemic.
A decade ago, the filmmaker’s 12 Years a Slave was crowned Best Picture (while McQueen himself lost the directorial race to Alfonso Cuarón for Gravity). His lone theatrical follow-up is 2018’s Widows. McQueen’s anthology series Small Axe from 2020 was critically heralded on the small screen and the historical drama Blitz with Saorise Ronan is on the way.
The plaudits for his body of work hasn’t fully extended to City. The Rotten Tomatoes meter early on is 67%. A common complaint is its length and stodginess. I don’t see this occupying one of the five spots in Documentary Feature a few months down the road. My Oscar Prediction posts will continue…
The Cannes Film Festival is underway and if history is any guide, we will see Best Picture contenders emerge from the south of France over the next few days. Just last year, Palme d’Or winner Triangle of Sadness was one of the Academy’s 10 BP hopefuls. Two films playing out of competition (Elvis and Top Gun: Maverick) ended up in competition at the Oscars. Keep an eye on this blog for coverage of all the Cannes pics and their awards viability.
It starts with Jeanne du Barry. The 18th-century set French drama comes from Maïwenn, who directs herself in the title role. Domestically the premiere is generating lots of attention for one particular costar – Johnny Depp as King Louis XV (attempting a comeback after the trials of the past few years). Other costars include Benjamin Lavernhe, Pierre Richard, Melvin Poupaud, Pascal Greggory, India Hair, and Noémie Lvovsky.
The first handful of reviews are mostly positive though hardly gushing with an early Rotten Tomatoes score of 80%. France could peg it as their selection in International Feature Film, but I wouldn’t be surprised if they ultimately choose not to.
I don’t see this as much of a player at the Oscars… with one exception. Praise for the costume design leads me to think it could nab one of those five slots (whether it’s up in any other race or not). My Oscar Prediction posts will continue…
My second round of ranked predictions in the six major categories for the 96th Academy Awards comes two days before the 76th Annual Cannes Film Festival gets underway in the south of France. It will conclude on May 27th and you can expect my third round of forecasts shortly thereafter.
At Cannes, we will receive our first reviews and buzz for numerous heavy hitters. Those pictures include Martin Scorsese’s Killers of the Flower Moon, May December from Todd Haynes, Wes Anderson’s Asteroid City, Jonathan Glazer’s The Zone of Interest, Monster from Hirokazu Kore-eda, Firebrand with Alicia Vikander, Pixar’s Elemental, and Indiana Jones and the Dial of Destiny.
Here is my pre-Cannes outlook on Picture, Director, and the four acting derbies and let’s see how this gets shook up in a couple of weeks!
BEST PICTURE
Predicted Nominees:
1. Killers of the Flower Moon (Previous Ranking: 1) (Even)
2. Past Lives (PR: 2) (E)
3. The Color Purple (PR: 3) (E)
4. Dune: Part Two (PR: 4) (E)
5. Oppenheimer (PR: 5) (E)
6. Poor Things (PR: 6) (E)
7. Saltburn (PR: 7) (E)
8. The Holdovers (PR: 12) (+4)
9. Air (PR: 9) (E)
10. May December (PR: 10) (E)
Other Possibilities:
11. Maestro (PR: 11) (E)
12. Barbie (PR: 14) (+2)
13. Blitz (PR: 13) (E)
14. Challengers (PR: 8) (-6)
15. The Zone of Interest (PR: Not Ranked)
16. Bob Marley: One Love (PR: 15) (-1)
17. Flint Strong (PR: 19) (+2)
18. Napoleon (PR: 16) (-2)
19. The Killer (PR: 21) (+2)
20. Rustin (PR: 20) (E)
21. The Nickel Boys (PR: 24) (+3)
22. The Book of Clarence (PR: 17) (-5)
23. Ferrari (PR: 23) (E)
24. Strangers (PR: 18) (-6)
25. Asteroid City (PR: 22) (-3)
Dropped Out:
The Bikeriders
BEST DIRECTOR
Predicted Nominees:
1. Martin Scorsese, Killers of the Flower Moon (PR: 1) (E)
2. Celine Song, Past Lives (PR: 3) (+1)
3. Denis Villeneuve, Dune: Part Two (PR: 2) (-1)
4. Blitz Bazawule, The Color Purple (PR: 5) (+1)
5. Yorgos Lanthimos, Poor Things (PR: 6) (+1)
Other Possibilities:
6. Christopher Nolan, Oppenheimer (PR: 4) (-2)
7. Emerald Fennell, Saltburn (PR: 7) (E)
8. Todd Haynes, May December (PR: 9) (+1)
9. Alexander Payne, The Holdovers (PR: 13) (+4)
10. Greta Gerwig, Barbie (PR: 10) (E)
11. Ben Affleck, Air (PR: 12) (+1)
12. Steve McQueen, Blitz (PR: 11) (-1)
13. Bradley Cooper, Maestro (PR: 14) (+1)
14. Jonathan Glazer, The Zone of Interest (PR: Not Ranked)
15. Ridley Scott, Napoleon (PR: Not Ranked)
Dropped Out:
Luca Guadagnino, Challengers
David Fincher, The Killer
BEST ACTRESS
Predicted Nominees:
1. Fantasia Barrino, The Color Purple (PR: 1) (E)
2. Greta Lee, Past Lives (PR: 2) (E)
3. Emma Stone, Poor Things (PR: 4) (+1)
4. Jessica Lange, Long Day’s Journey Into Night (PR: 7) (+3)
5. Natalie Portman, May December (PR: 5) (E)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 6) (E)
7. Carey Mulligan, Maestro (PR: 9) (+2)
8. Zendaya, Challengers (PR: 3) (-5)
9. Saoirse Ronan, Blitz (PR: 8) (-1)
10. Regina King, Shirley (PR: 11) (+1)
11. Kate Winslet, Lee (PR: 15) (+4)
12. Annette Bening, Nyad (PR: 12) (E)
13. Sandra Hüller, The Zone of Interest (PR: Not Ranked)
14. Ryan Destiny, Flint Strong (PR: 14) (E)
15. Amy Adams, Nightbitch (PR: 10) (-5)
Dropped Out:
Aunjanue Ellis, The Nickel Boys (moved to Supporting)
BEST ACTOR
Predicted Nominees:
1 . Colman Domingo, Rustin (PR: 1) (E)
2. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (E)
3. Barry Keoghan, Saltburn (PR: 3) (E)
4. Paul Giamatti, The Holdovers (PR: 9) (+5)
5. Bradley Cooper, Maestro (PR: 6) (+1)
Other Possibilities:
6. Cillian Murphy, Oppenheimer (PR: 7) (+1)
7. Teo Yoo, Past Lives (PR: 4) (-3)
8. Kingsley Ben-Adir, Bob Marley: One Love (PR: 8) (E)
9. Matt Damon, Air (PR: 14) (+5)
10. Joaquin Phoenix, Napoleon (PR: 10) (E)
11. Anthony Hopkins, Freud’s Last Session (PR: 11) (E)
12. Mike Faist, Challengers (PR: 5) (-7)
13. Ed Harris, Long Day’s Journey Into Night (PR: Not Ranked)
14. John David Washington, The Piano Lesson (PR: Not Ranked)
15. Andrew Scott, Strangers (PR: Not Ranked)
Dropped Out:
Andre Holland, The Actor
Paul Mescal, Strangers (moved to Supporting)
Adam Driver, Ferrari
BEST SUPPORTING ACTRESS
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 4) (+1)
4. Da’Vine Joy Randolph, The Holdovers (PR: 7) (+3)
5. Viola Davis, Air (PR: 6) (+1)
Other Possibilities:
6. Julianne Moore, May December (PR: 3) (-3)
7. Rosamund Pike, Saltburn (PR: 5) (-2)
8. Audra McDonald, Rustin (PR: 8) (E)
9. Lashana Lynch, Bob Marley: One Love (PR: 9) (E)
10. Tilda Swinton, The Killer (PR: 13) (+3)
11. Aunjanue Ellis, The Nickel Boys (PR: Not Ranked, moved from lead)
12. Claire Foy, Strangers (PR: 11) (-1)
13. Danielle Deadwyler, The Piano Lesson (PR: 10) (-3)
14. Jodie Foster, Nyad (PR: 15) (+1)
15. Rebecca Ferguson, Dune: Part Two (PR: Not Ranked)
Dropped Out:
Jodie Comer, The Bikeriders
Moon Seung-ah, Past Lives
BEST SUPPORTING ACTOR
Predicted Nominees:
1. Jesse Plemons, Killers of the Flower Moon (PR: 1) (E)
2. Willem Dafoe, Poor Things (PR: 2) (E)
3. John Magaro, Past Lives (PR: 5) (+2)
4. Robert De Niro, Killers of the Flower Moon (PR: 3) (-1)
5. Samuel L. Jackson, The Piano Lesson (PR: 4) (-1)
Other Possibilities:
6. Ryan Gosling, Barbie (PR: 7) (+1)
7. Ben Affleck, Air (PR: 12) (+5)
8. Charles Melton, May December (PR: 6) (-2)
9. Mark Ruffalo, Poor Things (PR: 11) (+2)
10. Colman Domingo, The Color Purple (PR: Not Ranked)
11. Richard E. Grant, Saltburn (PR: 8) (-3)
12. Jeremy Strong, Maestro (PR: Not Ranked)
13. Brian Tyree Henry, Flint Strong (PR: 10) (-3)
14. Ben Foster, Long Day’s Journey Into Night (PR: Not Ranked)
Swedish satirist Ruben Östlund’s direction of Triangle of Sadness is next up in my Case Of posts for the directors vying for the Oscar.
The Case for Ruben Östlund:
After garnering acclaim for Force Majeure (2014) and 2017’s The Square (which nabbed a foreign language feature nod), his English-language debutcornered three noms in Picture, Director, and Original Screenplay. It generated buzz early when it took the Palme d’or at Cannes. The admiration for the film led to his surprise inclusion in the filmmaking quintet.
The Case Against Ruben Östlund:
In Best Director, there is usually a surprise nominee. That’s Östlund this time. The downside is that the surprise nominee doesn’t win. He wasn’t up in any of the key precursors like DGA, Golden Globes, or Critics Choice Awards.
Other Nominations:
None for direction
Foreign Language Film (The Square; 2017); Original Screenplay (Triangle of Sadness; 2022)
The Verdict:
Of the five hopefuls in the race, Östlund stands the fifth best (so… worst) chance at nabbing the statue.
My Case Of posts will continue with Michelle Williams in The Fabelmans!
The other entries for the Best Director contenders can be accessed here:
Ruben Östlund’s Triangle of Sadness is the penultimate Case Of post for the ten Best Picture nominees at this year’s Academy Awards.
The Case for Triangle of Sadness:
The Swedish filmmaker’s satire targeting the mega-rich began gathering buzz when it played at Cannes and received the Palme d’Or. That made it just the second feature in the 21st century to receive the top Cannes prize and nab a BP nod. The other is Parasite and it won BP three years ago. Östlund was a surprise nominee in Director which could indicate this is stronger than anticipated.
The Case Against Triangle of Sadness:
It hasn’t exactly cleaned up in the precursors. At Critics Choice, it had a sole mention for Best Comedy. There were two Globe noms for Motion Picture – Musical or Comedy and Dolly de Leon in Supporting Actress (the Academy left her off). The three BAFTA inclusions (de Leon, Original Screenplay, Casting) don’t include Picture. Furthermore, Triangle has yet to win any of these.
Other Nominations:
Director (Östlund), Original Screenplay
The Verdict:
Despite its maker unexpectedly making the directorial quintet, Triangle appears on course for an 0 for 3 performance on Oscar night.
My Case Of posts will continue with Women Talking!
Previous write-ups for the BP hopefuls can be accessed here:
Tarik Saleh’s political thriller Cairo Conspiracy (known as Boy from Heaven in other areas of the globe) is Sweden’s submission for International Feature Film at the Oscars. Following its premiere at Cannes in early summer, Saleh took the Best Screenplay prize. With shortlists being announced last week, it’s one of 15 foreign entries vying for 5 slots.
Cairo isn’t quite as acclaimed as some other hopefuls with its 71% Rotten Tomatoes score. The Swedes, on the other hand, are pretty crafty at getting their pics nominated. There’s been two in the past decade with 2016’s A Man Called Ove and 2017’s The Square. You do have to go back a ways to find the previous winner in 1983’s Fanny and Alexander.
It was a question mark whether Conspiracy would even make the shortlist. I suspect it won’t be seen in the eventual quintet despite its country’s previous successes. My Oscar Prediction posts will continue…
The nation of Morocco has submitted a total of 18 pictures for consideration from 1977 to the present in the Academy’s International Feature Film race. Only two have made the shortlist – 2011’s Omar Killed Me and this year’s The Blue Caftan. They’re hoping the latter is the first to make the final five.
Maryam Touzani’s relationship drama starring Lubna Azabal and Saleh Bakri premiered at Cannes back in May to appreciative reviews. The Rotten Tomatoes meter is at 93%. Her previous film Adam from 2019 was also Morocco’s designee for IFF, but didn’t make the shortlist like her sophomore feature length effort.
Of the 15 features vying for five spots, I didn’t have Caftan in the top ten for possibilities when I updated my projections last weekend. This will likely remain the case in my next forecast. In the international competition, there’s always the possibility for a surprise. It happened last year with Lunana: A Yak in the Classroom. Caftan could do the same though I wouldn’t count on it. My Oscar Prediction posts will continue…
My Year Of posts focused on six performers who gave audiences a memorable 2022 culminates with what I’ll consider the Utility Player prize. This goes to a character actor who improves the viewing experience of the projects they’re in. We could coin it the Patricia Clarkson or J.T. Walsh Award.
This year, I’m giving it to Hong Chau. Five years ago, she received Golden Globe and Critics Choice nominations for her supporting part in Alexander Payne’s Downsizing. An Oscar nod was expected to follow, but didn’t materialize.
In the half decade since, she’s been seen more in small screen material. That changed in ’22 with two critically heralded roles in Darren Aronofsky’s The Whale and Mark Mylod’s The Menu. For the former, her Liz (caretaker and confidant to Brendan Fraser’s lead) could mark Chau’s first Academy recognition. For the latter, her Elsa (second in command to the sadistic chef played by Ralph Fiennes) was a highlight in a terrific cast.
At the Cannes Film Festival in May, another Chau performance received acclaim. Kelly Reichardt’s Showing Up features her with Michelle Williams in a dramedy that sports a 95% Rotten Tomatoes score. It’ll be released stateside in 2023. So will Wes Anderson’s Asteroid City where she’ll be part of his typical impressive ensemble that includes Tom Hanks, Tilda Swinton, Margot Robbie, Edward Norton, and many more. Chau is also cast in Yorgos Lanthimos’s And with Emma Stone, Jesse Plemons, Willem Dafoe, and Margaret Qualley.
Among all those well-known filmmakers and stars, Chau stands out and earns a final slot in the Year Of write-ups.
Return to Seoul centers on a young woman’s journey to her native South Korea about being raised in France. Danny Chou’s drama is actually Cambodia’s submission for International Feature Film at the Oscars. MUBI and Sony Pictures Classics picked up distribution rights following its Cannes premiere over the summer. It came out in limited release domestically over the weekend. The cast includes Ji-Min Park, Oh Kwang-rok, Guka Han, and Kim Sun-young.
Reviews out of the French Riviera and in recent days are quite glowing. The Rotten Tomatoes score is 97% with some critics claiming it’s among the best of 2022.
I’m a little surprised this isn’t generating more Oscar buzz, but there’s still time. Part of that could be Cambodia’s track record at the ceremony. Out of 10 previous hopefuls, only one (2013’s The Missing Picture) made the cut of five. I haven’t had Return to Seoul in my top 10 contenders yet. Let’s see if the chatter picks up and I wouldn’t be shocked if it does. If so, it’s not outside the realm of possibility that Cambodia could have a second picture that doesn’t miss. My Oscar Prediction posts will continue…
Despite submitting 10 pictures for consideration (including eight from 2013-20), the nation of Pakistan has yet to receive a nomination in the International Feature Film Oscar race. Could that change with Joyland?
The directorial debut of Saim Sadiq, the family drama won the Jury Prize when it premiered at the Cannes Film Festival in May. It also picked up a nod for Best International Film at the Independent Spirit Awards earlier this week. The Rotten Tomatoes score is 100%.
We have plenty of potential heavy hitters in IFF for 2022 including likely frontrunners All Quiet on the Western Front and Decision to Leave. Pakistan has a non-existent track record of making the eventual cut, but Joyland might be its most promising contender so far. I haven’t listed it in my top five (or even top 10 yet), but I wouldn’t completely discount its viability. My Oscar Prediction posts will continue…
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