Box Office Predictions: October 17-19

A trio of new pictures open this Friday to try and end the two week reign of Gone Girl at the top spot: Brad Pitt’s World War II actioner Fury, the Nicholas Sparks adapted romantic drama The Best of Me, and the animated tale The Book of Life. You can read my detailed posts on each here:

https://toddmthatcher.com/2014/10/12/fury-box-office-prediction/

https://toddmthatcher.com/2014/10/12/the-best-of-me-box-office-prediction/

https://toddmthatcher.com/2014/10/12/the-book-of-life-box-office-prediction/

It’s hard to imagine Fury not having enough firepower to debut at #1, though The Best of Me or The Book of Life or both could surpass expectations. The real battle could be for the runner-up position as Gone Girl is likely to suffer a small decline and Best and Book should open in the same range.

As for other holdovers, I expect Alexander and Terrible, Horrible, No Good, Very Bad Day to experience a slimmer decline than current #2 Dracula Untold.

And with that, we’ll do a top six projections for the weekend:

1. Fury

Predicted Gross: $26.4 million

2. The Best of Me

Predicted Gross: $17.8 million

3. Gone Girl

Predicted Gross: $17.6 million (representing a drop of 33%)

4. The Book of Life

Predicted Gross: $15.6 million

5. Alexander and the Terrible, Horrible, No Good, Very Bad Day

Predicted Gross: $12.5 million (representing a drop of 32%)

6. Dracula Untold

Predicted Gross: $10.7 million (representing a drop of 54%)

Box Office Results (October 10-12)

David Fincher’s Gone Girl held off newcomers to remain atop the charts for the second week in a row. The water cooler hit based on Gillian Flynn’s novel took in $26.4 million, ahead of my $24.2M prediction and has amassed a terrific $77 million in ten days.

Dracula Untold had a robust beginning to the tune of $23.5 million, well beyond my meager $14.4M estimate. The pic is likely to fade rather quickly, but Universal Pictures has good reason to be pleased with its results.

The family comedy Alexander and its long title of a bad day debuted healthily with $18.3 million, right in range with my $18.7M prediction. The Steve Carell pic should hold up decently in subsequent weekends.

Horror spinoff Annabelle, as expected, dropped precipitously after its strong opening last weekend. It earned $15.8 million, barely above my $14.8M projection. It’s made $61 million so far.

Despite star Robert Downey Jr.’s relentless promotion last week, The Judge had difficulty luring viewers. It grossed just $13.1 million, below my $16.4M estimate. Mixed reviews may have kept some adult viewers away.

Finally, the steamy drama Addicted posted an impressive $7.4 million on a limited number of screens for a seventh place start. This outshined my $4.5M prediction.

That’s all for now, friends!

Fury Box Office Prediction

Five years ago, the combination of Brad Pitt and World War II produced robust box office results with Inglourious Basterds. We’ll see if lightning strikes twice in Fury, opening Friday. The WWII action pic comes from End of Watch director David Ayer. Pitt headlines alongside supporting players Shia LaBeouf, Logan Lerman, Michael Pena, and Jason Isaacs.

Of course, the aforementioned Basterds (which debuted to $38 million) had the advantage of having Quentin Tarantino and Oscar buzz – something Fury has neither of. The pic was originally thought to be an awards contender, but mixed reviews have rendered that mute (it stands at a respectable 63% on Rotten Tomatoes).

Fury still should succeed at attracting the primarily male action crowd and it shouldn’t have a problem debuting at #1 next weekend. Some estimates put this at getting above $30M, but I’m skeptical. A mid 20s debut similar to what Captain Phillips accomplished last October seems most likely.

Fury opening weekend prediction: $26.4 million

For my prediction on The Best of Me, click here:

https://toddmthatcher.com/2014/10/12/the-best-of-me-box-office-prediction/

For my prediction on The Book of Life, click here:

https://toddmthatcher.com/2014/10/12/the-book-of-life-box-office-prediction/

Oscar History: 2008

The 2008 Oscars will likely go down as the final year when only five films would compete in the granddaddy category of them all, Best Picture. The following year, the Academy would change it to ten and a couple years after that, developed a formula where anywhere from 5-10 movies could be recognized.

Many believe the reason is 2008’s exclusion of the critically lauded superhero sequel The Dark Knight, which had become the year’s highest grossing feature and was considered a major milestone in the burgeoning genre. Yet with the exception of its acclaimed Joker, Knight was shut out in the major categories.

Best Picture instead went to a true “little movie that could” – Danny Boyle’s out of nowhere critical and audience pleaser Slumdog Millionaire.

It would win out over David Fincher’s The Curious Case of Benjamin Button, Ron Howard’s Frost/Nixon, Gus Van Sant’s Milk, and Stephen Daldry’s The Reader. It is a bit surprising that Oscar voters left out Knight and I would put forth that a decent argument could also be made for Jon Favreau’s Iron Man, which also stands as a creative high point in the comic book canon of movies.

In the Best Director category, it was a rare example of the five nominated auteurs matching the Picture nominees and Boyle would take home the gold over Fincher, Daldry, Van Sant, and Howard. Once again, Christopher Nolan would be on the outside looking in for his Knight direction.

Sean Penn would win his second Best Actor statue (2003’s Mystic River being the first) for playing gay activist Harvey Milk in Milk.

Other nominees: Richard Jenkins in The Visitor, Frank Langella in Frost/Nixon, Brad Pitt in Benjamin Button, and Mickey Rourke in a career comeback role as The Wrestler.

Certainly Christian Bale as Bruce Wayne/Batman and Robert Downey, Jr. as Tony Stark/Iron Man could have been considered along with Leonardo DiCaprio in Revolutionary Road, Clint Eastwood in Gran Torino, and the Slumdog Millionaire himself Dev Patel.

After a number of nominations with no victories, Kate Winslet would win Best Actress for The Reader, beating out Anne Hathaway (Rachel Getting Married). Angelina Jolie (Changeling), Melissa Leo (Frozen River), and the omnipresent Meryl Streep (Doubt).

It was a bit surprising to see Cate Blanchett’s work in Benjamin Button go unrecognized.

The Dark Knight would win its Oscar with the late Heath Ledger taking Supporting Actor as the Joker. Other nominees: Josh Brolin (Milk), Robert Downey Jr. (Tropic Thunder), Philip Seymour Hoffman (Doubt), and Michael Shannon (Revolutionary Road).

While it was refreshing to see the Academy nominate a comedic performance like Downey’s in Tropic Thunder, an equally good argument could have been made for Tom Cruise’s role in that picture. Same goes for James Franco’s exemplary work as a stoner in Pineapple Express.

Woody Allen has directed several actresses to Supporting Actress wins and he did it again with Penelope Cruz in Vicky Christina Barcelona.

She would be victorious over Amy Adams in Doubt, Viola Davis – also for Doubt, Taraji P. Henson in Benjamin Button, and Marisa Tomei for The Wrestler.

I might’ve found room for Frances McDormand in the Coen Brothers Burn After Reading.

And that’s all for now on the Oscar History front! I’ll be back with 2009 in the near future…

Todd’s Early Oscar Predictions: Best Actor

Day 4 is here with my initial round of Oscar predictions and we’re at Best Actor. Interestingly, the seventeen actors I have listed as possibilities have never won the award previously. As with the other categories, I am listing my five predicted nominees along with others who could find themselves in the mix. To peruse my other posts covering the Supporting races and Actress, you can find them here:

https://toddmthatcher.com/2014/08/31/todds-early-oscar-predictions-best-actress/

https://toddmthatcher.com/2014/08/30/todds-early-oscar-predictions-best-supporting-actor/

https://toddmthatcher.com/2014/08/29/todds-early-oscar-predictions-best-supporting-actress/

When I did my first estimates for 2013, it yielded only two of the five eventual nominees including winner Matthew McConaughey. Let’s get to it:

Todd’s Early Predictions for Best Actor

Steve Carell, Foxcatcher

Benedict Cumberbatch, The Imitation Game

Michael Keaton, Birdman

Joaquin Phoenix, Inherent Vice

Eddie Redmayne, The Theory of Everything

 

Other Possibilities:

Ben Affleck, Gone Girl

Chadwick Boseman, Get On Up

Bradley Cooper, American Sniper

Ralph Fiennes, The Grand Budapest Hotel

Jake Gyllenhall, Nightcrawler

Oscar Isaac, A Most Violent Year

Bill Murray, St. Vincent

Jack O’Connell, Unbroken

David Oyelowo, Selma

Brad Pitt, Fury

Timothy Spall, Mr. Turner

Channing Tatum, Foxcatcher

We’ll get to Best Director tomorrow and Picture on Wednesday!

World War Z Movie Review

Last summer’s World War Z was met with Waterworld type expectations upon its release. The vast majority of its publicity was negative. Stories of a troubled production, cost overruns, and script problems were abundant. What happened? It turned into a massive worldwide hit with a sequel on the way. It’s also star Brad Pitt’s highest grossing film ever.

For a picture that was looked at as a potential disaster which was apparently plagued with issues during the shooting, you’d never know it while viewing it. Loosely based on Max Brooks’s (son of Mel) bestseller, World War Z excels in taking your typical zombie movie clichés but expanding them on a big-budget, global scale. Pitt is Gerry Lane, a former UN investigator turned stay at home father. When a mysterious pandemic breaks out with people being infected with zombie-like symptoms, Gerry is recruited to go on a mission to find the outbreak’s origin and a potential cure. He does so reluctantly only after being told his family’s safety is not guaranteed if he doesn’t. Gerry’s new life of Dad and chief pancake maker is history.

The movie doesn’t take long at all to get revved up with a giant action spectacle scene set in Philadelphia. Gerry’s journey takes him to South Korea, Jerusalem, and Wales within a short period of time – probably around the number of continents that Brad Pitt and family visit in one week’s time. Along the way, he finds a female Israeli guard to help him and comes across a corrupt CIA agent (creepily portrayed by David Morse) who has his own ideas on how to stop the virus.

The first two-thirds of World War Z are shot on an epic scale with big action scenes directed quite well by Marc Forster. This is a bit of a surprise considering his handling of action in the Bond pic Quantum of Solace was mediocre. The final acts opt for more claustrophobic locations and this is a wise decision by the filmmakers. If the pic had kept moving along at its large scale, it might’ve become routine. Instead the audience is treated to a truly suspenseful airplane scene and the finale at the Welsh WHO research facility where Gerry’s surprisingly plausible explanation for how to stop the virus is tested. Rather than explosions and widespread mayhem with hundreds of zombie extras chasing our hero down, it is one zombie and his chattering teeth that memorably keep us on the edge of our seats.

Of course, there are clichés we expect to see in zombie flicks and most are present here. It even features the latest zombie cliché craze where the zombies are FAST, like in 28 Days Later and the Dawn of the Dead remake. It makes for better action scenes and World War Z has plenty of them. Then there’s Gerry’s daughter who has asthma – because in films like this, there must be an asthmatic child. That said, signs of a difficult production don’t make it to the screen. World War Z is a tremendous amount of fun and ranks high on the scale of Z features.

***1/2 (out of four)

Summer 2004: The Top Ten Hits and More

As we’re moving deep into the 2014 Summer Movie Season – on this here blog I’ve been reflecting on what has come in the summers before us. Days ago, I wrote a post reflecting on the hits, notable pictures, and flops from 20 years ago in 1994. Today – we focus on the season from a decade ago with 2004’s summer entries.

We’ll start with the Top Ten, but what is notable is some of the comedies that weren’t on that list that spawned endless catchphrases and became massive cult classics:

Onto the Top Ten:

10. Dodgeball: A True Underdog Story

Domestic Gross: $114 million

Vince Vaughn and Ben Stiller teamed up for this well-received sports comedy which received 70% positive support on Rotten Tomatoes. While this was a solid hit, Vaughn’s biggest comedy would come one summer later with a certain pic costarring Owen Wilson.

9. Fahrenheit 9/11

Domestic Gross: $119 million

It’s not often you see a documentary in the top ten summer hits, but in the summer of 2004 the country was focused on an upcoming Presidential election between Bush and Kerry. Michael Moore’s examination of the Iraq War struck a chord with viewers and became the highest grossing documentary of all time.

8. Van Helsing

Domestic Gross: $120 million

Don’t let its #8 ranking fool you because Van Helsing starring Hugh Jackman was considered a major flop upon release. With a reported $160 million budget, it couldn’t recoup that stateside and a potential franchise for Jackman stalled immediately. Good thing he’s got another character he can go back to time and time again.

7. Troy

Domestic Gross: $133 million

Wolfgang Peterson’s Trojan War saga starring Brad Pitt, Orlando Bloom, and Eric Bana under performed a bit domestically (with its reported $175 million budget) but made it up overseas.

6. I, Robot

Domestic Gross: $144 million

While not reaching the heights of his previous summer hits Independence Day or Men in Black – Will Smith’s I, Robot did respectable business. Based on a short story by Isaac Asimov, it received mixed reviews from critics and a planned sequel never materialized.

5. The Bourne Supremacy

Domestic Gross: $176 million

Goodwill left over from the 2002 original The Bourne Identity propelled this Matt Damon sequel to gross over $50 million more than its predecessor. A third Bourne feature would follow three years later before Damon left the franchise and Jeremy Renner took over in 2012.

4. The Day After Tomorrow

Domestic Gross: $186 million

Roland Emmerich returned to doing what he does best (showing the world getting destroyed) and audiences rewarded him for it. Starring Dennis Quaid and Jake Gyllenhall, Tomorrow is the highest non-sequel on the list and it took in over half a billion worldwide.

3. Harry Potter and the Prisoner of Azkaban

Domestic Gross: $249 million

Alfonso Cuaron took over directing duties from Chris Columbus in this third franchise entry. While many (including myself) consider this the best of the series, it surprisingly has the lowest domestic gross of all eight Potter flicks.

2. Spider-Man 2

Domestic Gross: $373 million

Generally considered one of the best superhero movies of all time and the best of this particular franchise, Spider-Man 2 was a massive hit even though it couldn’t quite match the $403 million performance of the 2002 original.

1. Shrek 2

Domestic Gross: $441 million

DreamWorks Animation easily ruled the summer as the sequel featuring the vocal work of Mike Myers, Eddie Murphy, and Cameron Diaz took the top spot. Of the four Shrek entries, it is the biggest grosser and outshined its predecessor by nearly $180 million dollars.

Beyond the top ten, there are four particularly notable pictures which achieved major cult status:

14. Anchorman: The Legend of Ron Burgundy

It made a decent $85 million upon release, but as we all know, the Will Ferrell comedy has gone onto to becoming one of the most quoted flicks in memory. A 2013 sequel followed.

15. The Notebook

Based on the Nicholas Sparks novel, The Notebook caused audiences to fall in love with Ryan Gosling and Rachel McAdams and brought in $81 million.

27. Napoleon Dynamite

With a tiny $400,000 budget – the quirky comedy Napoleon Dynamite with Jon Heder came out of nowhere and posted a $44 million domestic gross. Like Anchorman, it became an endlessly quoted picture.

38. Harold and Kumar Go to White Castle

It made a meager $18 million upon release, but this stoner comedy became an instant cult classic and spawned two sequels.

And now we move to the flops of the summer:

21. The Stepford Wives

Frank Oz’s remake of the 1975 film cost $90 million to make and earned just $59 million. Critics weren’t impressed and audiences ignored the sci-fi comedy starring Nicole Kidman, Matthew Broderick, and Christopher Walken.

25. King Arthur

Training Day director Antoine Fuqua teamed up with Clive Owen and Keira Knightley for this retelling of the medieval legend. With a $120 million budget, Arthur tanked stateside with only $51 million.

29. Catwoman

Warner Bros. surely regrets spending $100 million on this critically lambasted Catwoman feature which starred Halle Berry and Sharon Stone. It earned only $40 million. The silver lining for the studio: one summer later, a certain Chris Nolan would reinvigorate their superhero fortunes with Batman Begins.

And that’s what was going on ten years at the multiplexes, my friends!

This Day in Movie History: December 29

Eighteen years ago on This Day in Movie History – December 29 – brought a trio of pictures opening for Oscar qualifying runs. While none of them were nominated for Best Picture, they all found varying degrees of success with their actors being nominated for awards.

First up, Terry Gilliam’s sci-fi pic 12 Monkeys starring Bruce Willis, Madeline Stowe, and Brad Pitt. It earned Oscar nominations for Mr. Pitt for Supporting Actor (his first nomination) and Costume Design. Pitt would lose in the category to Kevin Spacey for The Usual Suspects, but he did win the Golden Globe.

Next is Dead Man Walking, the capital punishment drama from director Tim Robbins starring Sean Penn and Susan Sarandon. It would earn nominations for Director, Actor, Actress, and Original Song with a title track from Bruce Springsteen. Only Sarandon was victorious while Penn would lose to Nicolas Cage for Leaving Las Vegas.

Finally, Mr. Holland’s Opus with its Oscar nominated performance from Richard Dreyfuss in this drama spanning the life of a music teacher. Dreyfuss’s work was the only Academy nomination, but the pic turned into an unexpected box office hit with an $82 million domestic haul.

As for birthdays today, Jude Law is 41. Mr. Law has worked with some of the greatest directors alive from Scorsese (The Aviator) to Spielberg (A.I.: Artificial Intelligence) to Eastwood (Midnight in the Garden of Good and Evil) to Nichols (Closer). Other notable roles include Gattaca, The Talented Mr. Ripley, Road to Perdition, Cold Mountain, Side Effects, and his work as Watson alongside Robert Downey Jr. in the two Sherlock Holmes flicks.

Danny McBride is 37 today and he’s one of the most recognizable faces in comedy over the past few years with roles in Pineapple Express, Tropic Thunder, Up in the Air, 30 Minutes or Less, Your Highness, and This is The End. There’s also his starring role in the HBO cult hit “Eastbound&Down”.

As for Six Degrees of Separation between the birthday performers:

Jude Law was in Sherlock Holmes with Robert Downey Jr.

Robert Downey Jr. was in Tropic Thunder with Danny McBride

And that’s today – December 29 – in Movie History!

Brad Pitt at 50: What’s Your Favorite Performance?

Like Johnny Depp before him this year, another major leading man from the past two decades hits the half century mark. Brad Pitt is 50 today with three Oscar nominations behind him and eleven pictures that have grossed over $100 million domestically. He’s worked with a number of directorial giants in his filmography: Ridley Scott, Quentin Tarantino, David Fincher, Barry Levinson, Tony Scott, the Coen Brothers, Steven Soderbergh, and Terry Gilliam. Just this year, Mr. Pitt had the biggest hit of his career with World War Z and has a supporting role in 12 Years a Slave, this year’s Oscar frontrunner.

If I had to create a top five movies he’s appeared in – it would probably include True Romance, Seven, 12 Monkeys, Fight Club, and Inglourious Basterds. In honor of Mr. Pitt’s 50 years, I ask you:

River Phoenix: 20 Years Later

Today marks 20 years ago that an incredibly promising acting career was cut tragically short due to drug addiction.

At the age of 23, Oscar nominee River Phoenix collapsed outside the Viper Room in Los Angeles due to a heroin and cocaine overdose. In just an eight year period, Phoenix had earned the status of one of the finest actors of his generation. His first film role came alongside a young Ethan Hawke in Joe Dante’s 1985 cult sci-fi flick Explorers.

By the following year, River really broke out with roles in Rob Reiner’s terrific Stand by Me and alongside Harrison Ford in the well-reviewed The Mosquito Coast.

In 1988, Mr. Phoenix received a Supporting Actor nod for his impressive work in Sidney Lumet’s Running on Empty, which is a picture well worth seeking out.

In 1989, Phoenix’s biggest commercial success would come in the opening scenes of Indiana Jones and the Last Crusade where he played a young Indy quite believably.

In 1991, he would costar with Keanu Reeves in Gus Van Sant’s acclaimed My Own Private Idaho, where he won the National Society of Film Critics Award for Best Actor. That same year he starred with Lili Taylor in the critical favorite Dogfight.

More commercial success would follow in 1992 with Sneakers, in which he played a supporting role alongside heavyweights Robert Redford, Ben Kingsley, and Sidney Poitier.

It’s hard to imagine, but River Phoenix would only be 43 years old if not for the fateful Halloween evening in 1993. There is little doubt that his career would have persisted onwards and upwards alonside contemporaries like Johnny Depp, Brad Pitt, and Leonardo DiCaprio.

The family legacy has certainly continued. It was River’s younger brother who placed the 911 call while River fought for his life. Joaquin Phoenix and his brilliant work in Walk the Line, The Master, and his Oscar buzzworthy turn in the upcoming Her carries on the tradition of great acting that his big brother started.

Box Office Results: October 25-27

The three-week domination of Alfonso Cuaron’s Gravity is over and it is Jackass Presents: Bad Grandpa becoming the only other #1 film in the month of October with an impressive debut. Grandpa earned $32 million in its debut, above my $28.3M prediction. This marks the second highest opening in the Jackass franchise and shows that the series hasn’t even come close to losing any steam.

Gravity fell to the #2 spot with $20.3 million in its fourth frame, slightly below my $21.2M prediction. It currently stands at $199 million and the possibility of reaching $300M domestic is still alive (especially when it starts earning Oscar nominations in the beginning of 2014).

In its third weekend, Paul Greengrass’s Captain Phillips with Tom Hanks was third with $11.8 million, slightly higher than my $10.9M estimate. Phillips stands at $70M and should cross the century mark later on.

Ridley Scott’s The Counselor could not capitalize on its all-star cast that included Michael Fassbender, Brad Pitt, Cameron Diaz, Penelope Cruz, and Javier Bardem. Riding a wave of mostly negative reviews, The Counselor flopped with only $8 million for a fourth place showing, well below my $13.8M prediction. Moviegoers were simply ambivalent about the pic and I have no doubt that the weak reviews certainly didn’t help.

The Carrie remake received zero help from the Halloween time frame and tumbled 63% in its sophomore frame with only $5.9 million – below my $7.6M estimate. This actually put the horror flick in sixth place and allowed the animated Cloudy with a Chance of Meatballs 2 to be #5 with $6.1M.

Outside of the top five, the acclaimed 12 Years a Slave was #8, grossing a robust $2.1 million on only 123 screens. The picture, which is looked at as an Oscar front runner, expands to more screens this Friday.

Be sure to check the blog later today when I’ll have prediction posts up for next weekend’s trio of newbies: Ender’s Game, Last Vegas, and Free Birds.