Chicken for Linda! premiered in France at the Cannes Film Festival close to a year ago. The 73 minute hand-drawn animated effort comes from filmmakers Chiara Malta and Sébastien Laudenbach and it has finally arrived stateside after GKIDS nabbed distribution rights.
The bulk of reviews are fresh as evidenced by the 94% Rotten Tomatoes rating. That said, many of those write-ups are tempered in their flattery. GKIDS has shown an ability to their features nominated for Best Animated Feature, including seven in the past decade alone (the most recent being their first winner The Boy and the Heron). Therefore I certainly wouldn’t count Chicken out though the studio is expected to have more at bats coming later in 2024. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fifth filmmaker in Best Director and that’s Justine Triet in Anatomy of a Fall. Let’s get to it!
Previous Oscar Directing Nominations:
None
The Case for Justine Triet:
The buzz for French legal drama Anatomy of a Fall started building when it won the Palme d’Or at Cannes last summer and culminated with five nominations, including BP. Triet nabbed a BAFTA nod as well.
The Case Against Justine Triet:
No DGA, Globe, or Critics Choice nomination. France also dropped the ball by not submitting Anatomy of a Fall as their International Film Feature pick (voters might’ve wanted to make up for that by honoring Triet with a slot in this race). As with any of the other four contenders in Director, they’re not named Christopher Nolan. He’s taken every precursor that counts for Oppenheimer.
The Verdict:
Triet could be an Oscar recipient a week from now… in Original Screenplay alongside her cowriter Arthur Harari.
My Case Of posts have concluded! Whew. That means my FINAL Oscar predictions are coming to the blog in short order…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. Cord Jefferson’s American Fiction kicked it off and now we arrive at Justine Triet’s Anatomy of a Fall. If you missed my facts and opinions about Fiction, you can find it here:
The awards buzz for the French legal drama began when it won the Palme d’Or at Cannes last summer and it never let up. Fall ended up nabbing 5 overall Academy noms – the others being Triet in Director, Sandra Hüller in Actress, Original Screenplay, and Film Editing. In addition to the Cannes love, it took the foreign feature prize at the Golden Globes and Critics Choice Awards.
The Case Against Anatomy of a Fall:
Due to a French blunder, it did not receive six nominations. That’s because the nation submitted The Taste of Things as their entry for International Feature Film. Oscar voters didn’t put Taste in their contending quintet. Had they gone with Anatomy, it would be the frontrunner or at worst co-frontrunner for that race over The Zone of Interest. That unforced error caused many to wonder whether this would even make the top ten in BP. Another obvious reason against: Parasite is the sole international title to take BP.
The Verdict:
Anatomy has a shot at Original Screenplay (it impressively took Screenplay at the Globes). As covered, it had a terrific shot at being the IFF recipient. It will not win Best Picture.
Maciek Hamela’s documentary In the Rearview follows the harrowing journey of Ukrainian refugees to Poland after the Russian invasion. It premiered at the Cannes Film Festival last summer and is now one of 15 shortlisted features in contention for Documentary Feature at the Oscars.
Having played the festival circuit over the past several months, Rearview sports a 100% RT score. It has not been much of a player with major precursors. 20 Days in Mariupol is higher profile and covers similar subject matter. It seen as a potential threat to win the Academy Award.
I have not had this in my top 10 of possibilities since the shortlist was unveiled. Don’t expect it to vault upwards before my final forecast later this week. My Oscar Prediction posts will continue…
Icelandic drama Godland premiered at Cannes all the way back in May of 2022, but didn’t release until 2023 in most regions. That’s what it’s on the shortlisted 15 for International Feature Film at the forthcoming Oscars. Hlynur Pálmason directs. His previous effort, 2019’s A White, White Day, was also Iceland’s submission for this category. However, it didn’t make the final 15 in contention.
Reviews for Godland are at 92% on RT. While it’s been picked up some kudos at regional festivals, it hasn’t shown up for any major Academy precursors like the Globes or Critics Choice. That makes me think it’s unlikely to be Iceland’s second competitor for this award behind 1991’s Children of Nature. My Oscar Prediction posts will continue…
Acclaimed German filmmaker Wim Wenders could have two bites at the Oscar apple in 2023. His fictional work Perfect Days is the Japanese entry for Best International Feature Film and it stands an excellent shot at making the eventual quintet.
The other possibility lies in the Documentary Feature race with Anselm. A 3D doc focused on painter and sculptor Anselm Kiefer, it premiered at the Cannes Film Festival earlier this year. It is scheduled for a limited stateside release on December 8th. Reviews thus far are mostly complimentary with an 89% Rotten Tomatoes meter.
However, I’m not convinced they’re quite sturdy enough. Anselm is a question mark in my view to even make the shortlist for inclusion. Lucky for its director, he has another movie in the mix with better odds. My Oscar Prediction posts will continue…
Documentarian Asmae El Moudir delves into her family history in The Mother of All Lies, a Moroccan effort that has played Cannes and Toronto to all positive reaction. With a 100% Rotten Tomatoes rating, I’m not sure the 7 reviews up at press time indicate that it will be a heavy awards player. There’s time for that to be rectified, but I’ll note the Critics Choice Association totally ignored it in their nominations this past week.
It is Morocco’s entry for Best International Feature Film and the odds are likely long for inclusion. The submitting nation has yet to receive a nomination despite 18 tries since 1977. If Lies gets recognized by the Academy, a nod in Documentary Feature is more realistic. I suspect 20 Days in Mariupol, which is Ukraine’s pick in IFF and Doc, stands a much better shot at the latter race than this. My Oscar Prediction posts will continue…
The three-hour heist dramedy The Delinquents from Argentina premiered at Cannes and has been traveling the fest circuit (Toronto, New York) since. From writer/director Rodrigo Moreno, it stars Daniel Elias and Esteban Bigliardi and is out in limited release this week.
Argentina has seen four of their efforts make the International Feature Film five in the 21st century: 2001’s Son of the Bride, 2009’s The Secret in Their Eyes (which won), 2014’s Wild Tales, and last year’s Argentina, 1985 (which may well have been runner-up to All Quiet on the Western Front).
With an 87% Rotten Tomatoes rating, don’t be surprised if this makes the shortlist in IFF. I’m more skeptical this becomes the fifth Argentinian entry to make the final cut. My Oscar Prediction posts will continue…
After a Cannes Film Festival premiere in May that instantly turned it into a major awards contender, Martin Scorsese’s Killers of the Flower Moon shines down on theaters October 20th. It marks the legendary filmmaker’s sixth collaboration with Leonardo DiCaprio and tenth with Robert De Niro. Lily Gladstone is third lead and she’s generating Oscar buzz along with her aforementioned costars. The supporting cast includes Jesse Plemons, Tantoo Cardinal, John Lithgow, and Brendan Fraser.
Based on David Grann’s 2017 novel, the reported $200 million production was picked up by Apple TV. They chose to go the theatrical route with the three and a half hour epic (Scorsese’s predecessor The Irishman went straight to Netflix).
This summer, adults turned out in full force for Oppenheimer (as in close to a billion worldwide). A lot of moviegoers who made the trek to see Christopher Nolan’s potential Best Picture winner do the same with this potential BP recipient. My forecast puts in the upper region of its expected range. That would be close to $30-35 million and don’t be shocked if it gets past that.
Killers of the Flower Moon opening weekend prediction: $32.7 million
The period piece Western The Settlers marks the debut directorial effort from Felipe Gálvez Haberle and it is the Chilean pick for Best International Feature Film at the Oscars. It premiered at the Cannes Film Festival and has continued to play the circuit in Toronto.
All reviews on Rotten Tomatoes are positive at 100%. I’m not quite sure they’re glowing enough that it makes the final quintet in IFF (though it’s not totally out of the question). Chile has had one winner in the 21st century with A Fantastic Woman and one other nominee in 2012 with No. This would mark the third, but I’m not confident the voters will say yes. My Oscar Prediction posts will continue…
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